- Eadh-topics - lists.digitalhumanities.org

[CfP] ESWC 2026 - Call for Project Networking Track
by Web and Publicity ESWC 29 Mar '26

29 Mar '26

(Apologies for cross-posting) The European Semantic Web Conference (ESWC) is a major venue for academic research and developments in the area of the Semantic Web and Knowledge Graphs. The 23rd edition will take place from May 10 to 14, 2026, in Dubrovnik, Croatia. The ESWC 2026 Project Networking Track provides a forum for research projects to connect, exchange knowledge, and explore synergies across the Semantic Web community. It aims to foster collaboration, support the sharing of data and technologies, and lay the groundwork for future joint initiatives, funding proposals, and partnerships. Participants can present their projects to a broad audience, discuss results and requirements, and identify opportunities for collaboration. The track welcomes submissions from concluding, ongoing, and upcoming projects, provided they are clearly aligned with ESWC core topics. Selected projects will engage in dedicated networking activities during the conference, including a short pitch session, a poster session, and a networking lunch. These formats are designed to stimulate interaction, increase project visibility, and support the creation of meaningful connections within the ESWC community. Important Dates submissions Thursday 9th April 2026 Notification of acceptance Thursday 16th April 2026 All deadlines are 23:59 anywhere on earth (UTC-12). More information: https://2026.eswc-conferences.org/calls/project-networking/ Project Networking Chairs Valentina Presutti University of Bologna, Italy Beatriz Esteves IMEC - University of Ghent, Belgium Contact: eswc2026-networking(a)easychair.org

1 0

CFP: Cultural Complexity and Computational Approaches Conference
by Bárbara Romero Ferrón 27 Mar '26

