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PhD Position in Digital Humanities at University of Graz
by Georg Vogeler 05 Aug '25

05 Aug '25

*University Assistant without a doctorate (m/f/d)* 30 hours per week, from September 2025 (at the earliest), limited to 4 years Application deadline: until 6 August 2025 Application and details at: https://jobs.uni-graz.at/en/jobs/437fec89-f060-112b-5951-67aa29e57500 _Tasks_ - Writing a dissertation in the field of Digital Humanities - Research and teaching in the Department of Digital Humanities - Participation in research projects of the Department of Digital Humanities - Independent teaching of courses and participation in teaching and examination tasks of the Institute - Supervision of students - Participation in organisational and administrative tasks as well as evaluation measures _Profile:_ - Completed Master's or Diploma degree in Digital Humanities or another humanities subject, or a subject related to computer science, in the course of which you have also dealt with humanities issues and methods - Confident handling of complex applications for the generation, management, evaluation or visualisation of humanities data - Fluency in English and German. If your German language skills are still inadequate at the time of recruitment, you intend to improve your German language skills to level C1 in the course of your employment - Basic knowledge of at least one of the following technologies, proven by examples of self-written code (X-Technologies, Python, HTML/CSS/JavaScript, Semantic Web Stack, R, Java) - Experience in the implementation and realisation of projects in the field of Digital Humanities (desirable) - Communication, organisational and teamwork skills If you have any questions, please contact me by phone on +43 (0) 316 / 380 - 2292 or send an e-mail to dh(a)uni-graz.at . -- Prof. Dr. Georg Vogeler Professur für Digital Humanities - Department of Digital Humanities University of Graz A-8010 Graz | Elisabethstraße 59/III Tel. +43 316 380 8033 <http://informationsmodellierung.uni-graz.at> - <http://gams.uni-graz.at> <https://online.uni-graz.at/kfu_online/wbForschungsportal.cbShowPortal?pPers…> Institut für Dokumentologie und Editorik e.V. <http://www.i-d-e.de> International Center for Archival Research ICARus <http://www.icar-us.eu>

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Please anounce -new book: Technology and Oligopoly Capitalism
by Luis Suarez-Villa 19 Jul '25

19 Jul '25

Technology and Oligopoly Capitalism, by Luis Suarez-Villa (publisher: Routledge). https://www.routledge.com/Technology-and-Oligopoly-Capitalism/Suarez-Villa/…<https://urldefense.com/v3/__https://www.routledge.com/Technology-and-Oligop…> [To request inspection copy: https://www.routledge.com/textbooks/evaluation/9781003345893?utm_id=<https://urldefense.com/v3/__https://www.routledge.com/textbooks/evaluation/…> ] Description: Technology and Oligopoly Capitalism is a major contribution to our understanding of how technology oligopolies are shaping America’s social, economic, and political reality. Technology oligopolies are the most powerful socioeconomic entities in America. From cradle to grave, the decisions they make affect the most intimate aspects of our lives, how we work, what we eat, our health, how we communicate, what we know and believe, whom we elect, and how we relate to one another and to nature. Their power over markets, trade, regulation, and most every aspect of our governance is more intrusive and farther-reaching than ever. They benefit from tax breaks, government guarantees, and bailouts that we must pay for and have no control over. Their accumulation of capital creates immense wealth for a minuscule elite, deepening disparities while politics and governance become ever more subservient to their power. They determine our skills and transform employment through the tools and services they create, as no other organizations can. They produce a vast array of goods and services with labor, marketing, and research that are more intrusively controlled than ever, as workplace rights and job security are curtailed or disappear. Our consumption of their products---and their capacity to promote wants---is deep and far reaching, while the waste they generate raises concerns about the survival of life on our planet. And their links to geopolitics and the martial domain are stronger than ever, as they influence how warfare is waged and who will be vanquished. Technology and Oligopoly Capitalism’s critical, multidisciplinary perspective provides a systemic vision of how oligopolistic power shapes these forces and phenomena. An inclusive approach spans the spectrum of technology oligopolies and the ways in which they deploy their power. Numerous, previously unpublished ideas expand the repertory of established work on the topics covered, advancing explanatory quality---to elucidate how and why technology oligopolies operate as they do, the dysfunctions that accompany their power, and their effects on society and nature. This book has no peers in the literature, in its scope, the unprecedented amount and diversity of documentation, the breadth of concepts, and the vast number of examples it provides. Its premises deserve to be taken into account by every student, researcher, policymaker, bibliographer, and author interested in the socioeconomic and political dimensions of technology in America. Contents: 1. Introduction 2. Power Pricing Co-Respectiveness Shareholder Returns Mergers and Acquisitions Entry Barrier Engineering Neo-Conglomerates Standards Setting Deregulation Innovation Development vs. Research Technological Barriers Intangibles International Projection Trade and the Dollar Cross-Shareholding Public Governance Anti-Regulatory Praxis Lobbying and Patronage Money in Politics Revolving Doors Judiciary System 3. Accumulation Value Commodity Value Product Markets Competition Capital and Labor Accumulation and Pricing Oligopolistic Accumulation Consolidation Speculative Finance New Technologies Input Markets Imposing Terms Dual Oligopoly: Inputs, Products Labor Markets Insecurity Contingency Labor Uselabor Dual Oligopoly: Labor, Products Compound Oligopoly Complexity and Lock-In 4. Transformation Elements Labor Capital Production Research and Product Development Commodification Commodity Fetishism Technological Fetishism Data Commodification Standardizing and Systematizing Reproduction Capital Resources Capacity for Work Labor Intangibles Capacity Utilization Excess Capacity Capacity-Price Engineering Typologies Extraction and Assemblage Integrative Production Inventive Appropriation 5. Dysfunction Employment Technocapitalist Control Compensation and Productivity Long-Term Deficit Consumer Exploitation Pricing Differential Add-Ons Data Exploitation Clouds Networks Wants Contrivance Overconsumption Addictions Typologies Waste Toxicity and Pollution E-Waste Agro-Tech Microbiome Disruption Eco-Planetary Techno-Fixes Efficiency Mirage The Commons Lauderdale Paradox Access and Benefit Appropriation 6. Domination Commodity Chains Arbitrage Labor Arbitrage Value Arbitrage Control Hierarchies Biotechnology Intellectual Property Cybernetics Financial Socio-Political Enforcement Enforcement Platform Multimodality Taxpaying Contractual Money Taxpayer Exploitation 7. Techno-Oligarchy Chapter abstracts: 2. Power. Considers the sources of power of technology oligopoly capitalism. A broad scope on how power is amassed and imposed is unique in treatments of technology. Control over market pricing is critically addressed, to show the importance of co-respectiveness, purported optimization of returns, mergers, acquisitions, entry barrier engineering, standards setting, and deregulation for oligopolistic power. Conceptualization of technology neo-conglomerates provides insights on how oligopolies expand their power as they deepen control over market pricing. Innovation is examined---to consider how invention and research have been turned into marketing accessories. The vital relevance of intangible resources, their social reproduction, and the obstacles posed by technology oligopolies are examined. International trade, monetary issues, and risky financial cross-shareholding are discussed critically. The influence of technology oligopolies on public governance considers strategies, how they promote anti-regulatory efforts, the spread of lobbying, patronage, and political contributions. The judiciary system’s role is addressed by considering landmark decisions and precedent as major sources of power. Treatment of strategies and actions---including those unique to technology oligopolies---and a vast amount of documentation make this chapter essential for researchers, students, policy-makers, and bibliographers. The contents of this chapter have no peer in the literature on technology, and are vitally important for specialists considering antitrust action. 3. Accumulation. Analyzes the accumulative dynamic of technology oligopoly capitalism, its elements and market scenarios. Unique in its conceptualization of how the accumulative dynamic operates, and the importance of surpluses in the productive cycle. The relationship of oligopolistic capital accumulation to classical works provides much needed historical perspective on the importance of labor and capital in accumulation. Consideration of strategies that expand accumulation by capturing market segments---and the role of acquisitions, entry barriers, finance, data appropriation, clouds and platforms---document their importance for oligopolistic control over the productive cycle. Conceptualization and discussion of dual and compound oligopoly---and their relationship with aspects uniquely found in technology oligopolies---have no peers in the literature. Definition and elaboration of the concept of uselabor provides insights on a phenomenon unique to social media and search oligopolies. Emergence of uselabor and its relationship with the commercialization of the web, data appropriation, and capital accumulation is considered in detail. A vast amount of documentation makes this chapter a vital reference work for technology studies. The contents of this chapter should be considered essential reading and reference for researchers, students, policy-makers, bibliographers, and those interested in knowing how technology oligopolies became as important as they are. 4. Transformation. Examines the deep structure of how commodities are transformed through production, research and product development. Unique in its breadth, details, and documentation. Distinctive systemic elements and phenomena of productive transformation are considered critically. The relationship of transformation to classical works and their views on labor provides historical perspective, relating it to critical aspects of value and creativity. In-depth treatment of the phenomena of commodification and reproduction is unprecedented in the literature, providing unique insights on the technology domain. Definition and elaboration of the concepts of technological fetishism and of capacity-price engineering explain distinctive operational features of oligopolistic control. Use of the concept of systematized research regimes to explain how research and product development operate provides necessary perspectives on the value of labor intangibles. Further development of the concept of uselabor explains how production operates in social media oligopolies, and its implications for fairness and justice. A typological analysis then provides a synthesis of how the multiple facets of transformation operate in concert. The vast amount of documentation makes this chapter a major reference work. This chapter has no peers in the literature, and should be of vital interest to bibliographers, researchers, policy analysts, students, and authors interested in how technology oligopolies produce, create and exploit. 5. Dysfunction. Analyzes major systemic dysfunctions of technology oligopolies and their effects on economic wellbeing, health and nature. Influence of new technologies on employment and their dysfunctional effects regarding productivity, the long-term job deficit, and workplace control. Conceptualization of consumer exploitation has no peers in the technology literature. Role of the pricing differential as a dysfunctional feature of consumption is documented with numerous examples. Unique in its conceptualization of data exploitation in technology oligopolies, the role of networks and data clouds. Conceptualization of wants contrivance, its effects and typologies, provides much needed perspective. Analyses of the micro- and macro-panorama of waste and their effects on the environment, health and nature have no peer in the literature. Examination of proposed techno-fixes to eco-planetary dysfunction emphasizes the urgency of addressing carbon emissions, climate change and the destruction of life. Consideration of the commons addresses dysfunctional aspects of access, benefit and expropriation---addressing the contradiction between private wealth and collective benefit. Extensive documentation makes this chapter a major reference work for bibliographers, students, researchers, policy analysts, and authors interested in technology. The contents of this chapter have no peer in the technology literature, and should be considered required reading for courses on technology and society, policy analysis, and social economics. 6. Domination. Provides macro-systemic perspectives on the vital importance of global domination for technology oligopoly capitalism. Unique in how it relates technology oligopoly capitalism to the martial domain, and to global domination over new technologies. The symbiotic relationship between technology oligopolies and the martial domain is explored through several binding elements---geopolitics, commodity chains, labor and value arbitrage, and the setting of hierarchic global controls over the most advanced technologies. Technology-enabled, “soft” approaches to domination---and the role of technology oligopolies---are explored and documented. Ways of enforcing domination are analyzed, considering the role of technology oligopolies, their symbiosis with the military apparatus, and their global impacts. Multimodality in warfare---and its relationship with technology oligopolies---is explored and documented. The concept of taxpayer exploitation---and its relationship with the creation and use of new technologies by the martial domain---is presented and extensively documented. Numerous contemporary examples are provided throughout, along with a vast bibliography that reaches across the technology spectrum. The contents of this chapter have no peers in the literature, in their scope and multidisciplinary perspectives. The vast amount of documentation provided makes it essential reading for any researcher, student, author or bibliographer wishing to explore how technology oligopolies condition our contemporary global reality. 7. Techno-Oligarchy. The existential impasse of technology oligopoly capitalism, and the relations of power imposed by a minuscule, but very wealthy and powerful elite, are core concerns of this chapter. Unique in its conceptualization of a totalistic supra-structure that operates as an alter state---to perpetuate the power of a minuscule elite. Its systemic inducement of social alienation---a pervasive feature of contemporary life---is examined. Alienation from nature, from invention and innovation, from governance, the martial domain, and from socially responsible taxation are considered---to link up with contents of previous chapters. This approach broadens the concept of social alienation, by relating it to macro-scale aspects of technology oligopoly capitalism that are unique in the technology literature. Ways to move forward are addressed, to help chart a trajectory that can provide constructive alternatives. The concept of totalistic control structure may motivate researchers and students to look into the macro dimensions of social systems, and the impacts of technology. Important for conceptualizations of social structure, and the evolution of the relations of power in society. The contents of this chapter should be considered essential reading for researchers, authors and students who wish to understand the power of oligarchic elites over technology, and the imposition of totalistic supra-structures. Notes. Provide the most extensive documentation of any work in the technology literature (existing or past). Unique as a reference resource for bibliographers, librarians, students, researchers and policy-makers. References can become the core of a digital library on technology---due to their breadth, their extent, and the level of detail. Such a library would be a major reference resource for the twenty-first century. ________ Luis Suarez-Villa is Professor Emeritus of Social Ecology and of Planning, Policy, and Design at the University of California (Irvine). Among his previous books are Corporate Power, Oligopolies, and the Crisis of the State; Globalization and Technocapitalism; and Technocapitalism: A Critical Perspective on Technological Innovation and Corporatism. Luis Suarez-Villa – UCI School of Social Ecology<https://faculty.sites.uci.edu/suarezvilla/> ________

