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2nd Call for Papers TOTh 2025 - Submission deadline extended to February 3, 2025 -19th International Conference on Terminology and Ontology (France) - On-site and Online
by Christophe Roche 08 Jan '25

08 Jan '25

[Apologies for multiple postings] [Feel free to disseminate] [L’appel en français suit l’appel en anglais] ====================================================== *19^th International Conference TOTh 2025 – On-site & Online* *Terminology & Ontology: Theories and applications* *Call for Papers & Posters* http://toth.condillac.org/ <http://toth.condillac.org/> June 5 & 6, 2025 University Savoie Mont-Blanc (Chambéry, France) ----------------------------------------------------------------------------------------- The TOTh Conferences, created in 2007, bring together researchers, teachers, trainers, practitioners, users and industrialists interested in Terminology**and, more generally, in the links between language and knowledge in the context of our discipline, considering conceptual and technological advances in disciplines such as Artificial Intelligence. The International Programme Committee comprises more than 20 nationalities and the most prominent personalities in the domain. The official languages are English and French. The annual events organised by TOTh include a Conference, a Training session, a Young Researcher Prize, and a Workshop. ----------------------------------------------------------------------------------------- *Topics (not limited to):* - Terminology, Translation, Linguistics, Lexicology, Lexicography - Natural Language Processing: Corpus analysis - Artificial Intelligence: Ontology, Knowledge Graph, Generative AI, Large Language Models - Terminology Management, Environment, Methodology, FAIR principles, Standards (ISO, W3C) - Applications: Digital Humanities, Information Retrieval, Semantic Web, Linked Open Data ----------------------------------------------------------------------------------------- *Deadline for submission of extended abstracts postponed to: February 3, 2025* Notification to authors: March 3, 2025 Easychair submission page: https://easychair.org/conferences/?conf=toth2025 <https://easychair.org/conferences/?conf=toth2025> The format for submitting abstracts is free. The number of characters including spaces is between 12,000 and 15,000, excluding the bibliography ----------------------------------------------------------------------------------------- *5 Free Registrations for Young Researchers* https://toth.condillac.org/free-registrations <https://toth.condillac.org/free-registrations> ----------------------------------------------------------------------------------------- *TOTh 2025 Training – On-site & Online* “*Terminology & Artificial Intelligence (2) Retrieval-Augmented Generation and Large Language Models (including hands-on work)*” https://toth.condillac.org/training <https://toth.condillac.org/training> 3 & 4 June 2025 University Savoie Mont-Blanc (Chambéry, France). ====================================================== ====================================================== *19^ème Conférence Internationale TOTh 2025 – en présentiel et à distance* *Terminologie & Ontologie : Théories et applications* *Appel à Communications et Posters* http://toth.fr.condillac.org/ <http://toth.fr.condillac.org/> 5 & 6 juin 2025 Université Savoie Mont-Blanc (Chambéry, France) ----------------------------------------------------------------------------------------- Les conférences TOTh, créées en 2007, rassemblent chercheurs, enseignants, formateurs, praticiens, utilisateurs et industriels dont les préoccupations touchent à la terminologie, et de façon plus générale aux liens entre langue et connaissance, prenant en compte les avancées conceptuelles et technologiques de disciplines telles que l’intelligence artificielle. Le comité de programme international comprend plus de 20 nationalités et les personnalités les plus éminentes du domaine. Les langues officielles sont l'anglais et le français. TOTh organise chaque année une conférence internationale, une session de formation, un prix du jeune chercheur et un atelier. ----------------------------------------------------------------------------------------- *Thèmes abordés (liste non exhaustive) :* - Terminologie, Traduction, Linguistique, Lexicologie, Lexicographie - Traitement automatique de la langue naturelle : Analyse de corpus - Intelligence Artificielle : Ontologie, Graphes de Connaissance, IA Générative, Grands Modèles de Langage - Gestion de terminologies, Environnements, Méthodologies, principes FAIR, Standards (ISO, W3C) - Applications: Humanités Numériques, Sciences de l’Information, Web Sémantique, Données Liées et Ouvertes ----------------------------------------------------------------------------------------- *Date limite de soumission des résumés étendus reportée au : 3 février 2025 *Notification aux auteurs : 3 mars 2025 Page de soumission Easychair : https://easychair.org/conferences/?conf=toth2025 <https://easychair.org/conferences/?conf=toth2025> Le format de soumission des résumés est libre. Le nombre de caractères doit être compris entre 12.000 et 15.000 caractères espaces compris, à l’exclusion de la bibliographie ----------------------------------------------------------------------------------------- *5 Inscriptions Gratuites pour Jeunes Chercheurs* http://toth.fr.condillac.org/inscriptions-gratuites <http://toth.fr.condillac.org/inscriptions-gratuites> ----------------------------------------------------------------------------------------- *Formation TOTh 2025* "*Terminology & Artificial Intelligence (2) Retrieval-Augmented Generation and Large Language Models (including hands-on work)*" http://toth.condillac.org/training-2025-ai <http://toth.condillac.org/training-2025-ai> 3 & 4 juin 2025 Université Savoie Mont-Blanc (Chambéry, France). ======================================================

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Free talk:
by Emily Middleton 08 Jan '25

08 Jan '25

Dear all, You are warmly invited to a talk on computer vision, hosted as part of the University of Leeds School of English 'Digital Horizons in English Studies' seminar series <https://eur03.safelinks.protection.outlook.com/?url=https%3A%2F%2Fahc.leeds…>, taking place next Wednesday 15 January on Zoom (1pm GMT): Thomas Smits (Assistant Professor of Digital History and AI at the University of Amsterdam): 'Making Victorian News Images Searchable: A Computational Approach to the *Illustrated London News*, 1842-1899'. The* Illustrated London News *(ILN) revolutionized Victorian media by pioneering the integration of high-quality wood engravings with news content, reaching over a million viewers at its peak. While digitization has enabled text-based analysis of the ILN, its visual content remains difficult to explore and analyse. We address this challenge by presenting a dataset of 72,081 wood-engraved illustrations extracted from the ILN (1842-1890), accompanied by multimodal embeddings and a Flask application for retrieval. We create a searchable corpus of the ILN that enables users to find illustrations using textual queries, (modern) images, or image-text combinations. The resulting dataset and application allow flexible analysis of nineteenth-century visual representations of news, and suggest new avenues for research in computational humanities, media history, periodical studies, and visual culture studies. At the same time, this presentation also underscores the limitations of interpreting historical imagery with modern AI models, identifying the potential effects of bias and interpretive distortion. Thomas Smits is an assistant professor of Digital History and AI at the University of Amsterdam. His book* The European Illustrated Press* (Routledge, 2019) won the 2020 RSVP Colby Book Award. Recent work has been published in* Humanities and Social Sciences Communications, Visual Studies, New Media and Society, Digital Scholarship in the Humanities*, and *Visual Communication*. Please register using this link: *https://forms.office.com/e/Lii2Rd8Ep8 <https://eur03.safelinks.protection.outlook.com/?url=https%3A%2F%2Fforms.off…>* . A Zoom link will be sent out to registered attendees the day before. We hope to see you there, Emily Bell and Mel Evans (seminar coordinators)

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Exploring the materialities of AI: Geographies, infrastructures, numbers
by Loup Cellard 07 Jan '25

07 Jan '25

Hi all, We are happy to invite you to a one-day conference in Paris organised by the Center for Internet and Society. The schedule and abstracts are attached as a pdf. [image: JE IA 3101 affiche light.jpg] The consequences of artificial intelligence (AI) on the environment have garnered attention in public discourse after several publications estimating the water consumption, energy usage and resource depletion caused by the training and operating of AI and large language models (LLMs). Quantification plays an important role in making the materiality of AI perceptible but they do not exhaust the representations of AI’s consequences on the planet. In this conference, we explore the materialities of artificial AI from a wider variety of epistemic perspectives that deepen the comprehension of the multiple facets of AI’s material presence in the world and its consequences. When: Friday, January 31, 9:30 am - 4:30 pm *Where:* CNRS, site Pouchet, 59-61 rue Pouchet, 75017 Paris, FRANCE <https://maps.app.goo.gl/QC6PN5YN25seF6FYA> *Organisation team:* Loup Cellard (Datactivist, médialab Sciences-Po, ADM+S Centre), Valentin Goujon (médialab, Sciences Po), Hugo Estecahandy (IFG Lab, université Paris 8), Théophile Lenoir (University of Milan, médialab, Sciences Po), Adrien Tournier (HT2S, Cnam). A conference organised by the GDR 2091 Internet IA and Society (CNRS, Paris, FR). -- *Loup Cellard* <http://www.loupcellard.com>Researcher — Datactivist <https://datactivist.coop/en/> (Paris/Marseille) Affiliate at Sciences-Po Médialab <https://medialab.sciencespo.fr/> (Paris) + ADM+S Centre <https://www.admscentre.org.au/> (Melbourne) Editor at Tèque <https://revue-teque.fr/>, a tech criticism journal by Audimat Editions <https://audimat-editions.fr/> (Paris) Email : loupcellard(a)gmail.com Mobile FR : +33 7 87 00 84 22 Website : loupcellard.com <http://www.loupcellard.com/> Twitter : @CellardLoup <https://twitter.com/CellardLoup>Newsletter : Data Dandysme <https://tinyletter.com/loupcellard>

