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[online event] Open to all: Open Space Day "From Uncertainty to Action: Advancing Research with Digital Data", 28 Sept., 2023
by christian.wachter＠uni-bielefeld.de 11 Sep '23

11 Sep '23

Join us on Zoom! Our Open Space Day as part of the Digital Academy 2023: “From Uncertainty to Action: Advancing Research with Digital Data” - 28 September, 2023. The Digital Academy once again invites you to a vital exchange on data-based research and digital methods. This year, we will focus on an issue that affects the Digital Humanities on all levels: uncertainty. In this context, uncertainty is not understood as something deficient that inevitably makes data-based research within the digital humanities blurry. Instead, uncertainty underscores contingent opportunities to productively explore and develop strategies of dealing with digital research data. Three experts will report on their research projects and share their views on the topic of uncertainty in data-driven research. In an interview format, they will elaborate on topics spanning from modeling digital corpora and scholarly/scientific concepts, questions of accessing digital data in born-digital archives, to strategies of capturing uncertainty in scholarly editions. After each interview, there will be an open discussion with the Zoom audience. Program of the Open Space Day: 28 September, 2023; all times in CEST 10.00 -10.15 am: Welcome 10.15 -11.45 am: Talking to an expert & discussion I: Michael Piotrowski (Department of Language and Information Sciences, Université de Lausanne) 11.45 am - 12.45 pm: Lunch break 12.45-2.15 pm: Talking to an expert & discussion II: Jane Winters (School of Advanced Study, University of London) 2.15-2:30 pm: Coffee break 2.30-4.00 pm: Talking to an expert & discussion III: Susan Schreibman (Faculty of Arts and Social Sciences, Maastricht University) The Zoom link is available on our website: <https://www.uni-bielefeld.de/fakultaeten/geschichtswissenschaft/abteilung/a…> https://www.uni-bielefeld.de/fakultaeten/geschichtswissenschaft/abteilung/a… We look forward to the exchange! Best regards from the organizing committee, Silke Schwandt, Christopher Kuhlmann, Anna Maria Neubert, Sophie Spliethoff, Christian Wachter (all Bielefeld University) _______________________________ Dr. Christian Wachter Wissenschaftlicher Mitarbeiter Digital History Universität Bielefeld Universitätsstraße 25 33615 Bielefeld Büro: X A3-252 E-Mail: <mailto:christian.wachter@uni‐bielefeld.de> christian.wachter(a)xn--unibielefeld-i09f.de Telefon: <https://ekvv.uni-bielefeld.de/pers_publ/publ/Dialer_auswahl.jsp?phone=%2b49…> +49 521 106-12953 Twitter: <https://twitter.com/ChrWachter> @ChrWachter ORCID: <https://orcid.org/0000-0003-2937-0868> 0000-0003-2937-0868 Mastodon: <https://fedihum.org/@ChristianWachter> @[email protected] <http://digital-history.uni-bielefeld.de/> digital-history.uni-bielefeld.de

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CfP: Digital History Switzerland 2024
by Moritz Twente 08 Sep '23

08 Sep '23

Dear members of Eadh-topics, I am happy to share a Call for Contributions for the conference ‹Digital History Switzerland 2024› that will take place in Basel, September 12–13, 2024. We invite scholars, researchers and professionals of all levels of experience from Switzerland and beyond to submit papers on the DHCH24 conference theme: ‹Historical Research, Digital Literacy and Algorithmic Criticism›. We are particularly interested in papers that address ongoing research projects, innovative research methods, the use of software in historical research, data analysis, and digital tools. The Call for Contributions<https://bit.ly/dhch24_cfc> is open until December 1, 2023. Please visit our website for latest news and updates and to submit your abstract: https://bit.ly/dhch24 We are looking forward to your contributions! ——————— Call for Contributions Over the past few decades, history has gradually evolved into a discipline that is inconceivable without digital tools. Research rarely begins with manual browsing in archives, but rather on the Internet. Extending the legacy of quantitative history pioneered by the Annales School, quantitative methods such as distant reading complement established methods such as close reading and discourse analysis, and are becoming increasingly important as digital collections grow. AI systems like ChatGPT create new opportunities and challenges regarding text production and source analysis. Digital literacy and algorithmic criticism are one way of responding to this shift. Both students and researchers need to be trained and sensitized to the new demands and possibilities of digital research practice. Digital tools and methods are being integrated into history education to provide students with a solid foundation for their future research activities. Research collaborations need to be rethought under the conditions of digitization, etc. Within this general context, a lot of questions need urgently to be discussed. What are the basic elements of data literacy which every historian should know about? What is algorithmic criticism and how can it be practiced in our every-day research routines? How do we manage the data we produce during the research process? Which criteria (if any) should we use to choose a software for a specific task? Where to find help when faced with a methodological or a computer problem – or a combination of both? How to set up interdisciplinary collaborations? How do we handle technologies that some of their inventors construct as ‹black boxes›? How can we deal with the rapidly increasing demand for very different resources (e.g. technical knowledge, computing power, money)? etc. The conference provides a platform for scholars, researchers and professionals of all ages and levels of experience to discuss these challenges, exchange experiences, share best practices, and discuss forward-looking approaches to historical research in the digital age. It aims to promote digital literacy, raise awareness of the use of algorithms and AI systems, develop strategies for dealing with digital sources, encourage shared formats and methodologies, and facilitate the exchange of knowledge and best practices for collaborative historical research. The conference will also showcase projects and research in the field of digital history. It is planned that a selection of the papers presented at the conference will be published in a peer-reviewed open access publication. This is the first in a series of conferences that should take place every two years at a different Swiss university. Call for Papers Papers should provide insightful analysis, provoke thoughtful discussion, and contribute to the understanding and advancement of digital literacy and algorithmic criticism in historical research. This is an excellent opportunity to share your work with a diverse audience, receive valuable feedback, contribute to the evolving discourse in the field of digital history, and build community. Call for Posters In addition to paper presentations, we also invite submissions for poster presentations. Posters provide a unique platform for presenting ongoing research projects, research methods, software, data, and tools in a visually appealing format. Poster presentations are an excellent way to showcase your work, stimulate discussion, and interact with conference attendees in a more informal setting. We encourage innovative, visually appealing posters that effectively communicate your research and its relevance to the conference theme. Submission Guidelines Submission guidelines are provided on our website to ensure that your submission is properly formatted and submitted: bit.ly/dhch24_guidelines<https://bit.ly/dhch24_guidelines> Best regards, Moritz Twente Universität Basel Departement Geschichte digital-history-2024(a)unibas.ch

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Jobs at the Dept of Digital Humanities, King's College London
by Andrea Ballatore 31 Aug '23

31 Aug '23

Might be of interest * https://www.kcl.ac.uk/jobs/073449-lecturer-in-digital-media-and-culture-edu… * https://www.kcl.ac.uk/jobs/073450-lecturer-in-social-and-cultural-ai-aep * https://www.kcl.ac.uk/jobs/073465-lecturer-in-lecturer-in-digital-media-edu… * https://www.kcl.ac.uk/jobs/073467-lecturer-in-cultural-computation-educatio… * https://www.kcl.ac.uk/jobs/073468-lecturer-in-digital-economy-and-innovatio… -- Lecturer in Social and Cultural Informatics | HPL Lead Department of Digital Humanities King’s College London ✉️ andrea.ballatore(a)kcl.ac.uk<mailto:[email protected]> 🔗 aballatore.space<http://aballatore.space/> 📅 Office Hours<https://calendly.com/andrea-ballatore-kcl/office-hours> 🐦 Twitter<https://twitter.com/a_ballatore> 👾 Computational Humanities RG<https://www.kcl.ac.uk/research/computational-humanities-research-group> 🗺️ RGS-IBG GIScience RG<https://geoinfo.science/> Pronouns: he/him Latest publications: ✅ Open access in GIScience and geographic data science link<https://aballatore.space/open-access-giscience> | 🏛️ A geography of UK museums link<https://rgs-ibg.onlinelibrary.wiley.com/doi/full/10.1111/tran.12578>

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PostDoc position at Aachen University
by Simone Rebora 25 Aug '23

25 Aug '23

Dear all, Prof. Dr. Ralf Schneider (RWTH Aachen) is looking for a German- and English-speaking post-doc in Digital Humanities. Please find the job posting attached to this email. Best regards, Simone

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What metadata do literary studies need?
by jose.calvo 17 Aug '23

17 Aug '23

The NFDI consortium Text+, the DFG priority program Computational Literary Studies, and the EU project CLS-Infra have jointly created a survey on criteria for the creation of literary text corpora or collections. It only takes about 10 minutes to answer! https://survey.academiccloud.de/index.php/916873?lang=en The aim of this survey is to ask all researchers who create (digital) literary corpora or collections what information they need and consider for compilation. Currently, catalogs from libraries, archives, and digital platforms do not yet meet researchers' criteria because of different priorities regarding metadata. We want to change this and therefore ask the researchers themselves, for example, whether they are only looking for novels by 19th century French women authors for their corpus or rather what other information besides genre, gender and time period might be important. Of course, this does not mean that these metadata can be added right after the survey, but prioritization helps us to improve research infrastructures and the supply of digital corpora plus metadata. Take the first step with us and participate in the survey: https://survey.academiccloud.de/index.php/916873?lang=en Dr. José Calvo Tello Georg-August-Universität Göttingen Niedersächsische Staats- und Universitätsbibliothek Göttingen D-37073 Göttingen Digital Humanities Abteilung: Forschung und Entwicklung Papendiek 14 (Historisches Gebäude, Raum 2.407) Fachreferent für Romanistik, Kunstgeschichte und Digital Humanities Platz der Göttinger Sieben 1 (Zentralbibliothek, Raum 0.47) calvotello(a)sub.uni-goettingen.de http://www.sub.uni-goettingen.de [1] Links: ------ [1] http://www.sub.uni-goettingen.de/

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Registration Open - Narratives From the Long Tail: Transforming Access to Audiovisual Archives Event Series, 25 - 29 September
by Yang Yuchen 02 Aug '23

02 Aug '23

[Apologies for cross-posting] Dear All, We are delighted to extend an invitation to you on behalf of the consortium of the Swiss National Science Foundation Sinergia Project, "Narratives From the Long Tail: Transforming Access to Audiovisual Archives"<https://www.futurecinema.live/>. Please Join us at EPFL, Switzerland, for a week-long series of thoughtfully curated events 25th - 29th of September that focus on exploring the exciting intersection of machine learning, visual analytics, digital museology, and archival science. With a 2-day PhD workshop, a half-day seminar, and a 2-day international symposium, this gathering brings together researchers and practitioners to address the current challenges in providing public access to the significant audiovisual archives of the 20th and 21st centuries: ----------------- PhD workshop Beyond Search: Opening Up Audiovisual Content for Humanities Studies <https://www.epfl.ch/labs/emplus/workshop-beyond-search-opening-up-audiovisu…>25-26 September 2023 (2 ECTS provided by EPFL, travel subsidy available) In recent years, audiovisual content, with its growing accessibility, rich hidden meanings, and complexity in modality, became a new frontier for research in humanities and computational domains. The quest for properly and meaningfully opening up the variety of information (such as historical, social, affective, and aesthetic) available in the ever-increasing audiovisual materials requires a collective effort from both sides to co-create not only new methods but also new research questions. This 2-day workshop, covering both the theoretical and practical aspects of processing and utilising audiovisual data, provides an entry point and a test field for researchers working on digital humanities, audiovisual content understanding, and HCI to formulate and validate new ideas. Lecturers: Prof. Marina Hassapopoulou, New York University Ingrid Mason, National Film and Sound Archive of Australia Prof. Matthias Grotkopp, Freie Universität Berlin Prof. Mark Williams & Dr John P. Bell, Dartmouth College Dr Luca Rossetto, University of Zurich To access the full programme, including bios and abstract, or to apply, click here:https://www.epfl.ch/labs/emplus/workshop-beyond-search-opening-up-audiovisual-content-for-humanities-studies-25-26-september-2023/ ----------------- Mini Seminar Constellations of Images: 'The Grande Conversion' in Cultural Archives <https://www.epfl.ch/labs/emplus/constellations-of-images-the-grande-convers…>27 September 2023 The digital era has witnessed a significant transformation in the accessibility and availability of cultural content in various formats, encompassing a wide range of art forms such as visual arts, cinema, literature, music, photography, and architecture. This shift from analogue to digital, referred to as the "grande conversion" by Milad Doueihi, continues to have a profound impact on our engagement with these creative expressions. Spinning off the new book Les Devenirs numériques des patrimoines (The Digital Futures of Heritage)<http://www.editions-msh.fr/livre/?GCOI=27351100825610>, this event carefully curated a series of talks drawing on a variety of disciplinary perspectives and examples, showcasing the progress and advantages of working with the ever-changing technologies. Speakers: Prof. Jeffrey Shaw, Hong Kong Baptist University Prof. Clarisse Bardiot, Rennes 2 University Prof. Daniel Foliard, Université Paris Cité Prof. Martine Beugnet, Université Paris Cité Lily Hibberd, Interdisciplinary Artist Prof. Sarah Kenderdine, EPFL Dr Susan Hazan, Digital Heritage, Israel To access the full programme, including bios and abstract, or to register, click here:https://www.epfl.ch/labs/emplus/constellations-of-images-the-grande-conversion-in-large-audiovisual-archives/ ----------------- Symposium New Paradigms for Accessing and Curating Audiovisual Collections <https://www.epfl.ch/labs/emplus/events/new-paradigms-audiovisual-2023/>28-29 September 2023 In the context of the transformation, accessibility and curation of datafied content require rethinking to unlock meaningfully the complexity and large volume of audiovisual collections. For instance, standard web interfaces often ignore the potential of exploration and features like visual, auditory, and haptic, which are not easily accessible with traditional metadata. Scoping out an upgrade for accessing audiovisual archives can be facilitated via innovative curatorial access and informatics models that can activate new modes of engagement, interaction, and meaning-making. While pushing the boundaries for accessibility, the new interfaces, experiences, and curatorial models also raise technological and conceptual questions about every corner of the archival practice, especially on the preservation end, in the age of data. Addressing these challenges, this symposium is stimulated by a growing need for access models for audiovisual collections beyond traditional strategies and the need to reconceptualize curatorial and presentational frameworks and models. It aims to explore the intersection of cutting-edge computational methods and audiovisual archiving through three themed sessions, each designed to cover a specific and unique angle: * A Blurry Boundary: From Archive to Data * A New Way of Seeing: Analytics and Curation * In Progress and Practice: An Institutional Zoom-in Bring together more than 20 world-leading scholars in various fields (such as media and cultural studies, digital humanities, archival science, informatics and human-computer interaction), archivists and curators from heritage institutions, as well as domain experts and artists, this symposium will serve as a holistic venue to explore and critically reflect on the affordances and limitations of cutting-edge computational methods and tools for preserving, accessing and utilizing audiovisual materials and to push forward a digital and data-driven mindset for the future of audiovisual collections. To access the full programme, including bios and abstract, or to register, click here:https://www.epfl.ch/labs/emplus/events/new-paradigms-audiovisual-2023/ ----------------- Visit the Pioneering Laboratory for Experimental Museology <https://www.epfl.ch/labs/emplus/>During all three events Each event invites participants to embark on a captivating journey through the cutting-edge Laboratory for Experimental Museology (eM+), where immersive visualisation, cultural data, and state-of-the-art technologies converge. Join our guided tour to explore unique visualisation systems, powerful sonic architectures, and groundbreaking techniques like motion capture and photogrammetry. Witness the transformation of tangible and intangible heritage into stunning ultra-high-resolution experiences. This exclusive opportunity unveils 20 years of research from pioneering laboratories in Sydney and Hong Kong, offering a glimpse into the future of post-cinematic multisensory engagement. As a part of the Sinergia Project: Narratives from the long tail, this guided tour will also showcase the latest interactive and embodied exploration interfaces developed for our content partners, such as the Eye Filmmuseum and the Radio Télévision Suisse. ----------------- Special Film Screening Film, the Living Record of Our Memory <https://filmthelivingrecordofourmemory.com/index.php>28 September 2023, during the symposium Why are we still able to watch moving images captured over 125 years ago? As we move ever further into the digital age, our audiovisual heritage seems to be taken increasingly for granted. However, much of our filmed history and cinema has already been lost forever. On the night of the 28th, we arranged a special screening of the latest documentary Film, the Living Record of Our Memory<https://filmthelivingrecordofourmemory.com/index.php>, where film archivists, curators, technicians and filmmakers from around the world explain what film preservation is and why it is needed. This documentary puts the focus on our protagonists are custodians of film whose work behind the scenes safeguards the survival of motion pictures. It is a task they undertake based on their closely held belief in the artistic and cultural value of the moving image, in tune with a shared mantra that a film might one day transform someone's life. This documentary is a homage to them all and sheds some light on their critical undertaking. ----------------- If you cannot make it in person, we will also provide streaming services for those participating online. Please use the respective link to register your online participation, and details will be sent shortly before the event. Should you have any questions or require further information regarding this symposium, please feel free to reach out to our coordinator Yuchen Yang at yuchen.yang(a)epfl.ch<mailto:[email protected]> Best, Narratives From the Long Tail Team.

