- Eadh-topics - lists.digitalhumanities.org

Call for Presenters: Digital Classicist London seminar
by Gabriel Bodard 20 Apr '23

20 Apr '23

With apologies for cross-posting and the tight deadline… The Digital Classicist London seminar invites proposals for the Summer 2023 series. We are looking for seminars on any aspect of the ancient or pre-colonial worlds, including history, archaeology, language, literature, cultural heritage or reception, that address innovative digital approaches to research, teaching, dissemination or engagement. Seminars that speak to the ancient world beyond Greco-Roman antiquity are especially welcome. Seminars will be held fortnightly through June and July in the Institute of Classical Studies, Senate House, London, and will be simultaneously streamed to remote audiences on Youtube, but we hope most speakers will be physically present in London. We have a small budget to support travel for speakers within the UK. Please send an abstract of 300 words to <gabriel.bodard(a)sas.ac.uk> (clearly marked "Digital Classicist London") by the end of Monday May 1. https://blog.stoa.org/archives/4210 == Dr Gabriel BODARD (he/him) Reader in Digital Classics Institute of Classical Studies / Digital Humanities Research Hub University of London Senate House Malet Street London WC1E 7HU E: Gabriel.bodard(a)sas.ac.uk T: +44 (0)20 78628752

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Labs for Labs: a participatory workshop on digital lab practices in the humanities and social sciences
by Arianna Ciula 19 Apr '23

19 Apr '23

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[JOBS] PhD Position within Project CHANGE
by tobias.hodel＠unibe.ch 17 Apr '23

17 Apr '23

Dear Colleagues [Apologies for cross posting] Please circulate and make students/interested persons aware. Starting 1st of July 2023, a Ph.D. position is available within project CHANGE at the DH@University of Bern. CHANGE stands for Chatbots in Higher Education – KI-basierte Dialogsysteme in der Hochschullehre. In the CHANGE project, the University Education Services (Hochschuldidaktik & Lehrentwicklung), the Data Science Lab, and the Digital Humanities are collaborating to investigate the successful integration of AI-based dialogue systems into university teaching. The project has two main areas: First, the development of higher education didactic concepts, models, and methods to support integrating digital dialogue systems into higher education teaching. Second, the development of digital dialog systems for university teaching. The innovations will be tested in the university's ongoing teaching operations and further developed using design-based research methods. The Ph.D. position is part of the second sub-project. We seek a dedicated researcher with a background in Computational Linguistics or Digital/Computational Humanities with experience in machine learning. You will become part of our international and interdisciplinary research group in the capital of Switzerland. The position is fully funded for 4 years. Apply before the 15th of May. More information about the job can be found here: https://ohws.prospective.ch/public/v1/jobs/a7c6982a-72e6-49d4-8605-bffb0915… For more information about the project, visit https://www.hd.unibe.ch/forschung/change/index_ger.html Feel free to reach out in case of questions or uncertainties. Best wishes, Tobias ********************************** Prof. Dr. Tobias Hodel Universität Bern Digital Humanities Walter Benjamin Kolleg Mittelstrasse 43 3012 Bern dh.unibe.ch Neu: tobias.hodel(a)unibe.ch<https://mailto:[email protected]> Tel. +41 79 804 00 23

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ESU DH 2023
by ALEXANDRA COTOC 17 Apr '23

17 Apr '23

Babeș-Bolyai University is hosting the 13th edition of the European Summer University in Digital Humanities. We welcome 60 Summer University participants, coming from all over Europe and beyond. Eligible applicants can be students, doctoral students, young scholars and academics from the Arts and Humanities, Library Sciences, Social Sciences, the Arts and Engineering, and Computer Sciences and are invited to partake in an interdisciplinary exchange of knowledge and experience in a multilingual and multicultural context. For more information: https://esu-ct.conference.ubbcluj.ro/ See the attached call for application. Best regards, Alexandra Cotoc, PhD Senior Lecturer Department of English Language and Literature Faculty of Letters<https://lett.ubbcluj.ro/>, Babeș-Bolyai University<https://www.ubbcluj.ro/ro/> Str. Horea, 31 400202, Cluj-Napoca, Romania https://linktr.ee/alexandracotoc https://www.dial4u-uni.eu/ [cid:b388f2a9-190c-4f4b-86d4-895afcc54f84] [cid:e4dc8482-5349-4645-9232-ea85c36c01d7] DISCLAIMER Prezentul mesaj și orice documente atașate pot conține informații confidențiale sau sensibile care aparțin Universității Babeș-Bolyai din Cluj-Napoca. Conținutul mesajului nu poate fi dezvăluit sau utilizat de către altcineva decât destinatarul, persoană fizică sau juridică. Dacă ați primit acest mesaj dintr-o eroare, vă rugăm să ne anunțati imediat, ca răspuns la mesajul de față, și să ștergeți apoi din sistemul dvs. mesajul fără a-l copia sau deschide. Prin prezenta vi se notifică faptul că orice dezvaluire, copiere, distribuire sau inițierea/omiterea unor acțiuni pe baza prezentelor informații sunt strict interzise și atrag răspunderea civilă și/sau penală (art. 302 Noul Cod Penal). UBB nu este răspunzătoare pentru modificările care pot fi aduse prezentului mesaj și nici pentru întârzierile care pot surveni în recepționarea acestuia. De asemenea, nu putem garanta integritatea mesajului și nici că acesta este lipsit de viruși, interceptări sau interferențe de orice natură. ================= The contents of this email message and any attachments may contain confidential and/or privileged information belonging to Babeș-Bolyai University of Cluj-Napoca. This information is intended solely for the addressee, natural or legal person, and is legally protected from disclosure and may not be used by anyone other than the intended recipient. If you are not the intended recipient of this message, or if this message has been addressed to you in error, please immediately alert the sender by reply email and then delete this message and any attachments. You are hereby notified that any use, dissemination, copying, or storage of this message or its attachments as well as taking any action in reliance on the contents of this information is strictly prohibited and entails civil and/or criminal liability (under Art. 302 of the New Criminal Code). UBB accepts no liability for any errors or omissions in the contents of this message. Email transmission cannot be guaranteed to be secure or error-free, as information could be intercepted, corrupted, lost, destroyed, arrive late or incomplete, or contain viruses. UBBCLUJ <https://www.ubbcluj.ro/ro/politici/>

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new deadline
by carola carlino 13 Apr '23