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Call for Applications. Coding Provenance: Workshop on Computational Provenance Research
by Bárbara Romero Ferrón 16 Jul '25

16 Jul '25

Dear colleagues, - Apologies for cross-posting - We are inviting applications to our workshop on Computational Provenance Research. Coding Provenance: Workshop on Computational Provenance Research A Collaboration between Leuphana’s Provenance Lab and the Getty Provenance Index Leuphana University of Lüneburg, December 18–21, 2025 The Coding Provenance workshop marks the launch of an annual series devoted to training in computational techniques for provenance research. Bringing together scholars and practitioners from fields such as provenance studies, art history, history, material culture, and cultural/social anthropology, the workshop explores how computational methods and techniques can open new pathways for analyzing, interpreting, and rethinking provenance data. Over four days, participants will take part in a dynamic program that combines lectures, hands-on sessions, and open discussions. We will explore how artificial intelligence can assist with collecting, structuring, analyzing, and visualizing provenance data. Alongside technical training, the workshop provides a space for critical reflection on epistemological and methodological challenges that arise when digitizing archival information, applying data models, machine learning algorithms, and large-scale analysis to provenance research. This first edition will take place in person at Leuphana University of Lüneburg in Germany. It will include two preparatory online sessions to encourage early collaboration and tailor parts of the content to participants’ interests. The workshop is organized by the Provenance Lab at Leuphana University and the Getty Provenance Index at the Getty Research Institute. The Provenance Lab<https://www.leuphana.de/en/institutes/ipk/provenance-lab.html> is an interdisciplinary research initiative that explores provenance as a source of insight into broader cultural and social dynamics. Focusing on object-based provenance data, the Lab examines object histories not only at the level of individual artworks but as a rich empirical resource for analyzing patterns of movement, collection, and exchange over time. By combining provenance research with data science, the Lab develops and refines methodologies, interoperable models, and data standards, aiming to enhance the field of provenance studies. The Getty Provenance Index<https://www.getty.edu/databases-tools-and-technologies/provenance/> (GPI) provides open access to data drawn from primary sources like dealer stock books and sales catalogs, enabling the tracing of artwork ownership and market histories as far back as the 16th century. Now published as linked data, the GPI unlocks new possibilities for applying computational methods to provenance research, enabling large-scale exploration of ownership patterns, the identification of previously unrecognized relationships within the dataset, and the integration of GPI data with other cultural heritage resources. Organizers: Bárbara Romero Ferrón, PhD, and Prof. Dr. Lynn Rother, Provenance Lab, Leuphana University of Lüneburg; Giulia Taurino, PhD, and Sandra van Ginhoven, PhD, Getty Provenance Index, Getty Research Institute, Los Angeles Where: Leuphana University Lüneburg, Universitätsallee 1, 21335 Lüneburg, Germany When: * Preparatory Online Sessions: October 24, 6:00 pm (CET) & November 21, 6:00 pm (CET). These sessions are mandatory. * Workshop in person: December 18, 3:30 pm (CET) to December 21, 2025, 1:00 pm (CET). Participants: Limited to 16 Eligibility: The workshop is open to provenance researchers, museum professionals, and humanities scholars at different career stages, including early-career and senior scholars. A minimum of a completed Master’s degree (or equivalent professional experience) is required to participate. No prior technical expertise is required. Funding: We are committed to fostering fair and inclusive participation. To support this, the Coding Provenance Workshop will be free of charge. Hotel accommodation for three nights will be covered by the Provenance Lab and the Getty Research Institute, and travel grants will be available based on demonstrated need and geographical location. Application: Send your application through this Google form: https://forms.gle/VBDy3EeLuesgrkDQ9 We cannot accept applications submitted via email. Application Deadline: August 24th, 2025 We will inform applicants by September 12, 2025. If you have any questions, suggestions, or need more information, please do not hesitate to contact us: barbara.romero_ferron(a)leuphana.de<mailto:[email protected]>

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MUM 2025 CfP
by Grootjen, Jesse 14 Jul '25