27 Mar '26

*Apologies for cross-postings* CFP: Cultural Complexity and Computational Approaches – Complexhibit2026 (Málaga, 30 Jun–2 Jul 26) University of Málaga, Spain, 29.06.–01.07.2026 Submission deadline: 25.04.2026 Complexity is a general property of cultural systems across historical periods. Cultural life has long unfolded through dense interdependencies among institutions and patronage regimes, media and material infrastructures, markets and circuits of exchange, publics and interpretive communities, and the norms and policies that govern cultural legitimacy. Across time—whether in early modern correspondence networks, nineteenth-century print cultures, or today’s platform-mediated environments—these interacting forces constitute cultural ecosystems whose dynamics are non-linear, multi-scalar, and historically stratified. They generate emergent phenomena such as canon formation and marginalization, reputational cascades, diffusion and imitation, cycles of attention, unequal circulation, and durable asymmetries of access and preservation. Over recent decades, the increasing data mediation of cultural activity and the rise of digital infrastructures have made some of these dynamics more visible, more rapid, and in certain domains more measurable—while also introducing new regimes of visibility, new feedback loops, and new forms of inequality. Contemporary technological developments—mass digitization, networked cultural infrastructures, machine-readable standards, and advances in AI and data science—reconfigure cultural ecosystems in ways that increase systemic complexity while simultaneously extending our capacity to render that complexity analytically tractable. They enable the formalization of cultural knowledge, the modeling of systemic dynamics, and the testing of claims against evidence at scales and resolutions that earlier scholarship could only approximate. This shift makes computational approaches methodologically salient not as a replacement for interpretation, but as a means to articulate interpretive arguments with explicit models, traceable assumptions, and empirical accountability. Against this background, the conference advances a deliberately reflexive research problem: What does it mean to study culture—rigorously and critically—when we conceptualize cultural ecosystems as complex systems that can be formally represented, computationally modeled, and empirically evaluated? A second, closely related question follows: How can we develop computational forms of cultural inquiry that are simultaneously system-sensitive and historically grounded—capable of formal representation, modeling, and evaluation—without collapsing cultural interpretation into mere measurement? The conference is anchored in the Complexhibit Project, which develops methods for the semantic integration of heterogeneous sources—such as catalogues, curatorial texts, reviews, institutional records, and digital traces—to enable enriched, comparative analysis of the exhibition domain across contexts and scales. Building on this framework, the conference welcomes contributions that extend complexity-informed perspectives to broader cultural ecosystems, including arts and heritage, cultural industries, archives and libraries, education, mediation, platform cultures, communities, and cultural policy. The event also commemorates the tenth anniversary of eHAD 2016, the IV International Meeting of Researchers in Digital Art History (Málaga, 2016), broadening its legacy from Digital Art History to computational approaches centered on cultural complexity across historical periods. Keynote Speakers * Lynn Rother, Lichtenberg-Professor for Provenance Studies and founding director of the Provenance Lab, Leuphana University (Germany). Her research combines art history, museum practice, and data science to investigate provenance, restitution, and cultural infrastructures. * Carlos Eduardo Maldonado, Professor of Complexity Science, Universidad El Bosque (Colombia). A leading figure in complexity studies in Latin America, his work addresses the theoretical and philosophical foundations of complexity science and the epistemology of complex systems. Thematic Clusters (non-exhaustive) I) Cultural Dynamics and Historical Change This cluster welcomes research that conceptualizes culture as a system of interacting forces unfolding across multiple scales and historical horizons. We invite work on how cultural forms, reputations, institutions, and interpretive communities emerge, stabilize, and transform over time through circulation, conflict, selection, and accumulation. Relevant topics include dynamics of visibility and invisibility, canon formation and revision, diffusion and imitation, attention cycles, and structural inequalities in access and circulation. We are especially interested in approaches that preserve historical specificity while enabling comparative or long-range analysis—through temporal modeling, event-based perspectives, or other frameworks suited to path dependence, thresholds, and turning points. II) Cultural Infrastructures, Knowledge, and Evidence Culture becomes knowable through infrastructures of description and preservation: catalogues, archives, standards, classification regimes, and institutional policies. This cluster invites contributions that examine how such infrastructures shape cultural memory and legibility, including their epistemic and political consequences. We welcome work on formal representations of cultural knowledge and the challenges of integrating heterogeneous sources across institutions and time: interoperability, conceptual modeling, data quality, and the management of uncertainty. We particularly value contributions that foreground evidence and traceability—provenance, versioning, missingness, and the limits of inference—so that computational claims can be evaluated as historically situated knowledge practices. III) Cultural Discourse and Interpretation Culture is also an ecosystem of discourse: criticism, catalogues, press, scholarship, correspondence, institutional writing, and platform-mediated conversation. This cluster invites research that investigates interpretation at scale—how meanings, valuations, and controversies circulate and become authoritative across genres, institutions, languages, and historical contexts. We welcome work that treats discourse not merely as “textual data,” but as a site where cultural power, legitimacy, and epistemic authority are negotiated. IV) Responsibility, Data Governance, and Sustainability Computational cultural inquiry raises questions of responsibility that are inseparable from methodological rigor. This cluster foregrounds the governance conditions under which cultural data is produced, structured, maintained, and operationalized, including legal constraints, institutional adoption, and the political consequences of automation. We invite contributions that address rights and licensing, sustainability of infrastructures, and critical analyses of bias and epistemic inequality—especially how standards, datasets, and models may reproduce historical exclusions or generate new forms of invisibility. Submission Types * Paper Presentations (20 min): Extended abstract, 1,000–1,500 words (PDF), with title, author information, and clear research question. * Panels / Roundtables (90 min): Rationale (250–400 words), 3–5 guiding questions, participant bios. * Workshops (Day 1, morning, 2-3 hours): Objectives, intended audience, relevance to conference themes, format. Important Dates * Submission deadline: 26 April 2026 (23:59 CET) * Notifications: 5 May 2026 * Conference: 30 June; 1-2 July 2026 General Information * Submissions may address any historical period and any cultural domain (arts, heritage, cultural industries, archives, libraries, policy, platform cultures). * Language: English or Spanish (working language: English). * Registration fee (accepted contributions): €180. * Proceedings: Book of abstracts; selected contributions invited to a special issue / edited volume. * Submit proposals to: digitalarthistory(a)uma.es More information at: https://complexhibit.eu/es_es/complexhibit-2026-conference/