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CfP on Digital Hermeneutics in Frankfurt/Main, Germany
by Möbus, Dennis 07 Jul '23

07 Jul '23

Dear Members of the EADH-Mailingslist, we are pleased to announce our second international conference on Digital Hermeneutics, organized by the research cluster digital_culture at the FernUniversität in Hagen: Digital Hermeneutics II: Sources, Analysis, Interpretation, Annotation, and Curation The conference will take place at our side-campus in Frankfurt/Main on November 23/24. Please find the call below and attached a layout-version. Best regards, Dennis Möbus Call for Papers Digital Hermeneutics II: Sources, Analysis, Interpretation, Annotation, and Curation Annual Conference of the Research Cluster digital_culture at the FernUniversität in Hagen 23./24. November 2023, Frankfurt am Main Digitization has reached almost all areas of science and scholarship. And even in the cultural sciences and humanities, computers, databases and digital tools are increasingly important. Last year's annual conference "Digital Hermeneutics: Machines, Procedures, Meaning<https://www.fernuni-hagen.de/digitale-hermeneutik/>" of the research cluster digital_culture<https://www.fernuni-hagen.de/forschung/schwerpunkte/digitale-kultur/index.s…> dealt with the theoretical and conceptual challenges inherent in hermeneutic methods, tools, and applications. The results of the conference supported understanding and meaning, when algorithms, programs, machines, and other technical procedures contribute to it[1]. Following up on these initial theoretical and conceptual results, we now want to address more technical aspects of methods, technologies, tools, and applications supporting Digital Hermeneutics under the title "Digital Hermeneutics II: Sources, Analysis, Interpretation, Annotation, Curation" and take a look at digitally supported hermeneutic research processes and anticipate the future of digitized working practices in the cultural sciences and humanities. Without such digital support systems, it will no longer be possible to index, find, annotate, and curate the ever-growing number of digitally available resources for research data. Digital systems are also already in use for analyzing, indexing, enriching, and annotating multimedia data. But what about systems that support the analysis, annotation, and interpretation of digital research data - thus: representation of hermeneutic methods - and their results as well as supporting machine learning, reasoning, and finally automating the documentation of annotation, interpretation, and understanding? TOPICS OF INTEREST In an exchange between humanities scholars and computer scientists, we want to explore the possibilities and limits of the vision of digitally supported hermeneutics. The following questions should be understood as suggestions for contributions: · Digitization processes bear the risk of information loss or structural shifts and biases. How can these risks be dealt with? · The transformation of sources to data involves coding and enables the enrichment with information. How does one deal with the loss of the original source characteristics? Do standardizations promote a focus on unifying features of different sources or can nuances and deviations also be mapped? · Do the questions and epistemological interests of humanities, cultural studies, and social sciences change the availability, quality, and quantity of sources in the form of data? · How can algorithms and tools support, possibly even expand, research questions and epistemological interests in the humanities, cultural studies, and social sciences? · Can computer science also benefit from the discussion of methods in the humanities, social sciences, and cultural studies? The support of hermeneutic research processes by computer science can cover MultiMedia Indexing and Retrieval, Natural Language Processing (e.g. Named Entity Recognition), Knowledge Representation, Argumentation Mining, Machine Learning, Reliability, Explainability and Reproducibility. For the workshop, we are looking for contributions from both realms - computer science and humanities, also preferably in interdisciplinary tandem. Reports on current developments of digital support systems, experiences in dealing with such systems, as well as the problematization of technical and methodological challenges for the humanities and computer science are desired. Workshop Details The workshop will be held over two days covering the following panels: 23.11.2023 (12:00 - 21:00): Panel 1: "From Source to Data" Panel 2: "From Data to Scientific Questions for Digital Hermeneutics" Panel 3: "From Data to Scientific Methods for Digital Hermeneutics" Keynotes 24.11.2023 (9:00 - 13:30): Panel 4: "Sustainable Data Management for Digital Hermeneutics" Panel 5: "Costs and Benefits of Digital Hermeneutics" Scientific and Organizational Committee: Valentina Bachi, Photoconsortium Swati Chandna, SRH Univ. of Heidelberg Felix Engel, TIB - German National Library Antonella Fresa, Promoter S.r.l. Ingo Frommholz, Univ. of Wolverhampton Matthias Hemmje, FernUniversität in Hagen Helmut Hofbauer, FernUniversität in Hagen Paul Mc Kevitt, Univ. of Ulster, Belfast Almut Leh, FernUniversität in Hagen Bianca Mix, FernUniversität in Hagen Dennis Möbus, FernUniversität in Hagen Christian Nawroth, FernUniversität in Hagen Tom van Nuenen, Univ. of Cal. Berkeley Uta Störl, FernUniversität in Hagen Jan-Niklas Voigt-Antons, Univ. of Hamm-Lippstadt Binh Vu, SRH Univ. Heidelberg Joris van Zundert, Huygens Institute Amsterdam Language The workshop language is English. Abstracts can be submitted in English or German. Post-proceedings and Publication We are pleased to announce that we have been officially accepted by Springer: The papers will be published in Lecture Notes in Computer Science (LNCS). A German translation in the series Digitale Kultur<https://hagen-up.de/digitale-kultur/>, published by Hagen University Press, is being considered. Authors should consult Springer's Instructions for Authors of Proceedings and use either the LaTeX or the Word templates provided on the author's page for the preparation of their papers. Springer encourages authors to include their ORCIDs in their papers. For accepted papers, in addition, the corresponding author of each paper, acting on behalf of all of the authors of that paper, must complete and sign a License-to-Publish form. The corresponding author signing the copyright form should match the corresponding author marked on the paper. Once the files have been sent to Springer, changes relating to the authorship of the papers cannot be made. Submission and Deadlines September 15th 2023: Abstract (Position Paper, max. 500 words, please submit to dennis.moebus(a)fernuni-hagen.de<mailto:[email protected]>) September 30th 2023: Notification to authors (Accept/Revise/Reject) October 30th 2023: Camera Ready Abstract 23./24. November 2023: Workshop December 15th 2023: Full Paper Submission January 15th 2024: Full Paper Review Feedback February 15th 2024: CRV Full Paper --- Dr. Dennis Möbus Oral-History.Digital Researcher Forschungsschwerpunkt digitale_kultur Coordination of the research group digital humanities - Forschen im digitalen Raum FernUniversität in Hagen dennis.moebus(a)fernuni-hagen.de<mailto:[email protected]> https://www.fernuni-hagen.de/forschung/schwerpunkte/digitale-kultur/fg-digi… ________________________________ [1] https://hagen-up.de/publikationen/von-menschen-und-maschinen-mensch-maschin…

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[job] 2-year postdoc on cultural analytics/DH @Birkbeck/King’s College London
by Andrea Ballatore 07 Jul '23

07 Jul '23

[Please share with your networks] 📢 Come to work with us on museum analytics! 💡📊🏛️ URL: https://cis7.bbk.ac.uk/vacancy/postdoctoral-research-assistant-531235.html This is a full time, fixed term appointment until 30 September 2024 at Birkbeck, University of London. Please note, the successful candidate will be employed at Birkbeck for Year 1 and KCL for Year 2. Are you a recent PhD graduate or a Post Doctoral in computer science or data science, looking to work on an exciting trans-disciplinary project in the museums sector? We are seeking to appoint a Postdoctoral Research Fellow to work on the AHRC-funded project “Museum Closure in the UK 2000-2025”. You will be based at the Computer Science department at Birkbeck during the first year, and at the Digital Humanities department at King’s College London during the second year. The Museum Closure project will use trans-disciplinary methods to analyse closure and collections dispersal within the UK museums sector. Its aim is to examine the geographic distribution of closure, to better understand types of closure, and to document the flows of objects and knowledge from museums in the aftermath of closure. A Knowledge Base will be designed to model and store the collected data, and visualisations and statistical analyses of the data will be developed. Using these tools, the project team will aim to critically reassess notions of permanence and loss within the museum sector. The project builds on the earlier “Mapping Museums” and “Museums in the Pandemic” projects at Birkbeck (see http://blogs.bbk.ac.uk/mapping-museums/) It is led by Fiona Candlin, Professor of Museology at Birkbeck (Principal Investigator), Dr Andrea Ballatore (Digital Humanities, King’s College London) and Professors Alexandra Poulovassilis and Peter Wood (Computer Science, Birkbeck). As well as the Postdoctoral Research Fellow in Data/Computer Science, the project will also employ a postdoctoral research fellow in museology. You will design and implement the Knowledge Base (including software for uploading and extracting data), the statistical analyses, and the visualisations required for detailed data analysis. You will be required to collaborate with the other project members and report to the project group at regular team meetings (which may be held virtually or in person). You will be responsible for preparing refereed publications and presentations at conferences and project meetings. You may be required to travel within the UK and abroad several times a year. Essential skills include hands-on experience of programming, database design and implementation, and data analytics. The technologies used in the project include Python, R, and Neo4j. Experience in information visualisation is also highly desirable. (see URL for more info) -- Lecturer in Social and Cultural Informatics | HPL Lead Department of Digital Humanities King’s College London ✉️ andrea.ballatore(a)kcl.ac.uk<mailto:[email protected]> 🔗 aballatore.space<http://aballatore.space/> 📅 Office Hours<https://calendly.com/andrea-ballatore-kcl/office-hours> 🐦 Twitter<https://twitter.com/a_ballatore> 👾 Computational Humanities RG<https://www.kcl.ac.uk/research/computational-humanities-research-group> 🗺️ RGS-IBG GIScience RG<https://geoinfo.science/> Pronouns: he/him Latest publications: ✅ Open access in GIScience and geographic data science link<https://aballatore.space/open-access-giscience> | 🏛️ A geography of UK museums link<https://rgs-ibg.onlinelibrary.wiley.com/doi/full/10.1111/tran.12578>

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EADH Executive Board election 2023: statements by candidates
by Fabio Ciotti 27 Jun '23

27 Jun '23

Dear EADH mebers, the statements of the candidates in the 2023 election of the Executive Board have been published on the EADH website https://eadh.org/about/people/statements-candidates Fabio Ciotti -- Professor Fabio Ciotti Dept. "Studi letterari, filosofici e di storia dell’arte" University of Roma "Tor Vergata" Chair, European Association for Digital Humanities (EADH) Editor-in-Chief, "Umanistica Digitale" https://umanisticadigitale.unibo.it/ @Fabio_Ciotti @[email protected] f.ciotti(a)pec.it

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Deadline extended Re: CFP: Web/Comics 2023 at ACM Hypertext 2023 Conference, Rome
by Ernesto Priego 27 Jun '23

27 Jun '23

Dear all, Hoping you are all well, and with the usual apologies for crossposting. The deadline to submit to Web/Comics 2023, the first in a new workshop series for the ACM Hypertext conference <https://ht.acm.org/ht2023/>, has been extended to 4 July. The workshop itself will take place in Rome, Italy, during the conference. Accepted participants will be invited to submit revised papers, incorporating feedback and insights following the workshop, in a special collection of The Comics Grid: Journal of Comics Scholarship <https://www.comicsgrid.com/>.Important dates - *Papers submission: July 4, 2023 (AoE)* - Notification of acceptance: July 24, 2023 - Camera-ready paper due: August 6, 2023 - *Workshop: September 4, 2023 (half day, exact date tbc)* Call for papers: https://ht.acm.org/ht2023/webcomics/ <https://ht.acm.org/ht2023/webcomics/> ACM Hypertext Conference 2023: https://ht.acm.org/ht2023/ All the best, Ernesto @ernestopriego https://ernestopriego.com/ The Comics Grid: Journal of Comics Scholarship http://www.comicsgrid.com/ Parables of Care: https://blogs.city.ac.uk/parablesofcare/ Symbola Comics: https://figshare.com/collections/Symbola_Comics/4090025 Subscribe to the Comics Grid Newsletter: http://eepurl.com/iOYAj The information contained in this email is confidential and may be legally privileged. It is intended for the addressee(s) only. If you are not the intended recipient, please delete this e-mail. The contents of this e-mail must not be forwarded, disclosed or copied without the sender's consent. The statements and opinions expressed in this message are those of the author and do not necessarily reflect those of any related organisations, projects, colleagues or employers.