14 Jul '25

MUM 2025, the 24th International Conference on Mobile and Ubiquitous Multimedia Enna, Italy, December 1-4, 2025 MUM 2025, the 24th International Conference on Mobile and Ubiquitous Multimedia, will be held in Enna, Italy, December 1st –4th. MUM is an interdisciplinary forum for advances in research of mobile and ubiquitous multimedia systems, applications, and services. At MUM, academics and practitioners discuss challenges and achievements in this field from diverse perspectives, such as interaction techniques, user research, system development, software solutions, and devices. This edition of MUM aims to continue the tradition of innovation and excellence in research established by previous MUM conferences. We welcome submissions of high-quality papers that offer original and unpublished contributions relevant to mobile and ubiquitous multimedia. Paper topics include, but are not limited to, the following: * Prototypes and systems tackling relevant technical challenges * Novel applications for mobile and ubiquitous gaming, learning, entertainment, social networking, and advertising * Augmented, mixed, and virtual reality systems and applications * Case studies, field trials, or user experience evaluations of new applications and services * Context-aware and location-based mobile and ubiquitous services * Metrics and measures for evaluating and testing mobile and ubiquitous systems * Privacy and security-related challenges to multimedia systems * Social implications of mobile and ubiquitous multimedia systems * Interaction and collaboration with human-centered AI systems * Tools and development environments for building mobile, wearable, and ubiquitous multimedia systems * User interfaces, interaction design, and interaction techniques for mobile and ubiquitous systems * Interaction design for automotive and other modes of transportation * Fabrication and device prototyping Long & short papers summary: * Anonymous submissions (double-blind review) * Length (using LaTeX template or Word template): * Short papers: 7 pages maximum (excluding references) * Full papers: 16 pages maximum (excluding references) * Timeline (all deadlines are AoE): * Paper Submission: August 21, 2025 * Decision Notification: October 06, 2025 * Camera-ready: October 20, 2025 * Upon acceptance: mandatory presentation at the conference For further details about the submission, the review and publication process, other available tracks, and general information about the conference and the venue, please go to: mum-conf.org<http://mum-conf.org/> Should you have any questions, please contact the Papers and Technical Program Chairs: Mohamed Khamis, University of Glasgow, UK Passant Elagroudy, DFKI, Germany papers2025(a)mum-conf.org<mailto:[email protected]>

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Job advertisement: University Assistant without doctorate for Digital Humanities at the University of Graz
by Scholger, Walter (walter.scholger＠uni-graz.at) 09 Jul '25

09 Jul '25

Dear colleagues, I ask you to distribute this job offer at our department to any colleagues that may be interested: The Department of Digital Humanities at the University of Graz is looking for a University Assistant without a doctorate (m/f/d) 30 hours per week, from September 2025 (at the earliest), limited to 4 years Application deadline: until 6 August 2025 Application and details at: https://jobs.uni-graz.at/en/jobs/437fec89-f060-112b-5951-67aa29e57500 Tasks - Writing a dissertation in the field of Digital Humanities - Research and teaching in the Department of Digital Humanities - Participation in research projects of the Department of Digital Humanities - Independent teaching of courses and participation in teaching and examination tasks of the Institute - Supervision of students - Participation in organisational and administrative tasks as well as evaluation measures Profile: - Completed Master's or Diploma degree in Digital Humanities or another humanities subject, or a subject related to computer science, in the course of which you have also dealt with humanities issues and methods - Confident handling of complex applications for the generation, management, evaluation or visualisation of humanities data - Fluency in English and German. If your German language skills are still inadequate at the time of recruitment, you intend to improve your German language skills to level C1 in the course of your employment - Basic knowledge of at least one of the following technologies, proven by examples of self-written code (X-Technologies, Python, HTML/CSS/JavaScript, Semantic Web Stack, R, Java) - Experience in the implementation and realisation of projects in the field of Digital Humanities (desirable) - Communication, organisational and teamwork skills If you have any questions, please contact me by phone on +43 (0) 316 / 380 - 2292 or send an e-mail to dh(a)uni-graz.at<mailto:[email protected]> . Best regards, Walter Scholger ____________________ Walter Scholger Institutsmanager | Department Manager Institut für Digitale Geisteswissenschaften | Department of Digital Humanities Universität Graz | University of Graz Elisabethstraße 59/III, A-8010 Graz Tel.: +43/(0)316/380 - 2292 E-Mail: walter.scholger(a)uni-graz.at<mailto:[email protected]> Web: https://digital-humanities.uni-graz.at<https://digital-humanities.uni-graz.at/>

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New special issue: Environmental materialities of digital tech
by Loup Cellard 08 Jul '25

08 Jul '25

Hi there! I am glad to share a new special issue about the environmental and material implications of digital technologies. Among different articles in French, there is two ethnographies in English that are worth reading: Cyrus Khalatbari, « Struggles and Resilience in GPU miniaturisation. From Taipei’s Overclockers to Accra’s Urban Miners <https://journals.openedition.org/reset/6133> », RESET, 2025. Hugo Estecahandy, « Computing Bitcoin on Soviet Legacies. Material Geopolitics of Cryptocurrency Mining in Global East <https://journals.openedition.org/reset/5951>», RESET, 2025. The whole issue can be found here: https://journals.openedition.org/reset/5909 The translation of the introduction in English will come in September. We regret the absence of female contributors in this issue, which does not reflect the proposals initially submitted to the journal, nor the richness of female contributions on the topic. This omission raises the question of how to evaluate articles while reconciling parity, double-blind evaluation procedures and suitability for the objectives of a special issue. Best, Loup -- *Loup Cellard* <http://www.loupcellard.com>Researcher — Datactivist <https://datactivist.coop/en/> (Paris/Marseille) Affiliate at Sciences-Po Médialab <https://medialab.sciencespo.fr/> (Paris) + ADM+S Centre <https://www.admscentre.org.au/> (Melbourne) Editor at Tèque <https://revue-teque.fr/>, a tech criticism journal by Audimat Editions <https://audimat-editions.fr/> (Paris) Email : loupcellard(a)gmail.com Mobile FR : +33 7 87 00 84 22 Website : loupcellard.com <http://www.loupcellard.com/> X : @CellardLoup <https://twitter.com/CellardLoup>Newsletter : Data Dandysme <https://blog.loupcellard.com/>

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DH Conference at the University of Oxford for Graduates and ECR’s
by Patrick Flood 07 Jul '25

07 Jul '25

Dear all, The Emerging Digital Methodologies conference at the University of Oxford is currently calling for papers. The central goal of the conference is to bring together the many graduate students and early career researchers using digital and computational methodologies across the world. It is supported by the Jesus College Oxford Cheng Kar Shun Digital Hub and Voltaire Foundation. The conference will capture a wide range of subject areas across the many communities of scholars taking-up digital methods – both from novices and expert practitioners. Papers could include, for example, ‘Problems of LLM’s in the Humanities’, ‘ChatGPT and visual culture’, ‘A Network Analysis of 16c Europe’, ‘Crafting music in the age of AI’, ‘The problems of control-f in the modern age’, ‘Book culture and language models’, ‘NLP processing of 20c films’, etc. Submissions can be in any of the following formats: * 7-minute lightning talks (especially suitable for early findings or work-in-progress) * 15-minute papers * 30-minute roundtable conversations (minimum 3 participants) To apply to speak, you can submit a 200-word abstract and short biography using the form available here<https://forms.office.com/pages/responsepage.aspx?id=G96VzPWXk0-0uv5ouFLPkQD…>. For further information, please see the Jesus College website<https://www.jesus.ox.ac.uk/call-for-papers-emerging-digital-methodologies-c…> or you can contact Patrick.Flood(a)history.ox.ac.uk<mailto:[email protected]> Patrick on behalf of the EDM Team

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Call for Applications – Two Postdoctoral Positions in Digital Humanities and performing arts (ERC STAGE)
by clarisse bardiot 27 Jun '25

27 Jun '25

Dear colleagues, I am pleased to announce the opening of two postdoctoral positions within the ERC project STAGE: From Stage to Data, the Digital Turn of Contemporary Performing Arts Historiography. The project explores how computational methods can contribute to a new understanding of mise en scène and creative processes in Europe since WWII. The exact position titles are: 1. Postdoc in Digital Humanities (Computer Vision & Performing Arts) This position seeks a researcher with expertise in computer vision to analyze visual and audiovisual traces of performance (photographs, video recordings of performances). https://euraxess.ec.europa.eu/jobs/348852 2. Postdoctoral Position (3 years) in Digital Humanities and Performing Arts History This position focuses on the quantitative analysis of theatre programs as data sources for understanding artistic and institutional developments in the 20th and 21st centuries. https://euraxess.ec.europa.eu/jobs/348901 Both positions are based in Rennes (France) within an interdisciplinary team, for 3 years . Application deadline: September 8, 2025. Please share these opportunities widely within your networks. Do not hesitate to reach out if you have any questions. Warm regards, Clarisse Bardiot ///// Clarisse Bardiot Professeur des universités en études théâtrales Département des Arts du spectacle Université Rennes 2 Site web http://www.clarissebardiot.info/ <http://www.clarissebardiot.info/> Projet ERC From Stage to Data : https://stage-to-data.huma-num.fr/en/ Dernier livre : Arts de la scène et humanités numériques. Des traces aux données <https://www.istegroup.com/fr/produit/arts-de-la-scene-et-humanites-numeriqu…> / Performing Arts and Digital Humanities. From Traces to Data. <https://www.istegroup.com/fr/produit/arts-de-la-scene-et-humanites-numeriqu…> 2021. Wiley / Iste.