13 Apr '23

*apologies for cross-postings* Please circulate this to all scholars who may be interested. We are happy to announce the first edition of DH4MA, the International workshop on tangible and intangible heritage digitization to promote marginal areas and rural development. Title DH4MA - (Digital Humanities for Marginal Areas) About The Digital Humanities for Marginal Areas (DH4MA) workshop aims to investigate the state of the art of tangible and intangible heritage digitization in marginal and rural areas and their accessibility. DH4MA will be held in conjunction with the DH2023 conference <https://dh2023.adho.org/> and is organized in the framework of the KiNESIS Erasmus+ project <https://www.kinesis-network.eu/homesite/1/1/home-page.html>. The digital divide issue affects several areas all over the world, including those that despite being part of the most developed countries, are behind the times of the digital revolution. Museums, libraries and centres of culture located in these areas often cannot foster their cultural heritage. In light of the above, Digital Humanities (DH) techniques represent an opportunity not to be missed to raise awareness of their cultural heritage and to overcome the digital divide. The consciousness of the digital divide, poor visibility and the need to improve communication strategies emerged during the covid-19 lockdown, when several cultural institutions made their cultural heritage available online (Cicerchia et al., 2021; Agostino et al., 2020; Fresh, 2021), allowing people to enjoy it in a new different way (e.g. Guggenheim Museum of New York <https://www.guggenheim.org/group-visits>, The Paul Getty Museum of Los Angeles <https://artsandculture.google.com/streetview/the-j-paul-getty-museum/cwFdGY…>, The Uffizi Gallery of Florence <https://www.virtualuffizi.com/map-%26-virtual-tour.html>, The Rijksmuseum of Amsterdam <https://www.rijksmuseum.nl/en/masterpieces-up-close>). Nevertheless, small centres of culture were not able to offer their collections online. Only a few of them were able to make a real revolution (Roblek et al., 2021), also by exploiting cooperation between only seemingly distant disciplines (e.g. computer science and librarians, humanists and game creators) to promote tangible and intangible heritage. Topics of interest Relevant topics for the DH4MA workshop include, but are not limited to, the following areas: - Cultural heritage digitization in marginal and rural areas; - Best practices to reduce the digital divide in marginal and rural areas; - Investigation and evaluation of the degree of digitization in marginal and rural areas; - DH techniques to promote cultural heritage; - Promoting cultural heritage through gamification techniques; - Research cooperation between people/teams with different expertise to promote cultural heritage; - Research projects aiming to reduce the digital divide; - Research projects aimed at promoting cultural heritage through cooperation between scholars and local associations Research questions Bringing together scholars dealing with different research fields, the DH4MA aims to answer (not only) the following questions: - Do exist examples of tangible and intangible heritage digitization that can be defined as best practices? - Which are the best strategies implemented at the global level to reduce the digital divide between marginal and rural areas and most developed areas? - Which are the best examples of cultural heritage promotion through the collaboration between people/teams with different backgrounds? - Is it possible to consider cultural heritage promotion through DH techniques as an opportunity to fight the depopulation phenomenon? How? Submission instructions Contributions must be submitted in English and represent original and unpublished work that is not currently under review. Contributions will be evaluated by the Program Committee according to their significance, originality, technical content, style, clarity, and relevance to the DH4MA workshop. Contributions must be sent via email at dhformarginalareas(a)gmail.com by Wednesday, 12th April 2023 Sunday, 23rd April 2023 and must not exceed 1,500 words in length (not including the bibliography). The publication of a selection of contributions from the DH4MA workshop is planned. After the workshop, authors of the selected contributions will be asked to send an extended version. Further details on the publication will follow soon. Submissions will be evaluated based on - Reviewers’ general recommendation for acceptance; - Level of innovation of the contribution to DH subject area(s); - Appropriateness of the state of the art presented (including a bibliography); - Clarity and appropriateness of the research methodology described; - Clear and comprehensible submission Venue The DH4MA workshop will take place on-site at the University of Graz, Austria, in the framework of the DH2023 conference <https://dh2023.adho.org/>. Further details on the venue will follow soon. Best contribution award The contribution presenting the best use of DH techniques to promote cultural heritage in marginal and rural areas will be rewarded. The prize is sponsored by the KiNESIS Erasmus+ project <https://www.kinesis-network.eu/homesite/1/1/home-page.html>. All the Program Committee members will have the right to vote for the best contribution. Important dates Submission deadline - 12 April 2023 23 April 2023 Notification of acceptance - 3 May 2023 Workshop - 10 or 11 July 2023 (TBA) In line with the DH2023 conference theme (i.e. Collaboration as opportunity), contributions presenting successful cooperation between only seemingly distant disciplines to promote cultural heritage are highly requested. As workshop organizers, we will ensure a welcoming, antiracist, antidiscriminatory and inclusive environment in full respect of human beings. Organizing Committee Antonio Pascucci, L’Orientale University of Naples (IT) Carola Carlino, L’Orientale University of Naples (IT) Johanna Monti, L’Orientale University of Naples (IT) Program Committee (constantly updated) Elisa Bonacini, University of Bari (IT) Ruth Breeze, University of Navarra (ES) Andrea D’Andrea, L’Orientale University of Naples (IT) Stefania De Vincentis, University of Venice Ca’ Foscari (IT) Marianna Marcucci, Invasioni digitali (IT) Alfonso Santoriello, University of Salerno (IT) Ludovico Solima, Università degli Studi della Campania “Luigi Vanvitelli” (IT) Michele Domenico Todino, University of Salerno (IT) Fabio Viola, Associazione culturale Tuo Museo (IT) Chiara Zuanni, Centre for Information Modelling – Austrian Centre for Digital Humanities, University of Graz (AT) Subscribe to our mailing list <https://docs.google.com/forms/d/e/1FAIpQLSdt2OQnXg_XuUndtZ1YEzXTMuAu9-N2qSU…> to receive news updates. Alternatively, visit our website <https://sites.google.com/view/dh4ma2023/welcome> or send us an email <dhformarginalareas(a)gmail.com>. References Agostino, D., Arnaboldi, M., & Lampis, A. (2020). Italian state museums during the COVID-19 crisis: from onsite closure to online openness. Museum Management and Curatorship, 35(4), 362-372. Cicerchia, A., & Solima, L. (2021). The show must go on… line. Museums and their audiences during the lockdown in Italy. SCIRES-IT-SCIentific RESearch and Information Technology, 11(1), 35-44. Fresh, C. E. (2021). Museums in Lockdown: How Digital Media and Remote Offerings Saved the Museum from COVID-19 (Doctoral dissertation, Drexel University). Roblek, V., Petrović, N. N., Gagnidze, I., & Khokhobaia, M. (2021). Role of a digital transformation in development of a rural tourism destinations. Rossato, L. (2020). When Brazil and India were modernist. Processes of digital documentation for the preservation of 20th century architectures, Maggioli Editore, Rimini.

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Ethical Responsibilities and 3D Practices in Cultural Heritage (May 9)
by Gabriel Bodard 13 Apr '23

13 Apr '23

Ethical Responsibilities and 3D Practices in Cultural Heritage Digital Humanities Research Hub, University of London, Tuesday May 9, 2023. Register (in-person or Zoom): https://www.sas.ac.uk/events/ethical-responsibilities-and-3d-practices-cult… A workshop on the ethical use of 3D technologies in cultural heritage digitisation and research. The goal of this workshop is to collect, aggregate and synthesise existing work on ethical issues around 3D methods, and discuss with professionals and experts other issues that should be covered. The core output will be a dynamic white paper, to make available guidance and references to future researchers and practitioners. All participants will be invited (with no obligation) to join us in drafting and co-authoring this documentation after the event. The workshop will be in-person, with the possibility of remote participation via video conferencing and collaborative workflow tools. Topics to be explored and discussed include: * Indigenous rights and data sovereignty regarding 3D models of objects held by heritage institutions; * Sensitivity of 3D digital representation of traditional knowledge and diverse cultural expressions; * Digital and intellectual property restitution, including alternative licensing models for images and 3D models; * Environmental impact of 3D technologies and considerations of climate justice; * Accessibility and disability accommodation in disseminating or printing 3D models; * Digital sustainability, appropriateness of FAIR and CARE principles, and long-term preservation of 3D objects. Invited participants and moderators: Saima Akhdar, Rafie Cecilia, Abira Hussein, Dipali Mathur, Matthew Magnani, Jelena Porsanger, Chao Tayiana Maina. Organised by Gabriel Bodard (University of London), Paula Granados García (Endangered Material Knowledge Programme, British Museum), and Andrea Wallace (University of Exeter) All welcome Participation is free but registration is essential, as in-person numbers are limited. For those attending online, details about how to join the virtual event will be circulated via email to registered attendees 24 hours in advance. == Dr Gabriel BODARD (he/him) Reader in Digital Classics Institute of Classical Studies / Digital Humanities Research Hub University of London Senate House Malet Street London WC1E 7HU E: Gabriel.bodard(a)sas.ac.uk T: +44 (0)20 78628752

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SIG-DLS Workshop (bursaries update and new deadline)
by Simone Rebora 13 Apr '23

13 Apr '23

Dear all, We are happy to announce that the SIG-DLS bursaries for the DH2023 Workshop have been increased to the amount of 500 Euros each. Please spread the news! See the updated Call here <https://dls.hypotheses.org/1315> and below (with new deadline 26 April). All the best, Simone Rebora (for the SIG-DLS steering committee) === *DH2023 Workshop – SIG-DLS Seven Years on* Seven years have passed since the constitution of the ADHO Special Interest Group “Digital Literary Stylistics” (SIG-DLS). In the meantime, the research field has changed, with the advent of new methodologies (drawing on the constantly growing field of computational linguistics) and the affirmation of emerging theories and definitions (such as the modeling paradigm in “computational literary studies”). At the same time, some aspects and reference points have remained the same, such as the confirmed success of frequency-based approaches and the pivotal role of statistical methods. With this workshop, we would like to provide a renewed overview of the field of Digital Literary Stylistics, in ideal dialogue with the seminal workshop organized at DH2016, which allowed the constitution of the SIG-DLS. We therefore open a Call for Papers to all related areas of research, including (and not limited to): - understanding and improving “classic” stylometric methods (between Delta and Zeta) - stylometric feature engineering (character n-grams, words, syntax, and beyond) - integration with advanced language models (e.g. word embeddings and Transformer models) - identifying the source(s) of stylistic difference (from authors to genres, epochs, and beyond) - style annotations (e.g. phenomenological dimension of style, gestalt annotations) - style in different contexts (e.g. social media style, style of artificial agents) - style in translation, cross-linguistic and cross-cultural style comparisons - style as reader/text interaction - style and complexity - style and quality - tools, platforms and infrastructures for digital literary stylistics - (FAIR) development and sharing of corpora and collections To submit a contribution, please send a brief abstract for a 20-minute presentation (max 250 words) to simone.rebora(a)uni-mainz.de* by 26 April 2023.* All proposals will be peer-reviewed by the programme committee and notifications of acceptance will be sent by 8 May 2023. *SIG-DLS Bursary:* for this year, SIG-DLS offers two bursaries (500 Euros each) to outstanding papers presented by early stage researchers. If you intend to apply, please add a short letter of motivation to your submission. *Organising & programme committee* Simone Rebora (University of Mainz) Joanna Byszuk (Institute of Polish Language of the Polish Academy of Sciences) Francesca Frontini (Istituto di Linguistica Computazionale “A. Zampolli”, CNR Pisa) Berenike Herrmann (Bielefeld University, Basel University) Suzanne Mpouli (Paris Cité University) Pablo Ruiz Fabo (University of Strasbourg)

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please unsubscribe
by Maria Andre 12 Apr '23

12 Apr '23

Please unsubscribe from this mailing list my email is Andre(a)hope.edu thank you

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WBKolleg (Bern): Call "Young Scholars 2023"
by ariane.lorke＠unibe.ch 12 Apr '23

