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Call for Applications. Coding Provenance: Workshop on Computational Provenance Research
by Bárbara Romero Ferrón 17 Jul '25

17 Jul '25

Dear colleagues, - Apologies for cross-posting - We are inviting applications to our workshop on Computational Provenance Research. Coding Provenance: Workshop on Computational Provenance Research A Collaboration between Leuphana’s Provenance Lab and the Getty Provenance Index Leuphana University of Lüneburg, December 18–21, 2025 The Coding Provenance workshop marks the launch of an annual series devoted to training in computational techniques for provenance research. Bringing together scholars and practitioners from fields such as provenance studies, art history, history, material culture, and cultural/social anthropology, the workshop explores how computational methods and techniques can open new pathways for analyzing, interpreting, and rethinking provenance data. Over four days, participants will take part in a dynamic program that combines lectures, hands-on sessions, and open discussions. We will explore how artificial intelligence can assist with collecting, structuring, analyzing, and visualizing provenance data. Alongside technical training, the workshop provides a space for critical reflection on epistemological and methodological challenges that arise when digitizing archival information, applying data models, machine learning algorithms, and large-scale analysis to provenance research. This first edition will take place in person at Leuphana University of Lüneburg in Germany. It will include two preparatory online sessions to encourage early collaboration and tailor parts of the content to participants’ interests. The workshop is organized by the Provenance Lab at Leuphana University and the Getty Provenance Index at the Getty Research Institute. The Provenance Lab<https://www.leuphana.de/en/institutes/ipk/provenance-lab.html> is an interdisciplinary research initiative that explores provenance as a source of insight into broader cultural and social dynamics. Focusing on object-based provenance data, the Lab examines object histories not only at the level of individual artworks but as a rich empirical resource for analyzing patterns of movement, collection, and exchange over time. By combining provenance research with data science, the Lab develops and refines methodologies, interoperable models, and data standards, aiming to enhance the field of provenance studies. The Getty Provenance Index<https://www.getty.edu/databases-tools-and-technologies/provenance/> (GPI) provides open access to data drawn from primary sources like dealer stock books and sales catalogs, enabling the tracing of artwork ownership and market histories as far back as the 16th century. Now published as linked data, the GPI unlocks new possibilities for applying computational methods to provenance research, enabling large-scale exploration of ownership patterns, the identification of previously unrecognized relationships within the dataset, and the integration of GPI data with other cultural heritage resources. Organizers: Bárbara Romero Ferrón, PhD, and Prof. Dr. Lynn Rother, Provenance Lab, Leuphana University of Lüneburg; Giulia Taurino, PhD, and Sandra van Ginhoven, PhD, Getty Provenance Index, Getty Research Institute, Los Angeles Where: Leuphana University Lüneburg, Universitätsallee 1, 21335 Lüneburg, Germany When: * Preparatory Online Sessions: October 24, 6:00 pm (CET) & November 21, 6:00 pm (CET). These sessions are mandatory. * Workshop in person: December 18, 3:30 pm (CET) to December 21, 2025, 1:00 pm (CET). Participants: Limited to 16 Eligibility: The workshop is open to provenance researchers, museum professionals, and humanities scholars at different career stages, including early-career and senior scholars. A minimum of a completed Master’s degree (or equivalent professional experience) is required to participate. No prior technical expertise is required. Funding: We are committed to fostering fair and inclusive participation. To support this, the Coding Provenance Workshop will be free of charge. Hotel accommodation for three nights will be covered by the Provenance Lab and the Getty Research Institute, and travel grants will be available based on demonstrated need and geographical location. Application: Send your application through this Google form: https://forms.gle/VBDy3EeLuesgrkDQ9 We cannot accept applications submitted via email. Application Deadline: August 24th, 2025 We will inform applicants by September 12, 2025. If you have any questions, suggestions, or need more information, please do not hesitate to contact us: barbara.romero_ferron(a)leuphana.de<mailto:[email protected]>

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MUM 2025 CfP
by Grootjen, Jesse 14 Jul '25