1 0

Survey on XAI and Cultural Heritage
by Orsola Borrini 25 Mar '26

25 Mar '26

Dear all, Apologies for cross-posting. I would like to invite you to participate in a survey on how professionals in the Cultural Heritage (CH) sectors perceive and evaluate eXplainable Artificial Intelligence (XAI) outputs. The survey is part of my PhD research on XAI for Cultural Heritage at the University of Amsterdam, with the supervision of Prof. Tobias Blanke and Prof. Julia Noordegraaf and supported by the HAICu project. The survey * Focuses on your familiarity with AI and your interpretation of XAI outputs, including a few practical examples * Language: English * Estimated time: 10-15 minutes * Closing date: 5th of April, 2026 Who can take part? Heritage professionals involved in AI integration processes; academic researchers involved in multidisciplinary AI research; professional audiences interacting with AI on GLAM platforms. 🔗 Access the survey here<https://uva.fra1.qualtrics.com/jfe/form/SV_5u9shxmJ7seeMvA> ! You can also copy and paste the URL below into your internet browser: https://uva.fra1.qualtrics.com/jfe/form/SV_5u9shxmJ7seeMvA Your participation will provide valuable information that will help establish how XAI tools can actually serve the needs of the CH community in the future. Please forward to anyone you may think would be interested in the project. Thank you in advance for your time and support. If you have any questions, comments or concerns, please don't hesitate to contact me at o.m.borrini(a)uva.nl . Best regards, Orsola M. Borrini ------------------------------------ Orsola Maria Borrini (she/her) PhD Candidate, HAICu<https://haicu.science/> University of Amsterdam | Faculty of Humanities Institute for Logic, Language and Computation

1 0

RESILIAGE Master on Inclusive Heritage for DRR. Digital and participatory methods for resilient communities
by Rosa Tamborrino 25 Mar '26

25 Mar '26

Dear, As Horizon Europe project RESILIAGE we have launched a one-year (May 2026-May 2027) Master program on "Inclusive Heritage for DRR. Digital and participatory methods for resilient communities.” Hybrid modality. The title is provided by Politecnico di Torino. Information are available at this LINK<https://resiliage.eu/joinus/resiliage-master-school-inclusive-heritage-for-…> [upRESILIAGE - Master School header_updated.png] I ask your kind help in spreading the Call. Deadline April 30th. Kind Regards ROSA TAMBORRINO Prof Rosa Tamborrino PhD Full Professor Politecnico di Torino Interuniversity Department of Regional and Urban Studies and Planning Viale Mattioli 39 - TURIN, ITALY rosa.tamborrino(a)polito.it Coordinator of the Vera Comoli Study Center for History, Heritage and Inclusive Innovation Member of the Board of the European Association for Urban History Coordinator of the RESILIAGE Horizon Europe Research Project [Immagineallegata-1.png]

1 0

NordiCHI 2026 - Final Call for Submissions
by Susanne Hägglund 25 Mar '26

25 Mar '26

Final Call for Submissions for NordiCHI 2026 in Vaasa, Finland, October 3-7, 2026 **Apologies for cross-postings** Deadlines are approaching for the following tracks: Research papers, Critiques, Panel Proposals, Arts-based Approaches, and Industry Experience. April 16, 2026: Research Paper abstract and metadata submission April 23, 2026: Research Papers: Full paper, Critiques, Panels, Arts-Based Approaches, Industry Experience Calls for Workshop proposals, Tutorials, Demos, Late-Breaking Work, and Doctoral Consortium contributions are also available. Please see the conference website: https://nordichi2026.org/ Proceedings of the conference will be published in the ACM Digital Library within its International Conference Proceedings Series (ICPS). The biannual NordiCHI is one of the key venues for Human-Computer Interaction (HCI) research in the world, bringing together a global community of researchers, practitioners, students, and industry experts - including you! In 2026, NordiCHI will take place in Vaasa, Finland on October 3-7. The conference is jointly organized by Åbo Akademi University and University of Vaasa. Professor Yvonne Rogers, Professor Mattia Thibault, and Senior Designer and Deputy Professor Pontus Wärnestål will deliver the keynote addresses at the conference. The conference theme is Pulse – exploring the energy that drives us, representing the dynamic highs and calm lows of life, keeping us thriving. Vaasa is known for both its vibrant energy industry as the Nordic energy cluster and the tranquility of its surrounding nature and UNESCO World Heritage site. Our ambition is that the conference energizes through inspiring encounters and opportunities to truly feel the pulse of the HCI field. ======================= Submission deadlines (all AoE): * April 16, 2026: Research Papers: Abstract and metadata * April 23, 2026: Research Papers: Full paper, Critiques, Panels, Arts-Based Approaches, Industry Experience * May 7, 2026: Workshops, Tutorials * May 18, 2026: Late-Breaking Work, Demos, Doctoral Consortium ======================= Join us in Vaasa for an inspiring NordiCHI 2026! Warm regards, Susanne Hägglund and Laura Havinen General Chairs NordiCHI 2026 https://nordichi2026.org/

1 0

First Call for Papers: 13th International Conference on Multimodality, 2027 in Helsinki, Finland
by 13th International Conference on Multimodality 24 Mar '26