12 Apr '23

Dear all, For all those who have (just) finished their PhD, this AWARD from Switzerland might be interesting: The Walter Benjamin Kolleg<https://www.wbkolleg.unibe.ch/index_eng.html> integrates the manifold inter- and transdisciplinary research activities of the Faculty of Humanities of the University of Bern (Switzerland). It is particularly committed to the promotion of young scholars. To this end, the Kolleg awards the annual prize "Young Scholars<https://www.wbkolleg.unibe.ch/about_us/young_scholars/index_eng.html>" to excellent young researchers from Switzerland and abroad who vividly communicate their interdisciplinary research to a broad public. "Young Scholars" aims to identify and promote young talent by increasing their visibility, creating networking opportunities, and boosting their scientific and intellectual development. In return, the young scholars of the college benefit from the exchange with the awardees. The prize is awarded as part of a public event at a Bernese cultural institution. The format is flexible in terms of topic, mode of presentation and venue, allowing new opportunities for collaboration to arise each time. Selection criteria * Outstanding interdisciplinary research in the humanities at a Swiss university or abroad * Experience in communicating one's own research to a broad public * Ph.D. that was awarded no more than five years ago (net academic age) * International candidates are especially welcome. Process * We welcome suggestions and self-applications by May 14 to ariane.lorke(a)unibe.ch<mailto:[email protected]>. * Selection by the Steering Committee of the Kolleg until 30 June 2023 Application documents (please compile all documents into a single pdf file) * Name and institutional affiliation of the suggested individual * Curriculum vitae and evidence of experience in science communication * Justification of qualification according to the selection criteria * In case of self-application: Additionally, a letter of motivation and a letter of recommendation In case of any questions I am happy to help. Yours sincerely, Ariane Lorke --- Ariane Lorke, PhD Office Manager University of Bern Walter Benjamin Kolleg Phone 0041 31 684 54 78 available Mo-Thu

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Museum Analytics: New Directions - Registration
by Andrea Ballatore 11 Apr '23

11 Apr '23

Museum Analytics: New Directions Organisers: Andrea Ballatore and Jamie Larkin, with the support of Zhi Ye Event date: 18 May 2023 Location: King’s College London and online (Teams) Registration for participants Please register using this <form><https://forms.office.com/e/APq1CxAkFb>. For in-person participation, the registration deadline is the 19th of April 2023. We have a limited number of spaces available in person - we will email you to confirm your reservation. The link for online participation will be circulated by email before the event. If you are a speaker, you need not register on this form. Programme https://kingsdh.net/2023/04/05/museum-analytics-programme/ Event description Data science has the capacity to revitalise our understanding of the museum sector, through reframing the history of museum development, charting museum geographies, and highlighting new data relationships in innovative and dynamic ways (e.g. Ballatore & Candlin, 2022). It can also illuminate broader relationships between museums, society, and the wider Creative and Cultural Industries (e.g. Me|Mind, 2021), to help produce more joined-up cultural policy and strategy (Centre for Cultural Value, 2022). The application of data analytics presents growing opportunities for institutions and researchers across the cultural sector. While museums often use data to develop visitor profiles and drive income generation, there is tremendous scope to leverage data in ways that reimagine the cultural work of the museum and knowledge of the museum sector. Within museums, work has taken place to use data to enhance curatorial decision-making (Tate, 2016), to personalise collections databases (Noehrer et al., 2022), and to enrich and improve visitor experiences (e.g. Villaespesa & Murphy, 2021). Contacts For inquiries, please contact us at andrea.ballatore [at] kcl.ac.uk -- Lecturer in Social and Cultural Informatics | HPL Lead Department of Digital Humanities King’s College London

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Reminder Submission DH4MA Workshop
by carola carlino 05 Apr '23

05 Apr '23

Dear scholars, we would like to remind you that there is time until *April 12* to submit your proposals for the DH4MA workshop. Below are the guidelines previously shared. *apologies for cross-postings* Please circulate this to all scholars who may be interested. We are happy to announce the first edition of DH4MA, the International workshop on tangible and intangible heritage digitization to promote marginal areas and rural development. Title DH4MA - (Digital Humanities for Marginal Areas) About The Digital Humanities for Marginal Areas (DH4MA) workshop aims to investigate the state of the art of tangible and intangible heritage digitization in marginal and rural areas and their accessibility. DH4MA will be held in conjunction with the DH2023 conference <https://dh2023.adho.org/> and is organized in the framework of the KiNESIS Erasmus+ project <https://www.kinesis-network.eu/homesite/1/1/home-page.html>. The digital divide issue affects several areas all over the world, including those that despite being part of the most developed countries, are behind the times of the digital revolution. Museums, libraries and centres of culture located in these areas often cannot foster their cultural heritage. In light of the above, Digital Humanities (DH) techniques represent an opportunity not to be missed to raise awareness of their cultural heritage and to overcome the digital divide. The consciousness of the digital divide, poor visibility and the need to improve communication strategies emerged during the covid-19 lockdown, when several cultural institutions made their cultural heritage available online (Cicerchia et al., 2021; Agostino et al., 2020; Fresh, 2021), allowing people to enjoy it in a new different way (e.g. Guggenheim Museum of New York <https://www.guggenheim.org/group-visits>, The Paul Getty Museum of Los Angeles <https://artsandculture.google.com/streetview/the-j-paul-getty-museum/cwFdGY…>, The Uffizi Gallery of Florence <https://www.virtualuffizi.com/map-%26-virtual-tour.html>, The Rijksmuseum of Amsterdam <https://www.rijksmuseum.nl/en/masterpieces-up-close>). Nevertheless, small centres of culture were not able to offer their collections online. Only a few of them were able to make a real revolution (Roblek et al., 2021), also by exploiting cooperation between only seemingly distant disciplines (e.g. computer science and librarians, humanists and game creators) to promote tangible and intangible heritage. Topics of interest Relevant topics for the DH4MA workshop include, but are not limited to, the following areas: - Cultural heritage digitization in marginal and rural areas; - Best practices to reduce the digital divide in marginal and rural areas; - Investigation and evaluation of the degree of digitization in marginal and rural areas; - DH techniques to promote cultural heritage; - Promoting cultural heritage through gamification techniques; - Research cooperation between people/teams with different expertise to promote cultural heritage; - Research projects aiming to reduce the digital divide; - Research projects aimed at promoting cultural heritage through cooperation between scholars and local associations Research questions Bringing together scholars dealing with different research fields, the DH4MA aims to answer (not only) the following questions: - Do exist examples of tangible and intangible heritage digitization that can be defined as best practices? - Which are the best strategies implemented at the global level to reduce the digital divide between marginal and rural areas and most developed areas? - Which are the best examples of cultural heritage promotion through the collaboration between people/teams with different backgrounds? - Is it possible to consider cultural heritage promotion through DH techniques as an opportunity to fight the depopulation phenomenon? How? Submission instructions Contributions must be submitted in English and represent original and unpublished work that is not currently under review. Contributions will be evaluated by the Program Committee according to their significance, originality, technical content, style, clarity, and relevance to the DH4MA workshop. Contributions must be sent via email at dhformarginalareas(a)gmail.com by Wednesday, 12th April 2023 and must not exceed 1,500 words in length (not including the bibliography). The publication of a selection of contributions from the DH4MA workshop is planned. After the workshop, authors of the selected contributions will be asked to send an extended version. Further details on the publication will follow soon. Submissions will be evaluated based on - Reviewers’ general recommendation for acceptance; - Level of innovation of the contribution to DH subject area(s); - Appropriateness of the state of the art presented (including a bibliography); - Clarity and appropriateness of the research methodology described; - Clear and comprehensible submission Venue The DH4MA workshop will take place on-site at the University of Graz, Austria, in the framework of the DH2023 conference <https://dh2023.adho.org/>. Further details on the venue will follow soon. Best contribution award The contribution presenting the best use of DH techniques to promote cultural heritage in marginal and rural areas will be rewarded. The prize is sponsored by the KiNESIS Erasmus+ project <https://www.kinesis-network.eu/homesite/1/1/home-page.html>. All the Program Committee members will have the right to vote for the best contribution. Important dates Submission deadline - 12 April 2023 Notification of acceptance - 3 May 2023 Workshop - 10 or 11 July 2023 (TBA) In line with the DH2023 conference theme (i.e. Collaboration as opportunity), contributions presenting successful cooperation between only seemingly distant disciplines to promote cultural heritage are highly requested. As workshop organizers, we will ensure a welcoming, antiracist, anti discriminatory and inclusive environment in full respect of human beings. Organizing Committee Antonio Pascucci, L’Orientale University of Naples (IT) Carola Carlino, L’Orientale University of Naples (IT) Johanna Monti, L’Orientale University of Naples (IT) Program Committee (constantly updated) *Elisa Bonacini*, University of Bari (IT) *Ruth Breeze*, University of Navarra (ES) *Andrea D’Andrea*, L’Orientale University of Naples (IT) *Stefania De Vincentis*, University of Venice Ca’ Foscari (IT) *Marianna Marcucci*, Invasioni digitali (IT) *Alfonso Santoriello*, University of Salerno (IT) *Ludovico Solima*, Università degli Studi della Campania “Luigi Vanvitelli” (IT) *Michele Domenico Todino*, University of Salerno (IT) *Fabio Viola*, Associazione culturale Tuo Museo (IT) *Chiara Zuanni*, Centre for Information Modelling – Austrian Centre for Digital Humanities, University of Graz (AT) Subscribe to our mailing list <https://docs.google.com/forms/d/e/1FAIpQLSdt2OQnXg_XuUndtZ1YEzXTMuAu9-N2qSU…> to receive news updates. Alternatively, visit our website <https://sites.google.com/view/dh4ma2023/welcome> or send us an email <dhformarginalareas(a)gmail.com>. References Agostino, D., Arnaboldi, M., & Lampis, A. (2020). Italian state museums during the COVID-19 crisis: from onsite closure to online openness. Museum Management and Curatorship, 35(4), 362-372. Cicerchia, A., & Solima, L. (2021). The show must go on… line. Museums and their audiences during the lockdown in Italy. SCIRES-IT-SCIentific RESearch and Information Technology, 11(1), 35-44. Fresh, C. E. (2021). Museums in Lockdown: How Digital Media and Remote Offerings Saved the Museum from COVID-19 (Doctoral dissertation, Drexel University). Roblek, V., Petrović, N. N., Gagnidze, I., & Khokhobaia, M. (2021). Role of a digital transformation in development of rural tourism destinations. Rossato, L. (2020). When Brazil and India were modernist. Processes of digital documentation for the preservation of 20th century architectures, Maggioli Editore, Rimini.