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Deadline approaching! International Conference on Data Ethics for Historical research in a Digital Era
by Sofia Baroncini 06 Jan '25

06 Jan '25

-------------------- Deadline approaching! Data Ethics for Historical research in a Digital Era: Critical reflections and best practices (10-12 November 2025, Mainz, Germany) https://ieg-dhr.github.io/Data-Ethics/ Submission deadline: 19th of January 2025 -------------------- Dear Colleagues, We would like to remind you that the deadline for submissions for the International Conference "Data Ethics for Historical research in a Digital Era: Critical reflections and best practices" (10-12 November 2025, Mainz, Germany) is approaching (19th of January). The conference, organized by the Leibniz Institute of European History (IEG), in cooperation with NFDI 4Memory and the Academy of Sciences and Literature Mainz, seeks to examine the ethical dimensions of data usage within historical research, fostering discussions among scholars to provide practical tools and strategies to navigate these challenges. We invite interested scholars to submit proposals in the form of abstracts (500 or 750 words, depending on the type of submission). For more information about the conference and submission guidelines, please visit our conference website: https://ieg-dhr.github.io/Data-Ethics/ Important Dates: · Submission Deadline: 19 January 2025, 23:59 CET · Notification of acceptance: 15th February 2025 · Conference dates: 10th-12th November 2025 Conference Themes: · Sensitive data · Discriminatory language in databases · AI ethics · Unequal representation of marginalized genders, cultures, social groups and identities · Data storage and infrastructure · Environmental aspects · Misused data Conference language: English We look forward to receiving your proposals, Best regards, Sofia Baroncini On behalf of the organising committee Leibniz-Institut für Europäische Geschichte (IEG) Dr. Sofia Baroncini Postdoctoral researcher DH Lab Alte Universitätsstraße 19 55116 Mainz baroncini(a)ieg-mainz.de<mailto:[email protected]> www.ieg-mainz.de<http://www.ieg-mainz.de/> [cid:[email protected]]

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HHAI 2025 Doctoral Consortium (DC) - 4th International Conference on Hybrid Human-Artificial Intelligence - June 2025, Pisa, Italy
by c.natali6＠campus.unimib.it 02 Jan '25

02 Jan '25

**apologies for cross-posting** The HHAI 2025 Doctoral Consortium (DC) will take place as part of the 4th International Conference on Hybrid Human-Artificial Intelligence in June 2025, Pisa, Italy: https://hhai-conference.org/2025/ This forum will provide early as well as middle/late-stage PhD students in the field of Hybrid Intelligence focusing on the study of Artificial Intelligence systems that cooperate synergistically, proactively and purposefully with humans, amplifying instead of replacing human intelligence. The Doctoral Consortium will take place in person at the HHAI 2025 conference. The DC provides an opportunity to present and discuss their doctoral research ideas and progress in a supportive, formative and yet critical environment and receive feedback from reviewers, mentors and peers from the field of Hybrid Intelligence. The Doctoral Consortium will also provide opportunities to network and build collaborations with other members of the HHAI community. We welcome submissions across research HHAI-related domains such as AI, HCI, cognitive and social sciences, philosophy & ethics, complex systems, and others (see “Topics of interest”). The event is intended for early as well as middle/late-stage PhD candidates and asks them to formulate and submit a concrete PhD research proposal, preferably supported by some preliminary results. The proposal will be peer-reviewed. If accepted, students must register and physically attend the event, which will include a range of interactive activities (among which presentations and mentoring lunch). Details for the submission are found below under “Submission Details”. **Important Dates** Submission Deadline: January 24, 2024 Reviews Released: March 18, 2025 Camera-ready Papers: April 13, 2025 Doctoral Consortium: June 10, 2025 All deadlines are 23:59 AoE (anywhere on Earth) **Topics of Interest** We invite research on different challenges in Hybrid Human-Artificial Intelligence. The following list of topics is illustrative, not exhaustive: • Human-AI interaction, interpretation and collaboration • Adaptive human-AI co-learning and co-creation • Learning, reasoning and planning with humans and machines in the loop • User modeling and personalisation • Integration of learning and reasoning • Transparent, explainable, and accountable AI • Fair, ethical, responsible, and trustworthy AI • Societal awareness of AI • Multimodal machine perception of real-world settings • Social signal processing • Representations learning for Communicative or Collaborative AI • Symbolic representations for human-centric AI • Human-AI Coevolution • Foundation models and humans • Human cognition-aware AI • Decentralized human-AI systems • Reliability and robustness in human-AI systems • Applications of hybrid human-AI intelligence **Submission Details** All proposals must be submitted electronically via the EasyChair conference submission system: https://easychair.org/my/conference?conf=hhai2025. Each PhD student should provide the following information on Easychair: • Research proposal (details below). • Supplementary material: a maximum of 2-page PDF listing the following: • Names and affiliations of your research supervisor(s). • Dissertation status: When you began your PhD, and expected to complete it. Are there any constraints on the PhD duration from your institute? This part helps us better tailor feedback to a realistic timeline according to your program. • Benefits statement: 1-2 paragraphs describing what you hope to gain by participating in the doctoral consortium. Highlight specific points where you require feedback. • A personal statement citing three key papers in the field and briefly describing how they influenced the student’s work and how HHAI is defined in those works and the student’s research. • List of the student’s relevant publications (if available). **Research Proposal Details** Students should submit a maximum of a 6-page description of their PhD research proposal. Papers should be written in English and adhere to IOS formatting guidelines. The limit of 6 pages is excluding references. The papers should have a single author (the PhD candidate) and submissions are *not* anonymous. Supervisors, other involved persons, and funding agencies should be acknowledged in an Acknowledgements section. Research proposals should contain the following elements: • Context: The background and motivation for your research, including the related work that frames your research • Research questions/challenges: what are the research questions/challenges that your dissertation addresses? Try to highlight how it differs from existing literature. • Method/approach and evaluation: how is each of the research questions answered? How are results evaluated? If you are planning to conduct studies or build prototypes, provide a brief description. • Preliminary results (if available). Highlight results and contribution to date and the timeplan for projected steps. • Discussion and future work: What are intermediary conclusions, and what are the planned next steps? **Upon Acceptance of the Doctoral Consortium Proposal** Accepted papers will be published in the main conference proceedings of the Third International Conference on Hybrid Human-Machine Intelligence, in the Frontiers in AI and Applications (FAIA) series by IOS Press. Authors will have the opportunity to opt-out from being included in these proceedings, with only their proposal title being mentioned on the web page. Participants will be expected to give short, informal presentations of their work during the consortium, to be followed by a discussion. In case there are any questions regarding the call, or if you are unsure about submitting your work to the HHAI 2025 Doctoral Consortium, please reach out to dc(a)hhai-conference.org **DC Chairs** Jennifer Renoux (Örebro University) Salvatore Ruggieri (University of Pisa) Stefan Schlobach (Vrije Universiteit Amsterdam) Shihan Wang (Utrecht University)

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15th European Summer University in Digital Humanities (ESU-2025)
by Alejandro Bia Platas 18 Dec '24

18 Dec '24

We are excited to share that the *15th European Summer University in Digital Humanities (ESU-2025)* will take place from *July 22nd to August 1st, 2025, in Besançon, France*. The local host will be *Université de Franche-Comté*, which will soon be renamed *Université Marie et Louis Pasteur*. Please reserve these dates in your calendar. More details will be provided in January 2025. Best regards, Alexandra Cotoc and Alex Bia ESU Steering Committee chairs

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Phishing Scam
by Zoe S 17 Dec '24

