- Eadh-topics - lists.digitalhumanities.org

MUM 2025 CfP (Deadline Extension)
by Grootjen, Jesse 18 Aug '25

18 Aug '25

MUM 2025, the 24th International Conference on Mobile and Ubiquitous Multimedia Enna, Italy, December 1-4, 2025 MUM 2025, the 24th International Conference on Mobile and Ubiquitous Multimedia, will be held in Enna, Italy, December 1st –4th. MUM is an interdisciplinary forum for advances in research of mobile and ubiquitous multimedia systems, applications, and services. At MUM, academics and practitioners discuss challenges and achievements in this field from diverse perspectives, such as interaction techniques, user research, system development, software solutions, and devices. This edition of MUM aims to continue the tradition of innovation and excellence in research established by previous MUM conferences. We welcome submissions of high-quality papers that offer original and unpublished contributions relevant to mobile and ubiquitous multimedia. Paper topics include, but are not limited to, the following: * Prototypes and systems tackling relevant technical challenges * Novel applications for mobile and ubiquitous gaming, learning, entertainment, social networking, and advertising * Augmented, mixed, and virtual reality systems and applications * Case studies, field trials, or user experience evaluations of new applications and services * Context-aware and location-based mobile and ubiquitous services * Metrics and measures for evaluating and testing mobile and ubiquitous systems * Privacy and security-related challenges to multimedia systems * Social implications of mobile and ubiquitous multimedia systems * Interaction and collaboration with human-centered AI systems * Tools and development environments for building mobile, wearable, and ubiquitous multimedia systems * User interfaces, interaction design, and interaction techniques for mobile and ubiquitous systems * Interaction design for automotive and other modes of transportation * Fabrication and device prototyping Long & short papers summary: * Anonymous submissions (double-blind review) * Length (using LaTeX template or Word template): * Short papers: 7 pages maximum (excluding references) * Full papers: 16 pages maximum (excluding references) * Timeline (all deadlines are AoE): * Workshops and Tutorials Submission: August 21, 2025 * Paper (Short & Full): August 21, 2025 August 28, 2025 (Extended Deadline) * Paper Decision Notification: October 06, 2025 * Paper Camera-ready: October 20, 2025 * Upon acceptance: mandatory presentation at the conference For further details about the submission, the review and publication process, other available tracks, and general information about the conference and the venue, please go to: mum-conf.org<http://mum-conf.org/> Should you have any questions, please contact the Papers and Technical Program Chairs: Mohamed Khamis, University of Glasgow, UK Passant Elagroudy, DFKI, Germany papers2025(a)mum-conf.org<mailto:[email protected]>

1 0

PhD Position in Digital Humanities at University of Graz
by Georg Vogeler 04 Aug '25

04 Aug '25

*University Assistant without a doctorate (m/f/d)* 30 hours per week, from September 2025 (at the earliest), limited to 4 years Application deadline: until 6 August 2025 Application and details at: https://jobs.uni-graz.at/en/jobs/437fec89-f060-112b-5951-67aa29e57500 _Tasks_ - Writing a dissertation in the field of Digital Humanities - Research and teaching in the Department of Digital Humanities - Participation in research projects of the Department of Digital Humanities - Independent teaching of courses and participation in teaching and examination tasks of the Institute - Supervision of students - Participation in organisational and administrative tasks as well as evaluation measures _Profile:_ - Completed Master's or Diploma degree in Digital Humanities or another humanities subject, or a subject related to computer science, in the course of which you have also dealt with humanities issues and methods - Confident handling of complex applications for the generation, management, evaluation or visualisation of humanities data - Fluency in English and German. If your German language skills are still inadequate at the time of recruitment, you intend to improve your German language skills to level C1 in the course of your employment - Basic knowledge of at least one of the following technologies, proven by examples of self-written code (X-Technologies, Python, HTML/CSS/JavaScript, Semantic Web Stack, R, Java) - Experience in the implementation and realisation of projects in the field of Digital Humanities (desirable) - Communication, organisational and teamwork skills If you have any questions, please contact me by phone on +43 (0) 316 / 380 - 2292 or send an e-mail to dh(a)uni-graz.at . -- Prof. Dr. Georg Vogeler Professur für Digital Humanities - Department of Digital Humanities University of Graz A-8010 Graz | Elisabethstraße 59/III Tel. +43 316 380 8033 <http://informationsmodellierung.uni-graz.at> - <http://gams.uni-graz.at> <https://online.uni-graz.at/kfu_online/wbForschungsportal.cbShowPortal?pPers…> Institut für Dokumentologie und Editorik e.V. <http://www.i-d-e.de> International Center for Archival Research ICARus <http://www.icar-us.eu>