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CfP Open Up Digital Editions
by Elena Spadini 03 Apr '23

03 Apr '23

*Apologies for cross posting* **French, German and Italian versions below** Dear colleagues, We are pleased to announce the Call for Paper for the Swiss national conference Open Up Digital Editions. The conference will focus on the use and re-use of digital editions and edition data. Everyone interested in digital scholarly editions is cordially invited to submit a contribution. The conference will take place on January 25 and 26, 2024 in Zurich and will be hosted by the Center for Digital Editions (UZH) and the Research and Infrastructure Support unit RISE (University of Basel). All information can be found on the conference website: https://open-up-dse.github.io/. We would be grateful if you could spread the message in your network. Thanks a lot and best wishes, Yann Stricker (ZDE) and Elena Spadini (RISE) ---------------------------------------------------------------------------------- Chères et chers collègues, Nous avons le plaisir d’annoncer l'appel à communications pour le colloque Open Up Digital Editions. Cette conférence nationale sera l’occasion de discuter de l'utilisation et la réutilisation des éditions numériques et des données d'édition. L'accent sera mis sur la situation en Suisse du point de vue de la recherche, du support à la recherche et des infrastructures. Toute personne intéressée par les éditions scientifiques numériques est cordialement invitée à soumettre une contribution. La conférence aura lieu les 25 et 26 janvier 2024 à Zurich et sera organisée par le Center for Digital Editions (UZH) et l'unité Research and Infrastructure Support RISE (Université de Bâle). Vous trouverez plus d’informations à la page https://open-up-dse.github.io/. Nous vous serions reconnaissants de bien vouloir diffuser le message dans votre réseau. Avec nos remerciements et nos meilleures salutations, Yann Stricker (ZDE) and Elena Spadini (RISE) ---------------------------------------------------------------------------------- Sehr geehrte Damen und Herren Gerne informieren wir Sie über den Call for Paper der Tagung Open Up Digital Editions. Die Tagung stellt die Thematik der Nutzung und Nachnutzung von digitalen Editionen und Editionsdaten ins Zentrum. Alle an digitalen wissenschaftlichen Editionen interessierten Personen sind herzlich eingeladen, einen Beitrag einzureichen. Die nationale Tagung findet am 25. und 26. Januar 2024 in Zürich statt und wird von dem Zentrum Digitale Editionen (UZH) und der Forschungssupportstelle RISE (Uni Basel) ausgerichtet. Alle Informationen zur Tagung und zum CfP finden Sie auf der Tagungs-Webseite: https://open-up-dse.github.io/. Selbstverständlich freuen wir uns, wenn Sie diese Nachricht in Ihren Netzwerken weiterverbreiten. Mit bestem Dank und freundlichen Grüssen Yann Stricker (ZDE) and Elena Spadini (RISE) ---------------------------------------------------------------------------------- Care colleghe, cari colleghi, Vi informiamo con piacere che è aperta la Call for Papers per la conferenza Open Up Digital Editions. Il tema centrale è l'uso e il riuso delle edizioni digitali e dei loro dati. La conferenza ha un focus nazionale sulla Svizzera ed è aperta a tutte e tutti coloro che si interessano di edizioni digitali, dal punto di vista della ricerca, del supporto alla ricerca e delle infrastrutture. La conferenza si terrà all'Università di Zurigo il 25 e 26 gennaio 2024 ed è organizzata dal Center for Digital Editions (UZH) e da Research and Infrastructure Support RISE (University of Basel). Trovate più informazioni alla pagina https://open-up-dse.github.io/.<https://open-up-dse.github.io/> Vi saremmo grati se poteste far circolare il messaggio. Grazie e a presto, Yann Stricker (ZDE) and Elena Spadini (RISE) ---------------------------------------------------------------------------------- Dr. Elena Spadini Universität Basel - Research and Infrastructure Support (RISE) Spalenberg 65, CH-4051 Basel elena.spadini(a)unibas.ch I https://rise.unibas.ch<https://rise.unibas.ch/> Collaboratrice scientifique externe, Université de Lausanne

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[CFP] ACM Hypertext 2023 - EXTENDED DEADLINE 21 Apr 2023
by Francesca.Benatti [she/her] 30 Mar '23

30 Mar '23

Dear colleagues, Please find below the ACM Hypertext 2023 Call for Papers, with updated submission deadlines. ************************************************************************ ACM Hypertext 2023 4-8 September 2023, Bibliotheca Hertziana, Rome, Italy https://ht.acm.org/ht2023/ Deadline: 21 April 2023 23.59 AOE ************************************************************************ Important Dates • Regular papers and Workshops - Submission: 21 April 2023 AoE - Notification: 31 May 2023 AoE • Workshops - Submission: 31 March 2023 AoE - Notification: 7 April 2023 AoE • Late breaking, blue sky, demos, traversals, and doctoral consortium - Submission: 26 May 2023 AoE - Notification: 26 June 2023 AoE • Camera ready version of accepted papers - 14 July 2023: 23 July 2023 AoE • Conference 4-8 September 2023 Note: The submission times are 11:59 pm AoE time (Anywhere on Earth) The ACM Hypertext conference is a premium venue for high quality peer-reviewed research on hypertext theory, systems, applications, publishing, artwork and related practices. It is concerned with all aspects of modern hypertext research including social and intelligent media, narrative systems and applications, authoring, reading and publishing hypertext, workflows and infrastructures as well as reflections and approaches. All accepted contributions will be published by ACM and will be available in the Proceedings via the ACM Digital Library. Selected contributions will be invited to submit an expanded version after the conference to a special issue of the New Review of Hypermedia and Multimedia. Submissions are welcome in the following tracks: Interactive Media: Art and Design Track chair Dr Sam Brooker (Richmond American University London, UK) This track is dedicated to papers that explore creative expression through digital technology. Submissions may showcase new approaches to – or applications of – interactive media technology for creative expression, or evaluate existing work from a new perspective. Hybrid presentations that mix theory and practice are welcome, though work should be rooted in hypertext as method or approach. Topics include but not limited to: • Demonstrations: Live exhibition or exploration of a new or existing creative work. • Critical analysis: Reflection on or discussion of pre-existing works or theoretical approaches. • Traversals: Demonstrations performed on historically appropriate platforms, with participation and commentary by the authors of the works. • Interdisciplinary creative work: Evaluation or demonstration of creative work that crosses disciplinary boundaries Authoring, Reading, Publishing Track chair Dr Leah Henrickson (University of Leeds, UK) This track is dedicated to exploring how hypertext has transformed authoring, reading, and publishing by disrupting, subverting, or complementing book and media culture and practice. Submissions may focus on specific case studies or theories of new emerging practices, rhetorical analyses, or methodological reflections that take inspiration from fields such as book history, digital humanities and/or media studies. Topics include, but not limited to: • Authorship: Contextualising the production of hypertexts. • Book history: Historically-informed frameworks, theories, and concepts for understanding hypertextual production, dissemination, and reception. • Digital scholarly editions and adaptations: Hypertextual representations and reconceptualisations of extant texts. • Digital storytelling and electronic literature: How hypertexts are used to communicate ideas and facilitate alternative textual experiences. • Reading practices and reader response: How hypertexts are read (or not read) and interpreted. • Rhetorics and poetics: How hypertexts are framed in popular and scholarly discourse, as well as theoretical considerations on forms of expression supported by hypertextual formats. • Text, paratext, and multimodality: Manifestations and effects of digital forms of intra- and intertextual connectivity., Workflows and Infrastructures Track chair Dr Davide Picca (Université de Lausanne, CH) This track is dedicated to hypertext systems and their professional applications to the GLAM field in order to facilitate access to cultural knowledge. The main purpose is to illustrate through the different contributions to the track, how STEM disciplines can help and support the preservation and dissemination of tangible and intangible cultural resources. This track welcomes contributions that present real-world applications of hypertext systems, with a focus on the benefits, challenges, and gaps that emerge from daily practice in fields of study such as (but not limited to) Digital Museology, Intangible Cultural Heritage applications and NLP approaches to cultural resources. Topics include, but not limited to: • Semantic knowledge: How formal ontologies and formal modelling can contribute to organise cultural knowledge • GLAM applications: Pipelines and digital curations for restoration and preservation of cultural artefacts • Digital Museology: Innovations, trends as well as practical challenges encountered in the fields of museology • Intangible Cultural Heritage applications: How Big Data workflows and digital transformation methods can be applied to cultural objects • NLP approaches to cultural resources: Computational semantics and pragmatics, machine translation and multilingual NLP for cultural objects Social and Intelligent Media Track chair Dr Grégoire Burel (Knowledge Media Institute, UK) The social and intelligent media track is dedicated to the understanding and modelling of sociotechnical systems and their role in shaping communication and information access, both virtually and offline. Submissions should consider any online systems that include socially and AI-mediated information such as social networks, recommender systems, online publication tools and discussion platforms. As the focus of this year conference is “Humanity within”, authors are encouraged to submit interdisciplinary articles centred around the impact of social media and AI on how hyperlinked content is accessed and consumed and its impact on Humanity. This track welcomes submissions that further the understanding of the technical inworkings of digital communities and their societal impact, as well as novel methods and algorithms that shape online communication, content creation and socially-mediated information access. Topics include, but not limited to: • Privacy and Anonymity in Social Media – The way social media protect and/or blur the lines between the real and virtual world. • Inclusiveness of Social Media – The role of social media in including minorities, disabilities and minoritised communities. • Diversity and Representativeness of Social Media – The way social media favour (or not) content diversity and its representativeness as well as the involvement of individuals (e.g., echo chambers, content moderation). • Immersive Social Media (e.g., metaverse) – The development and impact of new interaction paradigms on real-world interactions and online communication. • Network Effects in Social Media – The impact of social and hyperlink ties on content access and distribution e.g., information access, ranking, misinformation and bot networks). • Social Media Algorithms – The structure, development, design, and analysis of social media platforms and algorithms. Reflections and Approaches Track chair Dr Mariusz Pisarski (University of Information Technology and Management in Rzeszow, PL) This track considers how hypertext has transformed society and its tools: new perspectives, future directions, and ongoing transformations that challenge our assumptions about hypertext. This track welcomes submissions focused on (but not limited to) critical reflection on the evolution of hypertext systems, paradigms for new hypertext applications, as well as theories for understanding and navigating the complexity of digital communities enabled by hypertext design and systems. Topics include, but not limited to: • Histories of hypertext: hypertext systems in critical discourse, technology discourse and in the arts community. • Histories of social media: how the pioneering formulas of early systems – such as BBS, MUD and email discussion groups – evolved to modern social media. • Designs, paradigms and theories: evolution of hypertext in scholarly and artistic practice • Self-reflectivity of systems: historical impact of one hypertext system upon another; remediations, migrations and borrowings of features in contemporary writing/reading platforms • Visual histories and meta-histories of social media and hypertext: hypertext and social media communities and ideas in visual and big-data analysis. Submissions https://easychair.org/conferences/?conf=ht23 Best regards, Francesca Benatti [The Open University logo] Dr Francesca Benatti she/her/hers Research Fellow in Digital Humanities Department of English and Creative Writing, Faculty of Arts and Social Sciences +44 (0)1908 659 743<tel://+4401908659743/> francesca.benatti(a)open.ac.uk<mailto:[email protected]> https://fass.open.ac.uk/people/fb2982 The Open University, Walton Hall, Milton Keynes, United Kingdom, MK7 6AA Monday–Friday, 09.00–18.00

