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CfP: Cultural Heritage Data & Power. Exploring Digital Collections and Situated Knowledges in Film History and Beyond (DAVIF Research Group) / Philipps-Universität Marburg / November 14-16, 2024
by Pauline Junginger 26 Mar '24

26 Mar '24

*Call for Papers* Cultural Heritage Data & Power. Exploring Digital Collections and Situated Knowledges in Film History and Beyond Closing Conference of the BMBF Research Group DAVIF Philipps-Universität Marburg November 14-16, 2024 In recent years, the application of digital tools and methods is on a rise within the field of film and media studies, often relying on data provided by film heritage and other GLAM institutions. At the same time, these institutions seek ways to make their collections more accessible for researchers. In this process, ethical considerations regarding data provenance, archival silences and situated knowledges woven into cultural heritage data take on a new urgency. While digital humanists have increasingly investigated power structures inscribed in cultural heritage data, the political, theoretical, and technological underpinnings of film historical collections need further explorations. For example, how do categorization processes underlying information technologies affect our understanding of film history? What impact do they have on different social groups and especially on marginalized communities? How should we deal with the inclusion of certain data and the exclusion of others? How can we identify and represent gaps and blind spots in cultural heritage collections when reflecting history? Bringing together researchers, scholars and practitioners, the conference seeks to stimulate a critical debate about the creation, processing and archiving of film historical data and other cultural heritage data. The goal of the conference is to examine how critical perspectives on historical research data can be combined with new ways of applying and exploring digital tools and methods in film and media studies and beyond. Based on DAVIF’s research on data visualizations and women in film history, the conference focuses on the intersections of feminist (film) historiography, critical data studies, data feminism, archival and curatorial practices, computational approaches, AI applications, and information infrastructures. We invite film and media scholars, film historians, film archivists and digital humanists from various fields to reflect on and challenge power structures of data collections and practices. In particular, we welcome feminist perspectives that seek not only to tell different stories, but also to tell them differently. Participants are encouraged to consider a wide range of subjects for their proposals. These may include but are not limited to: * Datafication of film and media studies and beyond * Feminist film historiography including speculative approaches * Archival silences, biases and gaps in cultural heritage collections * Power-critical analysis of the creation, processing and archiving of film historical data and other cultural heritage data * Data provenance in film heritage institutions and other GLAM institutions * Critical, feminist, queer, postcolonial approaches to data visualizations * Analysis of information infrastructures and authority data (e.g. Wikidata, GND, LoC, VIAF) *Submissions* We welcome two types of proposals: 1) papers and 2) workshops. But we can also try to facilitate other formats. Please submit your proposal (title, abstract of max. 300 words and a short biographical note of max. 150 words, 5 keywords, and 3 references) by *April 30, 2024* via davif.researchgroup(a)gmail.com. Presentations will be allowed 20 minutes + 10 minutes of discussion. For workshop proposals please indicate the number of participants. Abstracts will be selected by *June 15, 2024*. *Publication* An open access publication of all conference papers is planned for fall 2025. *Conference* The event is the closing conference of the BMBF research group “Aesthetics of Access. Visualizing Research Data on Women in Film History” (DAVIF) (2021-2025). It will take place at Philipps-Universität Marburg in Marburg, Germany, from *November 14–16, 2024*. The conference will be held in English. For speakers who do not have their own means of travel, travel and accommodation costs may be covered on application. Please contact us regarding further arrangements. More information will follow shortly at the conference website: https://uni-marburg.de/CaPWG1 *Timeline* Abstract submission deadline: April 30, 2024 Notification of paper/workshop acceptance: June 15, 2024 Conference: November 14–16, 2024 Deadline for publication submission: January 10, 2024 Scheduled publication date: Fall 2025 *Contact* The conference is organized by Dr. Sarah-Mai Dang, Pauline Junginger and Anne Hart (DAVIF Research Group). Email: davif.researchgroup(a)gmail.com -- Pauline Junginger, M.A. (sie/ihr - she/her) Wissenschaftliche Mitarbeiterin & Doktorandin BMBF-Forschungsgruppe "Ästhetiken des Zugangs" (DAVIF) Philipps-Universität Marburg Institut für Medienwissenschaft Hans-Meerwein-Straße 6 D-35043 Marburg +49 6421 28 211 85

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Talk "The Driving Forces of Literary Evolution" at the DH Network Potsdam (online, April 2)
by Daniil Skorinkin 25 Mar '24

25 Mar '24

Dear DH colleagues, we (the Digital Humanities Network at the University of Potsdam) invite you to the online open lecture titled 'The Driving Forces of Literary Evolution: Tracing the Causes of Cultural Change with the Price Equation', by Oleg Sobchuk (researcher at the Department of Human Behavior, Ecology and Culture, Max Planck Institute for Evolutionary Anthropology; author of the upcoming chapter on Evolution of Modern Literature and Film in the Oxford Handbook of Cultural Evolution). This lecture is the inaugural event of the 'Code & Culture' series of open talks <https://www.uni-potsdam.de/de/digital-humanities/aktivitaeten/code-and-cult…> at the DH Network Potsdam. Annotation: Does literature progress “one funeral at a time”, as Max Planck famously claimed about science? Is the change mainly driven by the turnover of “generations”, or cohorts? Who contributes more to change in literature and arts – “old masters” or “young geniuses”? And how can we separate the different causes of cultural change? A trendline spanning a period of time is one of the most common graphs in the computational humanities. Often, such a trendline is explained with a single causal mechanism: a cause C is driving a trait T over a period P. For example, the proportion of negative words (T1) during the 20th century (P1) in literature is increasing due to “negativity bias” (C1). Or, the proportion of abstract words (T2) in the 19th century (P2) is growing due to urbanisation (C2). On the surface, this approach may look sufficient but, under the surface, there are rocks: not only there could be multiple causes, but also different parts of the trendline may be driven by different causes. In computational humanities, there is no effective method for “dissecting the trendline” and uncovering these hidden causal mechanisms. The scholars of evolution, however, do have such a method: a simple and elegant – and famous – equation that was suggested by the mathematician George R. Price over 50 years ago, known as “the Price equation”. It allowed biologists to uncover the potential driving forces behind evolutionary change. The forces behind literary – and, more broadly, cultural – change are still little known – and much debated. The Price equation can give us some answers. Time and place: 🗓️ April 2, 2024, 18:30 (CEST), Zoom. Please register here to get the Zoom link: https://www.uni-potsdam.de/de/digital-humanities/aktivitaeten/code-and-cult… Daniil Skorinkin, Digital Humanities Coordinator, Uni Potsdam https://hcommons.social/@dh_potsdam https://twitter.com/DH_Potsdam

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Convegno "Italianistica digitale: la ricerca dei giovani studiosi", 4-5 aprile 2024
by Convegno Italianistica Digitale Unimc 22 Mar '24

22 Mar '24

Gentilissim* tutt*, Con la speranza di fare cosa gradita, segnaliamo il Convegno *Italianistica digitale: la ricerca dei giovani studiosi*, che si terrà il 4 e 5 aprile presso l’Università degli Studi di Macerata (Polo didattico G. Tucci, corso Cavour, 2 Macerata). L’evento è promosso dal gruppo “Italianistica digitale” dell’AdI (Associazione degli Italianisti) e dalla Scuola di Dottorato dell’Università di Macerata, con il patrocinio dell’infrastruttura linguistica CLARIN del CNR di Pisa. Per tutti i dettagli, si rimanda al link della pagina del convegno: https://www.unimc.it/it/unimc-comunica/events/2024/italianistica-digitale-l… . Cordiali saluti -- Convegno "Italianistica digitale: la ricerca dei giovani studiosi" Università di Macerata Macerata, 4-5 aprile 2023 digitalunimc2024(a)gmail.com

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Call for chapters : Digital Humanities: Application of Computer to the Arts and Interdisciplinary Perspectives
by Enrico Natale 21 Mar '24