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Deadline extension: Digital Academy 2023 - From Uncertainty to Action: Advancing Research with Digital Data [online event]
by Neubert, Anna Maria 27 Jun '23

27 Jun '23

Digital Academy 2023 - From Uncertainty to Action: Advancing Research with Digital Data (Digital History, Bielefeld University) Dear colleagues, dear Digital Humanities enthusiasts, the Digital Academy once again invites you to a vital exchange on data-based research and digital methods. This year, we will particularly focus on an issue that affects the Digital Humanities on all levels: uncertainty. With her concept of “capta,” Johanna Drucker pointed out that when researchers collect and model data, they use criteria that are not objectively given. Thus, there always is a certain perspective that is forced onto our data sets, which highly influences the possibilities of analysing data. In order to be able to exploit data sets to their full potential, it is crucial for researchers to reflect on this perspectivity. Uncertainty plays a role on various levels: How can we interpret unclear data within texts, for example ambiguous designations of people or places? In which formats are data sets available, and how does this affect working with different analysing tools? The Digital Academy 2023 will touch upon these questions and many more. In this context, uncertainty is not supposed to be framed as something deficient that inevitably blurs data-based research within the Digital Humanities. The aim instead is to explore and develop strategies that help dealing with digital research data. We will discuss these strategies from 25th to 28th September 2023 within an online format. 1. Open Space Day: Experts will report on their research projects and subsequently discuss aspects of their work with the audience. This part of the program is open to all who are interested. 2. Three-day workshop: The participants will get the opportunity to present and discuss their strategies for dealing with uncertainty within their own research projects. This workshop particularly aims at advanced Masters students, PhD students, and postdocs. Participation is free of charge for both parts of the program. Call for Participation (Three-Day Workshop) 1 Your Contributions Your contributions (20 mins. presentation, 10 mins. discussion) may deal with all kinds of possible interpretations of uncertainty with regards to digital data. We would like you to present strategies you have been using in order to deal with uncertainty in your own projects. Besides the questions already mentioned above, other possible questions could be: * How do we create relations within databases, in order to answer particular research questions? * Which types of visualisations are particularly suitable for different research projects? * How can we combine qualitative research and hermeneutic methods? * Which theories seem to be useful in these contexts? 2 Submissions & Blog Articles Please submit the following documents to <mailto:digital-academy at uni-bielefeld.de> digital-academy at uni-bielefeld.de: 1. Abstract of your contribution (500-750 words excl. bibliography; English or German). 2. A short CV. Based on your abstract and the discussion following your contribution during the workshop, we would like to invite you to write a blog post that will be published on the blog of Digital History@UniBielfeld. This way, we can make our results available to a broader public. 3 Deadline The extended deadline for submitting contributions is 10 July 2023 (23:59, MESZ). We will inform about possibilities of participation by July, 28. Further details about the programme will be published in the course of the summer. We welcome submissions in German or English. The programme of the Digital Academy 2023 is bilingual (the Open Space day will be in English only). If you have any further questions, please do not hesitate to contact us via the following email address: digital-academy(a)uni-bielefeld.de<mailto:[email protected]>. Digital Academy 2023 website: https://www.uni-bielefeld.de/fakultaeten/geschichtswissenschaft/abteilung/a…. We look forward to a collaborative exchange! Best regards from the organizing committee, Silke Schwandt, Christopher Kuhlmann, Anna Maria Neubert, Sophie Spliethoff, Christian Wachter (all Bielefeld University)

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JOB: Web Developer - Digital Mozart Edition
by cividini＠mozarteum.at 23 Jun '23

23 Jun '23

JOB announcement / Digital Mozart Edition International Mozarteum Foundation The International Mozarteum Foundation has been devoted to the study and preservation of the œuvre of Wolfgang Amadé Mozart and his family for more than 150 years. As part of the Digital Mozart Edition (DME), which is being developed in collaboration with the Packard Humanities Institute (Los Altos, CA), we are working on interactive online editions that make music and text sources of various kinds accessible to a wide audience. A special project within the DME is the Digital Interactive Mozart Edition (DIME: https://dme.mozarteum.at/en/music/edition/) – the world’s first fully digital, XML-based music edition of a major composer in music history. For this project, we are looking for a: Full Stack Web Developer (m/f/d) 30-35 hours per week, permanent Responsibilities: In this multifaceted position, you will demonstrate a strong interest in digital humanities projects (ideally musicology or edition science) from a computational process perspective and be responsible for the following tasks: * Web development (server- and browser-side) as well as technical support of various online projects of the DME, primarily the Digital Interactive Mozart Edition (https://dme.mozarteum.at/movi/) as well as all other web publications in the DME context (Leopold Mozart Violin Tutor, Mozart Audio-visual Collection, Letters and Documents, Libretti projects) * Software development of tools for the ongoing digital projects Technical Qualifications: PHP (experience with frameworks such as Symfony or micro-frameworks such as Slim). JavaScript Python CSS, HTML5 XML technologies (experience with MEI/TEI desired), XSLT, XPath, XQuery SQL (MariaDB) elasticsearch LATEX (desired)We offer you: * an interesting and diversified field of activity in one of Austria’s leading cultural enterprises * a workplace in the heart of the city of Salzburg * flexible working hours with the possibility of working from home * a gross annual salary starting at € 42,000.00 (based on full-time/40h) with the possibility of overpayment depending on qualifications and experience We look forward to receiving your application documents by e-mail no later than July 31, 2023: Mag. Christina Lackner: bewerbung(a)mozarteum.at For detailed information about the position, please contact Mag. Franz Kelnreiter, kelnreiter(a)mozarteum.at, +43 662 88940 69. ----------------------------------------------------Dr. Iacopo Cividini Digitale Mozart-Edition Internationale Stiftung Mozarteum Schwarzstr. 26 5020 Salzburg, Austria T +43 (0) 662 889 40 966 E mailto:[email protected] [ http://www.mozarteum.at/ -> www.mozarteum.at ] [ http://www.mozarteum.at/content/newsletter -> Newsletter Stiftung Mozarteum ] [ http://www.facebook.com/StiftungMozarteum -> Facebook Stiftung Mozarteum ] ZVR: 438729131, UID: ATU33977907

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CFP: Baltic Summer School of Digital Humanities in Riga (25–28.07.2023)
by Sanita Reinsone 20 Jun '23

20 Jun '23

Dear All, Please help us spread the word to anyone who might be interested! The Baltic Summer School of Digital Humanities (BSSDH2023 <http://www.digitalhumanities.lv/bssdh/2023>) with a special focus on discourse analysis and digital literary studies is open for registration! *When*: 25 July - 28 July 2023 *Where*: Riga, National Library of Latvia and Online *Duration*: 4 days *Credits*: 3 ECTS *Fee*: 30 EUR* *REGISTRATION FEE* *30 EUR includes: Full access to all lectures and workshops, onsite or online. Food and drinks during lunch and coffee breaks for onsite students. *Access is free of charge for assistants of workshops and other volunteers*. Contact dh(a)lnb.lv to apply for volunteering! The main target audience – students and humanities researchers with little or no previous programming skills. Topics covered: + Data visualization with Tableau and Gephi; + Web scraping for humanities research with Scrapy and Beautiful Soup; + Introduction to Programming with Python for humanities researchers; + some beautiful keynote lectures on hot DH topics. The full program of the summer school and other information: http://www.digitalhumanities.lv/bssdh/2023/ Registration (deadline is July 10th, but if all spots are filled, we will close it earlier): http://www.digitalhumanities.lv/bssdh/2023/registration All best wishes, Sanita ┉ Sanita Reinsone 🇺🇦 #ScienceForUkraine <http://scienceforukraine.eu/> coordinator vadošā pētniece ┊ senior researcher, PhD LU Literatūras, folkloras un mākslas institūts Institute of Literature, Folklore and Art (University of Latvia) sanitareinsone.lv <http://www.sanitareinsone.lv/> ┊ lulfmi.lv ┊ digitalhumanities.lv

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3D Imaging and Modelling for Classics and Cultural Heritage
by Michael Donnay 20 Jun '23

20 Jun '23

Dear colleagues, The Institute of Classical Studies in London still has some available places for their annual summer school, 3D Imaging and Modelling for Classics and Cultural Heritage. Registration is available here: https://www.sas.ac.uk/events/3d-imaging-and-modelling-classics-and-cultural… Tutors: Alicia Walsh (Recollection Heritage/University of Amsterdam) & Gabriel Bodard (University of London) Cost: £675 standard / £375 unwaged and unfunded (if a student, please confirm that you have asked your institution for support before claiming this rate) Whether you are interested in visualising ancient monuments or in making and printing 3D models of historical artefacts-or even if you are just passionate about cultural heritage and want to learn more about the latest digital approaches-this intensive training course offers practical experience, with instruction from professionals and experts in the field. This in-person course will introduce you to issues, methods and technologies in the 3D imaging and modelling of ancient artefacts and buildings. Through a mix of discussion and practical training, you will learn about imaging of heritage objects. You will have the opportunity to put into practice the method of photogrammetry, the production of a 3D model from multiple still photographs of an object. You will also gain experience with an easy-to-use 3D design tool, for creating reconstructions of lost historical buildings or monuments. Both sets of technologies will be presented within a theoretical and methodological framework, thinking about 3D modelling alongside best practice, preservation, ethical and legal issues. Drawing on the expertise of the Institute of Classical Studies, our research partners, and nearby cultural institutions, this course is suitable for students, archaeologists, teachers and anyone else with an interest. We would love to hear if you had a project in mind that you would like to work towards, but all sessions will be accessible to complete beginners. Best wishes, Michael Michael Donnay (he/him) Manager | Digital Humanities Research Hub School of Advanced Study | University of London Senate House, Malet Street, London WC1E 7HU michael.donnay(a)sas.ac.uk<mailto:[email protected]> www.sas.ac.uk/digital-humanities<http://www.sas.ac.uk/digital-humanities> The University of London is an exempt charity and a statutory corporation in England and Wales (Company No. RC000661) HMRC Charities Reference X422. VAT Registration GB 222 7971 03.

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VERITRACE postdoc/PhD fellowships deadline 23 June
by CJ Schilt 17 Jun '23

17 Jun '23

One more week to apply for a postdoc or PhD fellowship with VERITRACE - deadline 23 June. The Vrije Universiteit Brussels-based ERC project 'Traces de la Verité: the reappropriation of ancient wisdom in early modern natural philosophy', aka VERITRACE (HORIZON ERC-2022-StG, 101076836, https://veritrace.eu) led by Prof. Dr. Cornelis J. Schilt, has two 3-year (full time) Postdoc opportunities - one in history and/or philosophy, one in digital humanities - and one 4-year (full time) PhD opportunity, starting date 1 October 2023. Full details about the Postdoc and PhD opportunities and how to apply can be found here: - Postdoc in History/Philosophy: https://lnkd.in/e4mvtfXi - Postdoc in Digital Humanities: https://lnkd.in/ezYi55Tg - PhD position: https://lnkd.in/eQyYt6uj

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Open Consultation on Recognising Innovative Outputs in the Humanities
by Joris van Zundert 08 Jun '23

08 Jun '23

Dear colleagues, I apologize if this message or a variant of it reaches you multiple times. The decentralized nature of spreading the following information and request will guarantee some email cluttering, I am afraid. Enough talk, to business… The ALLEA Working Group E-Humanities has launched an open consultation concerning draft recommendations on the recognition, assessment, and evaluation of innovative digital scholarly outputs in the humanities. The objective is to collect broad feedback from active humanities researchers and institutions to tailor the recommendations to the community’s needs. The consultation is open to all researchers and practitioners working in disciplines within the humanities, policymakers, and representatives of all public and private organizations active in the field. Detailed instructions for contributing are available in this recent ALLEA News Feature and the draft recommendations can also be accessed directly here: https://bit.ly/ALLEAehumanities. We are particularly keen to hear from humanities researchers in ALLEA member academies, and we would very much welcome your support in disseminating the call for contributions among your relevant experts. The consultation is open until 26 July 2023. Thank you in advance for any support and feel free to get in touch in case you have any questions. With best wishes, on behalf of the ALLEA E-Humanties Working Group --Joris van Zundert -- Dr. Joris J. van Zundert Researcher & Developer in Humanities Computing Dept. of Computational Literary Studies / DHLab Huygens Institute for the History of the Netherlands Royal Netherlands Academy of Arts and Sciences joris.van.zundert(a)huygens.knaw.nl<mailto:[email protected]> @jorisvanzundert +31624461051 http://jorisvanzundert.net/ https://www.huygens.knaw.nl/en/medewerkers/joris-van-zundert-2/ visiting address Oudezijds Achterburgwal 185 1012 DK Amsterdam The Netherlands postal address P.O. Box 10855 1001 EW Amsterdam The Netherlands -- Jack Sparrow: I thought you were supposed to keep to the code. Mr. Gibbs: We figured they were more actual guidelines.