17 Dec '24

Dear All, Many thanks to those of you who brought this matter to my attention. It seems that an e-mail has been sent to many of you this morning, purporting to be from myself, asking for help with an urgent EADH matter. This is a scam. If you received such a message from the following account, please delete the e-mail and/or report it as spam: boardexecutive370(a)gmail.com. All best wishes, Zoe *Secretary - EADH*

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Submit Job Offer on EADH
by GRK2806 Koordination 13 Dec '24

13 Dec '24

Good morning, As part of our GRF-funded Research Training Group 'Literature and the Public Sphere' at FAU Erlangen-Nürnberg, we are inviting applications for 11 doctoral positions, starting 01.10.2025 (application deadline 01.05.2025). Since the call for applications is explicitly aimed at graduates in the field of Digital Humanities, we would like to ask you to share the call for applications via your mailing list. Please find attached the call text in English (as word- and pdf-files). Please contact us if you have any questions or requests for changes. Thank you in advance for your support! With kind regards, Birgit Umbreit -- Ulrike Dencovski und Dr. Birgit Umbreit, Koordination Friedrich-Alexander-Universität Erlangen-Nürnberg GRK 2806 Literatur und Öffentlichkeit Universitätsstr. 40, 91054 Erlangen grk2806-koordination(a)fau.de<mailto:[email protected]> https://www.literaturundoeffentlichkeit.phil.fau.de/

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AIUCD2025 - second Call for Papers
by Simone Rebora 12 Dec '24

12 Dec '24

Dear all, We are pleased to announce the opening of the submission platform for the upcoming AIUCD Conference (11-13 June 2025, Verona, Italy). You can find the updated Call here below or on the conference website: https://aiucd2025.dlls.univr.it/en-gb/call-for-papers/ The deadline for submissions is 12 January 2025. Best regards, Simone Rebora Call for Papers (ENG) AIUCD 2025 - Diversity, Equity, and Inclusion: Challenges and Opportunities for Digital Humanities in the Age of Artificial Intelligence The conference provides an opportunity for large-scale discussions in the various research areas of the Digital Humanities, with a particular focus on issues of inclusiveness. In a world where artificial intelligence is redefining the boundaries of knowledge, it is indeed crucial to explore how this transformation can be guided by principles of inclusiveness and equity. While one track of the conference will be devoted exclusively to this issue, all the different parts of the Digital Humanities are affected by it in various ways. Starting with the computational part, which needs to better understand its tools to counter biases and distortions, but which can also use them to democratize access to knowledge and culture. Access which, in turn, can be fostered by good practices in the digitization of works and documents, by supporting, for example, the encoding of accessible digital editions for all types of users. In the field of knowledge representation, then, the concept of accessibility is already inscribed at the heart of the FAIR principles (Findability, Accessibility, Interoperability, Reusability), which need increasingly virtuous applications within digital heritage preservation practices. Preservation which, finally, is at the heart of contemporary challenges to ensure that cultural heritage is not only safeguarded, but also made accessible and understandable to a global and diverse audience. Therefore, papers relevant to the following conference tracks are invited: 1) Digital Humanities and Inclusion Proposals related to issues of inclusion in the Digital Humanities from multiple perspectives are welcomed: from accessibility at the level of research, teaching, infrastructure, and outreach, to practices for overcoming gender, economic, social, and cultural disparities. Specific topics of interest include: minority representation in digital projects; accessibility of digital resources for disadvantaged communities; the role of digital humanities in bridging the digital divide; innovative methodological approaches to make digital projects more inclusive and participatory. 2) Archives and Digital Editions We welcome both theoretical and applied proposals on (a) the representation and organisation of techniques and problems in the fields of digitisation, the organisation of born-digital heritage and methods for its archiving; (b) themes, issues, and applications pertaining to digital critical editions, to modes of visualisation and interrogation of online texts, and alternative means of encoding. 3) Computational Methods Papers are welcomed that explore methods and tools for computational analysis of cultural heritage, including advanced approaches based on cutting-edge technologies in Artificial Intelligence. Reflections on the state of the art, up to the latest theoretical frameworks, are also encouraged, with the aim of highlighting future developments and perspectives in the field. Included are approaches for the analysis of literary texts and *corpora*, touching upon computational models for literary criticism on the one hand, and research in computational linguistics and natural language processing on the other. Papers on analysis and visualization methods such as Network Analysis and Mapping are also welcomed. 4) Data and Knowledge Representation Special attention will be given to knowledge representation and the use of Semantic Web and Linked Open Data technologies. We welcome proposals concerning the design of conceptual models, knowledge graphs, ontologies and technologies of the Semantic Web with respect to cultural heritage and the Digital Humanities, the creation of datasets and applications that conform to the FAIR principles, the production of Linked Open Data in these domains, as well as the automated extraction of metadata, named entities and models from cultural heritage resources. 5) Preservation of Memory and Digital Heritage We welcome proposals concerning memory and digital cultural heritage preservation, particularly relating to the research outputs in the Digital Humanities. We also encourage proposals addressing the challenges of digital infrastructure and the problems of sustainability posed by projects involving digitisation and the conservation of born-digital collections, as well as proposals on the implementation of best practices for the preservation of, and effective access to, cultural heritage. Guidelines for the Submission of Proposals The conference envisages participation by oral communication (paper) or poster. At the proposal stage, authors are asked to specifify in which mode they intend to present the paper, whether by oral or poster communication. Following peer review, the Scientific Committee may decide whether the accepted contribution is more suitable for an oral communication or a poster presentation. It should be noted that there is no difference in quality between contributions assigned to one or the other mode of presentation: oral presentations are generally more appropriate for theoretical and methodological work, including that relating to actual applications; posters, optionally presented with a demo, are better suited to the description of projects, tools or digital resources. All proposals must be submitted in the form of a contribution of a minimum of three (3) and a maximum of five (5) pages, excluding bibliography. The submission format for contributions must adhere to the template (updated from previous years) and directions found on the page Information for Authors <https://aiucd2025.dlls.univr.it/en-gb/informations-for-authors/>. Contributions that do not adhere to the template and directions will be rejected without considering their content. Neither plagiarism nor self-plagiarism is tolerated. Please note that a plagiarism checking tool may be applied to submitted contributions. The use of Large Language Models (LLMs), such as ChatGPT, is not permitted unless the generated text is submitted as part of the experimental analysis, or the generative AI tool was used only for editing and refinement of the authors’ work. However, all uses must be explicitly stated in the submitted contribution. Contributions must be submitted, in PDF format only, using the dedicated platform <https://aiucd2025.dlls.univr.it/en-gb/submission/>. Proposals must be anonymised. Author names and any internal references should be removed to the extent possible so as to not compromise reviewers’ assessment of the proposal. A maximum of two proposals in the five tracks of the call can be submitted as the first contributing author. At the conference, authors will be allowed to present a maximum of two accepted contributions as either first or co-authors. In any case, at least one of the authors must register for the conference for the contribution to be accepted. The official languages of the conference are Italian and English. Authors can present in either language, regardless of the one used in their written proposal. Evaluation Criteria Proposals will be evaluated through a “double-blind” review process. Each contribution will be submitted to at least two reviewers. Proposal evaluation will be conducted based on the following criteria: - relevance of the contribution to the purpose of the conference; - innovativeness and relevance of the contribution; - methodological rigor; - critical analysis of the literature on the topics covered and relevant and up-to-date bibliography; - appropriateness of theoretical and conceptual approach to the relevant domain; - quality of exposition and adequacy of organization of the contribution; - critical attitude toward the adopted methodologies and the tools in use; - replicability of the results (with the exception of theoretical reflections). Publication of Proceedings Accepted proposals will be published as Conference Proceedings with DOI and ISBN, freely available from the conference website and the «Umanistica Digitale» portal under Book of Abstracts and Proceedings <https://umanisticadigitale.unibo.it/pages/boa>. “Giuseppe Gigliozzi” Prize AIUCD awards two prizes of 300 euros each, one for posters and one for presentations, to early career scholars (students, doctoral students, scholarship or grant holders) presenting at the conference. The terms of participation are described on the dedicated page <https://www.aiucd.it/premio-gigliozzi/> of the Association’s website. Deadlines The deadline for submission of proposals is fixed for 11:59 p.m. on January 12, 2025 (CET/GMT+1). Acceptance notifications will be sent out to the authors by March 7, 2025. A camera-ready copy of the proposal must be submitted no later than March 28, 2025.