21 Mar '24

We are pleased to announce a call for papers for an upcoming book project that focuses on the intersection of technology and the arts within the realm of Digital Humanities. As technology continues to evolve, its impact on various disciplines, including the arts, is becoming increasingly significant. This book aims to explore the diverse ways in which computers and digital tools are applied to enhance and transform the landscape of humanities research, particularly within artistic domains. The book also aims to provide a critical overview of the field to the growing African digital humanities community. Scope of the Book: We invite researchers, scholars, and practitioners to contribute original research papers, and reviews that explore, but are not limited to, the following topics: Digital tools and methodologies in art history The DH techniques tools for data analysis The adoption of DH tools for entrepreneurship Computational analysis of literature and literary studies Digital Pedagogy Virtual and augmented reality applications in the arts Digital archives and preservation of cultural heritage Interactive storytelling and digital narratives Computer-generated art and creative coding Machine learning and artificial intelligence in the arts Digital musicology and computational music analysis Digital humanities in film and media studies Ethical considerations in digital humanities research Application of computer technology in historical research methods Scriptwriting and storytelling in the digital age Digital history and its impact on historiography Black Digital Humanities Critical Black Data Studies Collaborations between the arts and other academic disciplines Interdisciplinary approaches to digital humanities projects Ethical considerations in interdisciplinary digital research Case studies highlighting successful interdisciplinary initiatives Innovations in the integration of technology into diverse academic fields Digital Humanities and Environmental History Security and DH Migration, Border studies and DH Digitalising museums, archives, cultural heritages, crafts and artifacts Submission Guidelines: Each potential contributor should submit an abstract of between 250 and 300 words as well as a previously published complete paper electronically to dhprojectng(a)gmail.com. The accepted and corrected paper of not more than 5000 words prepared as Microsoft Word document should include author’s name, title of the paper, institutional affiliation, email address, phone number. Papers should be in British English, Times New Roman, 12 Font Size, 1.5-line spacing and should conform to the Modern Language Association (MLA) Style (footnotes and Bibliography). A short bio-data of not more than 100 words should be submitted along with the paper. Each paper/chapter will undergo series of screening and blind peer review. Manuscripts should be original and not previously published. Submissions should be sent to dhprojectng(a)email.com Important Dates: Submission Deadline: March 20, 2024 Notification of Acceptance: May 20, 2024 Final Manuscript Due: July 28, 2024 Expected Publication: December 2024 Review Process: All submitted papers will undergo a peer-review process to ensure the quality and relevance of the contributions. The selected papers will be compiled into a comprehensive book volume that provides a valuable resource for researchers, educators, and practitioners in the field of Digital Humanities. Book Editors: Professor Tunde Ope-Davies, Department of English and Linguistics Faculty of Arts, University of Lagos Nigeria Professor Oluranti Ojo, Department of History and Diplomatic Studies University of Abuja, Nigeria Dr. Abayomi Saibu, Department of History and International Studies Anchor University Lagos Nigeria Felix Oke, Center for Textual Studies and Digital Humanities Loyola University Chicago, USA Enrico Natale infoclio.ch Gutenbergstrasse 37 3011 Bern Tel: +41 31 311 75 72 Abonnez-vous à la newsletter <https://www.infoclio.ch/fr/newsletter> d’infoclio.ch Follow infoclio.ch on Mastodon <https://fedihum.org/@infoclio>

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CfP Computational Humanities Research 2024 - 4-6 December, Aarhus, Denmark
by marijn Koolen 19 Mar '24

19 Mar '24

---------------------- Conference: Computational Humanities Research 2024 Dates: 4-6 December 2024 Location: Center for Humanities Computing, Aarhus University Website: https://2024.computational-humanities-research.org Call for Papers: https://2024.computational-humanities-research.org/cfp/ Submission deadline: July 8, 2024 ---------------------- In the arts and humanities, the use of computational, statistical, and mathematical approaches has considerably increased in recent years. This research is characterized by the use of formal methods and the construction of explicit, computational models. This includes quantitative, statistical approaches, but also more generally computational methods for processing and analyzing data, as well as theoretical reflections on these approaches. Despite the undeniable growth of this research area, many scholars still struggle to find suitable research-oriented venues to present and publish computational work that does not lose sight of traditional modes of inquiry in the arts and humanities. This is the scholarly niche that the CHR conference aims to fill. More precisely, the conference aims at 1. Building a community of scholars working on humanities research questions relying on a wide range of computational and quantitative approaches to humanities data in all its forms. We consider this community to be complementary to the digital humanities landscape. 2. Promoting good practices through sharing “research stories”. Such good practices may include, for instance, the publication of code and data in order to support transparency and replication of studies; pre-registering research design to present theoretical justification, hypotheses, and proposed statistical analysis; or a redesign of the reviewing process for interdisciplinary studies that rely on computational approaches to answer questions relevant to the humanities. ### Topics of interest We invite original research papers from a wide range of topics, including -- but not limited to -- the following: - Applications of statistical methods and machine learning to process, enrich and analyse humanities data, including new media and cultural heritage data; - Hypothesis-driven humanities research, simulations and generative models; - Development of new quantitative and empirical methods for humanities research; - Modeling bias, uncertainty, and conflicting interpretation in the humanities; - Evaluation methods, evaluation data sets and development of standards; - Formal, statistical or quantitative evaluation of categorization / periodization; - Theoretical frameworks and epistemology for quantitative methods and computational humanities approaches; - Translation and transfer of methods from other disciplines, approaches to bridge humanistic and statistical interpretations; - Visualisation, dissemination (incl. Open science) and teaching in computational humanities. - Potential and challenges of AI applications to humanities research. ### Venue The 2024 edition of the Computational Humanities Research conference will be hosted by the Center for Humanities Computing, Aarhus University ( https://chc.au.dk/) The conference will be a hybrid event with an option to attend in person in Aarhus, virtually, or a combination of the two. More details will follow soon. ### Important dates - Submission deadline: July 8, 2024 - Notification to authors: September, 2024 - Final papers ready: October, 2024 - Conference: December 4 - December 6, 2024 - Pre-Conference workshops: December 3, 2024 ### Submission types **Long Papers**: up to **5000** words (ca. 10 pages, references, abstract and tables/illustrations excluded). Long papers report on completed, original and unpublished results. Brevity of argument is preferred. We welcome the use of appendices or other supplementary information. **Short Papers**: up to **3000** words (ca. 6 pages, references, abstract and tables/illustrations excluded). Short papers report on focused contributions, and may present work in progress. Short papers are presented either as short oral presentations or posters. **Lightning Talks**: Submit an abstract of up to 750 words (excluding references, tables and illustrations) to give a 5 minute presentation during a lightning talks session. This format can be well suited for reporting work in progress, introducing ideas, preliminary results, or focused question-answer research. **Workshops**: up to **1500** words. Workshops should be organised to be more interactive than the main conference. The workshops will take place before the conference, on 3 December. Workshop proposals should describe: - the aims and set up of the workshop, - the academic background for the work, - proposed length (e.g. half day or full day), - an outline of the day, including the types of activities, - the expected key outcomes, - a short bio of each organiser or presenter, including their name, affiliation, email address - a plan for promoting the workshop to draw participants. ### Submission Details See the full Call for Papers: https://2024.computational-humanities-research.org/cfp/ ### Questions? Contact the organizers: info(a)computational-humanities-research.org CHR community on discourse: https://discourse.computational-humanities-research.org

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DH2024 SIG-DLS Workshop - Call for lightning talks
by Simone Rebora 18 Mar '24

18 Mar '24

Dear all, As usual, the SIG-DLS is organizing a pre-conference workshop at the annual DH conference. This year it will be organized together with CLS-Infra and it will include both invited keynotes, demos, and lightning talks. We especially value the last format, which could be seen as an opportunity to share ongoing research (or just simple ideas) in an easy and engaging way. If you are interested in giving a lightning talk, check the Call at this link <https://dls.hypotheses.org/1704> (I'm also copy-pasting it below for your convenience), and please spread the news! All the best, Simone === DH2024 Workshop – Computational Literary Studies: How To Do Research Responsibly (CfP) Posted on 11/03/2024 <https://dls.hypotheses.org/1704> by Simone Rebora <https://dls.hypotheses.org/author/srebora> In the context of the DH2024 Conference “Reinvention & Responsibility” ( https://dh2024.adho.org/) the SIG-DLS is organizing a pre-conference workshop entitled “Computational Literary Studies: How To Do Research Responsibly” The overarching goal is to present, promote, and showcase a subfield of DH that has recently reached — or seems to have reached — a critical point of its maturity. Known under the name of Computational Literary Studies, Digital Literary Studies, or Cultural Analytics, the field primarily revolves around computer-assisted analysis of literary sources. It was commenced by the groundbreaking initiative SIG-DLS ( https://dls.hypotheses.org/) and then further developed by a few other endeavors, e.g. the CLS Priority Programme founded by DFG ( https://dfg-spp-cls.github.io/) the JCLS journal (https://jcls.io/) the CCLS annual conference (https://jcls.io/site/conference/) the Journal of Cultural Analytics (https://culturalanalytics.org/) the CHR annual conference (https://computational-humanities-research.org/) the COST Action Distant Reading (https://www.distant-reading.net/) and the CLS INFRA project founded by Horizon2020 (https://clsinfra.io/) The idea behind the workshop is to consolidate the already existing initiatives, and to share experiences between projects, centers, and scholars involved in DLS/CLS. The workshop program will be composed by a combination of invited talks, demo sessions, and lightning talks. With this Call, we are inviting submissions for lightning talks (max. 5 minutes) on ongoing projects, research ideas, and infrastructures in DLS/CLS. Please send a 250-word abstract to simone.rebora(a)univr.it* by 30 April 2024.* Proposals will be evaluated by the organizing committee and notifications sent by 15 May 2024. *Organizing committee* Maciej Eder (CLS-Infra) Joanna Byszuk (CLS-Infra and SIG-DLS) Simone Rebora (SIG-DLS) Berenike Herrmann (SIG-DLS) Suzanne Mpouli (SIG-DLS) Pablo Ruiz Fabo (SIG-DLS)

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Queer Data Days online event 15 & 16 March
by Metilli, Daniele 13 Mar '24

13 Mar '24

[A pink background with black text and a black face Description automatically generated] Queer Data Days A Wikidata Gender Diversity Project Event 15 & 16 March 2024 at 14:00 - 19:30 GMT A two-day virtual event hosted on the Zoom platform The Wikidata Gender Diversity<https://wigedi.com/> project is proud to present Queer Data Days, a two-day virtual event hosted on the Zoom platform. The aim of the event is to provide an opportunity for researchers, activists, and artists investigating or applying queer approaches to data and technology to meet in an open and inclusive venue, share their latest work, and engage in fruitful discussion. During the event, speakers with different backgrounds — both academic and non-academic — will share short papers on a broad range of topics including queer data, queer identities, queer language, data justice and power, queer design, and queer communities on digital platforms. The event will be held on Friday the 15th and Saturday the 16th of March 2024, from 2:00pm to 7:30pm GMT<https://zonestamp.toolforge.org/1710511200>. The first day will be primarily centred on the Wikimedia ecosystem. Both days will include presentations about the outcomes of the Wikidata Gender Diversity project. The event is convened by Daniele Metilli (University College London), Chiara Paolini (KU Leuven), Beatrice Melis (University of Pisa & Gran Sasso Science Institute), and Marta Fioravanti (oio.studio), and organised by Ciara Adeniyi-Jones (University College London). See the schedule and list of speakers, and register here: https://www.eventbrite.co.uk/e/queer-data-days-wikidata-gender-diversity-pr…