14 Jul '25

MUM 2025, the 24th International Conference on Mobile and Ubiquitous Multimedia Enna, Italy, December 1-4, 2025 MUM 2025, the 24th International Conference on Mobile and Ubiquitous Multimedia, will be held in Enna, Italy, December 1st –4th. MUM is an interdisciplinary forum for advances in research of mobile and ubiquitous multimedia systems, applications, and services. At MUM, academics and practitioners discuss challenges and achievements in this field from diverse perspectives, such as interaction techniques, user research, system development, software solutions, and devices. This edition of MUM aims to continue the tradition of innovation and excellence in research established by previous MUM conferences. We welcome submissions of high-quality papers that offer original and unpublished contributions relevant to mobile and ubiquitous multimedia. Paper topics include, but are not limited to, the following: * Prototypes and systems tackling relevant technical challenges * Novel applications for mobile and ubiquitous gaming, learning, entertainment, social networking, and advertising * Augmented, mixed, and virtual reality systems and applications * Case studies, field trials, or user experience evaluations of new applications and services * Context-aware and location-based mobile and ubiquitous services * Metrics and measures for evaluating and testing mobile and ubiquitous systems * Privacy and security-related challenges to multimedia systems * Social implications of mobile and ubiquitous multimedia systems * Interaction and collaboration with human-centered AI systems * Tools and development environments for building mobile, wearable, and ubiquitous multimedia systems * User interfaces, interaction design, and interaction techniques for mobile and ubiquitous systems * Interaction design for automotive and other modes of transportation * Fabrication and device prototyping Long & short papers summary: * Anonymous submissions (double-blind review) * Length (using LaTeX template or Word template): * Short papers: 7 pages maximum (excluding references) * Full papers: 16 pages maximum (excluding references) * Timeline (all deadlines are AoE): * Paper Submission: August 21, 2025 * Decision Notification: October 06, 2025 * Camera-ready: October 20, 2025 * Upon acceptance: mandatory presentation at the conference For further details about the submission, the review and publication process, other available tracks, and general information about the conference and the venue, please go to: mum-conf.org<http://mum-conf.org/> Should you have any questions, please contact the Papers and Technical Program Chairs: Mohamed Khamis, University of Glasgow, UK Passant Elagroudy, DFKI, Germany papers2025(a)mum-conf.org<mailto:[email protected]>

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Job advertisement: University Assistant without doctorate for Digital Humanities at the University of Graz
by Scholger, Walter (walter.scholger＠uni-graz.at) 09 Jul '25

09 Jul '25

Dear colleagues, I ask you to distribute this job offer at our department to any colleagues that may be interested: The Department of Digital Humanities at the University of Graz is looking for a University Assistant without a doctorate (m/f/d) 30 hours per week, from September 2025 (at the earliest), limited to 4 years Application deadline: until 6 August 2025 Application and details at: https://jobs.uni-graz.at/en/jobs/437fec89-f060-112b-5951-67aa29e57500 Tasks - Writing a dissertation in the field of Digital Humanities - Research and teaching in the Department of Digital Humanities - Participation in research projects of the Department of Digital Humanities - Independent teaching of courses and participation in teaching and examination tasks of the Institute - Supervision of students - Participation in organisational and administrative tasks as well as evaluation measures Profile: - Completed Master's or Diploma degree in Digital Humanities or another humanities subject, or a subject related to computer science, in the course of which you have also dealt with humanities issues and methods - Confident handling of complex applications for the generation, management, evaluation or visualisation of humanities data - Fluency in English and German. If your German language skills are still inadequate at the time of recruitment, you intend to improve your German language skills to level C1 in the course of your employment - Basic knowledge of at least one of the following technologies, proven by examples of self-written code (X-Technologies, Python, HTML/CSS/JavaScript, Semantic Web Stack, R, Java) - Experience in the implementation and realisation of projects in the field of Digital Humanities (desirable) - Communication, organisational and teamwork skills If you have any questions, please contact me by phone on +43 (0) 316 / 380 - 2292 or send an e-mail to dh(a)uni-graz.at<mailto:[email protected]> . Best regards, Walter Scholger ____________________ Walter Scholger Institutsmanager | Department Manager Institut für Digitale Geisteswissenschaften | Department of Digital Humanities Universität Graz | University of Graz Elisabethstraße 59/III, A-8010 Graz Tel.: +43/(0)316/380 - 2292 E-Mail: walter.scholger(a)uni-graz.at<mailto:[email protected]> Web: https://digital-humanities.uni-graz.at<https://digital-humanities.uni-graz.at/>

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New special issue: Environmental materialities of digital tech
by Loup Cellard 08 Jul '25