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Job Openings at the IOS Regensburg-DataLab
by Jiří Kocián 10 Dec '24

10 Dec '24

Dear Colleagues, The Leibniz Institute for East and Southeast European Studies (IOS) in Regensburg is an interdisciplinary and international non-university research institution focusing on the historical, economic, and political development of Eastern and Southeastern Europe ( [ https://leibniz-ios.de/en/ | https://leibniz-ios.de/en/ ] ). IOS combines research with scientific infrastructure services and policy consulting, both in Germany and internationally. Starting in 2025, the IOS will expand its multidisciplinary research with a new Research Division “Politics”, complementing the existing fields of History and Economics. This expansion includes establishing a DataLab to support and accompany data-driven research across the different disciplines at IOS. The expansion also involves increasing the institute’s infrastructure and administrative capacities. To achieve these goals, IOS seeks to fill the following five positions (f, m, d) as soon as possible: * Scientific Editor / Research Communicator / Postdoc (full time) * Research Data Specialist (part time, 50%) * IT Specialist (part time 50%) * Microsoft 365 Administrator (part time 50%) * Librarian, part time 75% These positions are offered on a permanent basis. The classification follows the TV-L (Collective Agreement for Public Service in the German States) salary scale. Applications should be submitted through the IOS electronic application portal (see [ https://leibniz-ios.de/freie-stellen-und-praktika/details/aktuelle-stellena… | German job posting ] ). T he application deadline for all positions is December 18, 2024. Detailed job descriptions and application details can be found [ https://leibniz-ios.de/freie-stellen-und-praktika/details/aktuelle-stellena… | in the German job postings ] . IOS is an equal opportunity employer and proud of the diversity of its workforce. Jiří Kocián Koordinátor Centra vizuální historie Malach Ústav formální a aplikované lingvistiky Matematicko-fyzikální fakulta Univerzita Karlova

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CfP SIS conference 'Italian Studies at the Digital Turn', University of Leeds, 23-24 June 2025
by Simone Rebora 08 Dec '24

08 Dec '24

*Society for Italian Studies in the UK and Ireland (SIS)* *Italian Studies at the Digital Turn. Practice, Methods, Interdisciplinarity * *University of Leeds, 23-24 June 2025* *[ITALIAN VERSION BELOW]* The last decade has witnessed a significant rise in the use of digital and computational methods across research, scholarship, and education, fundamentally reshaping the humanities and modern languages. The evolution of the Semantic Web, the widespread adoption of the smartphone, and the rise of social media have transformed our cultural and social lives. Recent advancements and the commercialisation of Generative Artificial Intelligence hold the potential to significantly change the ways in which we access and interact with digital environments, creating new possibilities and risks. The *2025 themed conference of the Society for Italian Studies in the UK and Ireland (SIS), Italian Studies at the Digital Turn. Practice, Methods, Interdisciplinarity,* held at the *University of Leeds, 23-24 June 2025*, will explore how the field of Italian Studies has responded to this ‘digital turn.’ We would like this event to be inclusive and to act as a bridge between those who have been engaging with the digital for a short or long time, those who study it, those who are considering using it, and those who want to learn more about the state of the art of digital use in the broad field of Italian Studies. Whether your research and your scholarly and teaching practices already employ digital methods and concern digital objects or you are “digitally curious”, we invite you to join us in a conversation at the *intersection between the Digital Humanities (DH) and Italian Studies*. We invite submissions that engage with *both theoretical and practical aspects *of the digital within Italian Studies, with the aim to: · Showcase past and ongoing projects in Digital Italian Studies · Bring to light and map out new ideas and approaches in Digital Italian Studies · Create a forum for discussing the affordances and challenges of these methods · Encourage broad conversations within the Italian Studies community to foster partnerships, networks, and collaborative projects that intersect with DH’s objects and methods *Areas of Interest* We welcome contributions that investigate current and future perspectives on how digital humanities enrich, shape and challenge Italian Studies, including but not limited to: · Research employing DH methods focusing on Italy across various periods, from the Middle Ages to the 21st century · Approaches to convergence culture · Reflection on the digital as a conceptual paradigm · The digital transmission and reception of cultural items · The impact of the ‘digital revolution’ in contemporary society and culture · The potential of digital methods to foster interdisciplinarity · The use of digital tools and resources in teaching and assessment, including opportunities and challenges posed by Artificial Intelligence · The use of digital methods for the dissemination and communication of research · The study of digital cultural items and platforms · The digital as an element used in literary, social and cultural storytelling *Italian Studies is intended here in its broader sense – from literature to history and the public humanities, film and media studies, linguistics and language acquisition (L1, L2, LS), translation, cultural studies, and visual arts*. We also welcome *comparative and transnational proposals* that situate Italian Studies within the wider landscape of Modern Languages and the Humanities. The keynote address will be delivered *by Elena Pierazzo, Professor of Digital Humanites at the University of Tours *– the author of *Digital Scholarly Editing: Theories, Models and Methods *(Routledge, 2020) and PI of the ERC project *PRIMA Manuscripts in the Age of Print <https://prima.hypotheses.org/>**.* In addition to *traditional conference sessions*, panels of papers, and roundtables, we envisage having *practical sessions* on digital methods in research, scholarship and teaching, and on their use in grant applications, for postgraduates and early-career researchers. We welcome proposals for: 1. *Individual papers* (15 minutes, to encourage discussion) 2. *Digital posters* showcasing DH resources and tools (e.g. interactive posters, project websites, apps and digital collections or archives), as part of a *digital fair* (this will be hosted in a room equipped with screens, where participants will be able to project and interactively display a digital tool/project they have developed). Proposals for other formats, such as *roundtables and panels organised by the proposer/s*, will be taken into consideration. Please, get in touch with the organisers to enquire and for further information. The conference will be held *in person,* and the languages are both *English and Italian*. *Submission Guidelines* *Please submit your abstracts (max. 300 words for individual contributions) along with a brief bio (max. 100 words) to **sis2025.digitalturn(a)gmail.com <sis2025.digitalturn(a)gmail.com>** by 10th January 2025 at 5pm UK time. *Notifications of acceptance will be sent by 10 February 2025. We are keen to include *a diverse range of participants, particularly in relation to career stage, gender, and race*; we will arrange panels and sessions to ensure a balanced representation in each panel wherever possible, in adherence with the SIS Policy for Conferences and Event Planning guidelines (*https://italianstudies.org.uk/front-page/edi/our-policies/ <https://italianstudies.org.uk/front-page/edi/our-policies/>*). Unwaged, postgraduate, and early career academics participants will be able to apply for *a small number of bursaries to assist with travel and/or accommodation costs*. Details and instructions on how to apply will be given at registration stage. For more information, please contact *sis2025.digitalturn(a)gmail.com <sis2025.digitalturn(a)gmail.com>**.* The organising committee: Laura Lucia Rossi, Alessio Baldini, Olivia Santovetti, Gigliola Sulis (University of Leeds) *[ITALIAN VERSION]* L’ultimo decennio ha visto un aumento significativo dell’uso di metodi digitali e computazionali nella ricerca e nell’insegnamento, che ha coinvolto anche le discipline umanistiche. L’evoluzione del cosiddetto Semantic Web e l’uso ormai trasversale degli smartphone hanno rivoluzionato le nostre vite sia dal punto di vista sociale che culturale. Inoltre, i più recenti progressi dell’Intelligenza Artificiale e la sua commercializzazione su ampia scala hanno reso evidente come tali strumenti siano in grado di cambiare radicalmente i modi del nostro accesso e dell’interazione con gli ambienti digitali, generando sia nuove possibilità sia nuovi rischi. *Italian Studies at the Digital Turn. Practice, Methods, Interdisciplinarity, convegno della Society for Italian Studies in the UK and Ireland (SIS) organizzato per il 23-24 giugno 2025 presso la University of Leeds*, intende esplorare come il settore degli Italian Studies stia rispondendo alla ‘svolta digitale’. Il convegno si propone di essere aperto e inclusivo, per unire in conversazione coloro che lavorano nel campo del digitale già da tempo, quanti che stanno valutando di entrarvi, ma anche chi abbia interesse a comprendere il ruolo attuale del digitale nelle varie aree di ricerca e studio. Se avete già esperienza nell’uso di metodi digitali o nello studio di oggetti digitali nella ricerca o nella didattica, se vi incuriosiscono le possibilità che il digitale potrebbe aprire nel vostro campo, e qualunque sia la vostra esperienza di partenza, vi invitiamo a partecipare a queste giornate di studio, *all’intersezione tra Digital Humanities (DH) e Italian Studies*. Si invitano pertanto proposte che esplorino tanto *gli aspetti teorici, quanto quelli pratici *del digitale negli Italian Studies. La conferenza si propone di: · Presentare progetti passati e in corso nel campo degli studi digitali di italianistica · Esplorare e mappare nuove idee e approcci negli studi digitali di italianistica · Promuovere una discussione sulle opportunità e sulle sfide che derivano da questi metodi · Creare le condizioni per dialoghi, contatti e collaborazioni che intersechino diversi oggetti e metodi delle Digital Humanities. *Aree di interesse* Si accettano contributi che indaghino prospettive attuali e future su come le Digital Humanities arricchiscono, modellano e pongono sfide agli studi di italianista, inclusi ma non limitati a: · Studi che usano metodi delle Digital Humanities (DH) con un focus sull’Italia attraverso vari periodi, dal Medioevo al XXI secolo · Approcci alla cosiddetta *convergence culture* · Riflessioni sul digitale come paradigma concettuale · La trasmissione e la ricezione digitale degli oggetti culturali · L’impatto della ‘svolta digitale’ nella società e cultura contemporanea · Le opportunità offerte dai metodi digitali per favorire l’interdisciplinarità · L’uso di strumenti e risorse digitali nell’insegnamento e nella valutazione, comprese opportunità e sfide poste dall’Intelligenza Artificiale · L’uso di metodi digitali per la diffusione e la comunicazione della ricerca · Lo studio degli oggetti e delle piattaforme culturali digitali · Il digitale come elemento utilizzato nella narrazione letteraria, sociale e culturale Gli *Italian Studies sono intesi qui nel loro senso più ampio – dalla letteratura alla storia e alle public humanities, dagli studi cinematografici a quelli sui media, dalla linguistica alla didattica dell’italiano (in contesti L1, L2, LS) e alla traduzione, dagli studi culturali alle arti e oltre*; sono benvenute *proposte comparative e transnazionali* che situano gli studi di italianistica nel panorama delle Lingue Moderne e delle Scienze Umanistiche. La lezione in plenaria è tenuta da *Elena Pierazzo, Professoressa di Umanistica Digitale presso l’Università di Tours *– autrice di *Digital Scholarly Editing: Theories, Models and Methods *(Routledge, 2020) e Principal Investigator del progetto *ERC <https://prima.hypotheses.org/>**PRIMA Manuscripts in the Age of Print <https://prima.hypotheses.org/>**.* Oltre alle *consuete sessioni di conferenza* quali panel e tavole rotonde, sono previste *sessioni pratiche* sull’uso dei metodi digitali nella ricerca, nella riflessione pedagogica e nell’insegnamento, e come elemento integrante di progetti di dottorato e di postdottorato, indirizzate a dottorandi/e e giovani ricercatori/trici . Si invitano proposte di: 1. *Interventi individuali* (di 15 minuti, in modo da incoraggiare il dibattito) 2. *Poster digitali* che presentino risorse e strumenti digitali (per esempio poster interattivi, siti web di progetti, app e collezioni o archivi digitali). La *digital fair* sarà ospitata in un’aula attrezzata con schermi, dove i partecipanti potranno proiettare e mostrare interattivamente uno strumento/progetto digitale che hanno sviluppato o a cui hanno contribuito. Chi fosse interessato a proporre altri *contributi di altro tipo*, come panel completi o tavole rotonde, può contattare direttamente il comitato organizzatore. La conferenza si terrà *in presenza*, e le lingue dei lavori sono *l’italiano e l’inglese*. *Linee guida per la presentazione degli abstract* *Si prega di inviare un abstract (max. 300 parole per interventi individuali)* *insieme a una breve biografia (max. 100 parole) a **sis2025.digitalturn(a)gmail.com <sis2025.digitalturn(a)gmail.com>**,* *entro il 10 gennaio 2025 alle 17:00 ora del Regno Unito*. Le notifiche di accettazione saranno inviate entro il 10 febbraio 2025. Il convegno ambisce a garantire *rappresentanza ampia e diversificata con riferimento all’origine, all’identificazione di genere e alla fase di carriera di chi partecipa*; le sessioni saranno organizzate per quanto possibile attorno a questo principio, in conformità con le linee guida della SIS Policy for Conferences and Event Planning (*https://italianstudies.org.uk/front-page/edi/our-policies/ <https://italianstudies.org.uk/front-page/edi/our-policies/>*). Coloro che partecipano senza affiliazione o retribuzione, dottorandi e dottorande, ed early career researchers potranno concorrere a un *numero limitato di borse di studio come contributo ai costi di viaggio e/o alloggio*. Indicazioni su come fare domanda saranno fornite più avanti, in fase di registrazione. Per ulteriori informazioni: *sis2025.digitalturn(a)gmail.com <sis2025.digitalturn(a)gmail.com>*. Il comitato organizzatore: Laura Lucia Rossi, Alessio Baldini, Olivia Santovetti, Gigliola Sulis (Università di Leeds, UK)