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CFP: Born-Digital Collections, Archives and Memory
by Michael Donnay 13 Mar '24

13 Mar '24

Dear all, The Digital Humanities Research Hub at the School of Advanced Study, University of London, invites submissions for the inaugural Born-Digital Collections, Archives and Memory conference, to be hosted at the University of London from 2-4 April 2025 in collaboration with colleagues from Aarhus University, the British Library, and the Endangered Material Knowledge Programme at the British Museum. Key Information: * Dates: 2 - 4 April 2025 * Venue: University of London, London, UK & Online * CFP Deadline: 15 May 2024 * Notification of acceptance: late July 2024 * Submission link: https://easychair.org/cfp/borndigital2025 Digital research in the arts and humanities has traditionally focused on digitised objects and archives. However, born-digital cultural materials that originate and circulate across a range of formats and platforms are rapidly expanding and raising new opportunities and challenges for research, archiving and collecting communities. Collecting, accessing and sharing born-digital objects and data presents a range of complex technical, legal and ethical challenges that, if unaddressed, threaten the archival and research futures of these vital cultural materials and records of the 21st century. Moreover, the environments, contexts and formats through which born-digital records are mediated necessitate reconceptualising the materials and practices we associate with cultural heritage and memory. Research and practitioner communities working with born-digital materials are growing and their interests are varied, from digital cultures and intangible cultural heritage to web archives, electronic literatures and social media. This international conference seeks to further an interdisciplinary and cross-sectoral discussion on how the born-digital transforms what and how we research in the humanities. We invite contributions from researchers and practitioners involved in any way in accessing or developing born-digital collections and archives, and interested in exploring the novel and transformative effects of born-digital cultural heritage. More details can be found at the conference website<https://www.sas.ac.uk/borndigital2025> and the full CFP and submission portal is available here: https://easychair.org/cfp/borndigital2025 If you have any questions, please contact the Organising Committee at borndigital(a)sas.ac.uk<mailto:[email protected]>. Best wishes, Michael Michael Donnay (he/him) Manager | Digital Humanities Research Hub School of Advanced Study | University of London Senate House, Malet Street, London WC1E 7HU michael.donnay(a)sas.ac.uk<mailto:[email protected]> www.sas.ac.uk/digital-humanities<http://www.sas.ac.uk/digital-humanities> The University of London is an exempt charity and a statutory corporation in England and Wales (Company No. RC000661) HMRC Charities Reference X422. VAT Registration GB 222 7971 03.

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Upcoming free events on text analysis and AI from Constellate
by Amy Kirchhoff 12 Mar '24

12 Mar '24

Hello all ~ Constellate, the new text analysis service from ITHAKA (the same people who bring you JSTOR), has a number of interesting, free public events in March and April-register to attend live or participate asynchronously through video recordings and our Slack (join our Slack community here<https://join.slack.com/t/ithaka-constellate/shared_invite/zt-2bai3e344-PTYl…>). If you have an interest in Large Language Models (advanced artificial intelligence systems that use deep learning techniques to understand and generate human-like text based on vast amounts of training data): * Gender bias and stereotypes in Large Language Models is a webinar on research that shows how four recently published LLMs express biased assumptions about men and women's occupations. * March 15, noon-1pm EDT * Register for the Gender bias and stereotypes in Large Language Models webinar<https://constellate.org/events/gender-bias-and-stereotypes-in-large-languag…> * Introduction to Language Models - also-known-as, how does ChatGPT work? Is a five-part webinar series providing a detailed explanation of the neural networks of large language models. * March 20-March 29 at 10 am and 3:30 pm EDT * Register for Introduction to Language Models -- also-known-as, how does ChatGPT work? Series<https://constellate.org/events/chatgpt> * Supporting Text Analysis and Language Models in the Library (ACRL DSS Workshop Series) is a three-part workshop series for librarians and archivists hosted by Constellate and the ACRL Digital Scholarship Section (DSS) Professional Development Committee, in collaboration with the DSS Numeric and Geospatial Data Services Discussion Group, the DSS Digital Humanities Discussion Group, the DSS Digital Scholarship Center Discussion Group, the DSS Open Research Discussion Group, the DSS Data Information Literacy Discussion Group. * April 1, 3, and 5, 3-4:30 pm EDT * Register for Supporting Text Analysis and Language Models in the Library<https://constellate.org/events/supporting-text-analysis-and-language-models…> If you are not yet ready to code, but want to learn about text analysis topics, we are excited to introduce you to our key concept tutorials (all are welcome to attend any of these identical sessions, but please be aware that these new features will only be available to the users at our participating institutions.) * Learning key concepts in text analysis with interactive applications * March 18 at 10 am and 3:30 pm EDT * Register for Learning key concepts in text analysis with interactive applications <https://constellate.org/events/pre-code-tutorials> You are welcome to follow our events page<https://constellate.org/events> for all our future public events on text analysis, computational research, and artificial intelligence. ~ Amy -- Amy J. Kirchhoff (she/her) Constellate<https://constellate.org/> Sr. Manager / ITHAKA Twitter: @AmyPlusFour Constellate is the only text analysis and data skills platform that integrates access to scholarly content and open educational resources into a cloud-based application and lab to help faculty, librarians, and other instructors easily teach text analysis and data skills. Take your research further with text and data analysis skills!

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Vacancy: Post-doctoral researcher in digital humanities (36 months, University of Helsinki, Finland)
by Hiippala, Tuomo J 12 Mar '24

12 Mar '24

Dear all, I'm looking to hire a post-doctoral researcher in digital humanities for my upcoming ERC-funded project: https://www.helsinki.fi/en/researchgroups/multimodality/a-foundation-for-em… The project develops novel methods and resources for studying multimodality, or how human communication naturally combines multiple 'modes' of expression. These methods and resources are used to develop empirically founded theories of multimodal communication in the domain of everyday cultural artefacts. The data studied in the project includes, for example, school textbooks, user-generated explanation videos on social media, news broadcasts, instruction manuals and online newspapers. This is a fixed-term position for 36 months, starting in September 2024 or as agreed, based in the Department of Languages at the University of Helsinki, Finland. RESPONSIBILITIES: The post-doctoral researcher is responsible for developing structured, machine-readable representations of multimodality for the page-based and audiovisual media studied in the project. As the descriptions of multimodality are collected using crowdsourcing, the post-doctoral researcher is also expected to participate in designing and implementing crowdsourcing pipelines. QUALIFICATIONS: The appointee must hold a doctoral degree in digital humanities, humanities computing, computer science or a related field, and have a keen interest in multimodality. Previous experience of developing structured representations for diverse forms of data is essential. Previous experience or interest in volunteer-based or paid crowdsourcing or citizen science is considered an asset. For more information, see the full announcement here: https://jobs.helsinki.fi/job/Helsinki-Post-doctoral-researcher-in-digital-h… If you have any questions about the position, please contact tuomo.hiippala(a)helsinki.fi. Best, Tuomo Hiippala --- Dr. Tuomo Hiippala | Associate Professor in English Language and Digital Humanities Department of Languages | University of Helsinki, Finland | +358 50 377 33 66 http://www.helsinki.fi/~thiippal/ | https://www.helsinki.fi/multimodality

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[CfP] ESWC 2024 - Project Networking Session and Call for Participation
by Web and Publicity ESWC 11 Mar '24