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Research Associate Positions - PAESE Project - Leuphana University
by Bárbara Romero Ferrón 25 Jun '25

25 Jun '25

Dear colleagues, - apologies for cross-posting - We are thrilled to announce two Research Associate positions for our project, PAESE. Find the job description below, and please share it with your network. If you have any questions, do not hesitate to contact us. Research Associate (m/f/d) (EG 13 TV-L, 100%, limited until 31 October 2028) Scheduled to start in fall 2025 the positions are part of sub-project PAESE 3.0, which focuses on object and provenance data generated through the joint project Provenance Research in Ethnographic Collections in Lower Saxony (PAESE) 2018-2022. This data has been supplemented by research from other collections within Lower Saxony institutions. The project’s goal is to further develop this data regarding its potential applications for users, research questions, existing data infrastructures, and repositories, including the CCC portal (Collections from Colonial Contexts) of the German Digital Library. The sub-project is co-directed by Prof. Dr. Lynn Rother, Lichtenberg Professor for Provenance Studies and Director of the Provenance Lab at Leuphana University Lüneburg, and Dr. Claudia Andratschke, Coordinator of the Provenance Research Network in Lower Saxony, provenance researcher, and Head of the Collections and Research Department at Landesmuseum Hannover. Within the Science Space, PAESE data development is conducted in collaboration with two PhD positions: one at the Professorship of Computer Science with a focus on data analysis at Jade University of Applied Sciences Oldenburg (Prof. Dr. Sascha Koch), and another at the Professorship of Cartography and Geoinformatics at Leibniz University of Hanover (Prof. Dr. Monika Sester). The responsibilities of the two positions include: Data Development & Research: * Enrich and contextualize PAESE data, focusing on legacy information and implicit knowledge related to cultural attribution and geographic changes over time * Conduct requirement analysis for PAESE data development (addressing needs of scientific community, communities of origin, and other potential users) Project Coordination: * Provide scientific coordination of the sub-project (in consultation with sub-project leaders) * Coordinate collaborations with partners within and outside the Science Space * Manage and coordinate student assistants * Prepare schedules, budgets, reports, and other deliverables for the sub-project Outreach & Networking: * Conduct project-related public outreach through presentations at conferences and scientific publications * Develop best practice guidelines and science policy texts * Plan and execute project workshops * Network with national and international initiatives on colonial context collections (e.g., Colonial Provenances Working Group, Digitization Working Group of Arbeitskreis Provenienzforschung, Network Colonial Contexts, NFDI4Culture) Your profile: We encourage applications from candidates with either a humanities background, an informatics background, or expertise in both areas. You will bring to the position: Option A: Ph.D. (preferred) or M.A. in history, anthropology/ethnology, art history, sociology, or related fields; demonstrated experience working with collections from colonial contexts; experience or willingness to work with cultural heritage informatics and metadata standards, such as CIDOC-CRM and authority files; or Option B: Ph.D., M.A., or B.A. (with multi-year relevant professional experience) in computer science, library science, data science, or other fields relevant to digital humanities research; experience in cultural heritage informatics and familiarity with metadata standards, such as CIDOC-CRM and authority files; Additional requirements: * Commitment to transdisciplinary collaboration * Independent and responsible work approach * Excellent written and spoken English skills * Knowledge of French and other languages is an asset What we offer: * * Transdisciplinary & cooperative project work with an international focus * Ambitious scope of tasks in an open-minded team with opportunities to contribute your own ideas and visions * Flexible working arrangements: 6:00 AM - 9:00 PM with remote work options within Germany * Additional company pension through Versorgungsanstalt des Bundes und der Länder (VBL) * Professional development: Internal and external training opportunities * Work-life balance: University sports and health-promoting measures * Academic environment characterized by innovative teaching and strong research focus Your application: https://www.leuphana.de/universitaet/jobs-und-karriere/forschung-lehre/ansi… Bárbara Romero Ferrón, PhD (She/Her) Research Associate, Provenance Lab, Leuphana University Senior Researcher, iArtHisLab, University of Málaga

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New JSTOR Text Analysis Support Process Available
by Amy Kirchhoff 20 Jun '25

20 Jun '25

Hi all, Late last year, ITHAKA made the decision to sunset Constellate<https://constellate.org/docs/constellate-sunset?ref=cms-prod.constellate.org>, our text analysis platform, on July 1, 2025. While we're proud of what Constellate accomplished in advancing computational literacy and text analysis skills, we concluded that we weren't achieving the broad-scale impact we had hoped for as a nonprofit organization. However, JSTOR has long supported text analysis research and will continue to do so. We've launched JSTOR Text Analysis Support (https://www.jstor.org/ta-support) to provide researchers with access to JSTOR's full-text content for text analysis projects. We've created comprehensive documentation<https://support.jstor.org/hc/en-us/articles/32479181127575-JSTOR-Text-Analy…> and are offering a demonstration webinar, Intro to new JSTOR Text Analysis Support process: * Date and time: June 23, 2025 at 11:30 am EDT (3:30 pm GMT) * Register here<https://forms.gle/toM9G6ibTLgLavr89> For questions or assistance, just let me know. Best regards, Amy Kirchhoff -- Amy J. Kirchhoff (she/her) Senior Manager, Constellate | ITHAKA Bluesky: @amyjoankirchhoff.bsky.social<http://amyjoankirchhoff.bsky.social>

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CFP: Comics & AI [London, UK]
by Ernesto Priego 20 Jun '25

20 Jun '25

Dear all, With apologies for the double posting, I'd like to share this call with the members of this list. Comics & AI: Critical Prompts. A one-day multidisciplinary conference on the future of comics, technology, and creativity Thursday, 4 September 2025 | 10am–6pm | City St George’s, University of London *200-word abstract submission deadline: 10 July 2025* Full info at* https://comicsandai.org <https://comicsandai.org>. * If you prefer a PDF of this text, you can download it from * https://doi.org/10.6084/m9.figshare.29069522 <https://doi.org/10.6084/m9.figshare.29069522>* Many thanks! Ernesto @ernestopriego https://ernestopriego.com/ The Comics Grid: Journal of Comics Scholarship http://www.comicsgrid.com/ Parables of Care: https://blogs.city.ac.uk/parablesofcare/ Symbola Comics: https://figshare.com/collections/Symbola_Comics/4090025 Subscribe to the Comics Grid Newsletter: http://eepurl.com/iOYAj The information contained in this email is confidential and may be legally privileged. It is intended for the addressee(s) only. If you are not the intended recipient, please delete this e-mail. The contents of this e-mail must not be forwarded, disclosed or copied without the sender's consent. The statements and opinions expressed in this message are those of the author and do not necessarily reflect those of any related organisations, projects, colleagues or employers.

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CLS INFRA Online Workshop on Network Analysis
by Joanna Byszuk 20 Jun '25

20 Jun '25

[with apologies for cross-posting] We cordially invite you to a CLS Infra online workshop on Network Analysis taught by Daniil Skorinkin, Ph.D., from University of Potsdam, that will take place on 9th July. You will find the details below: Abstract: This workshop introduces the fundamentals of network analysis for humanities scholars, combining historical and literary case studies with hands-on practice. Participants will explore networks of literary characters, letter correspondence, and historical actors, and learn to visualise and interpret these structures using accessible tools like Gephi and EzLinaVis. Date: 9 July @ 10:30 am CEST (estimated to last ~2hours) Registration: https://forms.gle/XH875jLaCwxfTnKf8 On behalf of CLS INFRA, Joanna Byszuk -- dr Joanna Byszuk Pracownia Metodologiczna Computational Stylistics Group Logo IJP <https://ijppan.pl> HR Logo <https://ijppan.pl/logo-hr> Instytut Języka Polskiego Polskiej Akademii Nauk Institute of Polish Language Polish Academy of Sciences al. Mickiewicza 31 31-120 Kraków Phone +48 12 632 56 92 Phone-Internal 365 Email joanna.byszuk(a)ijppan.pl Informacja dot. przetwarzania danych osobowych <https://ijppan.pl/pl/polityka-prywatnosci/> | Privacy Policy Information <https://ijppan.pl/en/polityka-prywatnosci/>

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Project assistant in Digital Humanities at the University of Graz
by Scholger, Walter (walter.scholger＠uni-graz.at) 19 Jun '25

19 Jun '25

Dear colleagues, my apologies for "spaming" the list - the correct application deadline for the job opening at the University of Graz that I advertised yesterday is 7 July! There is currently a job opening at the Department of Slavic Studies at the University of Graz for a Digital Humanities Project assistant (without doctorate) in the "Liminal Waters" CHANSE project: https://chanse.org/liminalwater/ Please also distribute this information to your networks. Project assistant without PhD (pre-doc), 20 hrs/week, starting in September 2025, until January 2027 (hours could increase in 2026). Essential: * Proficiency in spoken and written German and English (minimum B1) * Experience with a web-based CMS (content management system) * Experience with configuring and administrating a (preferably Linux-based) server * Knowledge of core GIS (Geographic Information Systems) concepts * Basic spreadsheet and desktop publishing skills) * Basic proofreading and copy-editing skills * Basic image editing skills (i.e. resizing and formatting image files) * General understanding of online maps and (online) content creation * International experience (work or study experience abroad) Desirable: * Proficiency in other languages (especially Bosnian/Croatian/Serbian, German, Greek, French, and/or Portuguese) * Experience with GIS software experience (ie. ArcGIS or QGIS) * Understanding of taxonomies and categorisation of data * Understanding of uses of audio-visual sources in research (e.g. ethnographic film or ethnographic photography, video essays, PhotoVoice) * Experience with museum collections * Experience of digitization of archival or museum collections If you are interested, please send your application, including a CV and appropriate documentation of the required skills, to the project's PI at the University of Graz, Dr. Yvonne Zivkovic: yvonne.zivkovic(a)uni-graz.at<mailto:[email protected]> (phone +43 316 380 2437), who is also available for further information on the position and the project. The deadline for applications is July 7, 2025. Kind regards, Walter Scholger ____________________ Walter Scholger Institutsmanager | Department Manager Institut für Digitale Geisteswissenschaften | Department of Digital Humanities Universität Graz | University of Graz Elisabethstraße 59/III, A-8010 Graz Tel.: +43/(0)316/380 - 2292 E-Mail: walter.scholger(a)uni-graz.at<mailto:[email protected]> Web: https://digital-humanities.uni-graz.at<https://digital-humanities.uni-graz.at/>