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Digital Humanities Invited Lecture Series WS 2024/25, University of Vienna
by Tara L Andrews 06 Dec '24

06 Dec '24

The FSP Digital Humanities is very pleased to announce the third of the Digital Humanities Invited Lecture Series for the winter semester 2024. All lectures will take place in Hörsaal 7 of the university Hauptgebäude and streamed via the following link: https://ustream.univie.ac.at/live/a98a9afa-bb88-4a64-a9b2-bb73d1020452 The lecture will be followed by a small reception in the space opposite Hörsaal 1. All interested colleagues are warmly invited to attend! With best wishes, Tara Andrews 10 December, 16:45 - Ass.-Prof. Dr. Alíz Horváth, Central European University Why Does Language Matter in DH? a.k.a. What do OCR, NLP, and UX have in common? Upcoming lectures: - 14 January, 16:45 - ACDH-CH Lecture 11.1 (Information will be circulated separately!)

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(no subject)
by marijn Koolen 05 Dec '24

05 Dec '24

Conference: DH Benelux 2025 Abstract submission deadline: 15 December 2024 (23:59 CET) Conference Dates: 4-6 June 2025 (main conference), 3 June 2025 (pre-conference workshops) Location: Vrije Universiteit (VU) – Amsterdam (Netherlands) Website: https://2025.dhbenelux.org/ ----------- We are pleased to announce the call for papers for the DH Benelux 2025 Conference, which will take place between 3-6 June 2025 at the Vrije Universiteit, Amsterdam. This annual conference serves as a platform for the community of Digital Humanities researchers to meet, present and discuss their latest research findings. We invite researchers, practitioners, scholars, and students to submit their original research, case studies, and demos in Digital Humanities. We welcome interdisciplinary perspectives and encourage submissions from various disciplines within the Digital Humanities. We aim for a programme covering topics that reflect current trends and emerging debates in Digital Humanities, providing opportunities for diverse interdisciplinary discussions *** Important Dates *** Abstract submission deadline: 15 December 2024 (23:59 CET) Notification of acceptance: February 2025 Conference Schedule: 4-6 June 2025 (main conference), 3 June 2025 (pre-conference workshops) Location: Vrije Universiteit (VU) – Amsterdam (Netherlands) For more information, see https://2025.dhbenelux.org/call-for-papers/

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New Journal: Philosophy & Digitality
by Geiger, Jonathan 28 Nov '24

28 Nov '24

Dear colleagues, Sorry for crossposting. May I introduce to you a new journal: Philosophy & Digitality (open access, double-anonymous review, no publication fees). Philosophy & Digitality is an open access, double-anonymous review philosophical community journal without publication fees. It welcomes original papers on the aesthetic, ethical, political, ontological, and epistemic dimensions of digitalization. Two issues per year are scheduled: The first as a special issue (annual call for special issues) on an international conference or workshop, the second as an open issue (annual call for papers). The journal is supported by the German Research Foundation (DFG). The first issue (1/1) has just been published in 2024. https://journals.ub.uni-koeln.de/index.php/phidi/issue/view/258 The second issue is in preperation for beginning 2025 (special issue (2/1) on "Normative Issues of Affective Computing"). Editorial Board Gabriele Gramelsberger (Aachen) (Editor in Chief) Sybille Krämer (Luneburg) Jörg Noller (Munich) Scientific Advisory Board Andrew M. Bailey (Singapore) Philip Brey (Twente) David Chalmers (New York) Petra Gehring (Darmstadt) Armin Grunwald (Karlsruhe) Ruth Hagengruber (Paderborn) Matthew G. Kirschenbaum (Maryland) Gerhard Lauer (Mainz) Sabina Leonelli (Exeter) Catrin Misselhorn (Goettingen) Karoline Reinhardt (Passau) Arno Schubbach (Zurich/Basel) Andreas Speer (Cologne) Thank you and best wishes, Jonathan D. Geiger