11 Mar '24

Extended Semantic Web Conference (ESWC) is a key academic conference for research results and new developments in the area of the Semantic Web and Knowledge Graphs. ESWC 2024 marks the 21st edition, which will take place from May 26 – 30, 2024, in Heraklion, Greece. ESWC 2024 main scientific program features 3 main tracks (Research, Resource, In-Use), a special track on LLMs and Knowledge Representation, a poster and demo session, a PhD symposium, an industry track, nineteen workshops and tutorials (covering topics ranging from knowledge graph construction and natural language processing to robotics, ethics, linked data in construction and neurosymbolic techniques), and the following keynote speakers: • Elena Simperl (Professor, King’s College London, Director of research, Open Data Institute) • Peter Clark (Senior Research Director, Allen Institute for Artificial Intelligence) • Katariina Karo (Lead Ontologist, Inter IKEA Systems B.V.) For full details and the list of accepted papers, see https://2024.eswc-conferences.org/accepted-papers/ Additionally, we would like to highlight the following: Call for Project Networking Session Profiles The project networking track of ESWC2022 will provide an opportunity to: • Share knowledge between research projects; • Transfer data and technology between projects; • Present and discuss project requirements and results with ESWC participants; • Discuss funding opportunities such as Horizon Europe and ERC. The project networking track is intended to provide research projects with the ability to connect with each other and engage in discussions about their respective research and development. It fosters opportunities for knowledge and technology sharing, and to identify complementary activities and goals. This can form the basis for future collaborations, research proposals, researcher exchange, or joint participation at events or initiatives. Who is invited? We equally welcome submissions from: (i) recently finished or about to finish projects, which have results to transfer/disseminate; (ii) ongoing projects: projects seeking methods, datasets and tools to perform their work and that would like to network and exchange know-how, expertise or info with other EU-funded projects; (iii) upcoming calls: discussion about upcoming calls to bring together potential proposals and consortium generation. What to expect from the network session? ESWC 2024 will offer you the opportunity to get to know researchers from different projects in a lightly organised setting. The network session chairs will match you with the most promising projects for you to talk to based on your profile during a series of ‘speed dates’. The Projects Networking Session will take place during ESWC 2024, in Hersonissos, Crete, during the main conference. The ESWC2024 program is being defined, come back soon for more detailed information on the exact date and time of the event. How to apply? Describe your project’s objective, what you would like to share with other projects and what you hope to find in other projects at: https://bit.ly/4bcdyRR This track will not be included in the proceedings, but your answers, with your consent, will be made available via the ESWC website to inform the community of the different projects in the session. Deadline: Send us your applications by Monday, 9 May 2022, 18:00 CET. Notification: Friday 13 May. In order to allow participants to benefit from the discounted early-bird registration and, at the same time, have more time to prepare the submission if they need so, we set two rounds of submissions, the first foreseeing both submission and notification before the deadline (24th of April) of the early-bird registration and the second one later in May 1st Round Send us your applications by Monday, 15 April 2024, 18:00 AoE. Notification: Friday 19 April. 2nd Round Send us your applications by Monday, 6 May 2024, 18:00 AoE. Notification: Friday 10 May. Project Networking Chairs Cassia Trojahn, IRIT, France Cassia.Trojahn(a)irit.fr Sabrina Kirrane, WU Vienna, Austria sabrina.kirrane(a)wu.ac.at Join us to ESWC 2024 - Fabrics of Knowledge here: https://2024.eswc-conferences.org/registration/ Important dates: • Early registration rates: until 24-04-24 • Regular registration rates: 25-04-24 until 21-05-24 • Late registration rates: 22-05-24 onwards Register early to benefit from the best rates. We’re looking forward to meeting you in Crete!

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the 14th European Summer University in Digital Humanities "Culture & Technology" (ESU DH C&T 2024) - 15-26 July 2024
by ALEXANDRA COTOC 04 Mar '24

04 Mar '24

Dear colleagues, The call for applications for the 14th European Summer University in Digital Humanities. "Culture & Technology" (ESU DH C&T 2024) has started. ESU DH C&T is hosted by Babeș-Bolyai University Romania from 15 July to 26 July 2024. We welcome participants interested in attending ESU DH C&T to access the registration section here: https://esu-ct.conference.ubbcluj.ro/guidelines/ Applications for a place at the Summer University can be submitted between 5 March 2024 and 15 April 2024. The Summer University will last for 11 full days with an intensive programme consisting of workshops<https://esu-ct.conference.ubbcluj.ro/programme/>, teaser sessions, public lectures, project presentations, a poster session, and a panel discussion. Workshops that are offered consist of a total of 9/18 sessions or 18/36 week-hours with the number of participants in each workshop limited to 10. Workshop participants can opt for two blocks of one workshop or two blocks from different workshops. Eligible participants can be students, doctoral students, young scholars and academics from the Arts and Humanities, Library Sciences, Social Sciences, the Arts and Engineering, and Computer Sciences as equal partners in an interdisciplinary exchange of knowledge and experience in a multilingual and multicultural context and thus pave the way for future project-based co-operations. Participants are also invited to submit proposals for poster and project presentations. Babeș-Bolyai University offers opportunities for interdisciplinary collaboration and a space for scholars to showcase their know-how, bringing together like-minded people from within the University and – more importantly from abroad. In strengthening the community of practice already established by the University of Leipzig, Babeș-Bolyai University seeks to consolidate the network of high-profile specialists and scholars keen on integrating computational methods and tools to cultural artefacts of all kinds. The Summer University also offers a space for micro- and macro-skill building with the aim of discussing and acquiring new knowledge in applying computer technologies within the fields of Humanities and Cultural Sciences. Spanning from the integration of linguistics, publishing, libraries, archives to language teaching with the Digital Humanities, the contents covered during the summer school pose questions and deepen research in an interdisciplinary manner. For all relevant information please consult the site of the European Summer School in Digital Humanities “Culture & Technology”<https://esu-ct.conference.ubbcluj.ro/> which will be continually updated and integrated with more information. To get some insight into what you can expect from the European Summer University please consult the <https://esu-ct.conference.ubbcluj.ro/archive/> archive section<https://esu-ct.conference.ubbcluj.ro/archive/> on our website. Alexandra Cotoc, on behalf of the Organising Board Alexandra Cotoc, PhD Senior Lecturer Department of English Language and Literature Faculty of Letters<https://lett.ubbcluj.ro/>, Babeș-Bolyai University<https://www.ubbcluj.ro/ro/> Str. Horea, 31 400202, Cluj-Napoca, Romania https://linktr.ee/alexandracotoc ESUDH Culture & Technology https://esu-ct.conference.ubbcluj.ro/team/ [cid:5934cc5b-8bc9-4338-87e5-0c663dae581a][cid:427a4846-7041-4c2a-8019-d5336a187ef2][cid:c184cefd-1774-4b1b-913a-920614ccd6cb] DISCLAIMER Prezentul mesaj și orice documente atașate pot conține informații confidențiale sau sensibile care aparțin Universității Babeș-Bolyai din Cluj-Napoca. Conținutul mesajului nu poate fi dezvăluit sau utilizat de către altcineva decât destinatarul, persoană fizică sau juridică. Dacă ați primit acest mesaj dintr-o eroare, vă rugăm să ne anunțati imediat, ca răspuns la mesajul de față, și să ștergeți apoi din sistemul dvs. mesajul fără a-l copia sau deschide. 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Call for Papers: Epidemic Remedies In Medical Writing - 18th - 19th June 2024
by Dario Del Fante 29 Feb '24

29 Feb '24

Please forward as appropriate. Please note, there is no fee for registration. *Epidemic Remedies In Medical Writing - 18th - 19th June 2024 - University of Ferrara* This conference aims to discuss the representation of epidemic remedies in medical writing in England and in France between 1500 and 1920. Prospective presenters are invited to address epidemic remedies across five centuries, bearing three main methodological observations in mind. Firstly, the pivotal role of the plague and the Spanish influenza as opening and closing points to the selected timeframe. Secondly, the working definition of “remedy” as a cure “for a disease, disorder, injury, etc.; a medicine or treatment that promotes healing or alleviates symptoms.” (OED, remedy 2). This comprehensive definition intends to allow for historical specification and diachronic terminological variation, which the prospective presenters are invited to explore and specify. Thirdly, the definition of representation as “the process by which members of a culture use language (broadly defined as any system which deploys signs, any signifying system) to produce meaning” (Hall 1997: 61), with particular emphasis on language use at lexical and discourse level, as well as the interaction between semiotic systems (e.g. word and image). The present aim is not only to offer a diachronic perspective on the linguistic and visual representation of remedies, but also to focus on remedies prescribed during epidemics, with a view to better understanding the history of medical and health communication. Potential research questions straddle multiple standpoints - historical linguistics, the analysis of discourse, the analysis of lexis, as well as images - and multiple text types (medical treatises, medical dictionaries, periodical publications, medical advertisements through time). They include but are not limited to: - The lexical description of remedies in medical writing - The metaphorical description of remedies in medical writing - The rhetorical construction of ethos in medical writing dealing with epidemic remedies - The visual representation of remedies in medical writing - The visual representation of remedies in newspapers/magazines - The linguistic-visual construal of remedies in texts containing multiple semiotic systems (i.e. advertisements) - the insurgence of misinformation and disinformation in/about health communication (these categories may be epistemologically relevant in papers dealing with the nineteenth and the twentieth centuries) We invite proposals from a wide range of methodological perspectives. To name but a few: corpus-assisted critical discourse analysis, critical discourse analysis, multimodal discourse analysis, historical lexicography and terminology, new historicism, cultural theory, epistemology, philosophy of science, gender medicine, and gender theory. Please submit a *one-page abstract *(*ca. 200 – 300 words excluding references*). Presentations (*in English or in French*) will consist of a 20-minute talk followed by 10 minutes for questions and discussion. All research papers should be delivered in person. All abstracts should be submitted to *remediesconference2023(a)unife.it <remediesconference2023(a)unife.it>*. All abstracts should be *anonymised *and include *a title *and up to *five keywords*. *Key dates:* - The call for papers opens on 15 January 2024. - The deadline for abstract submission is 15 March 2024. - Notification of acceptance (or rejection) will be sent out by 15 April 2024. - Registration commences on 1 May 2024. - The conference will take place from 18 to 19 June 2024. CfP Attached. Conference Website <https://www.unife.it/it/cla/progetti/epidemic-remedies-in-medical-writing-1…> -- *Dario Del Fante, PhD* Junior Assistant Professor (Rtd-A) English Language and Linguistics *Humanities Department - University of Ferrara* Via Paradiso 12 - 44121 Ferrara E-mail: dario.delfante(a)unife.it

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Fwd: CfP - Plotting Poetry 7 - Metres of Humour
by PlottingPoetryHumour 29 Feb '24