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LiLa Linking Latin Closing Event
by Litta Modignani Picozzi Eleonora Maria Gabriella (eleon...litta) 24 Mar '23

24 Mar '23

Dear All, The LiLa: Linking Latin team invites you to participate to the LiLa Project Closing Event, consisting in a workshop taking place at the Università Cattolica del Sacro Cuore in Milan, Italy, on 25th-26th of May, 2023. More information about the workshop, including a detailed programme, can be found at: https://lila-erc.eu/events-2/lila-closing-event/ LiLa responds to the growing need in the fields of Computational Linguistics, Humanities Computing and Classics to create an interoperable Knowledge Base of linguistic resources and NLP tools for Latin. To this end, LiLa makes use of Linked Open Data (LOD) practices and standards to connect words to textual and lexical resources currently distributed across the web. The purpose of this workshop is to present the results of five years of work on the LiLa project and to bring together scholars responsible for the creation and development of linguistic resources and NLP tools for Latin that have been linked and integrated in the LiLa Knowledge Base. The workshop is open to all and is free of charge, but registration is required. Please register here: https://forms.gle/VLNkjxXFykDivFAm8 The official language of the workshop is English. The event will be live-streamed and video-recorded. Registration for in person participation will close on May 5th. Registration for Online participation is always possible. We look forward to welcoming you in Milan! Eleonora on behalf of the LiLa Linking Latin Team —————————— Eleonora Litta Modignani Picozzi Research Fellow LiLa: Linking Latin [ERC n. 769994]: https://lila-erc.eu +39 02 72342954 | eleonoramaria.litta(a)unicatt.it<mailto:[email protected]> CIRCSE Research Centre: https://centridiricerca.unicatt.it/circse_index.html Franciscanum Building, 2nd Floor, room 209 Università Cattolica del Sacro Cuore Largo Gemelli 1, 20123 Milan, Italy [cid:5414E9C5-1CFC-4AC9-85F3-1BB56215D572] [http://static.unicatt.it/ext-portale/5xmille%20firma%20mail%202022.jpg]

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ESU 2023 hosting proposals
by Europaeische Sommeruniversitaet-Kulturen und Technologien 21 Mar '23

21 Mar '23

Dear all, On behalf of the voting members of the European Summer University in Digital Humanities 2023 Evaluative Committee, I am pleased to announce that the Babes-Bolyai University in Cluj-Napoca, Romania has been selected as the future host for ESU 2023-2025. We are thrilled that Christian Schuster, the director of the Transylvania Digital Humanities Center there, and Alexandra Cotoc, a former ESU community member, will join an impressive team from across the university to provide the ESU with a new intellectual home. The Evaluative Committee had the difficult task of selecting from an extremely competitive pool of candidates, a testament to the strength of the ESU over the years and to Elisabeth Burr’s extraordinary leadership. I thank each one of the committee members for their time, their thoughtful insights, and the collegiality with which they approached this process. We hope that you will encourage your colleagues and your students to join us in Cluj-Napoca this summer for the next chapter in the European Summer University in Digital Humanities. Carol CAROL CHIODO, Ph.D. Librarian for Collections and Digital Scholarship | Americas, Europe, and Oceania Division (AEOD) carol_chiodo(a)harvard.edu | profile -->  ORCID orcid.org/0000-0002-6424-3445[1] HARVARD LIBRARY Champions of curiosity for the betterment of the world library.harvard.edu HARVARD UNIVERSITY Acknowledgment of land and people of the Massachusett Tribe   Links: ------ [1] http://orcid.org/0000-0002-6424-3445

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CfP SIG-DLS Workshop at DH2023
by Simone Rebora 21 Mar '23

21 Mar '23

Dear all, To keep up the tradition, the SIG-DLS organizes a workshop at DH2023 in Graz. This year we have opened a Call for Papers and we are also offering two bursaries to outstanding papers by early stage researchers. Please spread the word as widely as possible! You can find the Call at this link ( https://dls.hypotheses.org/1315) and copy-pasted here below. All the best, Simone (for the SIG-DLS steering committee) === *DH2023 Workshop – SIG-DLS Seven Years on* Seven years have passed since the constitution of the ADHO Special Interest Group “Digital Literary Stylistics” (SIG-DLS). In the meantime, the research field has changed, with the advent of new methodologies (drawing on the constantly growing field of computational linguistics) and the affirmation of emerging theories and definitions (such as the modeling paradigm in “computational literary studies”). At the same time, some aspects and reference points have remained the same, such as the confirmed success of frequency-based approaches and the pivotal role of statistical methods. With this workshop, we would like to provide a renewed overview of the field of Digital Literary Stylistics, in ideal dialogue with the seminal workshop organized at DH2016, which allowed the constitution of the SIG-DLS. We therefore open a Call for Papers to all related areas of research, including (and not limited to): - understanding and improving “classic” stylometric methods (between Delta and Zeta) - stylometric feature engineering (character n-grams, words, syntax, and beyond) - integration with advanced language models (e.g. word embeddings and Transformer models) - identifying the source(s) of stylistic difference (from authors to genres, epochs, and beyond) - style annotations (e.g. phenomenological dimension of style, gestalt annotations) - style in different contexts (e.g. social media style, style of artificial agents) - style in translation, cross-linguistic and cross-cultural style comparisons - style as reader/text interaction - style and complexity - style and quality - tools, platforms and infrastructures for digital literary stylistics - (FAIR) development and sharing of corpora and collections To submit a contribution, please send a brief abstract (max 250 words) to simone.rebora(a)uni-mainz.de* by 16 April 2023.* All proposals will be peer-reviewed by the programme committee and notifications of acceptance will be sent by 30 April 2023. *SIG-DLS Bursary:* for this year, SIG-DLS offers two bursaries (275 Euros each) to outstanding papers presented by early stage researchers. If you intend to apply, please add a short letter of motivation to your submission. *Organising & programme committee* Simone Rebora (University of Mainz) Joanna Byszuk (Institute of Polish Language of the Polish Academy of Sciences) Francesca Frontini (Istituto di Linguistica Computazionale “A. Zampolli”, CNR Pisa) Berenike Herrmann (Bielefeld University, Basel University) Suzanne Mpouli (Paris Cité University) Pablo Ruiz Fabo (University of Strasbourg)