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CfP – International Conference on Data Ethics for Historical research in a Digital Era (Submission Deadline: 19th of January)
by Sofia Baroncini 28 Nov '24

28 Nov '24

*** Apologies for cross-posting *** ———————————————————— Call for Proposals Data Ethics for Historical research in a Digital Era: Critical reflections and solutions (10-12 November 2025, Mainz, Germany) https://ieg-dhr.github.io/Data-Ethics/ Submission deadline: 19th of January 2025 ———————————————————— Dear Colleagues, We are delighted to draw your attention to the International Conference “Data Ethics for Historical research in a Digital Era: Critical reflections and solutions” (10-12 November 2025, Mainz, Germany), organized by the Leibniz Institute of European History (IEG), in cooperation with NFDI 4Memory and the Academy of Sciences and Literature Mainz. This conference seeks to examine the ethical dimensions of data usage within historical research, fostering discussions among scholars to provide practical tools and strategies to navigate these challenges. We invite interested scholars to submit proposals in the form of abstracts (500 or 750 words, depending on the type of submission). For more information about the conference and submission guidelines, please visit our conference website: https://ieg-dhr.github.io/Data-Ethics/ Important Dates: · Submission Deadline: 19th January 2025, 23:59 CET · Notification of acceptance: 15th February 2025 · Conference dates: 10th-12th November 2025 Conference Themes: · Sensitive data · Discriminatory language in databases · AI ethics · Unequal representation of marginalized genders, cultures, social groups and identities · Data storage and infrastructure · Environmental aspects · Misused data Conference language: English We’d appreciate it if you could forward this call to interested colleagues and students. We look forward to receiving your proposals, Best regards, Sofia Baroncini Leibniz-Institut für Europäische Geschichte (IEG) Dr. Sofia Baroncini Postdoctoral researcher DH Lab Alte Universitätsstraße 19 55116 Mainz baroncini(a)ieg-mainz.de<mailto:[email protected]> www.ieg-mainz.de<http://www.ieg-mainz.de/> [cid:[email protected]]

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CFP: ESTS 2025: Manuscripts in the Age of Print
by Elena Pierazzo 21 Nov '24

21 Nov '24

[with the usual apologies for cross-posting] Dear community, It's with great pleasure that I invite you to submit your proposals for the forthcoming 20th conference of the European Society of Textual Scholarship, which will be held in Tours 28-30 April 2025. Manuscripts in the Age of Print ======================== The invention and relatively rapid dissemination of print in 15th- and 16th-century Western Europe did not replace manuscript culture. Whether in the form of draft manuscripts, letters and journals, note-taking, margin annotations, manuscript dissemination to escape control, or documentary records, the two media—print and manuscript—continued to coexist, intertwining and influencing each other in complex ways across the globe. In various regions, from Europe to Asia, Africa, and the Americas, manuscripts remained central to intellectual, cultural, and religious practices, often complementing or resisting the spread of print. Although recent scholarship has addressed this dynamic in specific contexts, manuscript production is still rarely considered as a distinct phenomenon in the early modern and modern periods across different cultures. This oversight neglects the profound impact manuscripts had on intellectual and cultural life worldwide, where they served as vessels for innovation, subversion, and the preservation of alternative voices. Moreover, it overlooks the materiality of manuscripts, which developed in specific local and regional contexts, conveying unique physical characteristics that shaped both the form and content of the works themselves. The conference will explore these and other uses of manuscripts, welcoming contributions that address: • Manuscript production and circulation during the early modern and modern periods • Modern codicology and handwriting studies • Print-to-manuscript and manuscript-to-print transitions and their coexistence • Hybridization of the two media across different periods and regions • Digital representation and analysis of such documents, including Handwritten Text Recognition (HTR) and quantitative codicology • Study and assembling of public and private archives and libraries • Scholarly editing of manuscripts and hybrid documents • Textuality of texts transmitted through manuscripts • Social networks and manuscript production (e.g., how social relationships, patronage, and collaboration among scribes, authors, and intellectuals influenced manuscript production and content) • Cross-cultural manuscript traditions (e.g., interactions between different manuscript practices and production centers, including trade, diplomacy, and scholarly exchanges across Europe, Asia, the Middle East, and other regions) • Censorship and media circulation We also welcome contributions that examine the global persistence of manuscript culture alongside print in the early modern and modern periods, taking into account the diversity of manuscript traditions worldwide. This includes exploring how manuscripts remained essential for knowledge transmission, record-keeping, and resisting dominant discourses, even as print technologies became increasingly prevalent. Other topics such as the theory and practice of textual scholarship and digital textual scholarship will also be welcomed. Contributions to the ESTS Conference may take the following forms: Research Papers Individual scholars are welcome to submit proposals for papers which may then be selected for panels. 20 minutes in length. Please supply an abstract of 250 words (max) + bio of 100 words (max). Panel sessions We also invite groups of scholars (3 speakers) to submit proposals for thematically linked research paper panels. 90 minutes in length (3 x 20 minute papers + Q&A). Please supply 3 abstracts of 150 words (max) each + bios of 100 words (max) for each speaker. The organisers will give preference to panels that reflect the diversity of our field. Roundtable We also invite groups of scholars (up to 6 speakers) to submit proposals for thematically linked roundtable sessions. 90 minutes in length (10 mins per speaker + Q&A). Please supply an overall abstract of 350 words (250 words) for the roundtable + bios of 100 words (max) for each speaker. Poster sessions We will run a poster session as part of the main conference program. Topics of interest include all topics listed above. The poster session is an opportunity for researchers to discuss their early/ongoing work with attendees. Please provide an abstract of a maximum 250 words. Submissions and information here: https://cesr-ests2025.sciencesconf.org/?lang=en –– Elena PIERAZZO Professeure en Humanités Numériques Centre d’Études Supérieures de la Renaissance UMR 7323 Université de Tours 59 Rue Néricault Destouches – BP 12050 37020 Tours Cedex 1 ORCID: 0000-0003-1356-3884 ERC PRIMA 'Manuscripts in the Age of Print' (Grant number 101142242)

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Job: graduate assistant in computer science for the humanities (Lausanne, Switzerland)
by Michael Piotrowski 18 Nov '24

18 Nov '24

The Department of Language and Information Sciences (https://www.unil.ch/sli/) in the Faculty of Arts of the University of Lausanne (Switzerland) invites applications for a position of graduate assistant in computer science for the humanities (assistant·e diplômé·e en informatique pour les sciences humaines) This is an 80% doctoral position for a maximum of 5 years, starting February 1, 2025. The application deadline is December 8, 2024. Offical job posting (in French) and application link: <https://career5.successfactors.eu/career?company=universitdP&career_job_req…> A good knowledge of French is required (you don’t have to be a native speaker, but you should be comfortable teaching in French, i.e., B1/B2 level). For further information, please don't hesitate to contact me at michael.piotrowski(a)unil.ch. Best regards, Michael -- Prof. Dr.-Ing. Michael Piotrowski <michael.piotrowski(a)unil.ch> Professeur en humanités numériques · Université de Lausanne Section des sciences du langage et de l’information · Faculté des lettres ☎ +41 21 692-3039 · Quartier Chamberonne, bâtiment Anthropole, bureau 3137 OpenPGP public key 0x926877BF1614A044

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JOB: research assistant / Digital Humanities research assistant "Antiziganism and Ambivalence in Modernity"
by peter.bell＠uni-marburg.de 18 Nov '24