08 Jul '25

Hi there! I am glad to share a new special issue about the environmental and material implications of digital technologies. Among different articles in French, there is two ethnographies in English that are worth reading: Cyrus Khalatbari, « Struggles and Resilience in GPU miniaturisation. From Taipei’s Overclockers to Accra’s Urban Miners <https://journals.openedition.org/reset/6133> », RESET, 2025. Hugo Estecahandy, « Computing Bitcoin on Soviet Legacies. Material Geopolitics of Cryptocurrency Mining in Global East <https://journals.openedition.org/reset/5951>», RESET, 2025. The whole issue can be found here: https://journals.openedition.org/reset/5909 The translation of the introduction in English will come in September. We regret the absence of female contributors in this issue, which does not reflect the proposals initially submitted to the journal, nor the richness of female contributions on the topic. This omission raises the question of how to evaluate articles while reconciling parity, double-blind evaluation procedures and suitability for the objectives of a special issue. Best, Loup -- *Loup Cellard* <http://www.loupcellard.com>Researcher — Datactivist <https://datactivist.coop/en/> (Paris/Marseille) Affiliate at Sciences-Po Médialab <https://medialab.sciencespo.fr/> (Paris) + ADM+S Centre <https://www.admscentre.org.au/> (Melbourne) Editor at Tèque <https://revue-teque.fr/>, a tech criticism journal by Audimat Editions <https://audimat-editions.fr/> (Paris) Email : loupcellard(a)gmail.com Mobile FR : +33 7 87 00 84 22 Website : loupcellard.com <http://www.loupcellard.com/> X : @CellardLoup <https://twitter.com/CellardLoup>Newsletter : Data Dandysme <https://blog.loupcellard.com/>

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DH Conference at the University of Oxford for Graduates and ECR’s
by Patrick Flood 07 Jul '25

07 Jul '25

Dear all, The Emerging Digital Methodologies conference at the University of Oxford is currently calling for papers. The central goal of the conference is to bring together the many graduate students and early career researchers using digital and computational methodologies across the world. It is supported by the Jesus College Oxford Cheng Kar Shun Digital Hub and Voltaire Foundation. The conference will capture a wide range of subject areas across the many communities of scholars taking-up digital methods – both from novices and expert practitioners. Papers could include, for example, ‘Problems of LLM’s in the Humanities’, ‘ChatGPT and visual culture’, ‘A Network Analysis of 16c Europe’, ‘Crafting music in the age of AI’, ‘The problems of control-f in the modern age’, ‘Book culture and language models’, ‘NLP processing of 20c films’, etc. Submissions can be in any of the following formats: * 7-minute lightning talks (especially suitable for early findings or work-in-progress) * 15-minute papers * 30-minute roundtable conversations (minimum 3 participants) To apply to speak, you can submit a 200-word abstract and short biography using the form available here<https://forms.office.com/pages/responsepage.aspx?id=G96VzPWXk0-0uv5ouFLPkQD…>. For further information, please see the Jesus College website<https://www.jesus.ox.ac.uk/call-for-papers-emerging-digital-methodologies-c…> or you can contact Patrick.Flood(a)history.ox.ac.uk<mailto:[email protected]> Patrick on behalf of the EDM Team

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Call for Applications – Two Postdoctoral Positions in Digital Humanities and performing arts (ERC STAGE)
by clarisse bardiot 27 Jun '25

27 Jun '25

Dear colleagues, I am pleased to announce the opening of two postdoctoral positions within the ERC project STAGE: From Stage to Data, the Digital Turn of Contemporary Performing Arts Historiography. The project explores how computational methods can contribute to a new understanding of mise en scène and creative processes in Europe since WWII. The exact position titles are: 1. Postdoc in Digital Humanities (Computer Vision & Performing Arts) This position seeks a researcher with expertise in computer vision to analyze visual and audiovisual traces of performance (photographs, video recordings of performances). https://euraxess.ec.europa.eu/jobs/348852 2. Postdoctoral Position (3 years) in Digital Humanities and Performing Arts History This position focuses on the quantitative analysis of theatre programs as data sources for understanding artistic and institutional developments in the 20th and 21st centuries. https://euraxess.ec.europa.eu/jobs/348901 Both positions are based in Rennes (France) within an interdisciplinary team, for 3 years . Application deadline: September 8, 2025. Please share these opportunities widely within your networks. Do not hesitate to reach out if you have any questions. Warm regards, Clarisse Bardiot ///// Clarisse Bardiot Professeur des universités en études théâtrales Département des Arts du spectacle Université Rennes 2 Site web http://www.clarissebardiot.info/ <http://www.clarissebardiot.info/> Projet ERC From Stage to Data : https://stage-to-data.huma-num.fr/en/ Dernier livre : Arts de la scène et humanités numériques. Des traces aux données <https://www.istegroup.com/fr/produit/arts-de-la-scene-et-humanites-numeriqu…> / Performing Arts and Digital Humanities. From Traces to Data. <https://www.istegroup.com/fr/produit/arts-de-la-scene-et-humanites-numeriqu…> 2021. Wiley / Iste.