1 1

Please anounce -new book: Technology and Oligopoly Capitalism
by Luis Suarez-Villa 19 Jul '25

19 Jul '25

Technology and Oligopoly Capitalism, by Luis Suarez-Villa (publisher: Routledge). https://www.routledge.com/Technology-and-Oligopoly-Capitalism/Suarez-Villa/…<https://urldefense.com/v3/__https://www.routledge.com/Technology-and-Oligop…> [To request inspection copy: https://www.routledge.com/textbooks/evaluation/9781003345893?utm_id=<https://urldefense.com/v3/__https://www.routledge.com/textbooks/evaluation/…> ] Description: Technology and Oligopoly Capitalism is a major contribution to our understanding of how technology oligopolies are shaping America’s social, economic, and political reality. Technology oligopolies are the most powerful socioeconomic entities in America. From cradle to grave, the decisions they make affect the most intimate aspects of our lives, how we work, what we eat, our health, how we communicate, what we know and believe, whom we elect, and how we relate to one another and to nature. Their power over markets, trade, regulation, and most every aspect of our governance is more intrusive and farther-reaching than ever. They benefit from tax breaks, government guarantees, and bailouts that we must pay for and have no control over. Their accumulation of capital creates immense wealth for a minuscule elite, deepening disparities while politics and governance become ever more subservient to their power. They determine our skills and transform employment through the tools and services they create, as no other organizations can. They produce a vast array of goods and services with labor, marketing, and research that are more intrusively controlled than ever, as workplace rights and job security are curtailed or disappear. Our consumption of their products---and their capacity to promote wants---is deep and far reaching, while the waste they generate raises concerns about the survival of life on our planet. And their links to geopolitics and the martial domain are stronger than ever, as they influence how warfare is waged and who will be vanquished. Technology and Oligopoly Capitalism’s critical, multidisciplinary perspective provides a systemic vision of how oligopolistic power shapes these forces and phenomena. An inclusive approach spans the spectrum of technology oligopolies and the ways in which they deploy their power. Numerous, previously unpublished ideas expand the repertory of established work on the topics covered, advancing explanatory quality---to elucidate how and why technology oligopolies operate as they do, the dysfunctions that accompany their power, and their effects on society and nature. This book has no peers in the literature, in its scope, the unprecedented amount and diversity of documentation, the breadth of concepts, and the vast number of examples it provides. Its premises deserve to be taken into account by every student, researcher, policymaker, bibliographer, and author interested in the socioeconomic and political dimensions of technology in America. Contents: 1. Introduction 2. Power Pricing Co-Respectiveness Shareholder Returns Mergers and Acquisitions Entry Barrier Engineering Neo-Conglomerates Standards Setting Deregulation Innovation Development vs. Research Technological Barriers Intangibles International Projection Trade and the Dollar Cross-Shareholding Public Governance Anti-Regulatory Praxis Lobbying and Patronage Money in Politics Revolving Doors Judiciary System 3. Accumulation Value Commodity Value Product Markets Competition Capital and Labor Accumulation and Pricing Oligopolistic Accumulation Consolidation Speculative Finance New Technologies Input Markets Imposing Terms Dual Oligopoly: Inputs, Products Labor Markets Insecurity Contingency Labor Uselabor Dual Oligopoly: Labor, Products Compound Oligopoly Complexity and Lock-In 4. Transformation Elements Labor Capital Production Research and Product Development Commodification Commodity Fetishism Technological Fetishism Data Commodification Standardizing and Systematizing Reproduction Capital Resources Capacity for Work Labor Intangibles Capacity Utilization Excess Capacity Capacity-Price Engineering Typologies Extraction and Assemblage Integrative Production Inventive Appropriation 5. Dysfunction Employment Technocapitalist Control Compensation and Productivity Long-Term Deficit Consumer Exploitation Pricing Differential Add-Ons Data Exploitation Clouds Networks Wants Contrivance Overconsumption Addictions Typologies Waste Toxicity and Pollution E-Waste Agro-Tech Microbiome Disruption Eco-Planetary Techno-Fixes Efficiency Mirage The Commons Lauderdale Paradox Access and Benefit Appropriation 6. Domination Commodity Chains Arbitrage Labor Arbitrage Value Arbitrage Control Hierarchies Biotechnology Intellectual Property Cybernetics Financial Socio-Political Enforcement Enforcement Platform Multimodality Taxpaying Contractual Money Taxpayer Exploitation 7. Techno-Oligarchy Chapter abstracts: 