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Final Call for Papers - Formulaic Language in Historical Research and Data Extraction: An International Conference, 7-9 February 2024, Amsterdam, Netherlands
by marijn Koolen 08 Jun '23

08 Jun '23

Formulaic Language in Historical Research and Data Extraction: An International Conference Final Call For Papers Huygens Institute, Royal Netherlands Academy of Arts and Sciences Amsterdam, 7-9 February 2024 Formulaic language is a phenomenon familiar to scholars working with a great variety of historical sources. In official documents such as charters, acts, laws, ordinances, proceedings, but also in ‘private’ texts such as letters, petitions, egodocuments, and literary texts, we find (sequences of) words that appear over and over again, often in the same position in the text, over a long period of time. Such formulaic elements seem to fulfill many different functions: they may help the reader understand the type or genre of a text, structure the text, indicate its performative character, strengthen the relationship between author and reader, or help memorizing a text, to name but a few. Given the highly formulaic character of many written sources, especially (but not only) of the premodern period, the phenomenon of formulaic language has received surprisingly little attention in historical research. It has been studied in (socio)linguistics and historical pragmatics, but few historians have engaged with this scholarship. Until recently, moreover, the potential of formulaic language for (automated) data extraction of large digitized source corpora has remained virtually unexplored. The twofold aim of this international conference is: 1. to place formulaic language on the agenda as an object of historical study (in the broadest, interdisciplinary sense of this term) 2. to explore the potential of formulaic language for the digitization and data extraction of historical sources of different types and periods. Possible questions that we would like to address in this conference include: • What is formulaic language? In which societal domains and historical sources can it be found? When and why has language been considered formulaic, and by whom? How is formulaic language defined and studied in different academic fields? How does the use of formulaic language vary across (national) linguistic traditions and across space and time? • How has formulaic language historically been understood? Which purposes has it served? How, when and where has formulaic language emerged, transferred or disappeared? How has formulaic language evolved over time, and how can change be explained? How does formulaic language in written texts relate to speech acts and ritual performances? How does it relate to text genres and genre conventions? • What are the social and political connotations and consequences of formulaic language? Who produces it, who engages with it, who knows how to use it, and who is excluded by it? How do (political, religious, legal) authorities, intermediaries, and ordinary language users employ, exploit, and interpret formulaic language? Does formulaic language facilitate or hinder the participation of subaltern groups in society? What is the relationship between formulaic language and the subsequent transitions from oral to written culture to the age of print and the digital age, or with processes of standardization, professionalization, and bureaucratization? • How can formulas be used to extract information from texts? What information do formulaic expressions convey about the subject or meaning of a text? Can they play a role in recognizing and contextualizing named entities? Can they help to link texts with other texts? • How can formulaic language be identified in text corpora and archives, including long serial publications and heterogeneous archives of diverse documents? How can formulaic expressions be categorized and how can relationships between formulas be identified? We welcome proposals for papers (c. 250 words) on these and related topics from scholars working in different fields. Proposals should be sent, together with a short bio- bibliographical statement including indication of institutional affiliation, by 15 June, to Republic_Goetgevonden(a)huygens.knaw.nl. Please give your email the title ‘Formulaic Language conference’. We will prioritize proposals that go beyond singular case studies and address questions that help us understand the phenomenon of formulaic language through comparisons across time, space, language, genre or corpus. This conference is organized in the framework of the project REPUBLIC: Resolutions Published in a Computational Environment. In this infrastructural project, (digital) historians, computer scientists, data experts and developers collaborate with the aim of providing digital access to the resolutions (decisions) of the Dutch States General (1576-1796). Organisers: Rik Hoekstra Marijn Koolen Joris Oddens Huygens Institute for the History and Culture of the Netherlands

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Funded PhD Positions Visual Analytics & Computer Vision in Cultural Heritage f/m/d (30-40h)
by Eva Mayr 06 Jun '23

06 Jun '23

Dear colleagues, I was asked to forward this call for applications within the PhD program Visual Analytics & Computer Vision in Cultural Heritage, which is open until June 12th. Kind regards, Eva Mayr _______________________ In a cooperative doctoral program between TU Wien and St. Poelten University of Applied Sciences, Austria, we offer room for interdisciplinary team cooperation and personal growth at the forefront of visual computing research in the context of cultural heritage applications. We are looking for PhD candidates (Junior Researcher; f/m/d) in the joint doctoral program ?Visual Analytics and Computer Vision Meet Cultural Heritage?. Details: www.visual-heritage.at<http://www.visual-heritage.at> WHAT YOU WILL BE WORKING ON - You are part of an excellent doctoral training programme of TU Wien and FH St. Poelten with the highest standards. - You conduct innovative applied and basic research on interactive analysis, exploration, and presentation of historical visual media collections. - You design, implement, and evaluate methods in visual analytics and/or computer vision in interdisciplinary problem settings of film studies and art history. - You develop methods for the automatic analysis, retrieval, and classification of images and videos, as well as interactive visual interfaces for the analysis, exploration, and (situated) presentation of large visual media databases. - You write scientific publications, give presentations, and conduct scientific outreach activities. - Further details on the research topics: www.visual-heritage.at/research-topics<http://www.visual-heritage.at/research-topics> WHAT WE EXPECT FROM YOU - University degree (Master level) in computer science (or comparable technical degree) or digital humanities. - Expertise in visual computing with a particular focus on at least one of the following areas: computer vision, machine learning, visual analytics, information visualization, immersive analytics (augmented reality / AR). - Excellent programming skills, especially in visualization/user interfaces and/or computer vision/machine learning. - Excellent command of English and willingness to learn/improve your German language skills (for non-natives). - Curiosity, independent working style, and interest in questions from cultural heritage and the digital humanities. - Strong ambition for a PhD, writing papers, and scientific discourse. WHAT WE OFFER - Exciting and challenging interdisciplinary research on visual analytics & computer vision in cultural heritage. - Work in an innovative, open-minded, and internationally oriented environment. - Flexible working hours and the possibility to work from home. - A total gross monthly salary of at least EUR 3,286 (14x/year; basis: 40h/week; according to Austrian Science Fund). - Please indicate your preferred research topics in your application documents (first and second choice): www.visual-heritage.at/research-topics<http://www.visual-heritage.at/research-topics> The variety and diversity of its staff members is the key to innovation, success, and further development. Applications by qualified women are particularly welcome. In the case of equal suitability, we give precedence to applicants with special needs. We explicitly invite persons with a migration background to apply. Second stage interviews are planned for June 23, 2023. Please apply here: https://www.fhstp.ac.at/en/job-openings-career/junior-researcher-vacovicu-3… We are looking forward to receiving your application! Wolfgang Aigner, Silvia Miksch, Franziska Bruckner, Robert Sablatnig, Markus Seidl, Manuela Waldner, Matthias Zeppelzauer FACULTY MEMBERS OF THE PHD PROGRAM

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Auto-Re: CFP] ACM Hypertext 2023 – Late Breaking Papers Deadline 9 June 2023
by e-mail＠jan-oliver-ruediger.de 05 Jun '23

05 Jun '23

Liebe*r Absender*in, haben Sie vielen Dank für Ihre E-Mail. Derzeit bin ich im Urlaub und ab dem 12.06.2023 wieder für Sie erreichbar. Aus Vertraulichkeitsgründen wird Ihre Mail nicht weitergeleitet. Viele Grüße Jan Oliver Rüdiger -- --- -- Dr. Jan Oliver Rüdiger Leibniz-Institut für Deutsche Sprache www.ids-mannheim.de R 5, 6-13 D - 68161 Mannheim Tel.: +49 621 / 1581 – 411 Fax: +49 621 / 1581 – 200 E-Mail / ZOOM: ruediger(a)ids-mannheim.de PGP-Fingerprint: 21EB 406C 05D6 699A C4E7 074D 63EB C1E3 7562 DC41

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CFP] ACM Hypertext 2023 – Late Breaking Papers Deadline 9 June 2023
by Francesca.Benatti [she/her] 05 Jun '23

05 Jun '23

[CFP] ACM Hypertext 2023 – Late Breaking Papers Deadline 9 June 2023 ************************************************************************ ACM Hypertext 2023 4-8 September 2023, Bibliotheca Hertziana, Rome, Italy https://ht.acm.org/ht2023/ Deadline: 9 June 2023 23.59 AOE ************************************************************************ Important Dates • Late breaking, blue sky, demos, traversals, and doctoral consortium - Submission: 9 June 2023 AoE - Notification: 26 June 2023 AoE - Camera ready submission: 23 July 2023 AOE • Conference 4-8 September 2023 Note: The submission times are 11:59 pm AoE time (Anywhere on Earth) The ACM Hypertext conference is a premium venue for high quality peer-reviewed research on hypertext theory, systems, applications, publishing, artwork and related practices. It is concerned with all aspects of modern hypertext research including social and intelligent media, narrative systems and applications, authoring, reading and publishing hypertext, workflows and infrastructures as well as reflections and approaches. All accepted contributions will be published by ACM and will be available in the Proceedings via the ACM Digital Library. Selected contributions will be invited to submit an expanded version after the conference to a special issue of the New Review of Hypermedia and Multimedia. Submissions are welcome in the following tracks: Late-breaking, blue sky, demos, traversals, and doctoral consortium track The Late breaking, blue sky, demos, traversals, and doctoral consortium track welcomes submissions of original and unpublished ideas that are still in the early stages of research (work-in-progress). We encourage researchers and practitioners to use this track as a valuable opportunity to receive useful feedback on early-stage work and foster discussions and collaborations among colleagues. We look forward to receiving: - Innovative research plans and preliminary results; - System prototypes addressing the theory and practice of topics relevant to the hypertext community; - Essays introducing recently started research projects or summarising project results. Demos presenting system prototypes or industry showcases The demonstrations are an essential and exciting complement to the overall conference program. These are a great way to show implementations of novel, engaging, and crucial concepts or systems related to hypertext interest areas and receive some helpful feedback from the community. Note: that all submissions should be intended to convey a scientifically founded result or work in progress and not as advertisements for commercial software packages. Blue Sky papers We also invite submissions with an emphasis on visionary ideas, long-term challenges, and new research opportunities. Here we want to overcome the constraints of the traditional review process by incubating innovative approaches, risky and provocative ideas, and propose challenges and opportunities in the near future. We are particularly excited about ideas that address the conference theme of “The Humanity within.” Submission guidelines Submissions to this track should follow the same formatting guidelines as submissions to the research track but are limited to the short paper format (3-6 pages references excluded). Accepted papers will be published in the conference proceedings and presented at the conference. In addition to these guidelines, the Submission and Ethical Review guidelines listed on the Call for Papers page must be followed. The submissions are managed electronically only through the EasyChair paper submission site and are required on or before the deadline listed below: Submissions https://easychair.org/conferences/?conf=ht23 Submission deadline: 9 June 2023 Best regards, Francesca Benatti Dr Francesca Benatti she/her/hers Research Fellow in Digital Humanities Department of English and Creative Writing, Faculty of Arts and Social Sciences The Open University, Walton Hall, Milton Keynes, United Kingdom

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ESU application deadline extension
by ALEXANDRA COTOC 03 Jun '23

03 Jun '23

To give more participants the chance to register, we have taken the decision to extend our application deadline to 18th June 2023. If you were thinking of joining us at the 𝐄𝐮𝐫𝐨𝐩𝐞𝐚𝐧 𝐒𝐮𝐦𝐦𝐞𝐫 𝐔𝐧𝐢𝐯𝐞𝐫𝐬𝐢𝐭𝐲 𝐢𝐧 𝐃𝐢𝐠𝐢𝐭𝐚𝐥 𝐇𝐮𝐦𝐚𝐧𝐢𝐭𝐢𝐞𝐬 this summer, there's still time to find the right workshop for you and sign up! To apply, head over to our website and fill out the online form: https://digihubb.centre.ubbcluj.ro/application/<https://digihubb.centre.ubbcluj.ro/application/?fbclid=IwAR0CV7JRRlGv4XWchb…> Alexandra Cotoc, PhD Senior Lecturer Department of English Language and Literature Faculty of Letters<https://lett.ubbcluj.ro/>, Babeș-Bolyai University<https://www.ubbcluj.ro/ro/> Str. Horea, 31 400202, Cluj-Napoca, Romania https://linktr.ee/alexandracotoc https://www.dial4u-uni.eu/ [cid:ea2efa47-1a53-4c58-8589-3836f564e0ce] [cid:edd40123-e12d-42a9-8668-6bfabb7c3488] DISCLAIMER Prezentul mesaj și orice documente atașate pot conține informații confidențiale sau sensibile care aparțin Universității Babeș-Bolyai din Cluj-Napoca. Conținutul mesajului nu poate fi dezvăluit sau utilizat de către altcineva decât destinatarul, persoană fizică sau juridică. Dacă ați primit acest mesaj dintr-o eroare, vă rugăm să ne anunțati imediat, ca răspuns la mesajul de față, și să ștergeți apoi din sistemul dvs. mesajul fără a-l copia sau deschide. Prin prezenta vi se notifică faptul că orice dezvaluire, copiere, distribuire sau inițierea/omiterea unor acțiuni pe baza prezentelor informații sunt strict interzise și atrag răspunderea civilă și/sau penală (art. 302 Noul Cod Penal). UBB nu este răspunzătoare pentru modificările care pot fi aduse prezentului mesaj și nici pentru întârzierile care pot surveni în recepționarea acestuia. De asemenea, nu putem garanta integritatea mesajului și nici că acesta este lipsit de viruși, interceptări sau interferențe de orice natură. ================= The contents of this email message and any attachments may contain confidential and/or privileged information belonging to Babeș-Bolyai University of Cluj-Napoca. This information is intended solely for the addressee, natural or legal person, and is legally protected from disclosure and may not be used by anyone other than the intended recipient. If you are not the intended recipient of this message, or if this message has been addressed to you in error, please immediately alert the sender by reply email and then delete this message and any attachments. You are hereby notified that any use, dissemination, copying, or storage of this message or its attachments as well as taking any action in reliance on the contents of this information is strictly prohibited and entails civil and/or criminal liability (under Art. 302 of the New Criminal Code). UBB accepts no liability for any errors or omissions in the contents of this message. Email transmission cannot be guaranteed to be secure or error-free, as information could be intercepted, corrupted, lost, destroyed, arrive late or incomplete, or contain viruses. UBBCLUJ <https://www.ubbcluj.ro/ro/politici/>