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Project assistant in Digital Humanities at the University of Graz
by Scholger, Walter (walter.scholger＠uni-graz.at) 18 Jun '25

18 Jun '25

Dear colleagues, there is currently a job opening at the Department of Slavic Studies at the University of Graz for a Digital Humanities Project assistant (without doctorate) in the "Liminal Waters" CHANSE project: https://chanse.org/liminalwater/ Please also distribute this information to your networks. Project assistant without PhD (pre-doc), 20 hrs/week, starting in September 2025, until January 2027 (hours could increase in 2026). Essential: * Proficiency in spoken and written German and English (minimum B1) * Experience with a web-based CMS (content management system) * Experience with configuring and administrating a (preferably Linux-based) server * Knowledge of core GIS (Geographic Information Systems) concepts * Basic spreadsheet and desktop publishing skills) * Basic proofreading and copy-editing skills * Basic image editing skills (i.e. resizing and formatting image files) * General understanding of online maps and (online) content creation * International experience (work or study experience abroad) Desirable: * Proficiency in other languages (especially Bosnian/Croatian/Serbian, German, Greek, French, and/or Portuguese) * Experience with GIS software experience (ie. ArcGIS or QGIS) * Understanding of taxonomies and categorisation of data * Understanding of uses of audio-visual sources in research (e.g. ethnographic film or ethnographic photography, video essays, PhotoVoice) * Experience with museum collections * Experience of digitization of archival or museum collections If you are interested, please send your application, including a CV and appropriate documentation of the required skills, to the project's PI at the University of Graz, Dr. Yvonne Zivkovic: yvonne.zivkovic(a)uni-graz.at<mailto:[email protected]> (phone +43 316 380 2437), who is also available for further information on the position and the project. The deadline for applications is June 7, 2025. Kind regards, Walter Scholger ____________________ Walter Scholger Institutsmanager | Department Manager Institut für Digitale Geisteswissenschaften | Department of Digital Humanities Universität Graz | University of Graz Elisabethstraße 59/III, A-8010 Graz Tel.: +43/(0)316/380 - 2292 E-Mail: walter.scholger(a)uni-graz.at<mailto:[email protected]> Web: https://digital-humanities.uni-graz.at<https://digital-humanities.uni-graz.at/>

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University of Edinburgh - NLP Global Majority Visiting Fellowships 2025-2026
by Melissa Terras 16 Jun '25

16 Jun '25

Dear Colleagues, I would appreciate if you could share this opportunity with your wide networks - thank you! Melissa Join the Designing Responsible NLP Global Majority Fellowship Scheme at the University of Edinburgh! https://www.responsiblenlp.org/global-majority-fellowships-2025-2026/ Deadline: 31st July 2025, 23:59 British Summer Time Are you an early-career researcher or professional with a passion for Natural Language Processing (NLP) and looking for an extraordinary opportunity to expand your horizons? The UKRI Centre for Doctoral Training in Designing Responsible NLP<https://www.responsiblenlp.org/> at the University of Edinburgh is thrilled to announce the launch of our Global Majority Fellowship Scheme, to be hosted at the Edinburgh Futures Institute<https://efi.ed.ac.uk/> and the School of Informatics<https://informatics.ed.ac.uk/>. This initiative is focused towards early-career researchers and professionals from the global majority* who are eager to challenge the norms and enrich the field of NLP with diverse perspectives. Fellows will be embedded within the interdisciplinary responsible AI community at the Edinburgh Futures Institute, and can mentor, collaborate and exchange ideas with our doctoral students and their academic supervisors. The aim of these Fellowships is to support global majority researchers and professionals to develop their research network, and to enrich the training of our doctoral students The Fellowship comes with a stipend for living expenses and travel, seeking to enable Fellows to be hosted in Edinburgh for between 2-3 months in duration. We expect the first Fellow will join us in Edinburgh between January and March 2026. Fo the first year of this fellowship scheme, we are welcoming applications on the topic of “Responsible NLP and Digital Cultural Heritage” which will be supported by Professor Melissa Terras<https://edwebprofiles.ed.ac.uk/profile/melissa-terras>. *That is people who are black, Asian, brown, dual-heritage, indigenous to the global south, and/or have been racialised as ‘ethnic minorities’. Topic Details: The focus for this year’s Global Majority Fellowship is to explore innovative but responsible applications of Natural Language Processing in analysing, enhancing, understanding, or reusing digital cultural heritage collections, including those from galleries, libraries, archives, and museums (GLAM), or other communities. This interdisciplinary research topic may cover: * Identifying and navigating linguistic bias in cultural data sets * Computational aspects of creating Language Models from heritage collections * The potential for NLP to contextualise marginalised voices and communities within large scale digitised collections * Social, ethical, financial, institutional and legal aspects of the use of heritage collections to create Language Models * The intersection of NLP with related AI technologies within the cultural heritage space, particularly Advanced Text Recognition. * Any other related topic, including practice-based creative interventions in this area. Fellowship Highlights: * Duration & Support: Engage in a 2 to 3-month fellowship (during academic teaching semester) with living expenses up to £2,500 per month, including a travel grant of £1,000 to cover your journey to and from Edinburgh. * Innovative Environment: Be part of the vibrant academic community at the newly opened Edinburgh Futures Institute (EFI) and collaborate with top-tier researchers across EFI, the School of Informatics, and beyond. * VISA Fees Covered: We facilitate your journey as an Academic Visitor, covering VISA fees for you and your dependants (more information here<https://global.ed.ac.uk/staff-immigration-service/visiting-the-uk/visitors/…>). * Engagement & Dissemination: We will organise a public lecture for you during your visit, engage in mentorship meetings, invite you to participate in events with our Centre for Doctoral Training students and run a masterclass with them, and produce a featured blog post about your experience. Who Should Apply?: You can apply if you are an early career researcher defined as either of the following: * within eight years of receiving your PhD or equivalent professional training (measured from the date of successful PhD viva to the point of applying) * within six years of your first academic appointment (paid contract of employment which lists research or teaching as the primary role). Benefits of the Fellowship: * Gain unparalleled access to academic mentoring, networking events, and seminars through collaboration with Centre’s supervisors and University of Edinburgh academics across multiple disciplines. * Opportunities to integrate into seminars in cooperation with Institute for Advanced Studies in the Humanities<https://www.iash.ed.ac.uk/about> and the Institute for Design Informatics<http://www.designinformatics.org/>enhancing both professional and personal growth. * Access to comprehensive training sessions, wellness activities, and public seminars that are part of the EFI’s research initiatives. Timeline: Applications are open until the 31st July 2025. We invite applicants to prepare for potential interviews at the end of August (these will take place virtually). This timeline will ensure you are ready to start your fellowship in the heart of Edinburgh during January to March 2026. How to apply: In order to apply, you need to: 1. Complete and submit the application form here: https://forms.office.com/e/JDFX6B0rsc 2. Prepare a CV, Cover Letter and Research Proposal and send these to: gmf.nlp(a)inf.ed.ac.uk<mailto:[email protected]> The CV should be a maximum of 2-pages, and cover relevant work and professional experience, qualifications, and a list of relevant publications, projects and / or grants. The Cover Letter should be between 1 and 2 pages, and should describe your fit to the opportunity, highlighting anything in particular in your CV and your research proposal that you want to draw the committee’s attention to. The Research Proposal should include: * A description of the research project you would seek to undertake as part of your Fellowship – this should be aligned to the topical focus of this Fellowship call. (maximum of 500 words) * A description of how your research and/or professional responsibilities and experience intersects with responsible NLP. (maximum of 250 words) * A description of how you see the visit to Edinburgh both impacting your research and you in terms of your professional development. (maximum of 500 words max) * A summary of what you could offer as a masterclass for our Centre for Doctoral Training students. (maximum of 200 words) Applicants must submit both the form and the email with the three attachments by 23:59 British Summer Time on the 31st July 2025 in order to be considered for the Fellowships. If you have any questions: For more information on the Fellowship, or if you have any questions, please contact our team by emailing gmf.nlp(a)inf.ed.ac.uk<mailto:[email protected]>. See more at: <https://www.responsiblenlp.org/global-majority-fellowships-2025-2026/> responsiblenlp.org<https://www.responsiblenlp.org/global-majority-fellowships-2025-2026/> [X]<https://www.responsiblenlp.org/global-majority-fellowships-2025-2026/> ———— Professor Melissa Terras MBE FREng Co-Director, CoSTAR Realtime Lab Design Informatics, Edinburgh College of Art University of Edinburgh @melissaterras The University of Edinburgh is a charitable body, registered in Scotland, with registration number SC005336. Is e buidheann carthannais a th’ ann an Oilthigh Dhùn Èideann, clàraichte an Alba, àireamh clàraidh SC005336.