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Digital Humanities for Marginal Areas Workshop @ DH2023
by Carola Carlino 16 Mar '23

16 Mar '23

*apologies for cross-postings* Please circulate this to all scholars who may be interested. We are happy to announce the first edition of DH4MA, the International workshop on tangible and intangible heritage digitization to promote marginal areas and rural development. Title DH4MA - (Digital Humanities for Marginal Areas) About The Digital Humanities for Marginal Areas (DH4MA) workshop aims to investigate the state of the art of tangible and intangible heritage digitization in marginal and rural areas and their accessibility. DH4MA will be held in conjunction with the DH2023 conference <https://dh2023.adho.org/> and is organized in the framework of the KiNESIS Erasmus+ project <https://www.kinesis-network.eu/homesite/1/1/home-page.html>. The digital divide issue affects several areas all over the world, including those that despite being part of the most developed countries, are behind the times of the digital revolution. Museums, libraries and centres of culture located in these areas often cannot foster their cultural heritage. In light of the above, Digital Humanities (DH) techniques represent an opportunity not to be missed to raise awareness of their cultural heritage and to overcome the digital divide. The consciousness of the digital divide, poor visibility and the need to improve communication strategies emerged during the covid-19 lockdown, when several cultural institutions made their cultural heritage available online (Cicerchia et al., 2021; Agostino et al., 2020; Fresh, 2021), allowing people to enjoy it in a new different way (e.g. Guggenheim Museum of New York <https://www.guggenheim.org/group-visits>, The Paul Getty Museum of Los Angeles <https://artsandculture.google.com/streetview/the-j-paul-getty-museum/cwFdGY…>, The Uffizi Gallery of Florence <https://www.virtualuffizi.com/map-%26-virtual-tour.html>, The Rijksmuseum of Amsterdam <https://www.rijksmuseum.nl/en/masterpieces-up-close>). Nevertheless, small centres of culture were not able to offer their collections online. Only a few of them were able to make a real revolution (Roblek et al., 2021), also by exploiting cooperation between only seemingly distant disciplines (e.g. computer science and librarians, humanists and game creators) to promote tangible and intangible heritage. Topics of interest Relevant topics for the DH4MA workshop include, but are not limited to, the following areas: - Cultural heritage digitization in marginal and rural areas; - Best practices to reduce the digital divide in marginal and rural areas; - Investigation and evaluation of the degree of digitization in marginal and rural areas; - DH techniques to promote cultural heritage; - Promoting cultural heritage through gamification techniques; - Research cooperation between people/teams with different expertise to promote cultural heritage; - Research projects aiming to reduce the digital divide; - Research projects aimed at promoting cultural heritage through cooperation between scholars and local associations Research questions Bringing together scholars dealing with different research fields, the DH4MA aims to answer (not only) the following questions: - Do exist examples of tangible and intangible heritage digitization that can be defined as best practices? - Which are the best strategies implemented at the global level to reduce the digital divide between marginal and rural areas and most developed areas? - Which are the best examples of cultural heritage promotion through the collaboration between people/teams with different backgrounds? - Is it possible to consider cultural heritage promotion through DH techniques as an opportunity to fight the depopulation phenomenon? How? Submission instructions Contributions must be submitted in English and represent original and unpublished work that is not currently under review. Contributions will be evaluated by the Program Committee according to their significance, originality, technical content, style, clarity, and relevance to the DH4MA workshop. Contributions must be sent via email at dhformarginalareas(a)gmail.com by Wednesday, 12th April 2023 and must not exceed 1,500 words in length (not including the bibliography). The publication of a selection of contributions from the DH4MA workshop is planned. After the workshop, authors of the selected contributions will be asked to send an extended version. Further details on the publication will follow soon. Submissions will be evaluated based on - Reviewers’ general recommendation for acceptance; - Level of innovation of the contribution to DH subject area(s); - Appropriateness of the state of the art presented (including a bibliography); - Clarity and appropriateness of the research methodology described; - Clear and comprehensible submission Venue The DH4MA workshop will take place on-site at the University of Graz, Austria, in the framework of the DH2023 conference <https://dh2023.adho.org/>. Further details on the venue will follow soon. Best contribution award The contribution presenting the best use of DH techniques to promote cultural heritage in marginal and rural areas will be rewarded. The prize is sponsored by the KiNESIS Erasmus+ project <https://www.kinesis-network.eu/homesite/1/1/home-page.html>. All the Program Committee members will have the right to vote for the best contribution. Important dates Submission deadline - 12 April 2023 Notification of acceptance - 3 May 2023 Workshop - 10 or 11 July 2023 (TBA) In line with the DH2023 conference theme (i.e. Collaboration as opportunity), contributions presenting successful cooperation between only seemingly distant disciplines to promote cultural heritage are highly requested. As workshop organizers, we will ensure a welcoming, antiracist, anti discriminatory and inclusive environment in full respect of human beings. Organizing Committee Antonio Pascucci, L’Orientale University of Naples (IT) Carola Carlino, L’Orientale University of Naples (IT) Johanna Monti, L’Orientale University of Naples (IT) Program Committee (constantly updated) *Elisa Bonacini*, University of Bari (IT) *Ruth Breeze*, University of Navarra (ES) *Andrea D’Andrea*, L’Orientale University of Naples (IT) *Stefania De Vincentis*, University of Venice Ca’ Foscari (IT) *Marianna Marcucci*, Invasioni digitali (IT) *Alfonso Santoriello*, University of Salerno (IT) *Ludovico Solima*, Università degli Studi della Campania “Luigi Vanvitelli” (IT) *Michele Domenico Todino*, University of Salerno (IT) *Fabio Viola*, Associazione culturale Tuo Museo (IT) *Chiara Zuanni*, Centre for Information Modelling – Austrian Centre for Digital Humanities, University of Graz (AT) Subscribe to our mailing list <https://docs.google.com/forms/d/e/1FAIpQLSdt2OQnXg_XuUndtZ1YEzXTMuAu9-N2qSU…> to receive news updates. Alternatively, visit our website <https://sites.google.com/view/dh4ma2023/welcome> or send us an email <dhformarginalareas(a)gmail.com>. References Agostino, D., Arnaboldi, M., & Lampis, A. (2020). Italian state museums during the COVID-19 crisis: from onsite closure to online openness. Museum Management and Curatorship, 35(4), 362-372. Cicerchia, A., & Solima, L. (2021). The show must go on… line. Museums and their audiences during the lockdown in Italy. SCIRES-IT-SCIentific RESearch and Information Technology, 11(1), 35-44. Fresh, C. E. (2021). Museums in Lockdown: How Digital Media and Remote Offerings Saved the Museum from COVID-19 (Doctoral dissertation, Drexel University). Roblek, V., Petrović, N. N., Gagnidze, I., & Khokhobaia, M. (2021). Role of a digital transformation in development of rural tourism destinations. Rossato, L. (2020). When Brazil and India were modernist. Processes of digital documentation for the preservation of 20th century architectures, Maggioli Editore, Rimini.

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FIRST CFP International Conference "Authorship in Hispanic Literatures" (via streaming and in person, 28-29 September, University of Valladolid, Spain)
by Congreso: La autoría en las literaturas hisp ánicas 16 Mar '23

16 Mar '23

Dear colleagues, We are please to invite your contributions to the International Conference 'Authorship in Hispanic Literatures', which will take place on 28-29 September 2023 at the Faculty of Philosophy and Letters of the University of Valladolid (Spain). Papers and panels will be accepted in Spanish or in English, both in person or via streaming. For more details: https://eventos.uva.es/94134/detail/authorship-in-hispanic-literatures.html Contact: congreso.autoria(a)uva.es All best wishes, Patricia Marín Cepeda (Prof. Titular de Literatura Española) Departamento de Literatura Española y Teoría de la Literatura y Literatura Comparada Universidad de Valladolid and Cristina Ruiz Urbón (Investigadora Posdoctoral Margarita Salas) Universidad de Salamanca - Universidad de Valladolid [https://eventos.uva.es/_files/_event/_94134/_header_img/_129893.png]<https://eventos.uva.es/94134/detail/authorship-in-hispanic-literatures.html> Authorship in Hispanic Literatures<https://eventos.uva.es/94134/detail/authorship-in-hispanic-literatures.html> FIRST CALL FOR PAPERS International Conference "Authorship in Hispanic Literatures", At The University of Valladolid, Faculty of Philosophy and Letters, On September 28 and 29, 2023 (in person and online) Based on the Heideggerian idea that what characterizes a work as such is that it was created, the international conference on "Authorship attribution in Hispanic Literature" aims to be a space for interdisciplinary reflection on the concept of the author and the various issues inherent to authorship in Spanish literature. From a global perspective and in a chronological framework that covers Hispanic literature from the Middle Ages up to the twenty first century, there will be room for discussion on the various issues of authorship attribution and plagiarism, the new methods of identifying authorship in the Digital Humanities, the concept of copyright in its different theoretical facets, and other aspects of legal nature related to intellectual property and the publication of works eventos.uva.es 