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Link available to CLS INFRA Newsletter (May 2023)
by Hoover, Sarah 02 Jun '23

02 Jun '23

Apologies for cross posting. The CLS INFRA Newsletter May 2023 edition is available! For those interested in resources for computational literary studies and digital humanities infrastructure, take a look at this issue: https://mailchi.mp/030fe751b976/cls-infra-newsletter-summer-17330823 This newsletter includes: * Changes to the CLS INFRA team * Recent Deliverables including: * D8.1: Report on Tools for Basic NLP tasks * D3.2: Survey of Methods and interactive Survey Grid * D7.1: On Programmable Corpora and DraCor * Recent and Upcoming Events * “Digging for Gold”: Training School Madrid, 9-11 May 2023 * DH2023 in Graz * CLS INFRA TNA Fellowships and * New! TNA Fellowship archive including reports, interviews, and more All the best, Dr Sarah Hoover Taighdeoir Iardhochtúireachta | Postdoctoral Researcher Institúid de Móra do Thaighde sna Daonnachtaí agus sa Léann Sóisialta Moore Institute for Research in the Humanities and Social Studies M: +32 483 90 04 88<tel:+32%20483%2090%2004%2088> Twitter: @CLSinfra<https://twitter.com/CLSinfra> Mastodon:: @[email protected]<https://fedihum.org/@CLSinfra> Website: clsinfra.io<https://clsinfra.io/> [University of Galway]<https://www.universityofgalway.ie/> [UniversityofGalway.ie]<https://www.universityofgalway.ie/> University of Galway is a registered charity RCN 20002107 [EU Flag] CLS INFRA has received funding from the European Union’s Horizon 2020 Research and Innovation Programme. SELECTED PUBLICATIONS: Forthcoming: Monograph, Reflective affective dramaturgies of participatory theatre: larping audiences into performance. Palgrave MacMillan, Dec 2023. Chapter editor and contributor: ‘Performance Studies and Role-Playing Games’. Role-Playing Game Studies: Transmedia Foundations, edited by José Pablo Zagal and Sebastian Deterding, Routledge, 2018, pp. 213–26. In process of revision and republication 2023. ‘Think Outside my Box: Imagery and Narratives of Women’s Bodies in Repeal the 8th Campaigns’, co-authorship with Miriam Haughton and Ciara L. Murphy. Feminist Encounters. March 2022.

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Digital Humanities postdoc VU Brussels
by CJ Schilt 26 May '23

26 May '23

The ERC-funded project VERITRACE has a job opportunity for a postdoc in digital humanities. Are you well-versed with topic modeling techniques, data analysis, data visualization, and perhaps even sentiment analysis? Would you like to contribute to a groundbreaking project in Renaissance and early modern science? Please get in touch. For all job details, please see here: https://jobs.vub.be/job/Elsene-Postdoctoral-grant-'Digital-humanities&… and perhaps also have a look at the budding project site https://veritrace.eu. Prof. Dr. Cornelis J. Schilt History and Philosophy of Knowledge

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CLS INFRA offering supported 4-12 week fellowships: APPLICATIONS CLOSING 30 MAY
by Hoover, Sarah 26 May '23

26 May '23

Please circulate Apologies for cross posting The CLS INFRA Transnational Access Fellowship Programme (TNA) is about to close its fourth round of calls for fellowship applications. If you intend to submit a fellowship application, do so before 23:59 CEST 30 May. The CLS INFRA Fellowship Programme provides access to a wide range of data, tools and knowledge. Scholars from literary studies or with an interest in Computational Literary Studies methods are invited to apply for a fellowship grant in one of our infrastructure providers. Successful applicants will not only obtain free-of-charge physical access to the infrastructure, but in the context of the overall project they will become part of the larger CLS community. By responding to one of our calls, applicants may have the opportunity to: * Interact with experts; * Receive advice on ongoing projects; * Learn how to use the ecosystem of data, tools and standards; * Assemble new literary corpora; * Profit from hands-on training and support. * Fellowships grants will cover housing and subsistence costs as well as travel to and from the host institution. The CLS INFRA Fellowships are funded by the European Union under the rules of transnational access. Calls for fellowship grants are launched twice a year for a total of six calls. Scholars from the European Union and beyond are eligible to apply. CLS INFRA fellowship grants will typically cover travel and subsistence costs. Successful applicants are expected to join the chosen infrastructure for a period of 4 to 12 weeks. However, shorter residencies will be also taken into consideration. DARIAH ERIC<https://www.dariah.eu/> is leading the Transnational Access Fellowship Programme (TNA) and is responsible for the management and oversight of the TNA selection process. Visit clsinfrattna.sciencescall.org<https://clsinfratna.sciencescall.org/> to apply. Applications will close at 24.00 30 May. Contact: Marco Raciti Email: marco.raciti(a)dariah.eu<mailto:%[email protected]> More on the CLS INFRA project: clsinfra.io<https://clsinfra.io/opportunities/tnafellowships/> [EU Flag] This project has received funding from the European Union’s Horizon 2020 research and innovation programme under grant agreement No 101004984 All the best, Sarah (I read and respond to emails during work hours.) Dr Sarah Hoover Taighdeoir Iardhochtúireachta | Postdoctoral Researcher Institúid de Móra do Thaighde sna Daonnachtaí agus sa Léann Sóisialta Moore Institute for Research in the Humanities and Social Studies M: +32 483 90 04 88<tel:+32%20483%2090%2004%2088> Twitter: @CLSinfra<https://twitter.com/CLSinfra> Mastodon:: @[email protected]<https://fedihum.org/@CLSinfra> Website: clsinfra.io<https://clsinfra.io/> [University of Galway]<https://www.universityofgalway.ie/> [UniversityofGalway.ie]<https://www.universityofgalway.ie/> University of Galway is a registered charity RCN 20002107 [EU Flag] CLS INFRA has received funding from the European Union’s Horizon 2020 Research and Innovation Programme. SELECTED PUBLICATIONS: Forthcoming: Monograph, Reflective affective dramaturgies of participatory theatre: larping audiences into performance. Palgrave MacMillan, Dec 2023. Chapter editor and contributor: ‘Performance Studies and Role-Playing Games’. Role-Playing Game Studies: Transmedia Foundations, edited by José Pablo Zagal and Sebastian Deterding, Routledge, 2018, pp. 213–26. In process of revision and republication 2023. ‘Think Outside my Box: Imagery and Narratives of Women’s Bodies in Repeal the 8th Campaigns’, co-authorship with Miriam Haughton and Ciara L. Murphy. Feminist Encounters. March 2022.

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Job offer: Postdoc, Digital Historical Research, full-time position, 5 years, Mainz (Germany)
by Wübbena, Thorsten 26 May '23

26 May '23

Dear all, we are looking for a new colleague! The Leibniz Institute of European History (IEG) in Mainz is a research institute within the Leibniz Association. It conducts and facilitates research on the historical foundations of Europe in the modern period and is engaged in current developments in the digital humanities. The IEG with its Digital Historical Research Unit invites applications for a full-time postdoctoral position (research associate) in Digital Historical Research at the earliest possible date for the duration of five years. The salary accords to German pay grade TV-L EG 13. Deadline for applications: 18th June 2023. The full job advertisement can be found here: https://t1p.de/054nw All the best, Thorsten -- Leitung Digitale historische Forschung | DH Lab Leibniz-Institut für Europaeische Geschichte (IEG) Alte Universitaetsstraße 19 55116 Mainz https://dhlab.hypotheses.org/

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Deadline extension. Dossier on Digital Art History
by Simone Rebora 25 May '23

25 May '23

Dear all, We would like to inform you that the submission deadline for the "Umanistica Digitale" dossier on Digital Art History has been extended to 15 June. Below is the updated Call. Best regards, ----- Call for Papers Umanistica Digitale Dossier: Digital Art History The dossier on “Digital Art History” of Umanistica Digitale collects contributions on the study of methods, approaches, debates and experiments that developed over the last two decades in the field of Digital Art History, particularly along two lines of research that appear dominant today. On the one hand, scholarly studies in Art History embrace a transdisciplinary approach to investigate several aspects that are constituents of the discipline: e.g. to formulate authorship attributions, reconstruct provenance, detect artworks’ genre and style, or investigate historical networks. To this extent, digital tools are employed to conduct and extend consolidated practices of research in Art History, though impacting its scope in many ways. On the other hand, computational methodologies have significantly evolved in the last decades and have opened new frontiers in research and industry. The development of text-to-image software has raised new issues in the field of generative art and intellectual property, as well as the use of blockchain and NFT has reframed the role of cultural institutions toward the art market. Big Data analysis and Distant Viewing have also impacted the modes of art historical research, bringing structural and logical topics into the foreground, rather than as side products of scholarly investigations. Similarly, the predominant role of data visualisation for cultural heritage analysis significantly impacts decision-making processes, while the employment of interactive/immersive installations and the Web as instruments of participation and awareness introduce new practices for engaging with museum audiences, stakeholders and patrons. This dossier welcomes proposals in both aforementioned areas of interest, privileging those pertaining to the field of the Digital Humanities, Computer Science, and Art History, as well as from other sectors that want to engage in the exploration of Digital Art History in a transdisciplinary perspective. Proposals should address one or more of the following topics: - Methodologies or approaches in digital art history - Quantitative analysis of art historical data - Computational studies of authorship, connoisseurship, provenance, genre, style, and other relevant enquiries - Distant viewing and big data analysis - Methods, experiments, approaches and lessons learnt using generative art, Artificial Intelligence, blockchain, and NFT Important dates: - June 15th: articles submission - July 30th: peer-review - August 15th: rebuttal - September 15th: camera-ready - November: dossier publication as part of Umanistica Digitale Please refer to the journal’s Author Guidelines <https://umanisticadigitale.unibo.it/about/submissions> to format your article. Articles should be submitted via the journal’s online submission system, adding “Dossier Digital Art History” as a keyword. This dossier is edited by Marilena Daquino (University of Bologna), Carolina Fernández-Castrillo, (Charles III University of Madrid), Diego Mantoan (University of Palermo), and Simone Rebora (Johannes Gutenberg University Mainz).

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Job: Digital Editions, 100%, Würzburg/Germany
by Torsten Roeder 25 May '23

25 May '23

Dear all, we are looking for a qualified person in the area of Digital Editions at the newly found Center for Philology and Digitality at the University of Würzburg (Bavaria/Germany). Applications from all countries welcome! Details here: https://go.uniwue.de/zpd-stellenausschreibung All the best Torsten -- Dr. phil. Torsten Roeder Tel. +49-178-5455445 Mail dh(a)torstenroeder.de Universität Würzburg Zentrum für Philologie und Digitalität (ZPD) Emil-Hilb-Weg 23 97074 Würzburg

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Free Text Analysis Pedagogy Institute is open for registrants!
by Amy Kirchhoff 24 May '23

24 May '23

Hello all ~ For those of you who want to learn and hone your text analysis skills, Constellate is hosting the Text Analysis Pedagogy (TAP) Institute<http://ithaka.org/TAPInstitute> this summer, a free series of events and classes offered from July 10 through August 4. The courses are taught by experts in text analysis and progress from beginner to advanced levels throughout the summer (classes are offered at a wide variety of times to accommodate different time zones.) Those interested in learning more can register to attend one or more TAP Institute courses at no cost, and should explore the freely available Constellate dataset builder<https://constellate.org/builder> and our open educational resources and tutorials. I am also thrilled to announce recent updates to Constellate that make it even easier for faculty, librarians, and other instructors to easily and effectively teach text analysis and computational literacy skills. These updates includes a new user dashboard and enhanced lab environment that make it even easier for faculty to help their students learn text analysis, ultimately gaining the skills they need to succeed in today's data-driven workplace. A full press release covering both of these topics is available here https://www.ithaka.org/news/constellate-makes-it-easier-to-teach-text-analy…. Reach out with any questions and I hope to see you at one of the TAP Institute classes! ~ Amy -- Amy J. Kirchhoff (she/her) Constellate<https://constellate.org/> Sr. Manager / ITHAKA Twitter: @AmyPlusFour Constellate is the only text and data analysis platform that integrates access to scholarly content and open educational resources into a cloud-based application and lab to help faculty, librarians, and other instructors easily teach text and data analysis. Take your research further with text and data analysis skills!