2. Power. Considers the sources of power of technology oligopoly capitalism. A broad scope on how power is amassed and imposed is unique in treatments of technology. Control over market pricing is critically addressed, to show the importance of co-respectiveness, purported optimization of returns, mergers, acquisitions, entry barrier engineering, standards setting, and deregulation for oligopolistic power. Conceptualization of technology neo-conglomerates provides insights on how oligopolies expand their power as they deepen control over market pricing. Innovation is examined---to consider how invention and research have been turned into marketing accessories. The vital relevance of intangible resources, their social reproduction, and the obstacles posed by technology oligopolies are examined. International trade, monetary issues, and risky financial cross-shareholding are discussed critically. The influence of technology oligopolies on public governance considers strategies, how they promote anti-regulatory efforts, the spread of lobbying, patronage, and political contributions. The judiciary system’s role is addressed by considering landmark decisions and precedent as major sources of power. Treatment of strategies and actions---including those unique to technology oligopolies---and a vast amount of documentation make this chapter essential for researchers, students, policy-makers, and bibliographers. The contents of this chapter have no peer in the literature on technology, and are vitally important for specialists considering antitrust action. 3. Accumulation. Analyzes the accumulative dynamic of technology oligopoly capitalism, its elements and market scenarios. Unique in its conceptualization of how the accumulative dynamic operates, and the importance of surpluses in the productive cycle. The relationship of oligopolistic capital accumulation to classical works provides much needed historical perspective on the importance of labor and capital in accumulation. Consideration of strategies that expand accumulation by capturing market segments---and the role of acquisitions, entry barriers, finance, data appropriation, clouds and platforms---document their importance for oligopolistic control over the productive cycle. Conceptualization and discussion of dual and compound oligopoly---and their relationship with aspects uniquely found in technology oligopolies---have no peers in the literature. Definition and elaboration of the concept of uselabor provides insights on a phenomenon unique to social media and search oligopolies. Emergence of uselabor and its relationship with the commercialization of the web, data appropriation, and capital accumulation is considered in detail. A vast amount of documentation makes this chapter a vital reference work for technology studies. The contents of this chapter should be considered essential reading and reference for researchers, students, policy-makers, bibliographers, and those interested in knowing how technology oligopolies became as important as they are. 4. Transformation. Examines the deep structure of how commodities are transformed through production, research and product development. Unique in its breadth, details, and documentation. Distinctive systemic elements and phenomena of productive transformation are considered critically. The relationship of transformation to classical works and their views on labor provides historical perspective, relating it to critical aspects of value and creativity. In-depth treatment of the phenomena of commodification and reproduction is unprecedented in the literature, providing unique insights on the technology domain. Definition and elaboration of the concepts of technological fetishism and of capacity-price engineering explain distinctive operational features of oligopolistic control. Use of the concept of systematized research regimes to explain how research and product development operate provides necessary perspectives on the value of labor intangibles. Further development of the concept of uselabor explains how production operates in social media oligopolies, and its implications for fairness and justice. A typological analysis then provides a synthesis of how the multiple facets of transformation operate in concert. The vast amount of documentation makes this chapter a major reference work. This chapter has no peers in the literature, and should be of vital interest to bibliographers, researchers, policy analysts, students, and authors interested in how technology oligopolies produce, create and exploit. 