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Research Associate Positions - PAESE Project - Leuphana University
by Bárbara Romero Ferrón 26 Jun '25

26 Jun '25

Dear colleagues, - apologies for cross-posting - We are thrilled to announce two Research Associate positions for our project, PAESE. Find the job description below, and please share it with your network. If you have any questions, do not hesitate to contact us. Research Associate (m/f/d) (EG 13 TV-L, 100%, limited until 31 October 2028) Scheduled to start in fall 2025 the positions are part of sub-project PAESE 3.0, which focuses on object and provenance data generated through the joint project Provenance Research in Ethnographic Collections in Lower Saxony (PAESE) 2018-2022. This data has been supplemented by research from other collections within Lower Saxony institutions. The project’s goal is to further develop this data regarding its potential applications for users, research questions, existing data infrastructures, and repositories, including the CCC portal (Collections from Colonial Contexts) of the German Digital Library. The sub-project is co-directed by Prof. Dr. Lynn Rother, Lichtenberg Professor for Provenance Studies and Director of the Provenance Lab at Leuphana University Lüneburg, and Dr. Claudia Andratschke, Coordinator of the Provenance Research Network in Lower Saxony, provenance researcher, and Head of the Collections and Research Department at Landesmuseum Hannover. Within the Science Space, PAESE data development is conducted in collaboration with two PhD positions: one at the Professorship of Computer Science with a focus on data analysis at Jade University of Applied Sciences Oldenburg (Prof. Dr. Sascha Koch), and another at the Professorship of Cartography and Geoinformatics at Leibniz University of Hanover (Prof. Dr. Monika Sester). The responsibilities of the two positions include: Data Development & Research: * Enrich and contextualize PAESE data, focusing on legacy information and implicit knowledge related to cultural attribution and geographic changes over time * Conduct requirement analysis for PAESE data development (addressing needs of scientific community, communities of origin, and other potential users) Project Coordination: * Provide scientific coordination of the sub-project (in consultation with sub-project leaders) * Coordinate collaborations with partners within and outside the Science Space * Manage and coordinate student assistants * Prepare schedules, budgets, reports, and other deliverables for the sub-project Outreach & Networking: * Conduct project-related public outreach through presentations at conferences and scientific publications * Develop best practice guidelines and science policy texts * Plan and execute project workshops * Network with national and international initiatives on colonial context collections (e.g., Colonial Provenances Working Group, Digitization Working Group of Arbeitskreis Provenienzforschung, Network Colonial Contexts, NFDI4Culture) Your profile: We encourage applications from candidates with either a humanities background, an informatics background, or expertise in both areas. You will bring to the position: Option A: Ph.D. (preferred) or M.A. in history, anthropology/ethnology, art history, sociology, or related fields; demonstrated experience working with collections from colonial contexts; experience or willingness to work with cultural heritage informatics and metadata standards, such as CIDOC-CRM and authority files; or Option B: Ph.D., M.A., or B.A. (with multi-year relevant professional experience) in computer science, library science, data science, or other fields relevant to digital humanities research; experience in cultural heritage informatics and familiarity with metadata standards, such as CIDOC-CRM and authority files; Additional requirements: * Commitment to transdisciplinary collaboration * Independent and responsible work approach * Excellent written and spoken English skills * Knowledge of French and other languages is an asset What we offer: * * Transdisciplinary & cooperative project work with an international focus * Ambitious scope of tasks in an open-minded team with opportunities to contribute your own ideas and visions * Flexible working arrangements: 6:00 AM - 9:00 PM with remote work options within Germany * Additional company pension through Versorgungsanstalt des Bundes und der Länder (VBL) * Professional development: Internal and external training opportunities * Work-life balance: University sports and health-promoting measures * Academic environment characterized by innovative teaching and strong research focus Your application: https://www.leuphana.de/universitaet/jobs-und-karriere/forschung-lehre/ansi… Bárbara Romero Ferrón, PhD (She/Her) Research Associate, Provenance Lab, Leuphana University Senior Researcher, iArtHisLab, University of Málaga