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CFP reminder CULTURE & TECHNOLOGY. ESU in Digital Humanities
by Ioana Mudure- Iacob 23 May '23

23 May '23

There are only two more weeks for the application process to the European Summer University in Digital Humanities hosted by Babeș-Bolyai University, Romania, starting this year: https://digihubb.centre.ubbcluj.ro/application/ Make sure you check our website to learn more about the planned workshops. https://digihubb.centre.ubbcluj.ro/workshops/ *Ioana Mudure-Iacob* Assistant professor Department of Foreign Languages for Specific Purposes Faculty of Letters DIAL4U – Digital pedagogy to develop Autonomy, mediate and certify Lifewide and Lifelong Language Learning for (European) Universities <https://news.ubbcluj.ro/ubb-partenera-in-proiectul-dial4u-digital-pedagogy-…> <https://www.avast.com/sig-email?utm_medium=email&utm_source=link&utm_campai…> Virus-free.www.avast.com <https://www.avast.com/sig-email?utm_medium=email&utm_source=link&utm_campai…> <#DAB4FAD8-2DD7-40BB-A1B8-4E2AA1F9FDF2>

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CfP VI Congreso Humanidades Digitales Hispánicas / CfP VI Humanidades Digitales Hispánicas
by Maria Teresa Santa Maria Fernandez 22 May '23

22 May '23

[ESPAÑOL] #CfP VI Congreso Humanidades Digitales Hispánicas Los días 18-20 de octubre de 2023 tendrá lugar en Logroño (La Rioja, España) el VI Congreso de la Sociedad Internacional Humanidades Digitales Hispánicas, organizado desde la Universidad Internacional de La Rioja (UNIR) y la Asociación de Humanidades Digitales Hispánicas-HDH (https://humanidadesdigitaleshispanicas.es/) El congreso lleva por título Encuentros y transformaciones: las Humanidades Digitales como propuesta transdisciplinar, por lo que se buscará hacer hincapié en todas aquellas investigaciones, proyectos, iniciativas y resultados que supongan lugares de encuentro entre disciplinas, que traspasen sus límites, generen conocimiento nuevo y resulten transformadores. El #CfP estará abierto hasta el próximo 30 de mayo a través de EasyChair (aquí<https://easychair.org/cfp/HDH2023>). Tipos de contribuciones (en español): * Comunicaciones largas (15+5) * Comunicaciones cortas (5+5) * Paneles de hasta 4 personas (1 hora) * Pósteres Las actas del congreso se publicarán con ISBN. Además, algunas de las contribuciones podrán ser seleccionadas para formar parte de una publicación en una revista especializada o como capítulo de libro. Toda la información en hdh2023.org<http://hdh2023.org/> [ENGLISH] #CfP VI Humanidades Digitales Hispánicas Congress The VI Congress of the Humanidades Digitales Hispánicas International Society will be held from October 18-20, 2023 in Logroño (La Rioja, Spain), organized by the International University of La Rioja (UNIR) and the Asociación de Humanidades Digitales Hispánicas-HDH (https://humanidadesdigitaleshispanicas.es/) The congress is entitled Encounters and Transformations: Digital Humanities as a Transdisciplinary Proposal, with the aim of emphasizing all those research, projects, initiatives and results that involve meeting places between disciplines, which transcend their limits, generate new knowledge and are transformative. The #CfP will be open until May 30th through EasyChair (here<https://easychair.org/cfp/HDH2023>). Types of contributions (in Spanish): * Long papers (15+5) * Short papers (5+5) * Panels of up to 4 people (1 hour) * Posters The congress proceedings will be published with an ISBN. In addition, some of the contributions may be selected to be part of a publication in a specialized journal or as a book chapter. All information at hdh2023.org<http://hdh2023.org/> [HDH2023]

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CfP: Cultural Data Analytics Conference 2023 (December 13-16), deadline July 24
by Fabio Ciotti 22 May '23

22 May '23

CfP: Cultural Data Analytics Conference 2023 (December 13-16), deadline July 24 https://cudan.tlu.ee/conference/ We invite submissions for the Cultural Data Analytics Conference 2023 / CUDAN 2023, organized by the ERA Chair project for Cultural Data Analytics at Tallinn University, generously funded by the European Commission. Inspired by initial large gatherings of the cultural analytics community, including UCLA/IPAM 2016, and multidisciplinary conferences such as NetSci, IC2S2, or CSS, we aim to bring together researchers, practitioners, and stakeholders using methods of cultural data analytics to understand cultures and cultural production. This particularly includes multidisciplinary combinations of quantification, qualitative inquiry, computational analysis, and visualization to make sense of large cultural datasets, including visual, audiovisual, linguistic, and other genres of socio-cultural materials. The conference is scheduled to happen in Tallinn, Estonia from December 13 to 16, 2023, including a number of leading invited practitioners, peer-reviewed talks, and poster contributions from the community. Conference programme The CUDAN 2023 main conference programme (December 14-16, 2023) will include six keynotes covering the spectrum of relevant disciplines, a lightning talk session in the plenary, parallel sessions, and a poster section. The latter will run throughout the whole conference in the coffee and lunch area that is collocated with the plenum. The conference will close with a best poster and best paper award ceremony. The pre-conference day (December 13, 2023) will feature introductory workshops by CUDAN senior fellows, covering aspects of cultural data analysis and visualization using Python, R, Tableau, and the Collection Space Navigator. Before and after the main conference, we will offer sightseeing tours, including the medieval Tallinn old town and Christmas market (among many reasons to visit Estonia). We are further planning a meet the publisher’s session and other opportunities for relevant stakeholders, including exhibition booths. If you or your institution/company is interested in participation, please contact us via email to cudan(a)tlu.ee, ideally before September 14, 2023. Keynotes – Petter Holme, Aalto University, Helsinki, Finland – Béatrice Joyeux-Prunel, Université de Genève, Switzerland – Mauro Martino, Visual Artificial Intelligence Lab, IBM Research, Boston, USA – Anu Masso, TalTech, Tallinn, Estonia Conference Scope and Call Cultures and cultural production are multifaceted phenomena, which, like other complex systems, cannot be fully understood from the perspective of a single specific discipline. This is why the core mission of cultural data analytics is to join forces and make headway across disciplines and domains of expertise. Feeding into this mission, we welcome both multidisciplinary submissions, and contributions from specific disciplines, which aim to benefit from discussion in a multidisciplinary forum. We encourage discussion towards a deeper understanding of cultures and cultural production including aspects, methods, and intersections of the following fields: – cultural analytics, culturomics, and socio-cultural data science; – digital humanities and computational humanities; – cultural evolution, including experimental and observational approaches; – cultural complexity science, network science, computational social science, and social physics; – computational linguistics, quantitative aesthetics, critical computer vision, and machine learning; – art history, cultural history, cultural semiotics, film studies, musicology, and urbanism; – artistic research, algorithmic curation, and AI art (including aspects of cultural data analysis); – creative industries research, media economics, and policy studies; – data journalism, data science, and information visualization. Contributions ideally address at least one of the following subject domains (in line with state-of-the-art conceptual reference models for cultural data): – material aspects, including artworks, architecture, texts, images, sound, film, digital media, databases, and other forms of tangible cultural heritage; – conceptual aspects, including cultural practices, rituals, theories, policies, data models, narratives, imagined communities, and other forms of intangible cultural heritage; – social aspects, including human behaviour, human mobility, social networks, and social media; – temporal aspects, from slow historical processes to turbulence in today’s economy of attention; – spatial aspects of historical topography, cultural geography, and urban dynamics; – event aspects, which combine the above aspects in cultural co-production, event series, tourism, etc.; – network aspects of socio-cultural interaction, including the inherent ecology of complex networks as documented in the structure and dynamics of large cultural knowledge graphs or blockchains associated with the crypto-art-market, for example. We invite authors to submit a single-page abstract pdf including a (mandatory) descriptive figure and caption by the 24th of July 2023 via our OpenReview submission system. We accept contributed talks, lightning talks, and posters (please indicate your preference). We strive for an in-person event to maximize community interaction, yet we will provide a limited number of remote presentation slots. Review is single-blind. SUBMIT HERE: https://openreview.net/group?id=CUDAN.tlu.ee/2023/Conference

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Blog article dedicates to Dino Buzzetti
by Fabio Ciotti 22 May '23

22 May '23

Dear EADH community, AIUCD has published in its official Blog a page dedicated to Dino Buzzetti, containing personal memories from various Italian colleagues. Ricordando Dino Buzzetti, co-fondatore e presidente onorario dell’AIUCD – Informatica Umanistica e Cultura Digitale: il blog dell' AIUCD. (hypotheses.org) <https://infouma.hypotheses.org/1475> Many in the days following Dino's passing asked me where they could leave their remembrance. This page is open for contributions from anyone who had the good fortune to meet Dino during his long years of scholarly activity and would like to contribute their memories. The texts can be sent to Andrea Boglioli, who maintains the Blog: andrea.bolioli(a)gmail.com. Yours sincerely, Fabio -- Professor Fabio Ciotti Dept. "Studi letterari, filosofici e di storia dell’arte" University of Roma "Tor Vergata" Chair, European Association for Digital Humanities (EADH) Editor-in-Chief, "Umanistica Digitale" https://umanisticadigitale.unibo.it/ @Fabio_Ciotti @[email protected] f.ciotti(a)pec.it

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[meetings][CfP] HHAI2023 26-30 June Call for Registration & Travel funds
by Meer, M.T. van der (Michiel) 22 May '23

22 May '23

Dear Receiver, Sorry for potential cross postings. We invite you to register for HHAI 2023: The Second International Conference on Hybrid Human-Artificial Intelligence. HHAI 2023 is happening in Munich, Germany on June 26-30 and we’re excited to share the conference program with you: HHAI is a multidisciplinary conference involving involves researchers from various fields like AI, HCI, sociology, psychology and more. HHAI focuses on AI systems that assist humans and vice versa, emphasising the need for adaptive, collaborative, responsible, interactive and human-centred intelligent systems that leverage human strengths and compensate for human weaknesses while considering social, ethical and legal considerations. We are only 5 weeks away from the conference! This year, we have a rich program featuring over 3 keynotes, 34 accepted papers, 17 posters, 4 demos, 8 doctoral colloquium students, 6 workshops, 3 tutorials, 1 hackathon, 2 industrial events, and 2 social events. When? Mon - Fri 26-30 June 2023 (in-person only event) Where? Munich, Germany Fees? Registration is now OPEN (Register by 2 June 2023 to receive the early bird discounts) https://hhai-conference.org/2023/registration/ Need financial assistance? [Application deadline: 26 May 2023] Check the travel grants from https://hhai-conference.org/2023/travel-funds/ Want to help us and get complimentary registration? [Application deadline: 31 May 2023] Check the student volunteers' call https://hhai-conference.org/2023/student-volunteering/ Program? https://hhai-conference.org/2023/program/ Need help in planning? Check local advice from https://hhai-conference.org/2023/conference-venue/ Feel free to pass the invitations to interested individuals. We look forward to hosting you in person in Munich! Warm regards, Paul Lukowicz, DFKI GmbH Sven Mayer, LMU Munich – HHAI 2023 General Chairs –

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UK-Ireland Digital Humanities Association conference - 29-30 June 2023
by Arianna Ciula 22 May '23

22 May '23

The UK-Ireland Digital Humanities Association <https://eur03.safelinks.protection.outlook.com/?url=https%3A%2F%2Fdigitalhu…> invites members of the digital humanities community - including those working in GLAM organisations, the creative industries, and the technology sector - to come together for a *two-day conference on 29-30 June 2023* to mark the official launch of the Association. The conference will provide an opportunity for researchers, practitioners and students from both countries to deepen existing relationships and create new pathways for collaboration. In addition to sharing research, there will be opportunities to reflect on the current opportunities and challenges facing the field. Attendees will also have the opportunity to engage with the newly-launched Community Interest Groups <https://eur03.safelinks.protection.outlook.com/?url=https%3A%2F%2Fdigitalhu…> and hear a keynote delivered by Agiatis Benardou, one of the directors of DARIAH. The themes of the first annual event will reflect the Core Values of the Association: - Inclusivity - Community - Collaboration - Sustainability - Openness and transparency - Advocacy and action To find our more information about the programme and register for the event, please visit the Association’s website <https://eur03.safelinks.protection.outlook.com/?url=https%3A%2F%2Fdigitalhu…> . *Registration* The event will be held in-person at Senate House, University of London in London, with portions of the event available to view online. The fee for attending the event in-person will be £30. Students and independent scholars can attend at a discounted rate of £20. For those unable to attend in person, free online-only tickets are available. *Bursaries* The UK-Ireland Digital Humanities Association plans to award ten (10) bursaries of £200 to support in-person attendance at the Annual Event. The bursaries are to make the event more accessible to those who would otherwise be unable to attend, with specific attention to supporting postgraduate students, early career researchers, and those who are precariously employed. Applicants do not need to have a paper accepted to apply. The deadline to apply for bursaries has been extended to *5:00 PM BST on Thursday, 25 May 2023*. Applicants will be notified of the results by Wednesday, 31 May 2023. Learn more and submit your application <https://eur03.safelinks.protection.outlook.com/?url=https%3A%2F%2Fdigitalhu…> . *Accommodation* Discounted housing is available for the conference via the University of London's accommodation office. Single rooms with a shared bathroom are available for £68.50 per person per night, which includes breakfast. Rooms must be booked for a minimum of 2 nights. If you would like to book a room, please email the Accommodation office at staycentral(a)london.ac.uk and quote “UK-IE Digital Humanities Association” in your email. If you have any questions about the event, please email uk-ie.digitalhumanities(a)sas.ac.uk. <uk-ie.digitalhumanities(a)sas.ac.uk> *Michael Donnay (he/him)Digital Projects Officer **|** Digital Humanities Research Hub* *School of Advanced Study **|** University of London* Senate House, Malet Street, London WC1E 7HU michael.donnay(a)sas.ac.uk www.sas.ac.uk/digital-humanities <https://eur03.safelinks.protection.outlook.com/?url=http%3A%2F%2Fwww.sas.ac…>

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Keynote speakers of the DH2023 conference!
by Scholger, Walter (walter.scholger＠uni-graz.at) 16 May '23

16 May '23

Dear colleagues, we are excited to present the fabulous keynote speakers for the ADHO Digital Humanities 2023 conference in Graz (https://dh2023.adho.org/) Our Opening Keynote speaker on July 11 will be Sarah Kenderdine on "Two-Fold Revolutions: Computational Museology in the Age of Experience". (https://dh2023.adho.org/?page_id=709) Our Closing Keynote on July 14 will be Claire Fernandez on "Contesting power in the digital age: the role of civil society in Europe". (https://dh2023.adho.org/?page_id=719) Also, registration for workshops at the DH2023 is now open through Conftool at: https://www.conftool.pro/dh2023/ If you are already registered, you can edit your registration details to include workshops (which are free). Hoping to see many of you in Graz in July, Walter Walter Scholger Institutsmanager | Department Manager Zentrum für Informationsmodellierung | Centre for Information Modeling Universität Graz | University of Graz [cid:[email protected]]<https://uni-graz.at/>[cid:[email protected]]

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Call for Papers - Humanities Going Digital
by Daniel Alves 12 May '23