24 Mar '26

Dear all, we are happy to announce that the 13th International Conference on Multimodality (13ICOM) will be organised at the University of Helsinki, Finland, in June 2027. The phenomenon of multimodality – or how communication and interaction build on coordinated combinations of multiple forms of expression – is now actively researched within diverse fields of study. Given the multifaceted nature and complexity of the phenomenon, pursuing a constructive dialogue between different approaches to multimodality is essential for moving towards a shared understanding. This is the main theme of the 13th International Conference on Multimodality (13ICOM), which celebrates the 25th anniversary of organising the first conference in the series in Salzburg, Austria in 2002. For 13ICOM, we want to specifically emphasise the role of early-career researchers working on diverse aspects of multimodality by organising a doctoral consortium on June 1, 2027 ahead of the main conference on June 2–4, 2027. The doctoral consortium features 5-minute pitch talks from participants and master classes in theories and methods from experts, with plenty of opportunities for networking with fellow early-career researchers. The main conference will feature four plenary sessions and multiple parallel sessions with 20-minute presentations. The confirmed plenarists for 13ICOM include (in alphabetical order) Pentti Haddington (University of Oulu, Finland), Maria Grazia Sindoni (University of Messina, Italy), Beate Schirrmacher (Linnaeus University, Sweden) and Amanda Wasielewski (Uppsala University, Sweden). For the full call for papers, please see the conference website: https://www.helsinki.fi/en/conferences/13th-international-conference-multim… Best, the 13ICOM organising team

1 0

Code & Culture talk (17.11): Analyzing Nature-Culture Entanglements at Scale (Burghardt)
by Digital Humanities Potsdam 23 Mar '26

23 Mar '26

Dear colleagues, The Digital Humanities Network at the University of Potsdam cordially invites you to the next lecture in the 'Code & Culture' talk series. This semester, we will have a special focus on digital environmental humanities, preparing the ground for our "Environments in and as Networks" Hackathon (Potsdam, 15-17.04.2026; more details and registration: https://www.uni-potsdam.de/en/digital-humanities/events/environmental-digit…) Our first guest is *Manuel Burghardt* (University of Leipzig), with a talk titled "*Analyzing Nature-Culture Entanglements at Scale: The Case for Computational Environmental Humanities*/"/*//*(full abstract here <https://www.uni-potsdam.de/en/digital-humanities/activities/code-culture-le…>). The lecture will take place on* Monday 17 November** 2025*, 17:00 (CET), online via Zoom. Please register here to get the Zoom link: https://www.uni-potsdam.de/en/digital-humanities/activities/code-culture-le…. Best wishes, DH Network Potsdam +++ *Netzwerk für Digitale Geisteswissenschaften der Universität Potsdam* /Potenzialbereich an der Philosophischen Fakultät/ Web: https://www.uni-potsdam.de/de/digital-humanities Mail: digital-humanities(a)uni-potsdam.de Sprecher:innen: Prof. Dr. Birgit Schneider, Prof. Dr. Peer Trilcke Wissenschaftlicher Koordinator: Dr. Luca Giovannini Board des Netzwerks: Dr. Anna Busch, Prof. Dr. Annette Gerstenberg, Prof. Dr. Katharina Wesselmann, Prof. Dr. Miriam Rürup, Prof. Dr. Anja Schwarz, Prof. Dr. Ilja A. Seržant +++