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CCLS2025 in Krakow: Registration Deadline Extended to 23rd June
by Journal of Computational Literary Studies 15 Jun '25

15 Jun '25

Dear colleagues, We are pleased to inform you that the local organizers have extended the deadline for registration for CCLS 2025 until the 23rd of June. Please also let your colleagues and friends know about the extension. Information about the conference: https://jcls.io/site/ccls2025/ You can register directly here: https://www.konferencje-uj.pl/?lang=en&go2rej=1&kid=397 Virtual attendance is free. Best wishes the JCLS editors & the CCLS2025 Local Organizers - - - - - - - - - - - Journal of Computational Literary Studies https://jcls.io E-Mail: info(a)jcls.io Editors: Evelyn Gius, Christof Schöch, Peer Trilcke Editorial Assistants: Svenja Guhr, Julian Häußler, Élodie Ripoll, Henny Sluyter-Gäthje Board: Katherine Bode, Anne-Sophie Bories, Amy E. Earhart, Maciej Eder, Miguel Escobar Varela, Martin Eve, Frank Fischer, José Eduardo González, Natalie M. Houston, Fotis Jannidis, Mike Kestemont, Erik Ketzan, Anouk Lang, David Mimno, Borja Navarro, Roxana Patras, Federico Pianzola, Glenn Roe, Richard Jean So, Tomoji Tabata, Ted Underwood, Karina van Dalen-Oskam, Paul Vierthaler

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Code & Culture talk (12.03): Literary Computing of US-American Romance Novels (Guhr)
by Digital Humanities Potsdam 11 Jun '25

11 Jun '25

Dear DH colleagues, The Digital Humanities Network at the University of Potsdam cordially invites you to the next lecture in the 'Code & Culture' talk series <https://www.uni-potsdam.de/en/digital-humanities/aktivitaeten/code-and-cult…>. Our guest this time is *Svenja Guhr* (Technical University of Darmstadt/Stanford University), who will talk about "Literary Computing of US-American Romance Novels/"/*/./* _Abstract_*: */This talk explores the application of literary computing to contemporary popular fiction, focusing on the Romance series Men Made in America. By employing scene-segmented unit comparisons, it analyzes the representation of domestic space and character sound across the corpus, offering new perspectives on the structural and thematic elements of this popular genre./ _Time and place_*: March 12**, 2025*, 17:00 (CET), online via Zoom. Please *register* here to get the Zoom link: https://www.uni-potsdam.de/en/digital-humanities/activities/code-culture-le… Best wishes, DH Network Potsdam -- Netzwerk Digitale Geisteswissenschaften Universität Potsdam Am Neuen Palais 10 Haus 4, Raum 2.11 14469 Potsdam https://www.uni-potsdam.de/de/digital-humanities

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CCLS2025 Krakow: Registration open until June 12
by Journal of Computational Literary Studies 06 Jun '25

06 Jun '25

Dear colleagues, This is a friendly reminder that registration is open for the CCLS2025 conference (on-site attendance and virtual participation), on July 3-4, 2025 at the Jagiellonian University Krakow. Registration is open until 2025-06-12 23:59:59 GMT+1 (i.e. until next Thursday). Information about the conference: https://jcls.io/site/ccls2025/ You can register directly here: https://www.konferencje-uj.pl/?lang=en&go2rej=1&kid=397 Virtual attendance is free. Best wishes the JCLS editors & the CCLS2025 Local Organizers - - - - - - - - - - - Journal of Computational Literary Studies https://jcls.io <https://jcls.io/> E-Mail: info(a)jcls.io <mailto:[email protected]> Editors: Evelyn Gius, Christof Schöch, Peer Trilcke Editorial Assistants: Svenja Guhr, Julian Häußler, Élodie Ripoll, Henny Sluyter-Gäthje Production Developer: Dominik Gerstorfer Board: Katherine Bode, Anne-Sophie Bories, Amy E. Earhart, Maciej Eder, Miguel Escobar Varela, Martin Eve, Frank Fischer, José Eduardo González, Natalie M. Houston, Fotis Jannidis, Mike Kestemont, Erik Ketzan, Anouk Lang, David Mimno, Borja Navarro, Roxana Patras, Federico Pianzola, Glenn Roe, Richard Jean So, Tomoji Tabata, Ted Underwood, Karina van Dalen-Oskam, Paul Vierthaler

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DraCor Summit (Berlin, 2025) – Programme, Registration, Travel Grants
by Peer Trilcke 05 Jun '25

05 Jun '25

[apologies for crossposting] Dear colleagues, Today we are pleased to provide you with more information about the programme of the DraCor Summit. Also, we are delighted to announce the opening of registration. The DraCor Summit will take place in Berlin from 1 to 5 September 2025. It will be organised by the Freie Universität Berlin and the University of Potsdam. Programme We have now published the programme for the DraCor Corpora Conference on 2 September and the Workshop on Computational Drama Analysis on 3 September. We are looking forward to 18 corpus presentations and 11 research talks. Wow! Details on the programme can be found here: https://summit.dracor.org/programme-overview Further information on the DraCorOS Training Sessions on 1 September and the DraCor Barcamp on 4 September will follow in the course of the summer. Registration We would also like to draw your attention to the opening of registration. As of today, you can register for the DraCor Summit for free. As part of the registration process, you can also let us know if you require childcare during the Summit. We offer virtual participation for some components of the programme. You may register for all or individual components of the programme using the following form on the University of Potsdam website: https://www.uni-potsdam.de/en/digital-humanities/events/dracor-summit Travel Grants Not to forget, we would like to point out that the registration process includes the possibility to apply for travel grants. Travel grants are expected to be up to €300. Please note that applications of participants who will actively contribute to the Summit (in the context of the Workshop on Computational Drama Analysis or the DraCor corpora conference) will be treated preferentially. Applications for grants can be submitted until 30 June (so if you are interested, register soon!). See you at the Summit! The Local Organisers – Julia Jennifer Beine, Ingo Börner, Frank Fischer, Luca Giovannini, Carsten Milling, Antonio Rojas Castro, Mark Schwindt, Daniil Skorinkin, Henny Sluyter-Gäthje, Peer Trilcke, Laura Untner. https://summit.dracor.org/ info(a)dracor.org

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5 year, full time, text and data mining post doc position - digital participation of war, Edinburgh
by Melissa Terras 05 Jun '25

05 Jun '25

Hi folks, Please could you circulate this opportunity to colleagues seeking a postdoc? Thanks! Melissa ———— Professor Melissa Terras MBE FREng Co-Director, CoSTAR Realtime Lab Design Informatics, Edinburgh College of Art University of Edinburgh @melissaterras > > From: Andrew Hoskins <andrew.hoskins(a)ed.ac.uk> > Subject: 5 year, full time, experienced post doc position, Edinburgh > Date: 5 June 2025 at 12:23:06 BST > To: Melissa Terras <M.Terras(a)ed.ac.uk> > > FIVE YEAR FULL TIME RESEARCH FELLOW post at The University of Edinburgh. > > on the ERC awarded/UKRI funded WARSHARE - digital participation in war - project, beginning September. > led by Professor Andrew Hoskins – andrew.hoskins(a)ed.ac.uk <mailto:[email protected]> > > Project summary: > > The battle over representations and perceptions of war is transformed in an era of billions of images, videos and other digital content of war being produced, shared, edited, liked, linked, fabricated and deleted on smartphones, social media platforms and messaging apps. > > War in the twenty-first century is participative. People can record and document war, and unwittingly and deliberately transmit data points that can generate targets on the battlefield. Smart devices are both a way to represent war and a node in its practice. > > This project will produce new interdisciplinary understanding of how and why digital participation is transforming how individuals and societies (including militaries and states) fight, experience, and understand (perceive, explain, and de/legitimise) warfare. > > It will illuminate how smart devices, apps and platforms enable a wide range of actors – militaries, states, journalists, NGOs, private companies, soldiers, citizens, victims – to participate in warfare in an immediate and ongoing fashion. > > At the same time, this project engages the revolution in machine-learning and AI methods which enable mining and measuring of online behaviour at scale, and the illumination of multiple modes of communication (messages, images, video, memes and emojiis) that together shape participation and meaning in warfare. > > In experimenting with AI and machine learning methods, it will break new interdisciplinary ground (social and computing science, art, visual, media and communication studies) to test what kinds of knowledge about twenty-first century participative war (how it is fought, experienced, contested, legitimized, and remembered, for multiple actors) can be acquired and used. > > It takes the hybrid messenger service/social media platform of Telegram as its principal case study, an unbounded ‘new war front’, central to the waging and experiencing of the 2022- Russian war against Ukraine. > > Further details: > https://elxw.fa.em3.oraclecloud.com/hcmUI/CandidateExperience/en/sites/CX_1… <https://eur02.safelinks.protection.outlook.com/?url=https%3A%2F%2Felxw.fa.e…>

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CFP: 9th Workshop on Visualization for the Digital Humanities
by Eva Mayr 05 Jun '25