5. Dysfunction. Analyzes major systemic dysfunctions of technology oligopolies and their effects on economic wellbeing, health and nature. Influence of new technologies on employment and their dysfunctional effects regarding productivity, the long-term job deficit, and workplace control. Conceptualization of consumer exploitation has no peers in the technology literature. Role of the pricing differential as a dysfunctional feature of consumption is documented with numerous examples. Unique in its conceptualization of data exploitation in technology oligopolies, the role of networks and data clouds. Conceptualization of wants contrivance, its effects and typologies, provides much needed perspective. Analyses of the micro- and macro-panorama of waste and their effects on the environment, health and nature have no peer in the literature. Examination of proposed techno-fixes to eco-planetary dysfunction emphasizes the urgency of addressing carbon emissions, climate change and the destruction of life. Consideration of the commons addresses dysfunctional aspects of access, benefit and expropriation---addressing the contradiction between private wealth and collective benefit. Extensive documentation makes this chapter a major reference work for bibliographers, students, researchers, policy analysts, and authors interested in technology. The contents of this chapter have no peer in the technology literature, and should be considered required reading for courses on technology and society, policy analysis, and social economics. 6. Domination. Provides macro-systemic perspectives on the vital importance of global domination for technology oligopoly capitalism. Unique in how it relates technology oligopoly capitalism to the martial domain, and to global domination over new technologies. The symbiotic relationship between technology oligopolies and the martial domain is explored through several binding elements---geopolitics, commodity chains, labor and value arbitrage, and the setting of hierarchic global controls over the most advanced technologies. Technology-enabled, “soft” approaches to domination---and the role of technology oligopolies---are explored and documented. Ways of enforcing domination are analyzed, considering the role of technology oligopolies, their symbiosis with the military apparatus, and their global impacts. Multimodality in warfare---and its relationship with technology oligopolies---is explored and documented. The concept of taxpayer exploitation---and its relationship with the creation and use of new technologies by the martial domain---is presented and extensively documented. Numerous contemporary examples are provided throughout, along with a vast bibliography that reaches across the technology spectrum. The contents of this chapter have no peers in the literature, in their scope and multidisciplinary perspectives. The vast amount of documentation provided makes it essential reading for any researcher, student, author or bibliographer wishing to explore how technology oligopolies condition our contemporary global reality. 7. Techno-Oligarchy. The existential impasse of technology oligopoly capitalism, and the relations of power imposed by a minuscule, but very wealthy and powerful elite, are core concerns of this chapter. Unique in its conceptualization of a totalistic supra-structure that operates as an alter state---to perpetuate the power of a minuscule elite. Its systemic inducement of social alienation---a pervasive feature of contemporary life---is examined. Alienation from nature, from invention and innovation, from governance, the martial domain, and from socially responsible taxation are considered---to link up with contents of previous chapters. This approach broadens the concept of social alienation, by relating it to macro-scale aspects of technology oligopoly capitalism that are unique in the technology literature. Ways to move forward are addressed, to help chart a trajectory that can provide constructive alternatives. The concept of totalistic control structure may motivate researchers and students to look into the macro dimensions of social systems, and the impacts of technology. Important for conceptualizations of social structure, and the evolution of the relations of power in society. The contents of this chapter should be considered essential reading for researchers, authors and students who wish to understand the power of oligarchic elites over technology, and the imposition of totalistic supra-structures. Notes. Provide the most extensive documentation of any work in the technology literature (existing or past). Unique as a reference resource for bibliographers, librarians, students, researchers and policy-makers. References can become the core of a digital library on technology---due to their breadth, their extent, and the level of detail. Such a library would be a major reference resource for the twenty-first century. ________ Luis Suarez-Villa is Professor Emeritus of Social Ecology and of Planning, Policy, and Design at the University of California (Irvine). Among his previous books are Corporate Power, Oligopolies, and the Crisis of the State; Globalization and Technocapitalism; and Technocapitalism: A Critical Perspective on Technological Innovation and Corporatism. Luis Suarez-Villa – UCI School of Social Ecology<https://faculty.sites.uci.edu/suarezvilla/> ________