1 3

DH2026 SIG-DLS Mini-Conference – CfP
by Simone Rebora 23 Mar '26

23 Mar '26

Dear all, (with the usual apologies for cross-posting...) I'm glad to announce the CfP for the upcoming SIG-DLS event at DH2026 (planned on 28 July in Daejeon, South Korea). This year it will be structured as a poster slam, with short presentations and poster exposition. Deadline for submissions is 30 April. You can read the Call text here below and at the following link: https://dls.hypotheses.org/2289 All the best, Simone ===== DH2026 SIG Mini-Conference – Digital and/or Comparative Literary Studies Today In the context of the 2026 edition of the Digital Humanities Conference (DH2026) Conference in Daejeon, South Korea, the Special Interest Group Digital Literary Studies within ADHO (SIG-DLS) and the Digital Comparative Literature (DCL) research committee of ICLA jointly invite submissions for a mini-conference titled "Digital and/or Comparative Literary Studies Today". *Background and Goals* Digital or Computational Literary Studies and Comparative Literature continue to evolve through the integration of computational methods, multilingual archives, and innovative analytical frameworks. This workshop seeks to explore the intersection of digital and comparative approaches, highlighting both established and emerging methods — from born-digital narratives, distant reading and cultural analytics to machine learning, generative Large Language Models, and beyond. We particularly welcome contributions that address the challenges and opportunities of multilingual, cross-cultural, and interdisciplinary research, as well as critical reflections on the role of technology or such mediated narratives in literary scholarship. We encourage submissions for work that will be presented both as a (hybrid) lightning talk format as well as in an open-space, interactive poster session. *Topics of Interest* Topics of interest include but are by no means limited to the following areas: - Digital Methods in Comparative Literature: Applications of computational techniques (e.g., distant reading, network analysis, topic modeling, sentiment analysis) to compare texts across languages, cultures, or historical periods. - Multilingual and Multicultural Approaches: Case studies on digitized or born-digital literary archives, challenges of multilingual corpora, and cross-cultural literary analysis. - Generative AI and Literary Studies: Critical or applied uses of large language models (LLMs) and other AI tools, including their ethical, methodological, and theoretical implications. - Digital and Computational Linguistics for Analysis of Literary Texts: Applying linguistic theory and computational methods to study aspects of literary discourse. - Tools and Infrastructures: Software, workflows, or platforms that support digital and/or comparative literary research. - Theoretical and Methodological Innovations: New frameworks for combining digital and comparative approaches, including reflections on the limits and potentials of computational methods. - Born-Digital and Post-Digital Literature: Studies of electronic literature, hypertext, or other digital-born forms, as well as their analysis through digital tools. - Responsible Research Practices: Discussions on reproducibility, transparency, and ethical considerations in digital and/or comparative literary studies. *Submission Guidelines* Please submit a 300 to 500-word abstract (excluding references) describing your project, research idea, or theoretical contribution, by sending your abstract as one PDF file to Christof Schöch at schoech(a)uni-trier.de by the due date mentioned below. *Mini-conference Format* The half-day workshop will have two parts: first, a lightning talks session, then a poster session. All contributors are invited to participate actively in both sessions, that is: first present their work in a quick talk, then be ready to discuss their work supported by a poster. The main goal of the mini-conference is to foster exchange between researchers, developers, and practitioners, and provide a networking opportunity ahead of the start of the main conference programme. All submissions will be peer-reviewed by the organizing committee. We expect to be able to offer free on-site printing of posters to most if not all participants (within our budgetary limits). *Key Dates* Submission Deadline: April 30, 2026 Notification of Acceptance: May 21, 2026 Mini-conference Date: July 28, 2026, in the afternoon (KST). *Organizers / Programme Committee* Samya Brata Roy (ICLA DCL) Youngmin Kim (ICLA DCL) Federico Pianzola (ICLA DCL) Christof Schöch (ICLA DCL / SIG DLS) Shanmugapriya T (SIG DLS) Joanna Byszuk-Podsadniuk (SIG DLS) Katherine Elkins (SIG DLS) Berenike Herrmann (SIG DLS) Nuette Heyns (SIG-DLS) Suzanne Mpouli (SIG DLS) Simone Rebora (ICLA DCL / SIG DLS) Pablo Ruiz Fabo (SIG DLS) *Contact* For inquiries, please contact Simone Rebora at simone.rebora(a)univr.it.

1 0

Announcement: Colloquium Early modern (climate) Sources – Data – Databases
by Asmussen, Marvin Jonathan 20 Mar '26