12 May '23

*IJHAC Call for Papers - Humanities Going Digital: Teaching, Training and Research Experiences* *Journal: IJHAC: A Journal of Digital HumanitiesGuest Editors: Rute Costa and Raquel Amaro (NOVA University Lisbon)* *Motivation:* Educational systems are being transformed by digital technologies and demands for new knowledge and skills by university graduates. The special issue on “Humanities Going Digital: Teaching, Training & Research Experiences” emerges from the Erasmus+ project *Humanities Going Digital* project (2020-1-CZ01-KA226-HE-094363), focusing on the Erasmus+ axes: i) ICT – emergent technologies – digital competencies; ii) New innovative curricula/educational methods/development of training courses, and iii) Open and distance learning. The project focused on the development of teaching methodologies, curricula and materials aiming at contributing to new ways of teaching (off and online) and new educational methods. This encompasses the inclusion of research activities of teachers and students in the field of Digital Humanities, while fostering the dialogue between the students in a professional and academic environment and promoting the direct reflection of the results of their work in the courses. The special issue on “Humanities Going Digital: Teaching, Training & Research Experiences” is intended to explore the connection between research, teaching and training and the reporting of experiences contributing to Digital Humanities. The special issue invites contributors – teachers, students, researchers, and curators – to present their experiences and work on using and perfecting emergent technologies and digital competencies; innovative curricula and courses; innovative training and teaching methods; open/distance/hybrid learning; as well as opportunities, challenges and solutions in Digital Humanities. Papers should reflect work on the topics listed below, although it is not limited to these, and we welcome any topics related to teaching, training & research experiences within Digital Humanities: Analysis of macroscopic trends in cultural/social change Cultural analytics Cultural patrimony preservation and representation Digital archives and their use Knowledge design and application Knowledge organisation Online curatorship and publishing Access, and its sustainability, to methods/tools/resources in educational environments Textual mining, analysis, and visualization Wikimedia projects *Submission process and dates:* The papers for the special issue will be selected through a double-blind peer review process. Papers should be in the region of 4,000–6,000 words inclusive of endnotes (note that as we publish in print as well as online, images should be included in the article's word count: a full-page figure is equal to 400 words; a half-page figure is 200 words). Submissions should be in English (authors are responsible for translation). Please view the full submission and style guidelines here. <https://www.euppublishing.com/page/ijhac/style> Submissions should be sent to the Managing Editor at the following email address Joana Vieira Paulino Email: ijhac(a)fcsh.unl.pt with the indication of: ‘Submission to special issue on *Humanities Going Digital*’ Deadline for submissions: *30 June 2023* Publication of the Special Issue: *March 2024* *Scientific committee* Adriana Cardoso | ESELx Amália Mendes | University of Lisbon Ana Salgado | Academia das Ciências de Lisboa/NOVA University Lisbon António Moreira Teixeira | Universidade Aberta Claudio Rodríguez | Palacký University Diana Santos | Oslo University/Linguateca Federica Vezzani | University of Padova Filomena Gonçalves | University of Évora Geoffrey Williams | University of Bretagne Sud Giorgio Maria Di Nunzio | University of Padova Idalete Dias | University of Minho Isabel Roboredo Seara | Universidade Aberta/NOVA University Lisbon Israel Chávez | Palacký University Laurent Romary | National Institute for Research in Digital Science and Technology Michael Piotrowski | University of Lausanne Paulo Silva Pereira | University of Coimbra Sara Carvalho | University of Aveiro/NOVA University Lisbon Torun Reite | Dalarna University -- *Daniel Alves* Subdirector Adjunto da NOVA FCSH Editor IJHAC: A Journal of Digital Humanities ( https://www.euppublishing.com/loi/ijhac) Editor The Programming Historian PT (https://programminghistorian.org/pt/) Coordinator of the IHC Digital Humanities Lab (dhlab.fcsh.unl.pt) Departamento de História e Instituto de História Contemporânea Faculdade de Ciências Sociais e Humanas – NOVA FCSH Av. de Berna, 26 <https://maps.google.com/?q=Av.+de+Berna,+26&entry=gmail&source=g> C, 1069-061 Lisboa | Portugal Tel: + 351 217 908 300 <+351%2021%20790%208300> | Ext.: 1556 E-mail: dra(a)fcsh.unl.pt Web: www.fcsh.unl.pt <https://www.avast.com/sig-email?utm_medium=email&utm_source=link&utm_campai…> Sem vírus.www.avast.com <https://www.avast.com/sig-email?utm_medium=email&utm_source=link&utm_campai…> <#DAB4FAD8-2DD7-40BB-A1B8-4E2AA1F9FDF2>

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CfP VI Humanidades Digitales Hispánicas Congress
by Fabio Ciotti 12 May '23

12 May '23

[ESPAÑOL] *#CfP VI Congreso Humanidades Digitales Hispánicas* Los días 18-20 de octubre de 2023 tendrá lugar en Logroño (La Rioja, España) el *VI Congreso de la Sociedad Internacional Humanidades Digitales Hispánicas*, organizado desde la Universidad Internacional de La Rioja (UNIR) y la Asociación de Humanidades Digitales Hispánicas-HDH ( https://humanidadesdigitaleshispanicas.es/) El congreso lleva por título *Encuentros y transformaciones: las Humanidades Digitales como propuesta transdisciplinar*, por lo que se buscará hacer hincapié en todas aquellas investigaciones, proyectos, iniciativas y resultados que supongan lugares de encuentro entre disciplinas, que traspasen sus límites, generen conocimiento nuevo y resulten transformadores. El #CfP estará abierto hasta el próximo *30 de mayo* a través de EasyChair ( aquí <https://easychair.org/cfp/HDH2023>). Tipos de contribuciones (en español): - Comunicaciones largas (15+5) - Comunicaciones cortas (5+5) - Paneles de hasta 4 personas (1 hora) - Pósteres Las actas del congreso se publicarán con ISBN. Además, algunas de las contribuciones podrán ser seleccionadas para formar parte de una *publicación en una revista especializada* o como *capítulo de libro*. Toda la información en hdh2023.org [ENGLISH] *#CfP VI Humanidades Digitales Hispánicas Congress* The *VI Congress of the Humanidades Digitales Hispánicas International Society* will be held from October 18-20, 2023 in Logroño (La Rioja, Spain), organized by the International University of La Rioja (UNIR) and the Asociación de Humanidades Digitales Hispánicas-HDH ( https://humanidadesdigitaleshispanicas.es/) The congress is entitled *Encounters and Transformations: Digital Humanities as a Transdisciplinary Proposal*, with the aim of emphasizing all those research, projects, initiatives and results that involve meeting places between disciplines, which transcend their limits, generate new knowledge and are transformative. The #CfP will be open until *May 30th* through EasyChair (here <https://easychair.org/cfp/HDH2023>). Types of contributions (in Spanish): - Long papers (15+5) - Short papers (5+5) - Panels of up to 4 people (1 hour) - Posters The congress proceedings will be published with an ISBN. In addition, some of the contributions may be selected to be part of a *publication in a specialized journal* or as a *book chapter*. All information at hdh2023.org [image: HDH2023] ---------- Forwarded message ---------- From: eadh-members-request(a)lists.digitalhumanities.org To: Cc: Bcc: Date: Fri, 12 May 2023 11:04:10 +0200 Subject: confirm 438b4a2096bc570eb235463f0f49310f5547ec69 If you reply to this message, keeping the Subject: header intact, Mailman will discard the held message. Do this if the message is spam. If you reply to this message and include an Approved: header with the list password in it, the message will be approved for posting to the list. The Approved: header can also appear in the first line of the body of the reply. -- Professor Fabio Ciotti Dept. "Studi letterari, filosofici e di storia dell’arte" University of Roma "Tor Vergata" Chair, European Association for Digital Humanities (EADH) Editor-in-Chief, "Umanistica Digitale" https://umanisticadigitale.unibo.it/ @Fabio_Ciotti @[email protected] f.ciotti(a)pec.it

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Fwd: Uncaught bounce notification
by Fabio Ciotti 11 May '23

11 May '23

*Call for Papers. Dossier on Digital Art History* The dossier on “Digital Art History” of Umanistica Digitale collects contributions on the study of methods, approaches, debates and experiments that developed over the last two decades in the field of Digital Art History, particularly along two lines of research that appear dominant today. On the one hand, scholarly studies in Art History embrace a transdisciplinary approach to investigate several aspects that are constituents of the discipline: e.g. to formulate authorship attributions, reconstruct provenance, detect artworks’ genre and style, or investigate historical networks. To this extent, digital tools are employed to conduct and extend consolidated practices of research in Art History, though impacting its scope in many ways. On the other hand, computational methodologies have significantly evolved in the last decades and have opened new frontiers in research and industry. The development of text-to-image software has raised new issues in the field of generative art and intellectual property, as well as the use of blockchain and NFT has reframed the role of cultural institutions toward the art market. Big Data analysis and Distant Viewing have also impacted the modes of art historical research, bringing structural and logical topics into the foreground, rather than as side products of scholarly investigations. Similarly, the predominant role of data visualisation for cultural heritage analysis significantly impacts decision-making processes, while the employment of interactive/immersive installations and the Web as instruments of participation and awareness introduce new practices for engaging with museum audiences, stakeholders and patrons. This dossier welcomes proposals in both aforementioned areas of interest, privileging those pertaining to the field of the Digital Humanities, Computer Science, and Art History, as well as from other sectors that want to engage in the exploration of Digital Art History in a transdisciplinary perspective. Proposals should address one or more of the following topics: - Methodologies or approaches in digital art history - Quantitative analysis of art historical data - Computational studies of authorship, connoisseurship, provenance, genre, style, and other relevant enquiries - Distant viewing and big data analysis - Methods, experiments, approaches and lessons learnt using generative art, Artificial Intelligence, blockchain, and NFT Important dates: - June 1st: articles submission - July 15th: peer-review - July 30th: rebuttal - September 1st: camera-ready - November: dossier publication as part of Umanistica Digitale Please refer to the journal’s Author Guidelines <https://umanisticadigitale.unibo.it/about/submissions> to format your article. Articles should be submitted via the journal’s online submission system, adding “Dossier Digital Art History” as a keyword. This dossier is edited by Marilena Daquino (University of Bologna), Carolina Fernández-Castrillo, (Charles III University of Madrid), Diego Mantoan (University of Palermo), and Simone Rebora (Johannes Gutenberg University Mainz). Visit our website to read the full announcement <https://umanisticadigitale.unibo.it/announcement/view/555>. ---- Rivista Umanistica Digitale https://umanisticadigitale.unibo.it

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Job: Digital Humanities Postdoc with VU Brussels-based ERC project VERITRACE
by CJ Schilt 09 May '23

09 May '23

The Vrije Universiteit Brussels-based ERC project 'Traces de la Verité: the reappropriation of ancient wisdom in early modern natural philosophy', aka VERITRACE (HORIZON ERC-2022-StG, 101076836) led by Prof. Dr. Cornelis J. Schilt, has two 3-year (full time) Postdoc opportunities - one in history and/or philosophy, one in digital humanities - and one 4-year (full time) PhD opportunity, starting date 1 October 2023. VERITRACE addresses the influence of ancient wisdom writings on the development of early modern natural philosophy, making use of state-of-the-art digital methods and techniques. Further details about the project can be found on the project's website https://veritrace.eu. Full details about the Postdoc and PhD opportunities and how to apply can be found here: - Postdoc in History/Philosophy: https://lnkd.in/e4mvtfXi - Postdoc in Digital Humanities: https://lnkd.in/ezYi55Tg - PhD position: https://lnkd.in/eQyYt6uj The deadline for each opportunity is 23 June 2023, with (remote) interviews scheduled 10-11-12 July. Additionally, those who are currently entertaining a Marie Sklodowska-Curie Action application that would fit within the (wider) scope of the project or generally within the realm of history and/or philosophy of knowledge are warmly invited to contact Prof. Schilt via cschilt(a)vub.be.

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LAST CFP CLOSES MAY 10th. International Conference 'Authorship in Hispanic Literatures' (via streaming and in person, 28-29 September, University of Valladolid, Spain)
by Congreso: La autoría en las literaturas hispánicas 07 May '23

07 May '23

* Please circulate. Dear Colleagues, this is a reminder that CPF closes May 10th, for the International Conference 'Authorship in Hispanic Literatures', which will take place on 28-29 September 2023 at the Faculty of Philosophy and Letters of the University of Valladolid (Spain). Papers and panels will be accepted in Spanish or in English, both in person or via streaming. For more details: https://eventos.uva.es/94134/detail/authorship-in-hispanic-literatures.html Best wishes, Patricia Marín Cepeda (Associate Professor of Spanish Literature) Universidad de Valladolid Cristina Ruiz Urbón (Posdoctoral Researcher) Universidad de Salamanca - Universidad de Valladolid [https://eventos.uva.es/_files/_event/_94134/_header_img/_129893.png]<https://eventos.uva.es/94134/detail/authorship-in-hispanic-literatures.html> Authorship in Hispanic Literatures<https://eventos.uva.es/94134/detail/authorship-in-hispanic-literatures.html> FIRST CALL FOR PAPERS International Conference "Authorship in Hispanic Literatures", At The University of Valladolid, Faculty of Philosophy and Letters, On September 28 and 29, 2023 (in person and online) Based on the Heideggerian idea that what characterizes a work as such is that it was created, the international conference on "Authorship attribution in Hispanic Literature" aims to be a space for interdisciplinary reflection on the concept of the author and the various issues inherent to authorship in Spanish literature. From a global perspective and in a chronological framework that covers Hispanic literature from the Middle Ages up to the twenty first century, there will be room for discussion on the various issues of authorship attribution and plagiarism, the new methods of identifying authorship in the Digital Humanities, the concept of copyright in its different theoretical facets, and other aspects of legal nature related to intellectual property and the publication of works eventos.uva.es

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Webinar on “Documenting and Preserving Languages with Unicode: A Talk on Character Encoding, Keyboards, and Fonts”
by Debbie Anderson 05 May '23

05 May '23

The Unicode Consortium will be holding a webinar on “Documenting and Preserving Languages with Unicode: A Talk on Character Encoding, Keyboards, and Fonts” on Tuesday, May 16, 2023 at 11 a.m. Pacific Time. The presenters are Dr. Deborah Anderson (Chair, Unicode Script Ad Hoc and Project Lead, Script Encoding Initiative, Dept. of Linguistics, UC Berkeley) and Dr. Andrew Glass (Chair of Unicode CLDR Keyboards Subcommittee). Abstract: The Unicode Standard is the basis of electronic communication today on computers and devices, and hence is fundamental to documenting and preserving languages and the scripts used to write them. But understanding how Unicode is structured, how characters and scripts are added, and how to get characters on keyboards and in fonts can be challenging. This webinar on character encoding, keyboards, and fonts is geared to language practitioners and users generally. It will provide an overview of Unicode, explain how characters are organized in Unicode and how to propose new characters, and discuss accessing the characters on keyboards and fonts. Please register at: https://us06web.zoom.us/webinar/register/WN_Nm6l_jCnS9iMGGWswdbe5g#/registr… (N.B.: Please use the entire link above in the address bar, without a line break) For other, related talks, see the Scripts and Encoding playlist on the Unicode YouTube Channel. Please feel free to circulate this message to others who may be interested. With best wishes, Debbie (Anderson) dwanders(a)berkeley.edu

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Job: Senior Manager, Digital Humanities Outreach
by Amy Kirchhoff 05 May '23

05 May '23

Hello all ~ ITHAKA, the non-profit that brought you JSTOR, is hiring a Senior Manager for Digital Humanities Outreach. The position is integrated into our Outreach team (the staff who talk to librarians about ITHAKA services) and will work very closely with Constellate (constellate.org) Constellate helps users across all disciplines learn essential text analysis and data skills. ITHAKA is an established, not-for-profit organization and Constellate is a dynamic start-up within it - giving you the best of all worlds. You may read more about the position and apply here: https://www.ithaka.org/job/4247846005/?gh_jid=4247846005 Feel free to reach out to me directly if you have questions about ITHAKA (I've been here 26 years) or Constellate! All the best. ~ Amy -- Amy J. Kirchhoff (she/her) Constellate<https://constellate.org/> Sr. Manager / ITHAKA Twitter: @AmyPlusFour Constellate is the only text & data analysis platform that integrates access to scholarly content and open educational resources into a cloud-based application and lab to help faculty, librarians, and other instructors easily teach text and data analysis. Take your research further with text and data analysis skills!