29 Feb '24

Dear colleagues, This is a gentle reminder that the deadline is approaching for the upcoming Plotting Poetry “Metres of Humour” conference, to be held in June in Einsiedeln (Switzerland). Please, find below the Call for Papers (CfP). The deadline for abstract submission is March 1, 2024. Best regards, Anne-Sophie, Nils, Petr, Pablo *PLOTTING POETRY 7: Metres of Humour.* 26-27-28 June, 2024 Einsiedeln, Switzerland *Call for Papers* *Plotting Poetry* is a conference series focussed on computational, statistical and other quantitative approaches for the study of poetic texts, and of poeticity more broadly. This quantitative focus, this insistence on the formalization and operationalisation of texts, from simple pen and paper counting and compiling to complex algorithms, provides us with a number of paths to analyze, describe, interpret, attribute, classify, track and generally access the texts. The Plotting Poetry conferences bring together a friendly community of researchers, and articles rooted in the conference papers have given rise to several peer-reviewed collective volumes. The name of the group stems from an effort to translate a (perfectly serious) pun by the French modernist poet Guillaume Apollinaire, who in 1917 wrote that poets should “[machiner] poetry as has been done for the world”, where the verb *machiner* is visibly used for* mechanize*, although it really means *to plot*, as one would *plot* a coup. In this group, we are plotting against our own limitations by trying to plot literature on graphs, devising mechanized approaches to dissect the mechanics of poetry. This year’s conference welcomes a focus on the many forms of humour in verse. Although verse and humour might appear to sit at opposite ends of a literary hierarchy of taste and sophistication, the two have appeared together for as long as verse has been written, sung, played, shared or shouted. Versified humour can be found in popular productions and in highbrow literature, with poets writing lighter pieces alongside their other productions, as well as including humorous passages within their serious works. Both materials - humour and verse - rely on a departure from *bona fide* communication, seeking to harness the shortcomings of language, to create layered meanings and to trigger an additional effort from the recipient trying to make sense of incongruous or opaque utterances. Whilst ambiguity would be an enemy of efficient communication, it is a staple of both humour and poetry. Versification usually provides us with a reassuring sameness, and versified humour sometimes relies on this learned expectation of sameness, taking advantage of our prior knowledge in order to mislead us. This happens when an unexpected approximate rhyme brings to mind the obscene word that would provide a similar yet perfect rhyme. Or when the choice of a specific metre, with its baggage of associated uses and meanings, helps create parody or satire. Or even, very simply, when the stanzaic structure of a poem builds then breaks the monotony of lines, signaling the humorous intent of its punchline. In French, the punchline of a joke and the striking end of a poem are both named *la chute*: the fall. Verse has an ability to leave an impression on our minds and memories, and as such can readily serve persuasion efforts, from slogans or commercials to epic poems and state propaganda. Humour is often a deeply political reality. Despite its affinity with taboo subjects and irreverence, one of humour’s regular uses is to spread and maintain stereotypes, assert domination, and strengthen the feelings of belonging and allegiance through a so-called universality. This humour of the dominant tends to suppress minority voices and singular perspectives, requiring the dominated to laugh along in an effort to fit with the in-group. And yet, it can also be used as a weapon for attacking the order in place, voicing singularities, and questioning the established norms. Examining the powers of those two phenomena, one can wonder: What happens when a versified text is humorous, and what when a humorous text is in verse? Can shared regularities be found in the many verse forms of humorous texts? Can we measure those, and how? Should, or can, the funniness of it be taken into account, or even just its humorous intent, despite the high degree of cultural, linguistic and historical specificity? Papers addressing humour alongside verse or other highly-controlled and rhythmical forms are all welcome, whether written, read, sung or smuggled, from the lowest to the highest registers, from any time period and any language area. This focus on humour in verse is not an exclusive one, and we encourage the submission of papers that use quantitative tools and methods in investigating poetry or poeticity, regardless of their link to humorous poetry. Besides, as has been traditional at Plotting Poetry conferences, works on other genres may also be included, provided that a mechanization or quantification apparatus is being used to explore their poeticity. Some of the topics to consider include but are not limited to: - Verse forms and meters used and misused for lighter pieces - Stanzaic structures and their use in humour - Puns and their relationship to versification - Versification as a target of humour - Slogans and propaganda - Standup as poetry - Musical forms of humour (song, rap…) - … For this 7th Plotting Poetry conference, we will be convening in the Swiss village of Einsiedeln, in the canton of Schwyz. In order to secure a better deal and to make this event affordable for everyone, we will be handling and largely funding the conference hotel ourselves, and the participants will be charged a reasonable fee. Please, submit your abstracts (max. 1600 characters including spaces) via this form <https://forms.gle/SoU9RWCmMLEvgchF8> until March 1, 2024. Should you have *any* further questions, you can get in touch at: plottingpoetryhumour(a)gmail.com *Timeline:* Deadline for submission of abstracts: 1 March, 2024 Notification of acceptance: 15 March, 2024 Confirmation of participation: 1 May, 2024 *Organizers & programme committee:* Anne-Sophie Bories, Nils Couturier, Petr Plecháč, Pablo Ruiz Fabo *Webpage:* https://www.plottingpoetry.org/conference/2024einsiedeln/cfp

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[CfP] ISWC 2024 Call for Doctoral Consortium Papers: deadline May 2nd, 2024
by Sebastián Ferrada 27 Feb '24

27 Feb '24

23rd International Semantic Web Conference (ISWC 2024) Baltimore, Maryland, U.S., November 11-15, 2024 http://iswc2024.semanticweb.org Call for Doctoral Consortium Papers: https://bit.ly/iswc2024DC Submissions due: May 2nd, 2024 Submission site: https://easychair.org/conferences/?conf=iswc2024 ISWC is the premier venue for presenting state of the art research and innovative systems related to the Semantic Web and Linked Data, attracting a large number of high quality submissions every year and participants from both academia and industry. ISWC brings together researchers from different areas, such as knowledge representation, artificial intelligence, databases, natural language processing, information systems, human computer interaction, information retrieval, web science, etc., who investigate, develop and use novel methods and technologies for representing, accessing, interpreting, and using information on the Web in a more effective way. == Call for Doctoral Consortium Papers == The ISWC Doctoral Consortium will provide PhD students an opportunity to present and discuss their research ideas in a supportive, formative and yet critical environment, receive feedback from mentors, typically senior members of the Semantic Web research community, and peers, explore career pathways available after completing a PhD degree, and to network and build collaborations with other members of the community. The event is intended for students who have articulated a reasonably detailed research proposal, preferably supported by some preliminary results. The aim is to support the students in refining their proposal and suggest possible ways to improve their research plan and achieve results with prospective greater impact. While doctoral degrees can vary in format and conduct, we aim this Call for Papers to PhD candidates who will have already partially investigated some specific problems. Students will be required to submit a paper to the doctoral consortium, structured like a research proposal. All proposals submitted to the Doctoral Consortium will undergo a careful review process by the International Programme Committee, who will provide detailed and constructive feedback and select those submissions to be presented at the Doctoral Consortium. If accepted, students will have to register and attend the event, which will include a range of interactive activities. Track Chairs: Antoine Zimmermann - Mines Saint-Étienne, France Kerry Taylor - Australian National University, Australia Details: https://bit.ly/iswc2024DC For any question or request, please contact the Doctoral Consortium Chairs at iswc2024-doctoral-consortium(a)easychair.org.

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ADHO’s Roberto Busa Prize 2024: Susan Brown
by Fabio Ciotti 26 Feb '24

26 Feb '24

Dear colleagues, It is my pleasure to announce that Susan Brown, Professor in the School of English and Theatre Studies and Canada Research Chair in Collaborative Digital Scholarship at the University of Guelph, has been awarded ADHO’s Roberto Busa Prize. My warmest congratulations to Susan. I have been working with her for the last ten years in the ADHO governing bodies, and she has been a marvellous colleague and an excellent scholar. This achievement is well-deserved. Fabio Ciotti Chair EADH Exec -- Professor Fabio Ciotti Dept. "Studi letterari, filosofici e di storia dell’arte" University of Roma "Tor Vergata" Chair, European Association for Digital Humanities (EADH) Editor-in-Chief, "Umanistica Digitale" https://umanisticadigitale.unibo.it/ @Fabio_Ciotti @[email protected] f.ciotti(a)pec.it

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LT4HALA 2024 -- deadline extension -- Third Workshop on Language Technologies for Historical and Ancient LAnguages @ LREC COLING 2024
by Rachele Sprugnoli 26 Feb '24

26 Feb '24

LT4HALA 2024 -- deadline extension -- Third Workshop on Language Technologies for Historical and Ancient LAnguages @ LREC COLING 2024 The Third Workshop on Language Technologies for Historical and Ancient LAnguages (LT4HALA 2024) will be held on May 25th in Torino (Italy), co-located with LREC-COLING 2024. This one-day workshop seeks to bring together scholars, who are developing and/or are using Language Technologies (LTs) for historically attested languages, so to foster cross-fertilization between the Computational Linguistics community and the areas in the Humanities dealing with historical linguistic data, e.g. historians, philologists, linguists, archaeologists and literary scholars. Submission deadline: 26th February 2024 **NEW DEADLINE: 1st March 2024** Website: https://circse.github.io/LT4HALA/2024/ <https://circse.github.io/LT4HALA/2024/> Submission page: https://softconf.com/lrec-coling2024/lt4hala2024/ <https://softconf.com/lrec-coling2024/lt4hala2024/>

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CFP SRDH-Doctoral Symposium Unige e Unito 2024
by Andrea Marra 26 Feb '24