05 Jun '25

Dear colleagues, We're happy to announce the call for papers for the VIS4DH workshop co-located with the IEEE VIS Conference in Vienna, Austria! The VIS4DH workshop brings together researchers and practitioners from the fields of visualization and the humanities to discuss new research directions at the intersection of visualization and (digital) humanities research. This year, you can contribute to VIS4DH 2025 in two ways - you can submit to the workshop's Paper track, or you can submit to the Agora track, which calls for provocations, artworks, work in progress, or lab talks. Our call for submissions is open to all fields of the (digital) humanities and social sciences, and to all areas of visualization research and practice. The workshop is intended to put different ways of seeing, knowing, articulating, and transforming arguments into dialogue in order to foster and intensify collaborations between humanities and visualization researchers. While the workshop theme for VIS4DH'25 remains open to all submissions exploring the intersection of the humanities and visualization, we especially invite contributions related to the theme Visualizing Peace and Conflict as a response to the global increase of violence and armed conflict (see https://ucdp.uu.se/encyclopedia) At the same time, however, submissions do not need to focus explicitly on conflict between warring parties. We also encourage submissions related to ideological, civil, social, environmental, or epistemic conflicts and the potential for their resolution to address a broader theme/trend of intensified division worldwide. The topic aims to bring together researchers in international relations, peace & conflict resolution, sociology, anthropology, digital humanities, and visualization to present and discuss how research approaches in these areas can critically inform one another and contribute to new ways of studying conflict and its peaceful resolution. Besides general contributions at the intersection of visualization and (digital) humanities that provide theoretical and/or applied perspectives, with this year's theme, we invite work around (but not limited to) the following questions: * How can visualization techniques make cultural phenomena which are substantially structured or driven by tensions, antagonisms, controversies, or conflicts visible and negotiable? * How can visualization tools be designed to inform or support the resolution of conflicts? * What visual strategies can be employed to highlight how political conflicts frequently translate into representational or interpretive conflicts (e.g., generating contested or conflicting descriptions, datasets, framings, rhetorics, or other design choices)? * What role do disagreements play in collaborative research and visualization processes, and how might those be productively visualized rather than resolved or hidden? Submission Deadlines Paper Track: 30 June 2025, 23:59 AoE Agora Track: 22 August 2025, 23:59 AoE Please, visit the workshop website on https://vis4dh.dbvis.de for more information. The organizing committee looks forward to your contributions and to lively discussions in Vienna Alfie Abdul-Rahman, Mark-Jan Bludau, Eva Mayr, Monika Schwarz, & Tomas Vancisin vis4dh(a)gmail.com _______________ Dr. Eva Mayr Department für Kunst- & Kulturwissenschaften Universität für Weiterbildung Krems www.donau-uni.ac.at/eva.mayr/<http://www.donau-uni.ac.at/eva.mayr/> +43 2732 893 2324

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Reminder: Bielefeld guest lectures in Computational Literary Studies/Cultural Studies/Computational Linguistics/Digital Linguistics/Open Science
by Berenike Herrmann 03 Jun '25

03 Jun '25

Dear all, (with apologies for cross-postings), This summer term, the Bielefeld research colloquium “LiLi revisited: Digital Interface Research between Literary Studies and Linguistics" and the Bielefeld “Computational/Digital Linguistics Work Group Meeting” (H. Buschmeier/S. Zarrieß) will another guest lecture that I would like to draw your attention to. June 10: Prof. Dr. David Bamman (Berkeley): Measuring Representation and Linguistic Variation in Hollywood The lecture is public and can be attended in person and via zoom. The talk will not be recorded. David Bamman (Berkeley) Measuring Representation and Linguistic Variation in Hollywood Movies are a massively popular and influential form of media, but their computational study at scale has largely been limited due to the availability of data. In this talk, I'll discuss our efforts to build a collection of 2,307 films representing the top 50 movies by U.S. box office over the period 1980 to 2022, along with award nominees. Building this collection allows us to carry out several large-scale computational studies of film; I'll discuss our work measuring changing patterns in the representation of gender and race/ethnicity over the past 43 years (where we see an increase in diversity over the past decade) and in leveraging it to model variation in emotional performances and choice of adverbial intensifiers over both narrative and historical time. This work illustrates a new frontier of the data-driven analysis of film at a large scale. When: June 10 2025, 10-12 hs Where: Hybrid. Bielefeld University, Lecture Hall CITEC 1.204 and Zoom Zoom link: https://uni-bielefeld.zoom-x.de/j/64995938421?pwd=VzH0WHjA5I1LaLsGQeB2wJuvB… We are looking forward to a vivid discussion! Berenike Herrmann, Hendrik Buschmeier, Sina Zarrieß (DH, CLS, CL, DL) prof. dr. berenike herrmann german literature | digital humanities bielefeld university | faculty of linguistics and literature universitaetsstraße 25 33615 bielefeld germany main building (UHG) U6, office 122 +49 (0)521 106-67194 personal homepage secretary: ms. andrea schrottenloher (andrea.schrottenloher(a)uni-bielefeld.de) office: main building (UHG) U6-135, phone: +49 (0)521 106-3702

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Digital Humanities im deutschsprachigen Raum (DHd2026) - Call for Papers
by Tara L Andrews 02 Jun '25