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Call for EADH Secretary
by Fabio Ciotti 10 Mar '23

10 Mar '23

EADH is looking for a member to fulfill the role of secretary of the organization. The secretary is one of the officers of EADH and a voting member of the executive committee. Among the secretary’s duties is to schedule the executive meetings, take minutes of the same, and produce action lists and a report for the Annual General Meeting of the association. The secretary supports the Chair and the President by organizing polls, counting votes, and recording decisions made during online discussions. We are seeking an individual whose interests align with the aims of EADH and who would like to get more directly involved in the support of existing European collaborations as well as in the development of new research strategies. The multilingual and multicultural environment requires cultural sensitivity as well as a willingness to learn from others. Together with the other EADH officers, the secretary represents our association in the international settings of the Alliance for Digital Humanities Organizations and beyond. This presents an opportunity to explore the wider world of Digital Humanities and get to know colleagues from different backgrounds and with diverse lived experiences. If you are interested in taking on this important role, please write to secretary(a)eadh.org to let us know. -- Professor Fabio Ciotti Dept. "Studi letterari, filosofici e di storia dell’arte" University of Roma "Tor Vergata" Chair, European Association for Digital Humanities (EADH) Editor-in-Chief, "Umanistica Digitale" https://umanisticadigitale.unibo.it/ @Fabio_Ciotti @[email protected] f.ciotti(a)pec.it

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Auto-Re: [CFP] ACM Hypertext 2023 - Deadline 31 Mar 2023
by e-mail＠jan-oliver-ruediger.de 27 Feb '23

27 Feb '23

Liebe*r Absender*in, haben Sie vielen Dank für Ihre E-Mail. Derzeit bin ich im Urlaub und ab dem 06.02.2023 wieder für Sie erreichbar. Aus Vertraulichkeitsgründen wird Ihre Mail nicht weitergeleitet. Viele Grüße Jan Oliver Rüdiger -- --- -- Dr. Jan Oliver Rüdiger (Zimmer: 4.11) Leibniz-Institut für Deutsche Sprache www.ids-mannheim.de R 5, 6-13 D - 68161 Mannheim Tel.: +49 621 / 1581 – 411 Fax: +49 621 / 1581 – 200 Mobil: +49 162 / 78 05 676 E-Mail / ZOOM: ruediger(a)ids-mannheim.de PGP-Fingerprint: 21EB 406C 05D6 699A C4E7 074D 63EB C1E3 7562 DC41

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[CFP] ACM Hypertext 2023 - Deadline 31 Mar 2023
by Francesca.Benatti [she/her] 27 Feb '23

27 Feb '23

************************************************************************ ACM Hypertext 2023 4-8 September 2023, Bibliotheca Hertziana, Rome, Italy https://ht.acm.org/ht2023/ Deadline: 31 March 2023 23.59 AOE ************************************************************************ Important Dates • Regular papers and Workshops - Submission: 31 March 2023 AoE - Notification: 15 May 2023 AoE • Late breaking, blue sky, demos, traversals, and doctoral consortium - Submission: 26 May 2023 AoE - Notification: 26 June 2023 AoE • Camera ready version of accepted papers - 14 July 2023: 23 July 2023 AoE • Conference 4-8 September 2023 Note: The submission times are 11:59 pm AoE time (Anywhere on Earth) The ACM Hypertext conference is a premium venue for high quality peer-reviewed research on hypertext theory, systems, applications, publishing, artwork and related practices. It is concerned with all aspects of modern hypertext research including social and intelligent media, narrative systems and applications, authoring, reading and publishing hypertext, workflows and infrastructures as well as reflections and approaches. All accepted contributions will be published by ACM and will be available in the Proceedings via the ACM Digital Library. Selected contributions will be invited to submit an expanded version after the conference to a special issue of the New Review of Hypermedia and Multimedia. Submissions are welcome in the following tracks: Interactive Media: Art and Design Track chair Dr Sam Brooker (Richmond American University London, UK) This track is dedicated to papers that explore creative expression through digital technology. Submissions may showcase new approaches to – or applications of – interactive media technology for creative expression, or evaluate existing work from a new perspective. Hybrid presentations that mix theory and practice are welcome, though work should be rooted in hypertext as method or approach. Topics include but not limited to: • Demonstrations: Live exhibition or exploration of a new or existing creative work. • Critical analysis: Reflection on or discussion of pre-existing works or theoretical approaches. • Traversals: Demonstrations performed on historically appropriate platforms, with participation and commentary by the authors of the works. • Interdisciplinary creative work: Evaluation or demonstration of creative work that crosses disciplinary boundaries Authoring, Reading, Publishing Track chair Dr Leah Henrickson (University of Leeds, UK) This track is dedicated to exploring how hypertext has transformed authoring, reading, and publishing by disrupting, subverting, or complementing book and media culture and practice. Submissions may focus on specific case studies or theories of new emerging practices, rhetorical analyses, or methodological reflections that take inspiration from fields such as book history, digital humanities and/or media studies. Topics include, but not limited to: • Authorship: Contextualising the production of hypertexts. • Book history: Historically-informed frameworks, theories, and concepts for understanding hypertextual production, dissemination, and reception. • Digital scholarly editions and adaptations: Hypertextual representations and reconceptualisations of extant texts. • Digital storytelling and electronic literature: How hypertexts are used to communicate ideas and facilitate alternative textual experiences. • Reading practices and reader response: How hypertexts are read (or not read) and interpreted. • Rhetorics and poetics: How hypertexts are framed in popular and scholarly discourse, as well as theoretical considerations on forms of expression supported by hypertextual formats. • Text, paratext, and multimodality: Manifestations and effects of digital forms of intra- and intertextual connectivity., Workflows and Infrastructures Track chair Dr Davide Picca (Université de Lausanne, CH) This track is dedicated to hypertext systems and their professional applications to the GLAM field in order to facilitate access to cultural knowledge. The main purpose is to illustrate through the different contributions to the track, how STEM disciplines can help and support the preservation and dissemination of tangible and intangible cultural resources. This track welcomes contributions that present real-world applications of hypertext systems, with a focus on the benefits, challenges, and gaps that emerge from daily practice in fields of study such as (but not limited to) Digital Museology, Intangible Cultural Heritage applications and NLP approaches to cultural resources. Topics include, but not limited to: • Semantic knowledge: How formal ontologies and formal modelling can contribute to organise cultural knowledge • GLAM applications: Pipelines and digital curations for restoration and preservation of cultural artefacts • Digital Museology: Innovations, trends as well as practical challenges encountered in the fields of museology • Intangible Cultural Heritage applications: How Big Data workflows and digital transformation methods can be applied to cultural objects • NLP approaches to cultural resources: Computational semantics and pragmatics, machine translation and multilingual NLP for cultural objects Social and Intelligent Media Track chair Dr Grégoire Burel (Knowledge Media Institute, UK) The social and intelligent media track is dedicated to the understanding and modelling of sociotechnical systems and their role in shaping communication and information access, both virtually and offline. Submissions should consider any online systems that include socially and AI-mediated information such as social networks, recommender systems, online publication tools and discussion platforms. As the focus of this year conference is “Humanity within”, authors are encouraged to submit interdisciplinary articles centred around the impact of social media and AI on how hyperlinked content is accessed and consumed and its impact on Humanity. This track welcomes submissions that further the understanding of the technical inworkings of digital communities and their societal impact, as well as novel methods and algorithms that shape online communication, content creation and socially-mediated information access. Topics include, but not limited to: • Privacy and Anonymity in Social Media – The way social media protect and/or blur the lines between the real and virtual world. • Inclusiveness of Social Media – The role of social media in including minorities, disabilities and minoritised communities. • Diversity and Representativeness of Social Media – The way social media favour (or not) content diversity and its representativeness as well as the involvement of individuals (e.g., echo chambers, content moderation). • Immersive Social Media (e.g., metaverse) – The development and impact of new interaction paradigms on real-world interactions and online communication. • Network Effects in Social Media – The impact of social and hyperlink ties on content access and distribution e.g., information access, ranking, misinformation and bot networks). • Social Media Algorithms – The structure, development, design, and analysis of social media platforms and algorithms. Reflections and Approaches Track chair Dr Mariusz Pisarski (University of Information Technology and Management in Rzeszow, PL) This track considers how hypertext has transformed society and its tools: new perspectives, future directions, and ongoing transformations that challenge our assumptions about hypertext. This track welcomes submissions focused on (but not limited to) critical reflection on the evolution of hypertext systems, paradigms for new hypertext applications, as well as theories for understanding and navigating the complexity of digital communities enabled by hypertext design and systems. Topics include, but not limited to: • Histories of hypertext: hypertext systems in critical discourse, technology discourse and in the arts community. • Histories of social media: how the pioneering formulas of early systems – such as BBS, MUD and email discussion groups – evolved to modern social media. • Designs, paradigms and theories: evolution of hypertext in scholarly and artistic practice • Self-reflectivity of systems: historical impact of one hypertext system upon another; remediations, migrations and borrowings of features in contemporary writing/reading platforms • Visual histories and meta-histories of social media and hypertext: hypertext and social media communities and ideas in visual and big-data analysis. Submissions https://easychair.org/conferences/?conf=ht23 Submission deadline: 31 March 2023 Best regards, Francesca Benatti Dr Francesca Benatti she/her/hers Research Fellow in Digital Humanities Department of English and Creative Writing, The Open University francesca.benatti(a)open.ac.uk<mailto:[email protected]> https://fass.open.ac.uk/people/fb2982