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New JSTOR Text Analysis Support Process Available
by Amy Kirchhoff 20 Jun '25

20 Jun '25

Hi all, Late last year, ITHAKA made the decision to sunset Constellate<https://constellate.org/docs/constellate-sunset?ref=cms-prod.constellate.org>, our text analysis platform, on July 1, 2025. While we're proud of what Constellate accomplished in advancing computational literacy and text analysis skills, we concluded that we weren't achieving the broad-scale impact we had hoped for as a nonprofit organization. However, JSTOR has long supported text analysis research and will continue to do so. We've launched JSTOR Text Analysis Support (https://www.jstor.org/ta-support) to provide researchers with access to JSTOR's full-text content for text analysis projects. We've created comprehensive documentation<https://support.jstor.org/hc/en-us/articles/32479181127575-JSTOR-Text-Analy…> and are offering a demonstration webinar, Intro to new JSTOR Text Analysis Support process: * Date and time: June 23, 2025 at 11:30 am EDT (3:30 pm GMT) * Register here<https://forms.gle/toM9G6ibTLgLavr89> For questions or assistance, just let me know. Best regards, Amy Kirchhoff -- Amy J. Kirchhoff (she/her) Senior Manager, Constellate | ITHAKA Bluesky: @amyjoankirchhoff.bsky.social<http://amyjoankirchhoff.bsky.social>

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CFP: Comics & AI [London, UK]
by Ernesto Priego 20 Jun '25

20 Jun '25

Dear all, With apologies for the double posting, I'd like to share this call with the members of this list. Comics & AI: Critical Prompts. A one-day multidisciplinary conference on the future of comics, technology, and creativity Thursday, 4 September 2025 | 10am–6pm | City St George’s, University of London *200-word abstract submission deadline: 10 July 2025* Full info at* https://comicsandai.org <https://comicsandai.org>. * If you prefer a PDF of this text, you can download it from * https://doi.org/10.6084/m9.figshare.29069522 <https://doi.org/10.6084/m9.figshare.29069522>* Many thanks! Ernesto @ernestopriego https://ernestopriego.com/ The Comics Grid: Journal of Comics Scholarship http://www.comicsgrid.com/ Parables of Care: https://blogs.city.ac.uk/parablesofcare/ Symbola Comics: https://figshare.com/collections/Symbola_Comics/4090025 Subscribe to the Comics Grid Newsletter: http://eepurl.com/iOYAj The information contained in this email is confidential and may be legally privileged. It is intended for the addressee(s) only. If you are not the intended recipient, please delete this e-mail. The contents of this e-mail must not be forwarded, disclosed or copied without the sender's consent. The statements and opinions expressed in this message are those of the author and do not necessarily reflect those of any related organisations, projects, colleagues or employers.

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CLS INFRA Online Workshop on Network Analysis
by Joanna Byszuk 20 Jun '25

20 Jun '25

[with apologies for cross-posting] We cordially invite you to a CLS Infra online workshop on Network Analysis taught by Daniil Skorinkin, Ph.D., from University of Potsdam, that will take place on 9th July. You will find the details below: Abstract: This workshop introduces the fundamentals of network analysis for humanities scholars, combining historical and literary case studies with hands-on practice. Participants will explore networks of literary characters, letter correspondence, and historical actors, and learn to visualise and interpret these structures using accessible tools like Gephi and EzLinaVis. Date: 9 July @ 10:30 am CEST (estimated to last ~2hours) Registration: https://forms.gle/XH875jLaCwxfTnKf8 On behalf of CLS INFRA, Joanna Byszuk -- dr Joanna Byszuk Pracownia Metodologiczna Computational Stylistics Group Logo IJP <https://ijppan.pl> HR Logo <https://ijppan.pl/logo-hr> Instytut Języka Polskiego Polskiej Akademii Nauk Institute of Polish Language Polish Academy of Sciences al. Mickiewicza 31 31-120 Kraków Phone +48 12 632 56 92 Phone-Internal 365 Email joanna.byszuk(a)ijppan.pl Informacja dot. przetwarzania danych osobowych <https://ijppan.pl/pl/polityka-prywatnosci/> | Privacy Policy Information <https://ijppan.pl/en/polityka-prywatnosci/>

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