26 Feb '24

CON INVITO A DIFFONDERE CALL FOR PAPERS (S)oggetto della ricerca Prospettive critiche e intersezioni nelle Digital Humanities DH DOCTORAL SYMPOSIUM UNIGE-UNITO 2024 20-21 Maggio 2024 (Genova, Italia) - English below - Le dottorande e i dottorandi del Dottorato in Digital Humanities del Consorzio UniGe-UniTo invitano a presentare contributi in occasione del DH Doctoral Symposium 2024 che si terrà il 20 e il 21 Maggio: (S)oggetto della Ricerca. Prospettive Critiche e Intersezioni nelle Digital Humanities. Il convegno interdisciplinare intende esplorare più in dettaglio il concetto di “lack of cultural criticism” (Fiormonte 2012) e di “situated knowledge” (Haraway 1988), nelle loro molteplici declinazioni nell’ambito delle DH: in particolare, il ruolo attivo e incarnato del ricercatore, le opportunità derivanti dall’applicazione delle tecnologie informatiche agli studi umanistici e le sfide legate all’impiego di strumenti tecnologici, solitamente considerati neutrali, ma che influenzano profondamente le epistemologie e le pratiche degli studi umanistici. Accogliamo prospettive provenienti dall’analisi storica e filologica qualitativa e quantitativa, dalla critica culturale e dalle discipline sociologiche, letterarie, artistiche e linguistiche supportate da approcci digitali e computazionali. Si presterà attenzione alle egemonie linguistiche, geografiche e culturali delle DH, ai grandi temi della comunicazione e dell’informatica del dominio, ai bias introdotti dall’uso esteso dei Large Language Models e alle complesse interazioni tra intelligenza artificiale, pratiche e beni artistici e culturali, anche in ottica di una didattica delle DH e/o attraverso i suoi strumenti. ———————— Studios* interessat* potranno sottoporre a revisione abstract anonimizzati e originali di massimo 500 parole (bibliografia esclusa) in formato pdf tramite la piattaforma easychair https://easychair.org/conferences/?conf=srdh2024 entro e non oltre il 26 marzo 2024. Si richiede ai candidati di fornire un titolo del contributo, un massimo di 5 keywords e una breve biobibliografia. Sono ammessi contributi in lingua inglese, francese o italiana. La durata massima per ciascun intervento sarà di 15 minuti. La partecipazione al convegno è gratuita. I contributi accettati saranno raccolti e pubblicati successivamente alla conferenza in un volume edito dalla Genova University Press. ——————— Keynote speakers: Chris Biemann (Hamburg University) Paola Ciandrini (Chiesi. R&D Project Management - Archives Management & Systems) Fabio Ciotti (Università di Roma Tor Vergata) Luigi Di Caro (Università degli Studi di Torino) Matteo Di Cristofaro (Università degli Studi di Modena e Reggio Emilia) Laura Moretti (University of St. Andrews) Nuria Rodríguez Ortega (UMA, Universidad de Málaga) Francesca Tomasi (Università degli Studi di Bologna) _________________________________________________________________________ WITH A REQUEST FOR DISSEMINATION CALL FOR PAPERS Subjects of Research Critical Perspectives and Intersections in the Digital Humanities DH DOCTORAL SYMPOSIUM UNIGE-UNITO 2024 20-21 May 2024 (Genoa, Italy) PhD students enrolled in the Digital Humanities PhD course at the Universities of Genoa and Turin invite you to send in your contributions to participate in the DH Doctoral Symposium 2024, which will be held on 20-21 May 2024: Subjects of Research. Critical Perspectives and Intersections in the Digital Humanities. The interdisciplinary symposium aims to further explore the concepts of “lack of cultural criticism” (Fiormonte 2012) and “situated knowledge” (Haraway 1988), which have been conjugated in their multiple facets in the field of DH. In particular, it will focus on the active and embodied role of the researcher, on the opportunities created by the application of Information Technology to the Humanities, and on the challenges presented by the use of technological tools, that are usually considered neutral, but which deeply influence the epistemologies and practices of the Humanities themselves. We encourage perspectives drawn from qualitative and quantitative historical and philological analysis, cultural criticism, and sociological, literary, artistic and linguistic disciplines, supported by digital and computational approaches. Attention will be paid to the linguistic, geographical and cultural hegemonies of DH, to the major issues of communication and the so-called “informatics of domination”, to the bias introduced by the extended use of Large Language Models, and to the complexity of interactions between Artificial Intelligence and artistic and cultural heritages and practices. This last topic will also be considered from the didactic perspective of DH and/or through its tools. Interested scholars are invited to submit anonymised abstracts of a maximum of 500 words (excluding bibliography) through EasyChair: https://easychair.org/conferences/?conf=srdh2024 by 26 March 2024 in PDF format. Candidates will be asked to provide title, a maximum of 5 keywords and a short bio-bibliography. Papers can be written in English, French or Italian. The maximum duration of each presentation will be 15 minutes. The attendance at the conference is free of charge. Accepted papers will be included after the conference in a volume published by Genova University Press. ——————— Keynote speakers: Chris Biemann (Hamburg University) Paola Ciandrini (Chiesi. R&D Project Management - Archives Management & Systems) Fabio Ciotti (Università di Roma Tor Vergata) Luigi Di Caro (Università degli Studi di Torino) Matteo Di Cristofaro (Università degli Studi di Modena e Reggio Emilia) Laura Moretti (University of St. Andrews) Nuria Rodríguez Ortega (UMA, Universidad de Málaga) Francesca Tomasi (Università degli Studi di Bologna) -------------------------------------------------------------------------------------------------------------- Andrea Marra (he/they) *PhD Student in Digital Humanities * *(Linguistics, Applied Linguistics, Onomastics) University of Turin / University of Genoa*

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[CfP] 2nd Call for Contributions to WISDOMS : Ethics, Values, and Knowledge Graphs
by wisdoms.publicity＠gmail.com 23 Feb '24

23 Feb '24

[Apologies for potential crossposting] Only two weeks to the final deadline to WISDOMS 2024! The workshop focusing on the integration of data semantics, ontologies, moral values, and their societal impact About the Workshop: The growing influence of AI in our daily lives has transformed both the digital landscape and the way we generate, extract and represent information. The surge in using Large Language Models (LLMs) not only in academia and industry but among the public, has made it increasingly important to address the alignment of AI tools to moral and cultural human values. Despite ongoing governmental work on developing ethical guidelines and practical requirements for AI, for academic and industrial applications there is a particular importance to ensure that the research respective practical methods follow ethical practices and that the outcomes do not conflict with moral values. As hybridizing knowledge structures and semantic data with generative AI has a high impact potential for the development of increasingly more complex and intelligent systems, it becomes of the utmost important that such innovation adheres to the EU’s objective of realizing AI applications that are dependable, robust, explicable, ethically guided, and therefore trustworthy. The first edition of WISDOMS, the Workshop on Integrating the Semantics of Data, Ontologies, Moral and cultural values and their Societal impact, aims to provide an interdisciplinary platform for researchers, practitioners, and those curious enough to explore the convergence of ethics, socio-behavioral norms, moral and cultural values, with hybrid neuro-symbolic knowledge structures and generative AI. Join us in discussing the socio-ethical boundaries of AI innovation! Important Dates: • Submission Deadline: March 7, 2024 • Author Notification: April 4, 2024 • Final Version Due: April 18, 2024 • Workshop Dates: May 26/27, 2024 List of Topics: WISDOMS invite paper contributions related (but not restricted to) the following areas: • Ethical dilemmas in value knowledge representation • Development of value-centric vocabularies and ontologies • Moral reasoning in AI • Societal impact of (non-)ethical AI • Value-driven system design and explainability • Value-sensitive autonomous agents • Neuro-symbolic and hybrid semantic web tools for moral reasoning Type of Contributions: We welcome diverse contributions including research papers, case studies, and theoretical explorations that align with the workshop's themes. We accept four types of contributes: • Full Papers (10-12 pages excluding references) • Short Papers (5-8 pages excluding references) • Position Papers (1-4 pages excluding references, not included in the proceedings) • Extended Abstract of recently published papers (1-4 pages excluding references, not included in the proceedings) Submissions must be sent via Easychair and should be formatted in CEUR 1-column format (template available on workshop website). For inclusion in the workshop, at least one of the authors of accepted papers needs to register at ESWC 2024 and participate on-site at WISDOMS. Location: WISDOMS is co-located with ESWC 2024 held on the beautiful island city Hersonissos, Crete, Greece. This year, ESWC has the timely theme on Fabrics of Knowledge: Knowledge Graphs and Generative AI. Join us at WISDOMS to add a flair of ethics to the main conference! We look forward to your valuable contributions to a fruitful and thought-provoking discussion on these critical issues. Best regards, Stefano De Giorgis Luana Bulla Maria Hedblom Luc Steels

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Extended Deadline [March 04, 2024]: 2nd Workshop on Resources and Technologies for Indigenous, Endangered and Lesser-resourced Languages in Eurasia (EURALI)
by Silvie Cinkova 23 Feb '24