20 Mar '26

Dear digital humanists, We are pleased to announce the program for the "Early Modern Climate Cultures Colloquium" for the summer semester 2026, focusing on data-driven approaches to early modern texts and climate discourses. The interdisciplinary research colloquium “Early Modern Climate Cultures”, which is organised by the Emmy Noether Research Group “Traces of the ‘Little Ice Age’ in Early Modern German Literature (LitLIA)”, is dedicated to the presentation and discussion of current research in the field of Environmental Humanities. A particular focus is placed geographically on Europe and historically on the early modern period. In the upcoming summer semester 2026, we will especially focus on the use of data and databases in researching early modern texts and climate discourses: How can literary and historical scholarship integrate quantitative methods into the study of historical climate cultures? How do you build a database that is suitable for environmental, historical, literary research? What are the potential pitfalls of data-based approaches to early modern sources? The colloquium will take place online. If you are interested in attending, please register at: van.de.loecht(a)uni-muenster.de<mailto:[email protected]> or marvin.asmussen(a)uni-muenster.de<mailto:[email protected]>. The sessions will be held in English. Dates: 23.04.2026, 16:00 (CET): Sylvia Brockstieger, Rebecca Hirt (Heidelberg/Karlsruhe): From Material Text to Digital Data: Creating the Writing Calendar Database 21.05.2026, 16:00 (CET): Siv Gøril Brandtzæg (Trondheim): Songs on Screen: The Making of a Database 02.06.2026, 14:00 (CET): Andrew Pettegree (St. Andrews): The Universal Short Title Catalogue and the Perils of Big Data – joint event with Book Studies Münster 25.06.2026, 16:00 (CET): Rüdiger Glaser (Freiburg): Climate Data Analysis from the Little Ice Age to the Modern Warming 02.07.2026, 16:00 (CET): Jöran Landschoff, Carolin Schwegler, Leyla Rommel (Cologne/Bremen): Close Reading/Distant Reading: Approaching Climate Discourses in Large Text Corpora Best regards, Marvin Asmussen -- Marvin Asmussen (er/ihm, he/him) Wissenschaftlicher Mitarbeiter Emmy-Noether-Nachwuchsgruppe "Die Spuren der 'Kleinen Eiszeit' in der Literatur der frühen Neuzeit (1570–1780) (LitLIA)" Universität Münster Germanistisches Institut Schlossplatz 34 48143 Münster

1 0

Venice Summer School in Digital and Public Humanities 2026, July 6-10
by Emmanuela Carbé 20 Mar '26

20 Mar '26

*Apologies for cross-posting* Dear all, We are pleased to announce the Venice Summer School in Digital and Public Humanities - VeSSDPH 2026 <https://www.unive.it/pag/39288/> which takes place at Ca' Foscari University of Venice from 6 to 10 July 2026. The Venice Summer School in Digital and Public Humanities provides advanced and in-depth training in theories, technologies and methods applied to historical monuments, artefacts and texts. Focussing on cultural, archaeological, historical, literary, and artistic materials from Venetian sites and cultural heritage institutions, participants will engage in debates about digital cultural heritage and public humanities while enhancing their competences and skills in digitising materials and sources and in modelling, analysing and visualising multimedia humanities data. The Summer School takes place at historical sites and cultural venues across the city of Venice and its surroundings. Each day is dedicated to a specific academic field: archaeology, history, art history and textual scholarship. Teaching formats include lectures, hands-on workshops, guided tours and experimental performances. Units are planned and delivered by local experts and invited specialists. All classes will be taught in English. The programme includes “Pimp my Project” sessions for discussing the participants’ individual research projects with domain experts. *Eligibility and admission criteria*The Summer School warmly welcomes PhD students, postdocs and practitioners from the private, public, and non-governmental sectors. Applicants must hold at least a Master’s degree or equivalent at the time of application. Precedence will be given to those candidates whose cover letter will show that their research projects or profession will benefit from the Digital and Public Humanities methods that they will learn during the summer school. A fair balance among genders and among disciplinary backgrounds will be preserved. *Availability of positions*The School will host max. 25 participants. Up to five positions are reserved for applicants from the EUTOPIA DigIn Connected Community, and one position for an applicant from the Scuola di Archivistica, Paleografia e Diplomatica of the Venetian State Archives. *Participation costs*- NO FEES - Biennale entry ticket: €20 (includes three non-consecutive days for both Giardini and Arsenale) - Optional booking of a single room (99 EUR per night) or double room (121 EUR per night) at Camplus University Residences (up to 6 nights) *How to apply*Your application must contain - a curriculum vitae (max. 2 pages) - a cover letter (max. 2 pages) stating your motivations for joining the School and your expectations about it. - Applicants are required to complete the online application form available at the following link: https://forms.gle/rH9tZnkbq4aUWqLt5. The CV and cover letter must be sent in PDF format to vedph(a)unive.it, with the subject line: “VeDPH Summer School Application - Name Surname”. *Important dates *Deadline for applications: 13 April 2026 (11:59 p.m. CEST) Notification of acceptance: 29 April 2026 *Full programme and further information: * *https://www.unive.it/pag/39288/ <https://www.unive.it/pag/39288/>* Contact: vedph(a)unive.it <vedph(a)unive.it> Emmanuela Carbé Associate Professor of Contemporary Italian Literature Venice Centre for Digital and Public Humanities (VeDPH <https://www.unive.it/pag/39287>) Member of the Executive Board, AIUCD <https://www.aiucd.it/> Department of Humanities Ca' Foscari University of Venice Palazzo Malcanton Marcorà Dorsoduro 3484/D, Calle Contarini 30123 Venice, Italy

1 0