02 Jun '25

Dear colleagues, (German version below) I am very pleased to announce the Call for Papers for the DHd2026 conference today! DHd 2026, “Not Only Text, Not Only Data”, annual conference of the Association of Digital Humanities in German-speaking countries, organized by the University of Vienna. 23–27 February 2026. Submission deadline: 1 August 2025 https://dhd2026.digitalhumanities.de/ Both digitization of cultural heritage and abstract information modeling have, in recent years, significantly expanded the breadth of potential research in the humanities. The initial source of this expansion was primarily the creation of textual corpora and the development of algorithms and interfaces for text analysis. Over time, this has evolved to the point where it now includes the digital capture of virtually all "objects" within the humanities, and their attendant analytical interconnections: individuals, places, material culture, concepts, artworks, spoken interactions, and more. Yet despite the diversity of approaches, ideas, data, and methods in today’s digital humanities, focus often remains on more text-centred projects and data-focused results. We propose addressing the challenges posed by this expansion beyond text and data as the conference motto: not by excluding text-centered approaches but by placing them within a broader context. Disciplines such as art history, archaeology, and museum studies traditionally produce and analyze datasets related to material culture, including climate data, landscape profiles, and image matrices. They also produce analytical data, including human biological data such as genetics, and perception data, like eye-tracking, EEG, fMRT, and so on. However, this data is contextualized by informed integration with further information that completes a historical and contextual picture, necessitating varied data obtained through the analysis of diverse datasets. The conference aims to foster greater consideration of what diverse data means for scholars. Data creation is not the end but rather the very beginning of contemporary projects. Researchers in the digital humanities now frequently find themselves not only producing data but also conceiving of and developing algorithmic frameworks for their analyses, including the use of machine learning techniques recently mostly discussed under the label of Artificial Intelligence. Both the data itself and the approach taken are equally vital: data often lose much of their value when divorced from the methods used for both their creation and analysis. This aspect of knowledge production – the creation of methods and functions – has yet to receive sufficient attention in terms of their reuse and replication within the digital humanities. The lack of clear standards and best practices in this regard remain a fundamental challenge in digital humanities research. The same applies to preservation of interfaces and scripts of all kinds. Here too, it is essential to intensify cross-disciplinary dialogue. Code and algorithms each play a role that is as crucial for interdisciplinary dialogue with other fields of study (from computer science to social sciences) as academic prose. Other disciplines can only understand humanities data if they comprehend interpretations, which, in turn, depends on how they are processed. Hence, the development, preservation, and informed discussion of code are core components, if not prerequisites, for interdisciplinary, transdisciplinary, and cross-disciplinary engagement. The conference aims to create a productive space for encounters and discussions to explore these issues. Panels, presentations, workshops, and poster sessions will bring together experts from the fields of data science, digital cultural heritage research, and digital archival studies with representatives from the more text- and language-oriented digital humanities. We look forward to providing a venue for discussion and deliberation to foster discourse on code and algorithms, databases and archives, and text and data, and how these things positively push the boundaries of our research in the humanities. We invite contributions to interdisciplinary research that combines the humanities with computational methods and digital technologies, including but not limited to: Use of digital tools and resources to study humanities disciplines, including history, literature, art, and cultural studies Exploration of the impact of technology on humanities research and teaching Best practices around programming and software development in the humanities Reuse and adaptation of existing datasets and algorithms for new research directions Studies concerning the replicability of previously obtained research results Sustainability and preservation of both data and research processes; how does data stewardship engage with algorithms? Current and developing best practices for work with non-textual as well as textual digital cultural heritage (Not) reinventing the wheel: what to do about pre-processing scripts Data Studies and the transferability of data and algorithms across disciplines Libraries as mediators of heterogeneous data and/or software tools in DH: enabling access, integration, and reuse beyond text- and data-centric approaches Photogrammetry and modelling of cultural heritage spaces Soundscapes, music, and audio in the digital humanities Multimedia and game studies for the humanities Ethics and sustainability of LLMs The detailed call, including submission modalities, can be found on the conference website: https://dhd2026.digitalhumanities.de/ where other important information about the conference will also soon follow! Any questions may be addressed to the organisation team at dhd2026(a)univie.ac.at <mailto:[email protected]>. We are looking forward to welcoming you in Vienna! * * * Liebe Kolleginnen und Kollegen, mit großer Freude eröffne ich heute den Call for Papers für die DHd2026-Konferenz! DHd 2025, „Nicht nur Text, nicht nur Daten“, Jahrestagung des Verbandes Digital Humanities im deutschsprachigen Raum, ausgerichtet von der Universität Wien 23–27 Feber 2026. Einreichungsfrist: 1. August 2025 Zahlreiche geisteswissenschaftliche Disziplinen haben in den vergangenen Jahren durch digitale Erfassung kultureller Erzeugnisse und abstrakte Modellierung von Information die Grundlage ihrer Erkenntnisarbeit signifikant erweitert. Ausgangspunkt dafür war vor allem die Erstellung von Textkorpora, Entwicklung von Algorithmen und Interfaces für die Analyse von Texten. Nach und nach hat eine Erweiterung des Feldes stattgefunden, so dass inzwischen vermutlich sämtliche “Objekte” der Geisteswissenschaften digital erfasst und zunehmend miteinander analytisch verknüpft werden können: Personen, Orte, Objekte der materiellen Kultur, Begriffe, Kunstwerke, sprachliche Interaktionen etc. Wir schlagen vor, die Herausforderungen, die sich aus dieser Erweiterung über Text und Daten hinaus ergeben, als Motto der Konferenz aufzugreifen: nicht indem wir textzentrierte Ansätze ausschließen, sondern indem wir sie in einen breiteren Kontext stellen. Fächer wie Kunstgeschichte, Archäologie und Museumswissenschaft produzieren und analysieren traditionell Datenbestände aus dem Bereich der materiellen Kultur – Klimadaten, Landschaftsprofile oder Bildraster, aber auch materialanalytische Daten, bis hin zu humanbiologischen Daten (Genetik, aber auch solchen der Perzeption: Eye-Tracking, EEG, fMRT, etc.). Erst die informierte Zusammenschau mit hermeneutisch gewonnener Erkenntnis rundet ein aus Kontext erzeugtes historisches Bild ab, das zunehmend aus der Analyse unterschiedlich gearteter Datenbestände gewonnen wird. Datenerzeugung steht aber nicht am Ende, sondern vielmehr am Anfang zeitgemäßer Projekte. So finden sich digital arbeitende Geisteswissenschafter*innen immer häufiger in der Situation, nicht nur Daten zu produzieren, sondern auch ein adäquates algorithmisches Rahmenwerk für ihre Analyse zu konzipieren und zu entwickeln. Das schließt den Gebrauch von Techniken des maschinellen Lernens ein, die zuletzt meist unter dem Label der „Künstliche Intelligenz“ diskutiert wurden. Tatsächlich verlieren Daten oft viel an Wert, wenn die algorithmischen Methoden nicht gemeinsam mit ihnen aufbewahrt und gepflegt werden. Dieser Aspekt der Wissensproduktion in Form von Methoden und Funktionen hat bisher in den Digitalen Geisteswissenschaften nicht die nötige Aufmerksamkeit im Hinblick auf Nachnutzung und Replikation erhalten. Der Mangel an klaren Standards bzw. Best Practices stellt jedoch ein fundamentales Problem digitaler Forschung dar. Dasselbe gilt für Interfaces und Skripts jeder Art. Auch hier gilt es, den Dialog mit den einschlägigen Fachrichtungen zu intensivieren. Code und Algorithmen erfüllen eine Rolle, die nicht weniger wichtig für den transdisziplinären Dialog mit anderen Fachdisziplinen (von der Informatik bis zu den Sozialwissenschaften) ist als die wissenschaftliche Prosa: Solch andere Disziplinen können geisteswissenschaftliche Daten nur dann verstehen, wenn sie nachvollziehen, wie diese interpretiert werden, was wiederum davon abhängt, wie sie prozessiert werden. Insofern ist die Entwicklung, Erhaltung und informierte Diskussion von Code ein zentraler Bestandteil, wenn nicht eigentlich sogar Voraussetzung, transdisziplinärer Auseinandersetzung. Die Konferenz möchte einen Begegnungs- und Diskussionsraum zur Erörterung dieser Fragen eröffnen. Panels, Vorträge, Workshops und Poster-Sessions bringen Expert*innen aus den Datenwissenschaften, der digitalen Kulturerbeforschung und Archivwissenschaft zusammen mit Vertreter*innen der traditionellen, text- und sprachorientierten DH. Wir freuen uns darauf, einen Ort für Austausch und Reflexion zu schaffen, in dem über Code und Algorithmen, Datenbanken und Archive, Text und Daten nachgedacht wird – und darüber, wie diese Themen die Grenzen der geisteswissenschaftlichen Forschung im positiven Sinn verschieben können. Wir laden zu Beiträgen zur interdisziplinären Forschungsdebatte ein, die Geisteswissenschaften mit computergestützten Methoden und digitalen Technologien verbinden, darunter unter anderem: Einsatz digitaler Tools und Ressourcen zum Studium geisteswissenschaftlicher Disziplinen, darunter Geschichte, Literatur, Kunst und Kulturwissenschaften Untersuchung der Auswirkungen von Technologie auf die geisteswissenschaftliche Forschung und Lehre Praktiken bzw. Best Practices rund um Programmierung und Softwareentwicklung in den Geisteswissenschaften Wiederverwendung und Anpassung bestehender Datensätze bzw. Algorithmen für neue Forschungsrichtungen Studien zur Replizierbarkeit bereits erzielter Forschungsergebnisse Nachhaltigkeit und Aufbewahrung sowohl von Daten als auch von Forschungsprozessen; wie greift Datenverwaltung in Algorithmen ein? Aktuelle und sich entwickelnde Best Practices für die Arbeit mit nicht-textuellen sowie textuellen digitalen Kulturgütern Das Rad (nicht) neu erfinden: Was tun mit Vorverarbeitungsskripten? Data Studies und die Übertragbarkeit von Daten und Algorithmen zwischen Disziplinen Bibliotheken als Vermittler heterogener Daten und/oder Software-Tools in den Digital Humanities: Zugang, Integration und Wiederverwendung über text- und datenzentrierte Ansätze hinaus ermöglichen Fotogrammetrie und Modellierung von Räumen des kulturellen Erbes Soundscapes, Musik und Audio in den Digital Humanities Multimedia- und Game Studies für die Geisteswissenschaften Ethik und Nachhaltigkeit von LLMs Der vollständige Call einschließlich Einreichungsmodalitäten finden Sie auf der Website der Konferenz: https://dhd2026.digitalhumanities.de/. Dort werden in Kürze auch weitere wichtige Informationen zur Konferenz veröffentlicht. Bei Fragen wenden Sie sich bitte an das Organisationsteam unter dhd2026(a)univie.ac.at <mailto:[email protected]>. Wir freuen uns darauf, Sie in Wien begrüßen zu dürfen! Best wishes / mit herzlichen Grüßen, Tara Andrews

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CCLS 2024: Program and Registration
by Journal of Computational Literary Studies 23 May '25

23 May '25

[with apologies for cross-posting] Dear colleagues, We are very pleased to inform you that we the program for the 4th Annual Conference of Computational Literary Studies (CCLS2025) on July 3 and 4 in Krakow is now published: https://jcls.io/site/ccls2025/ Registration for the conference (on-site and virtual participation) is also open: https://www.konferencje-uj.pl/?lang=en&go2rej=1&kid=397. Virtual attendance is free. For those of you who will be traveling to Krakow, we would like to draw your attention to our special pre-conference event. The EU project "CLS INFRA" will celebrate its Closing Event on July 2nd. Registration for this event is free: https://clsinfra.io/closing-event/ Best wishes, Evelyn Gius, Peer Trilcke and Christof Schöch - - - - - - - - - - - Journal of Computational Literary Studies https://jcls.io <https://jcls.io/> E-Mail: info(a)jcls.io <mailto:[email protected]> Editors: Evelyn Gius, Christof Schöch, Peer Trilcke Editorial Assistants: Svenja Guhr, Julian Häußler, Élodie Ripoll, Henny Sluyter-Gäthje Production Developer: Dominik Gerstorfer Board: Katherine Bode, Anne-Sophie Bories, Amy E. Earhart, Maciej Eder, Miguel Escobar Varela, Martin Eve, Frank Fischer, José Eduardo González, Natalie M. Houston, Fotis Jannidis, Mike Kestemont, Anouk Lang, David Mimno, Borja Navarro, Roxana Patras, Federico Pianzola, Glenn Roe, Richard Jean So, Tomoji Tabata, Ted Underwood, Karina van Dalen-Oskam, Paul Vierthaler

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Electing new members to the EADH Executive Committee – Deadline: 28 May 2025
by Mariangela Distilo 22 May '25

22 May '25

Dear EADH Members, This is a warm reminder that nominations are still open for four (4) new members to join the EADH Executive Committee for the 2025–2028 term. *The deadline to submit your candidacy is 28 May 2025*. As EADH continues its relaunch, this is a pivotal moment to help shape the direction of our Association and support the growth and visibility of Digital Humanities across Europe and beyond. Joining the Executive Committee is more than a formal responsibility — *it’s a chance to actively contribute to the future of our community.* By serving, you have the opportunity to strengthen the European DH network, advocate for inclusive and open practices, and take part in defining strategic initiatives with real impact. It’s also a meaningful way to build lasting connections and grow as a leader in an international, collaborative environment. We warmly encourage you to consider standing or nominating a colleague. Your voice and energy can make a real difference in the direction and development of Digital Humanities in Europe. *🔗 Full details and eligibility criteria are available on our website:* https://eadh.org/news/2025/04/25/call-nominations-join-eadh-executive-commi… Warm regards, Mariangela Distilo EADH Communications Manager

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