18 Nov '24

The Department of German and Art Studies, Institute of Art History at University of Marburg is currently accepting applications for a Research Assistant The position is offered for a period of 4 years. The starting date is as soon as possible. The position is fulltime with salary and benefits commensurate with a public service position in the state Hesse, Germany (TV-H E 13). The sub-project “pictorial narration and visual representation of antiziganist motifs (1848-1930)” of the research group “Antiziganism and Ambivalence in Europe (1850-1950)” investigates the constitutive significance of visual antigypsyist stereotypes in figures, motifs and pictorial narratives for the formation of European modernity. Antigypsyist motifs from high and popular culture are to be indexed, catalogued, categorized and evaluated in their structural entirety for the first time in order to ensure coherent art-historical analyses on this basis. The sub-project is also responsible for setting up a multimodal database, i. e. the technical infrastructure of the research group, in which events, works and people are conected. This digital research environment is intended to enable the mapping and evaluation of antiziganist images, from paintings to advertisements, and to ensure a systematic link with the materials and discourses of the neighboring disciplines involved. Tasks: - implementation and operation of a multimodal research environment for the entire research group - research data management with regard to sensitive and discriminating data - teamwork with all sub-projects and support with digital humanities tasks - preparation and implementation of scientific workshops and conferences - own research, e. g. on multimodal databases in the humanities and the specific challenges of sensitive data - This is a project position that is not limited according to § 2, 1 WissZeitVG. Profile: - MSc degree or equivalent in digital humanities, computer science or related disciplines a PhD in a related field is an advantage - good knowledge and experience in research data management, in the development and administration of databases as well as in the communication of technical content in interdisciplinary dialog - skills in the use of graph databases and/or visualization in order to represent the complex structure of historical contexts and discursive and methodological orders - skills in image processing and experience in humanities projects or GLAM-institutions are also desirable - ability to deal sensitively with the occasionally discriminatory and marginalizing data, for example through their own experience of alterity or discrimination, e. g. as part of a minority - knowledge of Romani language or Central and Eastern European languages is desirable We offer: - a diverse and interesting range of activities in an interdisciplinary research group - a collegial environment with other digital humanities projects - opportunities for mobile working and home office - flexible working hours - ticket for free use of public transport in the state Hesse, Germany Please apply here: https://stellenangebote.uni-marburg.de/jobposting/93aa3849c1c8712095318de3b… -- Prof. Dr. Peter Bell Kunstgeschichte und Digital Humanities Philipps-Universität Marburg Kunstgeschichtliches Institut Biegenstraße 11 35037 Marburg Tel.: +49 6421 28-26966 Tel.: +49 6421/28-22195 (Sekretariat Angelika Fricke M.A.) Email: peter.bell(a)uni-marburg.de

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[CFP] Hybrid Human Artificial Intelligence Conference (HHAI 2025) - June 9–13, Pisa, Italy
by Chiara Natali 18 Nov '24

18 Nov '24

-------------------------------------------------- CALL FOR PAPERS HHAI 2025 - Hybrid Human-Artificial Intelligence https://hhai-conference.org/2025/ June 9–13, 2025, Pisa, Italy -------------------------------------------------- Hybrid Human-Artificial Intelligence (HHAI) is an international conference series that focuses on the study of Artificial Intelligence systems that cooperate synergistically, proactively and purposefully with humans, amplifying instead of replacing human intelligence. HHAI aims for AI systems that work together with humans, emphasizing the need for adaptive, collaborative, responsible, interactive and human-centered intelligent systems. HHAI systems leverage human strengths and compensate for human weaknesses, while taking into account social, ethical and legal considerations. HHAI 2025 will be held on June 9–13, 2025, in Pisa, Italy, and is the fourth conference in the series. The HHAI field is driven by developments in AI, but it also requires fundamentally new approaches and solutions. Thus, we encourage collaborations across research domains such as AI, HCI, cognitive and social sciences, philosophy and ethics, complex systems, and others. In this third international conference, we invite scholars from these fields to submit their best original – new as well as in progress – works, and visionary ideas on Hybrid Human-Artificial Intelligence. **Join the HHAI community and keep up with the news:** Website: https://hhai-conference.org/2025/ Linkedin: https://www.linkedin.com/company/hhai-conference/ X: https://x.com/hhai_conference Mastodon: https://sigmoid.social/@hhai IMPORTANT DATES Abstract submission: January 17th, 2025 Paper submission: January 24th, 2025 Acceptance notification: March 16th, 2025 Camera-ready version: April 13th, 2025 Conference: June 9-13, 2025 LOCATION HHAI 2025 will be an in-person, single-track conference organized in Pisa, Italy. Workshops and tutorials (9-10 June) will be held at the University of Pisa and Scuola Normale Superiore in Pisa, Italy. The main conference (11-13 June) will be held at CNR. TOPICS We invite research on different challenges in Hybrid Human-Artificial Intelligence. The following list of topics is illustrative, not exhaustive: - Human-AI interaction, interpretation and collaboration - Adaptive human-AI co-learning and co-creation - Learning, reasoning and planning with humans and machines in the loop - User modeling and personalisation - Integration of learning and reasoning - Transparent, explainable, and accountable AI - Fair, ethical, responsible, and trustworthy AI - Societal awareness of AI - Multimodal machine perception of real-world settings - Social signal processing - Representations learning for Communicative or Collaborative AI - Symbolic representations for human-centric AI - Human-AI Coevolution - Foundation models and humans - Human cognition-aware AI - Decentralized human-AI systems - Reliability and robustness in human-AI systems - Applications of hybrid human-AI intelligence We welcome contributions about all types of technology, from robots and conversational agents to multi-agent systems and machine learning models. PAPER TYPES In this conference, we wish to stimulate the exchange of novel ideas and interdisciplinary perspectives. To do this, we will accept three different types of papers: - Full papers present original, impactful work (12 pages excluding references) - Blue sky papers present visionary ideas to stimulate the research community (8 pages excluding references) - Working papers present work in progress (8 pages excluding references) Accepted full papers and Blue sky papers will be published in the Proceedings of the Third International Conference on Hybrid Human-Machine Intelligence, in the Frontiers of AI series by IOS Press. Working papers can be included in these proceedings, unless the authors request the paper to remain unpublished. REVIEWING PROCESS & SUBMISSION GUIDELINES Submissions of full, blue-sky, and working papers should be original work without substantial overlap with pre-published papers. All submissions should adhere to IOS formatting guidelines. Papers should be written in English and detailed submission instructions can also be found here. **Important** HHAI 2025 will follow a double-blind reviewing process. Thus, submissions must exclude all information that might disclose the authors’ names or affiliations. All studies involving human participants should have received human-research ethics consent from the relevant institutions and mention this in the paper. Work should be submitted in PDF format via Easychair (link to be announced soon). On acceptance, at least one author should attend the conference. A significant contribution is expected from all authors. PROGRAM CHAIRS Chiara Boldrini (IIT-CNR, IT) Luca Pappalardo (ISTI-CNR, IT) Andrea Passerini (University of Trento, IT) Shenghui Wang (University of Twente, NL) CONFERENCE CHAIRS Michela Milano (University of Bologna, IT) Dino Pedreschi (University of Pisa, IT) Stuart Russell (University of California Berkeley, US) Ilaria Tiddi (Vrije Universiteit Amsterdam, NL) CONTACT INFORMATION For questions, you can reach the program chairs at: program(a)hhai-conference.org

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"Artificial Intelligence in Archives and Collections", 12-13 December 2024. Hybrid: Marburg/Germany and Online
by Zoe S 18 Nov '24

18 Nov '24

*Conference: "Artificial Intelligence in Archives and Collections: Practices, Potentials, and Evidence Production in Dealing with Images and Multimodal Cultural Heritage” 12-13 December 2024. Hybrid: Marburg/Germany and Online.* The Research Lab 1.3. ‘Digital Heuristics and Digital History’ of the Leibniz Research Alliance ‘Value of the Past’ in cooperation with NFDI4Memory, Task Area Data Quality is organising a conference in Marburg on artificial intelligence in heritage institutions, such as archives and collections, and how these new technologies are transforming archival institutional practices. Topics will primarily focus on – but will not be limited to – visual sources, such as photography and graphic collections or those with mixed image-text sources and multimodal information processing. The conference that presents speakers from Austria, China, France, Germany, USA, UK, Switzerland and Sweden will provide a forum for researchers and practitioners from the humanities, archives and collections to connect with researchers and engineers in the fields of artificial intelligence, computer science and the digital humanities, to discuss new findings, and to exchange experiences. The event seeks to promote an interdisciplinary, cross-sectoral dialogue between research, development and practice. The organisers cordially invite interested parties to take part in the conference. *Programme, Registration and further Information:* https://www.herder-institut.de/event/conference-artificial-intelligence-in-… https://eveeno.com/441936742 Contact: archivesai(a)herder-institut.de

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STAGE Seminar - Derek Miller’s Presentation (18/11/24) - A Bird's-Eye View of US Theater Around 1900
by clarisse bardiot 15 Nov '24