1 0

Call for Applications. Coding Provenance: Workshop on Computational Provenance Research
by Bárbara Romero Ferrón 16 Jul '25

16 Jul '25

Dear colleagues, - Apologies for cross-posting - We are inviting applications to our workshop on Computational Provenance Research. Coding Provenance: Workshop on Computational Provenance Research A Collaboration between Leuphana’s Provenance Lab and the Getty Provenance Index Leuphana University of Lüneburg, December 18–21, 2025 The Coding Provenance workshop marks the launch of an annual series devoted to training in computational techniques for provenance research. Bringing together scholars and practitioners from fields such as provenance studies, art history, history, material culture, and cultural/social anthropology, the workshop explores how computational methods and techniques can open new pathways for analyzing, interpreting, and rethinking provenance data. Over four days, participants will take part in a dynamic program that combines lectures, hands-on sessions, and open discussions. We will explore how artificial intelligence can assist with collecting, structuring, analyzing, and visualizing provenance data. Alongside technical training, the workshop provides a space for critical reflection on epistemological and methodological challenges that arise when digitizing archival information, applying data models, machine learning algorithms, and large-scale analysis to provenance research. This first edition will take place in person at Leuphana University of Lüneburg in Germany. It will include two preparatory online sessions to encourage early collaboration and tailor parts of the content to participants’ interests. The workshop is organized by the Provenance Lab at Leuphana University and the Getty Provenance Index at the Getty Research Institute. The Provenance Lab<https://www.leuphana.de/en/institutes/ipk/provenance-lab.html> is an interdisciplinary research initiative that explores provenance as a source of insight into broader cultural and social dynamics. Focusing on object-based provenance data, the Lab examines object histories not only at the level of individual artworks but as a rich empirical resource for analyzing patterns of movement, collection, and exchange over time. By combining provenance research with data science, the Lab develops and refines methodologies, interoperable models, and data standards, aiming to enhance the field of provenance studies. The Getty Provenance Index<https://www.getty.edu/databases-tools-and-technologies/provenance/> (GPI) provides open access to data drawn from primary sources like dealer stock books and sales catalogs, enabling the tracing of artwork ownership and market histories as far back as the 16th century. Now published as linked data, the GPI unlocks new possibilities for applying computational methods to provenance research, enabling large-scale exploration of ownership patterns, the identification of previously unrecognized relationships within the dataset, and the integration of GPI data with other cultural heritage resources. Organizers: Bárbara Romero Ferrón, PhD, and Prof. Dr. Lynn Rother, Provenance Lab, Leuphana University of Lüneburg; Giulia Taurino, PhD, and Sandra van Ginhoven, PhD, Getty Provenance Index, Getty Research Institute, Los Angeles Where: Leuphana University Lüneburg, Universitätsallee 1, 21335 Lüneburg, Germany When: * Preparatory Online Sessions: October 24, 6:00 pm (CET) & November 21, 6:00 pm (CET). These sessions are mandatory. * Workshop in person: December 18, 3:30 pm (CET) to December 21, 2025, 1:00 pm (CET). Participants: Limited to 16 Eligibility: The workshop is open to provenance researchers, museum professionals, and humanities scholars at different career stages, including early-career and senior scholars. A minimum of a completed Master’s degree (or equivalent professional experience) is required to participate. No prior technical expertise is required. Funding: We are committed to fostering fair and inclusive participation. To support this, the Coding Provenance Workshop will be free of charge. Hotel accommodation for three nights will be covered by the Provenance Lab and the Getty Research Institute, and travel grants will be available based on demonstrated need and geographical location. Application: Send your application through this Google form: https://forms.gle/VBDy3EeLuesgrkDQ9 We cannot accept applications submitted via email. Application Deadline: August 24th, 2025 We will inform applicants by September 12, 2025. If you have any questions, suggestions, or need more information, please do not hesitate to contact us: barbara.romero_ferron(a)leuphana.de<mailto:[email protected]>