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Job: Pre-doctoral assistant, Digital Humanities, University of Vienna
by Tara L Andrews 05 May '23

05 May '23

(Apologies for cross-posting) Dear colleagues, The Digital Humanities group at the University of Vienna is looking for a University Assistant (pre-doctoral) with a focus on digital methods for the history of the Middle Ages anywhere in the world, preferably including historical social network analysis. The post will run from July 2023 to June 2027. Further details are available at https://univis.univie.ac.at/ausschreibungstellensuche/flow/bew_ausschreibun…. Application deadline is 23 May! -- Univ.-Prof. Dr. Tara L Andrews Digital Humanities Institut für Geschichte, Universität Wien Universitätsring 1, A-1010 Wien

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CfP: Digital Academy "From Uncertainty to Action: Advancing Research with Digital Data"
by Neubert, Anna Maria 05 May '23

05 May '23

Dear Colleagues, we are pleased to announce the Call for Participation for our 4th virtual Digital Academy (#DA2023) with the topic "From Uncertainty to Action: Advancing Research with Digital Data". From 25 to 28 September 2023, we would like to discuss different approaches to the topic in two formats: 1. An Open Space Day, where experts will report on their research projects and subsequently discuss aspects of their work with the audience. This part of the program is open to all who are interested. 2. A three-day workshop, where the participants will get the opportunity to present and discuss their strategies for dealing with uncertainty within their own research projects. This workshop particularly aims at advanced Masters students, PhD students, and postdocs. We welcome submissions from all disciplines. The whole call and instructions on submission are available here: https://www.uni-bielefeld.de/fakultaeten/geschichtswissenschaft/abteilung/a…. Best regards from the organizing committee Silke Schwandt, Christopher Kuhlmann, Anna Maria Neubert, Sophie Spliethoff, Christian Wachter (all Bielefeld University)

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Music ontologies and competency questions survey
by Albert Meroño Peñuela 01 May '23

01 May '23

Dear All, In the European H2020 project Polifonia, we are developing an ontology network and competency questions pertaining to music history and musical cultural heritage. In this context, we are running a questionnaire and ask for your participation. The survey is here - https://forms.gle/5uLVMhvPGbtHThwB7 This will take you around 5 minutes to complete. We would very much appreciate your participation! If you have any questions, please contact us at albert.merono(a)kcl.ac.uk or jacopo.deberardinis(a)kcl.ac.uk. Thanks for your help, The Polifonia team

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Call for Papers - Formulaic Language in Historical Research and Data Extraction: An International Conference, 7-9 February 2024, Amsterdam, Netherlands
by marijn Koolen 27 Apr '23

27 Apr '23

Formulaic Language in Historical Research and Data Extraction: An International Conference CALL FOR PAPERS Huygens Institute, Royal Netherlands Academy of Arts and Sciences Amsterdam, 7-9 February 2024 Formulaic language is a phenomenon familiar to scholars working with a great variety of historical sources. In official documents such as charters, acts, laws, ordinances, proceedings, but also in ‘private’ texts such as letters, petitions, egodocuments, and literary texts, we find (sequences of) words that appear over and over again, often in the same position in the text, over a long period of time. Such formulaic elements seem to fulfill many different functions: they may help the reader understand the type or genre of a text, structure the text, indicate its performative character, strengthen the relationship between author and reader, or help memorizing a text, to name but a few. Given the highly formulaic character of many written sources, especially (but not only) of the premodern period, the phenomenon of formulaic language has received surprisingly little attention in historical research. It has been studied in (socio)linguistics and historical pragmatics, but few historians have engaged with this scholarship. Until recently, moreover, the potential of formulaic language for (automated) data extraction of large digitized source corpora has remained virtually unexplored. The twofold aim of this international conference is: 1. to place formulaic language on the agenda as an object of historical study (in the broadest, interdisciplinary sense of this term) 2. to explore the potential of formulaic language for the digitization and data extraction of historical sources of different types and periods. Possible questions that we would like to address in this conference include: • What is formulaic language? In which societal domains and historical sources can it be found? When and why has language been considered formulaic, and by whom? How is formulaic language defined and studied in different academic fields? How does the use of formulaic language vary across (national) linguistic traditions and across space and time? • How has formulaic language historically been understood? Which purposes has it served? How, when and where has formulaic language emerged, transferred or disappeared? How has formulaic language evolved over time, and how can change be explained? How does formulaic language in written texts relate to speech acts and ritual performances? How does it relate to text genres and genre conventions? • What are the social and political connotations and consequences of formulaic language? Who produces it, who engages with it, who knows how to use it, and who is excluded by it? How do (political, religious, legal) authorities, intermediaries, and ordinary language users employ, exploit, and interpret formulaic language? Does formulaic language facilitate or hinder the participation of subaltern groups in society? What is the relationship between formulaic language and the subsequent transitions from oral to written culture to the age of print and the digital age, or with processes of standardization, professionalization, and bureaucratization? • How can formulas be used to extract information from texts? What information do formulaic expressions convey about the subject or meaning of a text? Can they play a role in recognizing and contextualizing named entities? Can they help to link texts with other texts? • How can formulaic language be identified in text corpora and archives, including long serial publications and heterogeneous archives of diverse documents? How can formulaic expressions be categorized and how can relationships between formulas be identified? We welcome proposals for papers (c. 250 words) on these and related topics from scholars working in different fields. Proposals should be sent, together with a short bio- bibliographical statement including indication of institutional affiliation, by 15 June, to Republic_Goetgevonden(a)huygens.knaw.nl. Please give your email the title ‘Formulaic Language conference’. We will prioritize proposals that go beyond singular case studies and address questions that help us understand the phenomenon of formulaic language through comparisons across time, space, language, genre or corpus. This conference is organized in the framework of the project REPUBLIC: Resolutions Published in a Computational Environment. In this infrastructural project, (digital) historians, computer scientists, data experts and developers collaborate with the aim of providing digital access to the resolutions (decisions) of the Dutch States General (1576-1796). Organisers: Rik Hoekstra Marijn Koolen Joris Oddens Huygens Institute for the History and Culture of the Netherlands

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The passing of Prof. Dino Buzzetti
by Fabio Ciotti 25 Apr '23

25 Apr '23

Dear colleagues, dear EADH community, It is with immense sadness that I must inform you of the passing of Prof. Dino Buzzetti, one of the deepest and most insightful minds in the Digital Humanities, whose theoretical contributions have been a source of inspiration for many generations of scholars. Dino was a member of the Executive of EADH and President and co-founder of AIUCD, the Italian digital humanities association that first became an Associate Organization of EADH, also and especially at his behest. For me personally, he was a master and a friend whose passing opened a void that is difficult to fill. Farewell Dino, Fabio Ciotti -- Professor Fabio Ciotti Dept. "Studi letterari, filosofici e di storia dell’arte" University of Roma "Tor Vergata" Chair, European Association for Digital Humanities (EADH) Editor-in-Chief, "Umanistica Digitale" https://umanisticadigitale.unibo.it/ @Fabio_Ciotti @[email protected] f.ciotti(a)pec.it

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registration ESU DH 2023 "Culture & Technology"
by ALEXANDRA COTOC 24 Apr '23

24 Apr '23

ESU DH 2023 "Culture & Technology" hosted by Babeș-Bolyai University Romania has started the application process. Book your seat by registering for ESUDH 2023. Go to registration by clicking on the following link: https://esu-ct.conference.ubbcluj.ro/application/ Follow us on social media: https://linktr.ee/esudh_ct Alexandra Cotoc, PhD Senior Lecturer Department of English Language and Literature Faculty of Letters<https://lett.ubbcluj.ro/>, Babeș-Bolyai University<https://www.ubbcluj.ro/ro/> Str. Horea, 31 400202, Cluj-Napoca, Romania https://linktr.ee/alexandracotoc https://www.dial4u-uni.eu/ [cid:339f9e7f-ea14-46c3-858f-3bf2f54d6bd4] [cid:7053dc1c-d3cf-4918-8745-b67d99287001] DISCLAIMER Prezentul mesaj și orice documente atașate pot conține informații confidențiale sau sensibile care aparțin Universității Babeș-Bolyai din Cluj-Napoca. Conținutul mesajului nu poate fi dezvăluit sau utilizat de către altcineva decât destinatarul, persoană fizică sau juridică. Dacă ați primit acest mesaj dintr-o eroare, vă rugăm să ne anunțati imediat, ca răspuns la mesajul de față, și să ștergeți apoi din sistemul dvs. mesajul fără a-l copia sau deschide. Prin prezenta vi se notifică faptul că orice dezvaluire, copiere, distribuire sau inițierea/omiterea unor acțiuni pe baza prezentelor informații sunt strict interzise și atrag răspunderea civilă și/sau penală (art. 302 Noul Cod Penal). UBB nu este răspunzătoare pentru modificările care pot fi aduse prezentului mesaj și nici pentru întârzierile care pot surveni în recepționarea acestuia. De asemenea, nu putem garanta integritatea mesajului și nici că acesta este lipsit de viruși, interceptări sau interferențe de orice natură. ================= The contents of this email message and any attachments may contain confidential and/or privileged information belonging to Babeș-Bolyai University of Cluj-Napoca. This information is intended solely for the addressee, natural or legal person, and is legally protected from disclosure and may not be used by anyone other than the intended recipient. If you are not the intended recipient of this message, or if this message has been addressed to you in error, please immediately alert the sender by reply email and then delete this message and any attachments. You are hereby notified that any use, dissemination, copying, or storage of this message or its attachments as well as taking any action in reliance on the contents of this information is strictly prohibited and entails civil and/or criminal liability (under Art. 302 of the New Criminal Code). UBB accepts no liability for any errors or omissions in the contents of this message. Email transmission cannot be guaranteed to be secure or error-free, as information could be intercepted, corrupted, lost, destroyed, arrive late or incomplete, or contain viruses. UBBCLUJ <https://www.ubbcluj.ro/ro/politici/>

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DH Benelux Conference 2023 : Registration now open
by Isabelle Gribomont 21 Apr '23

21 Apr '23

Dear Colleagues, [Apologies for cross-posting] The registration<https://2023.dhbenelux.org/how-to-register/> for the upcoming DH Benelux conference is now open. The conference will take place 31 May - 2 June at KBR (Brussels, Belgium). The conference takes place in person, but talks will be streamed. Links will be provided to registered attendees shortly before the conference. The deadline for registration is on 16 May. The conference programme can be found here<https://2023.dhbenelux.org/schedule/>. We hope to see many of you there! Best wishes, on behalf of the conference organisers and the Programme Chairs, Isabelle Gribomont Chargée de recherche en humanités numériques à l'UCLouvain et responsable de LabEL (Laboratory for Electronic Literature)<https://www.kbr.be/fr/projets/label/> à la Bibliothèque Royale de Belgique Digital Humanities Postdoctoral Researcher at UCLouvain and head of LabEL (Laboratory for Electronic Literature)<https://www.kbr.be/en/projects/laboratory-for-electronic-literature/> at the Royal Library of Belgium

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3 year postdoc at Huygens Institute Amsterdam
by Joris van Zundert 21 Apr '23

21 Apr '23

Dear list members, I forward this on behalf of my colleague Olivia Fialho, and might I add that the Huygens Institute and Amsterdam are great places to work! We have just opened a 3 year postdoc position at the Huygens Institute (KNAW/Royal Netherlands Academy of Arts and Sciences) in Amsterdam. All information can be found here: https://vacatures.knaw.nl/job/Amsterdam-Postdoc-in-the-empirical-study-of-l… Thank you for your attention, best wishes Olivia Fialho Dr. Olivia Fialho | Senior Researcher Empirical and Computational Literary Studies, Huygens Institute (Royal Netherlands Academy of Arts and Sciences) | Oudezijds Achterburgwal 185, 1012 DK, Amsterdam, The Netherlands | room 2.07 | phone number: (020) 462-8537 | olivia.fialho(a)huygens.knaw.nl -- Dr. Joris J. van Zundert Researcher & Developer in Humanities Computing Dept. of Computational Literary Studies / DHLab Huygens Institute for the History of the Netherlands Royal Netherlands Academy of Arts and Sciences joris.van.zundert(a)huygens.knaw.nl @jorisvanzundert +31624461051 http://jorisvanzundert.net/ https://www.huygens.knaw.nl/en/medewerkers/joris-van-zundert-2/ visiting address Oudezijds Achterburgwal 185 1012 DK Amsterdam The Netherlands postal address P.O. Box 10855 1001 EW Amsterdam The Netherlands -- Jack Sparrow: I thought you were supposed to keep to the code. Mr. Gibbs: We figured they were more actual guidelines.

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