15 Nov '24

Dear colleagues, Next Monday (18/11/24), the third session of the STAGE seminar will take place, featuring a presentation by Derek Miller, Professor of English at Harvard University: A Bird's-Eye View of US Theater Around 1900 Like so much cultural history, theater history tends to focus on outstanding performers, writers, or productions. But most theatrical practice is normal: there are typical ways to write, stage, produce, and attend a play. Quantitative methods of historical analysis make it easier to understand the norms of theatrical practice. In this presentation, I explore data from a set of guides to the late-nineteenth-century theater in the United States. I offer model analyses of (a) the number of theaters in the US from after the Civil War to WWI, as well as their seating capacities; (b) the geographic distribution and operation of the Theatrical Syndicate; and (c) theater electrification. Along with these examples, I will explain my procedures for working with this data. I consider both what these methods can teach us about these topics, and what issues come to light, but perhaps cannot be answered, through quantitative archives and analysis. Derek Miller is Professor of English at Harvard University, where he has taught theater history and dramatic literature since 2013. He has published extensively on the theater industries in the US and UK since the nineteenth century, primarily on law and performance, particularly copyright. Recent work includes an essay on digital methods in theater studies, a chapter about legal texts as performance texts, and an elegy for theater tickets. More information: https://visualizingbroadway.com/ --- Upcoming Sessions (through December 2024): 18/11: Derek Miller, Harvard University: A Bird's-Eye View of US Theater Around 1900 02/12: Aurélie Lemaître, INRIA: Combinaison d'intelligences artificielles pour la reconnaissance d'images de documents 09/12: Thierry Coduys, Le Hub, IanniX The full program is available here: https://stage-to-data.huma-num.fr/fr/evenements/adda --- About the Seminar: The STAGE seminar (From Stage to Data, the Digital Turn of Contemporary Performing Arts Historiography) is led by Clarisse Bardiot as part of a European research project. It offers an in-depth introduction to the challenges, concepts, methods, and tools for the digital study of texts, images, and cultural data. The seminar explores the challenges and opportunities of using digital data in artistic studies, particularly in the fields of performing arts, digital art history and culture analytics, and demonstrates how digital humanities open new research perspectives in the humanities and social sciences. Sessions are held in English or French. --- Participation Details: - Time: Mondays from 4 PM to 6 PM Paris Time - Location: - In person: Villejean campus, Rennes 2 University, Building B, research area - Online: Via Zoom (registration required through this form: https://docs.google.com/forms/d/e/1FAIpQLSct-OXLGCHqzZHQaVj3j9-qzW4D4caNZlg… ) If you have already registered, there is no need to fill out the form again. The sessions will be recorded and made available on the From Stage to Data website and YouTube channel: https://stage-to-data.huma-num.fr <https://stage-to-data.huma-num.fr/> Best regards, Clarisse Bardiot ///// Clarisse Bardiot Professeur des universités en études théâtrales Département des Arts du spectacle Université Rennes 2 Site web http://www.clarissebardiot.info/ <http://www.clarissebardiot.info/> Projet ERC From Stage to Data : https://stage-to-data.huma-num.fr/en/ Dernier livre : Arts de la scène et humanités numériques. Des traces aux données <https://www.istegroup.com/fr/produit/arts-de-la-scene-et-humanites-numeriqu…> / Performing Arts and Digital Humanities. From Traces to Data. <https://www.istegroup.com/fr/produit/arts-de-la-scene-et-humanites-numeriqu…> 2021. Wiley / Iste.

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‘Theatre as Data’ book presentation with Miguel Escobar Varela (November 28, 14.00 CET)
by Daniil Skorinkin 15 Nov '24

15 Nov '24

Dear colleagues, The Network for Digital Humanities at the University of Potsdam cordially invites you to a special event of the ‘Code & Culture’ lecture series: this time we are doing a book presentation with the author. Dr. Miguel Escobar Varela (National University of Singapore) is going to present his book titled ‘Theatre as Data’. In 'Theatre as Data: Computational Journeys into Theatre Research' Miguel Escobar Varela examines the use of the use of computational methods in theatre research. On the basis of examples (not only) from his own research on Southeast Asian theatre, he shows how statistics and visualisations can offer exciting insights into various aspects of theatre studies. Date and time: November 28, 14:00 CET. The event will be held in English. Unlike other ‘Code & Culture’ events, this event is hybrid and can be attended either online or in person in Potsdam (Am Neuen Palais 10, Haus 9, Lecture hall 1.14). To attend online, please register here: https://www.uni-potsdam.de/de/digital-humanities/aktivitaeten/presentation-… Registration for on-site participants is not required, but it is still possible to register here to receive a reminder before the event. The DH Potsdam <https://www.uni-potsdam.de/en/digital-humanities/> Team

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Invitation: Open Research Colloquium Digital History (HU Berlin, Germany) in the winter semester 2024/2025 - online
by Professur für Digital History 12 Nov '24

12 Nov '24

Dear colleagues, The Chair for Digital History at Humboldt-Universität zu Berlin, Germany, cordially invites all those interested in Digital Humanities and Digital History to this winter semester's Open Research Colloquium on Digital History. The diverse and international program with talks on topics such as NFDI4Memory, Data Ethics, Game Studies, Queer Studies or digital source criticism as well as various methodological approaches to the investigation and analysis of research objects (and many other topics) can be found on the Chair's blog: https://dhistory.hypotheses.org/digital-history-forschungskolloquium/progra… The presentations always take place on Wednesdays from 4:15-5:45 pm (CET)*via Zoom*. For access details, please send a short request to digitalhistory(a)hu-berlin.de or subscribe to the open mailing list <https://sympa.cms.hu-berlin.de/sympa/info/offenes-kolloquium-digital-history>. You can also find some of the talks held so far on the Chair's YouTube channel <https://www.youtube.com/channel/UCp2E__culOIiZTok5WRh7lQ>. This *Wednesday, 13 November, 4:15-5:45 pm (CET),* Mila Oiva will offer insights into her research projects: *Mila Oiva (University of Turku, Finland)* /Chasing Leninism with AI. Using Computational Methods to Trace Cultural Phenomena through Historical Audiovisual Materials/ Zum Abstract <https://dhistory.hypotheses.org/8886> We look forward to welcoming you to the research colloquium and engaging in discussions with you! With kind regards, Prof. Dr. Torsten Hiltmann Melanie Althage -- Melanie Althage, M.A. Wissenschaftliche Mitarbeiterin Professur für Digital History Institut für Geschichtswissenschaften Philosophische Fakultät Humboldt-Universität zu Berlin Unter den Linden 6 10099 Berlin

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Job: UCLA Transcultural Digital Humanities Assistant or Associate Professor
by Wendy Perla Kurtz 06 Nov '24

06 Nov '24

Hi everyone, I apologize for cross-posting. We are currently seeking an Assistant or Associate Professor of Transcultural Digital Humanities <https://recruit.apo.ucla.edu/JPF09943>. Please share this opportunity widely within your networks. If you have any questions, feel free to reach out to me or the search committee chair, Vetri Nathan (vnathan(a)humnet.ucla.edu) Best regards, Wendy -- Wendy Perla Kurtz, Ph.D. Lecturer & Project Scientist UCLA PROGRAM IN DIGITAL HUMANITIES Office: Royce 323 Pronouns: she/her/ella wpkurtz(a)ucla.edu www.wendyperlakurtz.com

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First Digital Humanites conference in Mongolia
by Öyvind Eide 05 Nov '24

05 Nov '24

Dear Colleagues, the final programme for the first Digital Humanities conference in Mongolia, which will take place in Ulaanbaatar on Thursday this week, is now online https://tinyurl.com/mu4vy3a3 The conference is organised by The National University of Mongolia in cooperation with The Mongolian University of Science & Technology, The University of the Humanities, The Mongolian National University of Arts and Culture, Otgontenger University, and the rest of the Artest Project network: https://artest-project.eu/ it is supported by the Artest Project (Erasmus+ Capacity Building in Higher Education Call EAC/A02/2019, project 618802-code EPP-1-2020-1-DE- EPPKA2-CBHE-JP) and the International Institute for Digital Humanities in Tokyo. The conference will be streamed online. The link will be available at the webpage of the conference. All the best, Otgontsetseg Sukhbaatar and Øyvind Eide -- Prof. Dr. Øyvind Eide Institut für Digital Humanities — Historisch-Kulturwissenschaftliche Informationsverarbeitung Universität zu Köln Albertus-Magnus-Platz D-50931 Köln Büro: Universitätsstraße 22, Raum 1.02 (1 OG) URL: http://idh.uni-koeln.de/ fon: +49.221.470.1752 (Vorzimmer .4430)

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