1 0

MUM 2025 CfP
by Grootjen, Jesse 14 Jul '25

14 Jul '25

MUM 2025, the 24th International Conference on Mobile and Ubiquitous Multimedia Enna, Italy, December 1-4, 2025 MUM 2025, the 24th International Conference on Mobile and Ubiquitous Multimedia, will be held in Enna, Italy, December 1st –4th. MUM is an interdisciplinary forum for advances in research of mobile and ubiquitous multimedia systems, applications, and services. At MUM, academics and practitioners discuss challenges and achievements in this field from diverse perspectives, such as interaction techniques, user research, system development, software solutions, and devices. This edition of MUM aims to continue the tradition of innovation and excellence in research established by previous MUM conferences. We welcome submissions of high-quality papers that offer original and unpublished contributions relevant to mobile and ubiquitous multimedia. Paper topics include, but are not limited to, the following: * Prototypes and systems tackling relevant technical challenges * Novel applications for mobile and ubiquitous gaming, learning, entertainment, social networking, and advertising * Augmented, mixed, and virtual reality systems and applications * Case studies, field trials, or user experience evaluations of new applications and services * Context-aware and location-based mobile and ubiquitous services * Metrics and measures for evaluating and testing mobile and ubiquitous systems * Privacy and security-related challenges to multimedia systems * Social implications of mobile and ubiquitous multimedia systems * Interaction and collaboration with human-centered AI systems * Tools and development environments for building mobile, wearable, and ubiquitous multimedia systems * User interfaces, interaction design, and interaction techniques for mobile and ubiquitous systems * Interaction design for automotive and other modes of transportation * Fabrication and device prototyping Long & short papers summary: * Anonymous submissions (double-blind review) * Length (using LaTeX template or Word template): * Short papers: 7 pages maximum (excluding references) * Full papers: 16 pages maximum (excluding references) * Timeline (all deadlines are AoE): * Paper Submission: August 21, 2025 * Decision Notification: October 06, 2025 * Camera-ready: October 20, 2025 * Upon acceptance: mandatory presentation at the conference For further details about the submission, the review and publication process, other available tracks, and general information about the conference and the venue, please go to: mum-conf.org<http://mum-conf.org/> Should you have any questions, please contact the Papers and Technical Program Chairs: Mohamed Khamis, University of Glasgow, UK Passant Elagroudy, DFKI, Germany papers2025(a)mum-conf.org<mailto:[email protected]>

1 0

Job advertisement: University Assistant without doctorate for Digital Humanities at the University of Graz
by Scholger, Walter (walter.scholger＠uni-graz.at) 09 Jul '25

09 Jul '25

Dear colleagues, I ask you to distribute this job offer at our department to any colleagues that may be interested: The Department of Digital Humanities at the University of Graz is looking for a University Assistant without a doctorate (m/f/d) 30 hours per week, from September 2025 (at the earliest), limited to 4 years Application deadline: until 6 August 2025 Application and details at: https://jobs.uni-graz.at/en/jobs/437fec89-f060-112b-5951-67aa29e57500 Tasks - Writing a dissertation in the field of Digital Humanities - Research and teaching in the Department of Digital Humanities - Participation in research projects of the Department of Digital Humanities - Independent teaching of courses and participation in teaching and examination tasks of the Institute - Supervision of students - Participation in organisational and administrative tasks as well as evaluation measures Profile: - Completed Master's or Diploma degree in Digital Humanities or another humanities subject, or a subject related to computer science, in the course of which you have also dealt with humanities issues and methods - Confident handling of complex applications for the generation, management, evaluation or visualisation of humanities data - Fluency in English and German. If your German language skills are still inadequate at the time of recruitment, you intend to improve your German language skills to level C1 in the course of your employment - Basic knowledge of at least one of the following technologies, proven by examples of self-written code (X-Technologies, Python, HTML/CSS/JavaScript, Semantic Web Stack, R, Java) - Experience in the implementation and realisation of projects in the field of Digital Humanities (desirable) - Communication, organisational and teamwork skills If you have any questions, please contact me by phone on +43 (0) 316 / 380 - 2292 or send an e-mail to dh(a)uni-graz.at<mailto:[email protected]> . Best regards, Walter Scholger ____________________ Walter Scholger Institutsmanager | Department Manager Institut für Digitale Geisteswissenschaften | Department of Digital Humanities Universität Graz | University of Graz Elisabethstraße 59/III, A-8010 Graz Tel.: +43/(0)316/380 - 2292 E-Mail: walter.scholger(a)uni-graz.at<mailto:[email protected]> Web: https://digital-humanities.uni-graz.at<https://digital-humanities.uni-graz.at/>

1 0

New special issue: Environmental materialities of digital tech
by Loup Cellard 08 Jul '25