23 Feb '24

From: "Silvie Cinkova" <cinkova(a)ufal.mff.cuni.cz> To: "ufal-l" <ufal-l(a)mff.cuni.cz> Sent: Friday, 23 February, 2024 11:05:47 Subject: Extended Deadline [March 04, 2024]: 2nd Workshop on Resources and Technologies for Indigenous, Endangered and Lesser-resourced Languages in Eurasia (EURALI) Apologies for cross-posting *2nd Workshop on Resources and Technologies for Indigenous, Endangered and Lesser-resourced Languages in Eurasia (EURALI) @ LREC-COLING 2024* Date: 20-25 May, 2024 Paper submissions due March 04th, 2024 Venue: Lingotto Conference Centre - Torino (Italia) Main website: [ https://sites.google.com/view/eurali/ | https://sites.google.com/view/eurali/ ] LREC-COLING 2024 website: [ https://lrec-coling-2024.org/ | https://lrec-coling-2024.org/ ] Submission website: [ https://softconf.com/lrec-coling2024/eurali2024/ | https://softconf.com/lrec-coling2024/eurali2024/ ] —————————————————————————————————— *Workshop overview and objectives* This workshop will focus on the development of language technology resources and tools for indigenous, endangered and lesser-resourced languages on the Eurasian continent. In a media-centric world where language technology allows people to break cultural and language barriers, it is important that speakers of endangered and indigenous languages can be empowered to use this technology to continue to share their knowledge and culture with the world. With the hope of bridging this gap, the goal of this workshop is to increase visibility and promote research for lesser-resourced and under-represented languages in Europe and Asia. Through collaboration between NLP researchers, language experts and linguists working for the benefit of endangered languages in these communities, we aim to create language technology resources that will help to preserve and revive these languages for future generations. Furthermore, the workshop aims to promote the emergence of new methods that benefit linguists (e.g. automating analysis and validation processes), field linguists (facilitating data collection and analysis processes), and computational linguists (developing new techniques necessary for linguistic analysis, development of supervised or weakly supervised methods for the analysis of poorly written or undocumented languages). The main objective of the workshop is to create basic resources and develop tools for Eurasiatic languages, including but not limited to the following topics: - identifying languages and variants spoken in these regions - creation of language resources and applications, e.g. sentiment analysis, named entity recognition, and syntactic parsing - standardization for endangered languages - automatic identification and classification of lexical variation and language varieties - adaptation of fundamental NLP tools for these languages, e.g., morphological analysis, taggers and parsers - reusability of language resources in NLP applications, e.g. machine translation, and POS tagging - machine translation between closely related languages - evaluation of language resources and tools when applied to lesser-resourced languages in the same language families - corpora, resources, and tools for closely related languages - linguistic and textual similarities among languages in Eurasia - digitalization of endangered languages - challenges in the creation of language resources and tools from linguistic perspectives (which includes any perspective formal theory) *Submissions* We are seeking submissions in the following categories: - Full papers: 8 pages+unlimited references - Short papers (work in progress): 4 pages+unlimited references - Posters (innovative ideas/proposals, a research idea of students): 4 pages+unlimited references - Demo (of working online/standalone systems): 2 pages Papers must describe original, completed or in progress, and unpublished work. The accepted papers will be given up for full/short paper and poster in the workshop proceedings and will be presented as an oral presentation or poster. Papers should be formatted according to the LREC-COLING style sheet ( [ https://lrec-coling-2024.org/authors-kit/ | https://lrec-coling-2024.org/authors-kit/ ] ), which is provided on the LREC-COLING 2024 website ( [ https://lrec-coling-2024.org/ | https://lrec-coling-2024.org/ ] ). Please submit papers in PDF format to the START account ( [ https://softconf.com/lrec-coling2024/eurali2024/ | https://softconf.com/lrec-coling2024/eurali2024/ ] ). For further information on this initiative, please refer to [ https://sites.google.com/view/eurali/ | https://sites.google.com/view/eurali/ ] . *Important Dates* March 04, 2024: Paper submissions due [extended deadline] March 22, 2024: Paper notification of acceptance May 25, 2024: Workshop *Workshop Chairs* Atul Kr. Ojha, University of Galway, Galway (Ireland) Sina Ahmadi, George Mason University, Fairfax VA (USA) Chao-Hong Liu, Potamu Research Ltd, Dublin (Ireland) John P. McCrae, University of Galway, Galway (Ireland) Theodorus Fransen, Università Cattolica del Sacro Cuore, Milan (Italy) Silvie Cinková, Charles University, Prague (Czech Republic) *Programme Committee (to be updated)* Abigail Walsh, Dublin City University, Dublin (Ireland) Aiala Rosá, Universidad de la República - Uruguay, Montevideo (Uruguay) Aryaman Arora, Stanford University, Stanford, California (USA) A. Seza Doğruöz, Ghent University, Ghent (Belgium) Alina Karakanta, University of Leiden, Leiden (Netherlands) Alina Wróblewska, Institute of Computer Science, Jana Kazimierza, Warszawa (Poland) Akanksha Bansal, Panlingua, Delhi (India) Atul Kr. Ojha, University of Galway, Galway (Ireland) & Panlingua, (India) Bharathi Raja Chakravarthi, University of Galway, Galway (Ireland) Bogdan Babych, Heidelberg University, Heidelberg (Germany) Çağrı Çöltekin, University of Tübingen, Tübingen (Germany) Chao-Hong Liu, Potamu Research Ltd, Dublin (Ireland) Chihiro Taguchi, the University of Notre Dame, Notre Dame (USA) Daan van Esch, Google, Amsterdam (Netherlands) Daniel Zeman, Charles University, Prague (Czech Republic) Deepak Alok, IIT-Delhi, Delhi (India) Dorothee Beermann, Norwegian University of Science and Technology, Trøndelag (Norway) Esha Banerjee, J.P. Morgan, Bengaluru (India) Ekaterina Vylomova, University of Melbourne, Melbourne (Australia) George Rehm, GmbH, Berlin (Germany) Hiwa Asadpour, Goethe University, Frankfurt (Germany) Jamal Abdul Nasir, University of Galway, Galway (Ireland) Joakim Nivre, Uppsala University, (Sweden) John P. McCrae, University of Galway, (Ireland) John E. Ortega, New York University (USA) Jonathan Washington, Swarthmore College, Swarthmore (USA) Joseph Mariani, LIMSI-CNRS, Pairs (France) Kaja Dobrovoljc, University of Ljubljana, Ljubljana (Slovenia) Khalid Choukri, ELDA/ELRA, Paris (France) Luke D. Gessler, University of Colorado at Boulder (USA) Maitrey Mehta, University of Utah, Utah (USA) Marie-Catherine de Marneffe, UCLouvainCollège Léon Durpiez, (Belgium) Mayank Jobanputra, University of Tübingen, Tübingen (Germany) Olesea Caftanatov, Vladimir Andrunachievici Institute of Mathematics and Computer Science, Chişinău (Moldova) Ranka Stanković, University of Belgrade, Belgrade (Serbia) Rico Sennrich, University of Zurich, Zurich (Switzerland) Ritesh Kumar, Agra University, Agra (India) Rute Costa, the Universidade NOVA de Lisboa, Lisbon (Portugal) Saliha Muradoglu, Australian National University, Canberra (Australia) Sarah Moeller, University of Florida, Gainesville, FL (USA) Silvie Cinkovà, Charles University, Prague (Czech Republic) Sina Ahmadi, George Mason University, (USA) Stella Markantonatou, Athena RC, Athens (Greece) Sourabrata Mukherjee, Charles University, Prague (Czech Republic) Theodorus Fransen, Università Cattolica del Sacro Cuore, Milan (Italy) Valentin Malykh, MTS AI / ITMO University Verginica Barbu Mititelu, Research Institute for Artificial Intelligence, Bucharest (Romania) Victoria Bobicev, University of Moldova, Chișinău (Moldova) Voula Giouli, Institute for Language and Speech Processing, Athens (Greece)

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CFP: LCS Digital Humanities Symposium. ‘Consuming fiction in a convergence culture’, University of Leeds, 5 June 2024
by Simone Rebora 20 Feb '24

20 Feb '24

Dear colleagues, I forward a CfP of a conference in Leeds. They also offer small bursaries for young researchers.... Kind regards, Simone === LCS Digital Humanities Symposium. ‘Consuming fiction in a convergence culture’ School of Languages, Cultures and Societies, University of Leeds 5 June 2024 Call for papers This symposium is open to all scholars of languages, literature, film, media, game and narrative studies who are using digital methods in their research (or are studying digital media) and are interested in the themes of reception, reader and audience response, and cultural consumption more broadly. *Theme*: *C**onsuming fiction in a convergence culture* *When: 5 June 2024, University of Leeds* With this one-day Symposium we invite an interdisciplinary discussion on the reception and consumption of narrative fiction across different media and artforms. The event is open to all scholars of languages, literature, film, media, game and narrative studies who are using the frame of digital humanities and want to share their works and exchange ideas. At the School of Languages, Cultures and Societies of the University of Leeds we have been working on a project entitled ‘Audience engagement with Elena Ferrante’s storyworld. Consuming fiction in a convergence culture’. Using digital humanities methods, we are collecting and analysing social media data and metadata in order to investigate how ordinary readers and TV audiences respond to and engage with the storyworld created by Italian writer Elena Ferrante. By hosting the Symposium at Leeds, we hope to take stock of what is happening in the field, exchange ideas and methodologies arising from our individual case studies and promote discussions, networks and even collaboration among scholars who, in different disciplines, are working on cultural consumption and digital humanities. The day will involve keynote talks, research project presentations (10-15 minutes), and a round-table discussion. Please submit your paper proposal (around 200-250 words) as one Word file, containing your name, affiliation and a short biography to Olivia Santovetti (O.Santovetti(a)leeds.ac.uk) Laura Lucia Rossi (L.L.Rossi(a)leeds.ac.uk) and Alessio Baldini ( A.Baldini(a)leeds.ac.uk) by *Wednesday 27 March 2024*. Small travel bursaries are available to assist participant with travel costs. Priority will be given to PhD student and Early Career Researchers who have no access to funds to cover their travel expenses. If you are interested in applying for a bursary, please include a statement in your proposal explaining the relevance of your proposal to the theme of the Symposium.