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Call for Proposals: Encoding Cultures – joint MEC and TEI Conference 2023
by Martin Holmes 21 Feb '23

21 Feb '23

[With apologies for cross-posting. Please distribute widely] We are pleased to announce a call for papers, posters, panels, and workshops for “Encoding Cultures,” a joint conference of the annual Music Encoding Conference and Text Encoding Initiative Members’ Meeting. The conference will be held 5–8 September 2023 (Tue-Fri) at Paderborn University, Germany, with pre-conference workshops 4–5 September 2023 (Mon-Tue). This event brings together, for the first time, the Music Encoding Initiative (MEI) and Text Encoding Initiative (TEI) communities, both of which are involved in the digitization and encoding of cultural heritage artifacts. While musical and textual artifacts have fundamental differences, there are many overlapping approaches in regard to data modeling, encoding theory, and digital publication. MEI and TEI also share technical tools and services, as both XML vocabularies are formally expressed using TEI's customization and documentation language. The conference topic is Encoding Cultures, understood both as the encoding of multiple cultures and cultural outputs as well as the variety of encoding cultures that exist within and across our communities. Encoding Cultures will be the 23rd annual meeting of the TEI community and the 11th annual Music Encoding Conference, a cross-disciplinary venue for the MEI community and all who are interested in the digital representation of music. The deadline for submissions is April 16, 2023. Please find more information and the text of the full Call for Proposals at https://teimec2023.uni-paderborn.de/cfp.html. We look forward to seeing you in Paderborn! Martin Holmes, for Raff Viglianti on behalf of the Program Committee -- ------------------------------------------ Martin Holmes UVic Humanities Computing and Media Centre I acknowledge and respect the lək̓ʷəŋən peoples on whose traditional territory the university stands and the Songhees, Esquimalt and WSÁNEĆ peoples whose historical relationships with the land continue to this day.

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Summer School in Pisa "Digital Tools for Humanists"
by maurizio lana 16 Feb '23

16 Feb '23

[on behalf of Vittore Casarosa E-mail: casarosa(a)isti.cnr.it] The complete program of the Summer School "Digital Tools for Humanists" is now online. The School is designed to provide participants with an introduction to digital tools and techniques for research in the humanities. Through a combination of lectures, tutorials, and hands-on activities, you will learn to use a range of applications and platforms to access, analyze, and create digital content. The Summer School is designed to accommodate researchers from a diversity of backgrounds, so whether you are already proficient in the use of digital tools or are just getting started, you will find something to benefit from. All attendees will have access to expert instructors and support. The School is supported by CLARIN-IT, the Italian node of CLARIN, the ERIC Common Language Resources and Technology Infrastructure, and is under the auspices of AIUCD, the Italian Association for Digital Humanities and Culture and of AIPH, the Italian Association of Public History. The Digital Tools for Humanists Summer School 2023 will be held at the University of Pisa (Italy) from June 13 to June 22. We encourage all interested researchers, students, educators, and professionals to consider participating either in-person or online via Microsoft Teams. This edition is organized again over two weeks and there is the possibility of enrolling just for the first week or enrolling for the whole duration. For more information about the summer school, please visit our website at: https://digitaltools.labcd.unipi.it/program-2023/ "Digital Tools for Humanists – Working on media" will be held from June 13 to June 16. The cost of the one-week School is 250 Euros, and it gives 3 ECTS credits. "Digital Tools for Humanists – Working on History" will be held from June 13 to June 22. The cost of the two-week School is 500 Euros, and it gives 6 ECTS credits. Registration deadline: April 30th, 2023. We look forward to welcoming you to Pisa this summer! ------------------------------------------------- Vittore Casarosa E-mail: casarosa(a)isti.cnr.it ISTI - CNR Phone : +39-050-621 3115 Via Moruzzi 1 Fax : +39-050-621 3464 56124 Pisa Mobile: +39-348-397 2168 ITALY Skype : vittore1201 ------------------------------------------------------------------------

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Anyone to share scans of Italian or English handwritten text for my DH class? We transcribe!
by Silvie Cinkova 16 Feb '23

16 Feb '23

Dear colleagues, w ould any of you be able to give me or point me to scans of handwritten English or Italian texts? I happen to teach a [ https://ufal.mff.cuni.cz/courses/npfl134 | 4EU+ class ] , where they are going to mess around with Transkribus. T his year the group mysteriously consists purely of Italians from the University of Milan. As I understood, they are economists and social scientists rather than historians, so the texts should preferably not be extremely old and illegible. It does not have to be much, 50-100 pages in total would be great. Since that teaching project was originally set up with Frenchmen, we have plenty of French data, apart from Czech, German, and Russian, but I can't expect the Italians to know these languages well enough. Any hints welcome. We will gladly give the transcriptions back to help a project! Silvie -- Mgr. Silvie Cinková, Ph.D. Institute of Formal and Applied Linguistics Faculty of Mathematics and Physics Charles University Malostranské nám. 25 118 00 Praha 1 Czechia Phone: +420 723 464 449; +420 22191 4224 E-mail: cinkova(a)ufal.mff.cuni.cz Zoom Room: https://cuni-cz.zoom.us/j/9293605462?pwd=cnl5MkdURHBMK0R1R0Y3aHExUGJ2dz09 Meeting ID: 929 360 5462 Passcode: CzADH

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[meetings] [CFP] Call for Contributions at HHAI2023 (Main Track, Posters & Demos, Doctoral Consortium)
by Meer, M.T. van der (Michiel) 08 Feb '23

08 Feb '23

Calls for Contributions at HHAI2023 June 26-30, 2023, Munich, Germany In this call: * Call for Main Track Papers (Updated deadlines) * Call for Posters and Demos * Call for Doctoral Consortium Papers The full text of each call is available on our website: https://www.hhai-conference.org In this message, we shortened each call to their essentials. All deadlines are at the end of the day specified, anywhere on Earth (UTC-12). Hybrid Human-Artificial Intelligence (HHAI 2023) is the second international conference focusing on the study of Artificial Intelligent systems that cooperate synergistically, proactively and purposefully with humans, amplifying instead of replacing human intelligence. HHAI aims for AI systems that work together with humans, emphasising the need for adaptive, collaborative, responsible, interactive and human-centered intelligent systems that leverage human strengths and compensate for human weaknesses, while taking into account social, ethical and legal considerations. This field of study is driven by current developments in AI, but also requires fundamentally new approaches and solutions. In addition, we want to encourage collaborations across research domains such as AI, HCI, cognitive and social sciences, philosophy & ethics, complex systems, and others. In this second international conference, we invite scholars from these fields to submit their best original, new as well as in progress, visionary and existing work on Hybrid Human-Artificial Intelligence. Topics We invite research on different challenges in Hybrid Human-Artificial Intelligence. The following list of topics is illustrative, not exhaustive: * Human-AI interaction and collaboration * Adaptive human-AI co-learning and co-creation * Learning, reasoning and planning with humans and machines in the loop * User modelling and personalisation * Integration of learning and reasoning * Transparent, explainable and accountable AI * Fair, ethical, responsible and trustworthy AI * Societal awareness of AI * Multimodal machine perception of real world settings * Social signal processing * Representations learning for Communicative or Collaborative AI * Symbolic and narrative-based representations for human-centric AI * Role of Design and Compositionality of AI systems in Interpretable / Collaborative AI We welcome contributions about all types of technology, from robots and conversational agents to multi-agent systems and machine learning models. Keep an eye out on our website for more information: https://www.hhai-conference.org/ Work should be submitted via Easychair: https://easychair.org/conferences/?conf=hhai2023 For questions, you can reach us at: organisers(a)hhai-conference.org --- Call for Papers Main Track We welcome submissions of 4-12 pages addressing relevant topics to HHAI. For more information see: https://www.hhai-conference.org/cfp/ Important dates * Abstract submission: February 17th February 10th, 2023 * Paper submission: February 24th February 17th, 2023 * Reviews released: March 17th, 2023 * Final notification: April 17th, 2023 * Camera-ready: May 02nd, 2023 * Main conference: June 26th-30th, 2023 --- Call for Posters and Demos We welcome submissions of 2 page abstracts addressing relevant topics to HHAI. For more information see: https://www.hhai-conference.org/cfpd/ Important Deadlines * Submission due: Monday April 10th, 2023 * Notifications: Friday May 5th, 2023 * Camera-ready due (extended abstract): Monday May 15th, 2023 * Final video and poster submission: Tuesday May 23th, 2023 * HHAI2023 Posters & Demos: June 29th, 2023 --- Call for Doctoral Consortium Papers We welcome submissions of 8-12 page descriptions of PhD research proposals. For more information see: https://www.hhai-conference.org/cfpdc/ Important Dates * Submission Deadline: March 15th, 2023 * Reviews Released: April 15th, 2023 * Camera-ready Papers Due: May 15th, 2023 * Doctoral Consortium: June 27th, 2023 Kind regards, On behalf of the HHAI 2023 Organizing Committee, Michiel van der Meer Leiden University Web & Publicity Chair HHAI 2023

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