08 Jul '25

Hi there! I am glad to share a new special issue about the environmental and material implications of digital technologies. Among different articles in French, there is two ethnographies in English that are worth reading: Cyrus Khalatbari, « Struggles and Resilience in GPU miniaturisation. From Taipei’s Overclockers to Accra’s Urban Miners <https://journals.openedition.org/reset/6133> », RESET, 2025. Hugo Estecahandy, « Computing Bitcoin on Soviet Legacies. Material Geopolitics of Cryptocurrency Mining in Global East <https://journals.openedition.org/reset/5951>», RESET, 2025. The whole issue can be found here: https://journals.openedition.org/reset/5909 The translation of the introduction in English will come in September. We regret the absence of female contributors in this issue, which does not reflect the proposals initially submitted to the journal, nor the richness of female contributions on the topic. This omission raises the question of how to evaluate articles while reconciling parity, double-blind evaluation procedures and suitability for the objectives of a special issue. Best, Loup -- *Loup Cellard* <http://www.loupcellard.com>Researcher — Datactivist <https://datactivist.coop/en/> (Paris/Marseille) Affiliate at Sciences-Po Médialab <https://medialab.sciencespo.fr/> (Paris) + ADM+S Centre <https://www.admscentre.org.au/> (Melbourne) Editor at Tèque <https://revue-teque.fr/>, a tech criticism journal by Audimat Editions <https://audimat-editions.fr/> (Paris) Email : loupcellard(a)gmail.com Mobile FR : +33 7 87 00 84 22 Website : loupcellard.com <http://www.loupcellard.com/> X : @CellardLoup <https://twitter.com/CellardLoup>Newsletter : Data Dandysme <https://blog.loupcellard.com/>

1 0

DH Conference at the University of Oxford for Graduates and ECR’s
by Patrick Flood 07 Jul '25

07 Jul '25

Dear all, The Emerging Digital Methodologies conference at the University of Oxford is currently calling for papers. The central goal of the conference is to bring together the many graduate students and early career researchers using digital and computational methodologies across the world. It is supported by the Jesus College Oxford Cheng Kar Shun Digital Hub and Voltaire Foundation. The conference will capture a wide range of subject areas across the many communities of scholars taking-up digital methods – both from novices and expert practitioners. Papers could include, for example, ‘Problems of LLM’s in the Humanities’, ‘ChatGPT and visual culture’, ‘A Network Analysis of 16c Europe’, ‘Crafting music in the age of AI’, ‘The problems of control-f in the modern age’, ‘Book culture and language models’, ‘NLP processing of 20c films’, etc. Submissions can be in any of the following formats: * 7-minute lightning talks (especially suitable for early findings or work-in-progress) * 15-minute papers * 30-minute roundtable conversations (minimum 3 participants) To apply to speak, you can submit a 200-word abstract and short biography using the form available here<https://forms.office.com/pages/responsepage.aspx?id=G96VzPWXk0-0uv5ouFLPkQD…>. For further information, please see the Jesus College website<https://www.jesus.ox.ac.uk/call-for-papers-emerging-digital-methodologies-c…> or you can contact Patrick.Flood(a)history.ox.ac.uk<mailto:[email protected]> Patrick on behalf of the EDM Team

1 0

Call for Applications – Two Postdoctoral Positions in Digital Humanities and performing arts (ERC STAGE)
by clarisse bardiot 27 Jun '25

27 Jun '25

Dear colleagues, I am pleased to announce the opening of two postdoctoral positions within the ERC project STAGE: From Stage to Data, the Digital Turn of Contemporary Performing Arts Historiography. The project explores how computational methods can contribute to a new understanding of mise en scène and creative processes in Europe since WWII. The exact position titles are: 1. Postdoc in Digital Humanities (Computer Vision & Performing Arts) This position seeks a researcher with expertise in computer vision to analyze visual and audiovisual traces of performance (photographs, video recordings of performances). https://euraxess.ec.europa.eu/jobs/348852 2. Postdoctoral Position (3 years) in Digital Humanities and Performing Arts History This position focuses on the quantitative analysis of theatre programs as data sources for understanding artistic and institutional developments in the 20th and 21st centuries. https://euraxess.ec.europa.eu/jobs/348901 Both positions are based in Rennes (France) within an interdisciplinary team, for 3 years . Application deadline: September 8, 2025. Please share these opportunities widely within your networks. Do not hesitate to reach out if you have any questions. Warm regards, Clarisse Bardiot ///// Clarisse Bardiot Professeur des universités en études théâtrales Département des Arts du spectacle Université Rennes 2 Site web http://www.clarissebardiot.info/ <http://www.clarissebardiot.info/> Projet ERC From Stage to Data : https://stage-to-data.huma-num.fr/en/ Dernier livre : Arts de la scène et humanités numériques. Des traces aux données <https://www.istegroup.com/fr/produit/arts-de-la-scene-et-humanites-numeriqu…> / Performing Arts and Digital Humanities. From Traces to Data. <https://www.istegroup.com/fr/produit/arts-de-la-scene-et-humanites-numeriqu…> 2021. Wiley / Iste.