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[CfP] ISWC 2024 Call for Industry Track Papers: deadline **July 11th, 2024**
by Sebastián Ferrada 19 Feb '24

19 Feb '24

Apologies. The previous email had an incorrect deadline date. 23rd International Semantic Web Conference (ISWC 2024) Baltimore, Maryland, U.S., November 11-15, 2024 http://iswc2024.semanticweb.org Call for Industry Track Papers: https://bit.ly/iswc2024industry Submissions due: July 11th, 2024 Submission site: https://easychair.org/conferences/?conf=iswc2024 ISWC is the premier venue for presenting state of the art research and innovative systems related to the Semantic Web and Linked Data, attracting a large number of high quality submissions every year and participants from both academia and industry. ISWC brings together researchers from different areas, such as knowledge representation, artificial intelligence, databases, natural language processing, information systems, human computer interaction, information retrieval, web science, etc., who investigate, develop and use novel methods and technologies for representing, accessing, interpreting, and using information on the Web in a more effective way. == Call for Industry Track Papers == The Industry Track at ISWC 2024 welcomes 2-page extended abstracts about the application of knowledge graphs and semantic technologies in various industrial sectors, aiming to showcase the state of their adoption and the latest trends. It provides an opportunity for industry adopters to highlight and share the key learnings and new research challenges posed by real-world implementations. The Industry Track welcomes your case studies of success stories, as well as insightful discussions on challenges hindering the widespread adoption of knowledge graph and semantic technologies in industrial applications and settings. Reports detailing the application and deployment experiences of recent research advancements to industry-relevant problems are also encouraged. Track Chairs: Vanessa Lopez Garcia - IBM Research Europe, Ireland Francesco Osborne - The Open University, United Kingdom Details: https://bit.ly/iswc2024industry For any question or request, please contact the Industry Track Chairs atiswc2024-industry(a)easychair.org.

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[CfP] ISWC 2024 Call for Industry Track Papers: deadline June 11th, 2024
by Sebastián Ferrada 19 Feb '24

19 Feb '24

23rd International Semantic Web Conference (ISWC 2024) Baltimore, Maryland, U.S., November 11-15, 2024 http://iswc2024.semanticweb.org Call for Industry Track Papers: https://bit.ly/iswc2024industry Submissions due: June 11th, 2024 Submission site: https://easychair.org/conferences/?conf=iswc2024 ISWC is the premier venue for presenting state of the art research and innovative systems related to the Semantic Web and Linked Data, attracting a large number of high quality submissions every year and participants from both academia and industry. ISWC brings together researchers from different areas, such as knowledge representation, artificial intelligence, databases, natural language processing, information systems, human computer interaction, information retrieval, web science, etc., who investigate, develop and use novel methods and technologies for representing, accessing, interpreting, and using information on the Web in a more effective way. == Call for Industry Track Papers == The Industry Track at ISWC 2024 welcomes 2-page extended abstracts about the application of knowledge graphs and semantic technologies in various industrial sectors, aiming to showcase the state of their adoption and the latest trends. It provides an opportunity for industry adopters to highlight and share the key learnings and new research challenges posed by real-world implementations. The Industry Track welcomes your case studies of success stories, as well as insightful discussions on challenges hindering the widespread adoption of knowledge graph and semantic technologies in industrial applications and settings. Reports detailing the application and deployment experiences of recent research advancements to industry-relevant problems are also encouraged. Track Chairs: Vanessa Lopez Garcia - IBM Research Europe, Ireland Francesco Osborne - The Open University, United Kingdom Details: https://bit.ly/iswc2024industry For any question or request, please contact the Industry Track Chairs at iswc2024-industry(a)easychair.org.

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[CfP] ISWC 2024 First Call for Research, Resources & In-Use Tracks: abstracts due Apr. 10th, 2024
by Sebastián Ferrada 14 Feb '24

14 Feb '24

(Tutorial proposals will be accepted in a separate call later in the year.) 23rd International Semantic Web Conference (ISWC 2024) Baltimore, Maryland, U.S., November 11-15, 2024 https://iswc2024.semanticweb.org/ Call for Research Track Papers: http://bit.ly/iswc2024Research Call for Resources Track Papers: https://bit.ly/iswc2024Resources Call for In-Use Track Papers: https://bit.ly/iswc2024InUse Abstracts due: April 10th, 2024 Full papers due: April 17th, 2024 Submission site: https://easychair.org/conferences/?conf=iswc2024 ISWC is the premier venue for presenting state of the art research and innovative systems related to the Semantic Web and Linked Data, attracting a large number of high quality submissions every year and participants from both academia and industry. ISWC brings together researchers from different areas, such as knowledge representation, artificial intelligence, databases, natural language processing, information systems, human computer interaction, information retrieval, web science, etc., who investigate, develop and use novel methods and technologies for representing, accessing, interpreting, and using information on the Web in a more effective way. ======================================================= == Call for Research Papers == The research track of ISWC 2024 solicits novel and significant research contributions addressing theoretical, analytical and empirical aspects of the Semantic Web. We welcome work describing original and replicable research showing evidence of significant contribution to the Semantic Web. Track Chairs: Gianluca Demartini - University of Queensland, Australia Katja Hose - TU Wien, Austria Contact: iswc2024-research(a)easychair.org Details: https://bit.ly/iswc2024Research ======================================================= == Call for Resources Papers == The ISWC 2024 Resources Track welcomes descriptions of resources that leverage knowledge representation based on Semantic Web standards or other graph data models to improve the acquisition, processing, and sharing of data on the web. Resources include, but are not restricted to: datasets, knowledge graphs, ontologies/vocabularies, ontology design patterns, evaluation benchmarks or methods, software tools/services, APIs and software frameworks, workflows, crowdsourcing task designs, protocols, methodologies, and metrics, that have contributed or may contribute to the generation of novel scientific work and applications in the semantic web. Track chairs: Maribel Acosta - Technical University of Munich, Germany Matteo Palmonari - University of Milan-Bicocca, Italy Contact: iswc2024-resource(a)easychair.org Details: https://bit.ly/iswc2024Resources ======================================================= == Call for In-Use Papers == The In-Use track seeks submissions describing applied research as well as software tools, systems, or architectures that benefit from the use of Semantic Web and Knowledge Graph technologies (including, but not limited to, technologies based on the Semantic Web standards). Importantly, submitted papers should provide convincing evidence of the use of the proposed application or tool by the target user group, preferably outside the group that conducted the development and, more broadly, outside the Semantic Web and Knowledge Graph research communities. Track chairs: Gong Cheng - Nanjing University, China Hala Skaf-Molli - Nantes University, France Contact: iswc2024-in-use(a)easychair.org Details: https://bit.ly/iswc2024InUse ======================================================= Follow us: X (Twitter): @iswc_conf #iswc_conf ( https://twitter.com/iswc_conf ) LinkedIn: https://www.linkedin.com/groups/13612370 Facebook: https://www.facebook.com/ISWConf/ Mastodon Social: https://mastodon.social/@iswc_conf

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CfP - HHAI 2024 [Extended Deadline] - The third International Conference on Hybrid Human-Artificial Intelligence
by Grootjen, Jesse 13 Feb '24

13 Feb '24

* We apologize if you receive multiple copies of this email * Call for Participation: HHAI2024 – The third International Conference on Hybrid Human-Artificial Intelligence June 10-14, 2024, Malmö, Sweden Call for Contributions to the Doctoral Consortium In this message, we shortened each call to their essentials – the full text of each call is available on the website: https://hhai-conference.org/2024/ The HHAI 2024 Doctoral Consortium (DC) will take place as part of the 3rd International Conference on Hybrid Human-Artificial Intelligence in June 2024, Malmö, Sweden. This forum will provide early as well as middle/late-stage PhD students in the field of Hybrid Intelligence focusing on the study of Artificial intelligence systems that cooperate synergistically, proactively and purposefully with humans, amplifying instead of replacing human intelligence. The Doctoral Consortium will take place in person at the HHAI 2024 conference. Important Dates All deadlines are 23:59 AoE (anywhere on Earth). - Submission Deadline: February 12th, 2024 - Reviews Released: March 18th, 2024 - Camera-ready Papers Due: April 18th, 2024 - Doctoral Consortium: June 11th, 2024 Proposals should be submitted via Easychair: https://easychair.org/conferences/?conf=hhai2024 Location HHAI 2024 will be an in-person, single-track conference, held in Malmö, Sweden on June 10-14, 2024. More information on the venue as well as travel information can be found on the website: https://hhai-conference.org/2024/ Contact information Conference chairs: Frank Dignum (Umeå University, SE), Fabian Lorig (Malmö University, SE), Jason Tucker (Malmö University, SE), and Adam Dahlgren Lindström (Umeå University, SE). Doctoral Consortium chairs: Passant El.Agroudy (DFKI, DE), Michiel van der Meer (Leiden University, NL) and Harko Verhagen (Stockholm University, SE) For questions, you can reach the doctoral consortium chairs at dc(a)hhai-conference.org<mailto:[email protected]> Kind regards, Julian Rasch & Jesse Grootjen Publicity and Social Media Chairs HHAI 2024 https://www.hhai-conference.org/

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