1 0

Research Associate Positions - PAESE Project - Leuphana University
by Bárbara Romero Ferrón 25 Jun '25

25 Jun '25

Dear colleagues, - apologies for cross-posting - We are thrilled to announce two Research Associate positions for our project, PAESE. Find the job description below, and please share it with your network. If you have any questions, do not hesitate to contact us. Research Associate (m/f/d) (EG 13 TV-L, 100%, limited until 31 October 2028) Scheduled to start in fall 2025 the positions are part of sub-project PAESE 3.0, which focuses on object and provenance data generated through the joint project Provenance Research in Ethnographic Collections in Lower Saxony (PAESE) 2018-2022. This data has been supplemented by research from other collections within Lower Saxony institutions. The project’s goal is to further develop this data regarding its potential applications for users, research questions, existing data infrastructures, and repositories, including the CCC portal (Collections from Colonial Contexts) of the German Digital Library. The sub-project is co-directed by Prof. Dr. Lynn Rother, Lichtenberg Professor for Provenance Studies and Director of the Provenance Lab at Leuphana University Lüneburg, and Dr. Claudia Andratschke, Coordinator of the Provenance Research Network in Lower Saxony, provenance researcher, and Head of the Collections and Research Department at Landesmuseum Hannover. Within the Science Space, PAESE data development is conducted in collaboration with two PhD positions: one at the Professorship of Computer Science with a focus on data analysis at Jade University of Applied Sciences Oldenburg (Prof. Dr. Sascha Koch), and another at the Professorship of Cartography and Geoinformatics at Leibniz University of Hanover (Prof. Dr. Monika Sester). The responsibilities of the two positions include: Data Development & Research: * Enrich and contextualize PAESE data, focusing on legacy information and implicit knowledge related to cultural attribution and geographic changes over time * Conduct requirement analysis for PAESE data development (addressing needs of scientific community, communities of origin, and other potential users) Project Coordination: * Provide scientific coordination of the sub-project (in consultation with sub-project leaders) * Coordinate collaborations with partners within and outside the Science Space * Manage and coordinate student assistants * Prepare schedules, budgets, reports, and other deliverables for the sub-project Outreach & Networking: * Conduct project-related public outreach through presentations at conferences and scientific publications * Develop best practice guidelines and science policy texts * Plan and execute project workshops * Network with national and international initiatives on colonial context collections (e.g., Colonial Provenances Working Group, Digitization Working Group of Arbeitskreis Provenienzforschung, Network Colonial Contexts, NFDI4Culture) Your profile: We encourage applications from candidates with either a humanities background, an informatics background, or expertise in both areas. You will bring to the position: Option A: Ph.D. (preferred) or M.A. in history, anthropology/ethnology, art history, sociology, or related fields; demonstrated experience working with collections from colonial contexts; experience or willingness to work with cultural heritage informatics and metadata standards, such as CIDOC-CRM and authority files; or Option B: Ph.D., M.A., or B.A. (with multi-year relevant professional experience) in computer science, library science, data science, or other fields relevant to digital humanities research; experience in cultural heritage informatics and familiarity with metadata standards, such as CIDOC-CRM and authority files; Additional requirements: * Commitment to transdisciplinary collaboration * Independent and responsible work approach * Excellent written and spoken English skills * Knowledge of French and other languages is an asset What we offer: * * Transdisciplinary & cooperative project work with an international focus * Ambitious scope of tasks in an open-minded team with opportunities to contribute your own ideas and visions * Flexible working arrangements: 6:00 AM - 9:00 PM with remote work options within Germany * Additional company pension through Versorgungsanstalt des Bundes und der Länder (VBL) * Professional development: Internal and external training opportunities * Work-life balance: University sports and health-promoting measures * Academic environment characterized by innovative teaching and strong research focus Your application: https://www.leuphana.de/universitaet/jobs-und-karriere/forschung-lehre/ansi… Bárbara Romero Ferrón, PhD (She/Her) Research Associate, Provenance Lab, Leuphana University Senior Researcher, iArtHisLab, University of Málaga

1 0