- Eadh-topics - lists.digitalhumanities.org

Jobs at the Dept of Digital Humanities, King's College London
by Andrea Ballatore 31 Aug '23

31 Aug '23

Might be of interest * https://www.kcl.ac.uk/jobs/073449-lecturer-in-digital-media-and-culture-edu… * https://www.kcl.ac.uk/jobs/073450-lecturer-in-social-and-cultural-ai-aep * https://www.kcl.ac.uk/jobs/073465-lecturer-in-lecturer-in-digital-media-edu… * https://www.kcl.ac.uk/jobs/073467-lecturer-in-cultural-computation-educatio… * https://www.kcl.ac.uk/jobs/073468-lecturer-in-digital-economy-and-innovatio… -- Lecturer in Social and Cultural Informatics | HPL Lead Department of Digital Humanities King’s College London ✉️ andrea.ballatore(a)kcl.ac.uk<mailto:[email protected]> 🔗 aballatore.space<http://aballatore.space/> 📅 Office Hours<https://calendly.com/andrea-ballatore-kcl/office-hours> 🐦 Twitter<https://twitter.com/a_ballatore> 👾 Computational Humanities RG<https://www.kcl.ac.uk/research/computational-humanities-research-group> 🗺️ RGS-IBG GIScience RG<https://geoinfo.science/> Pronouns: he/him Latest publications: ✅ Open access in GIScience and geographic data science link<https://aballatore.space/open-access-giscience> | 🏛️ A geography of UK museums link<https://rgs-ibg.onlinelibrary.wiley.com/doi/full/10.1111/tran.12578>

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PostDoc position at Aachen University
by Simone Rebora 25 Aug '23

25 Aug '23

Dear all, Prof. Dr. Ralf Schneider (RWTH Aachen) is looking for a German- and English-speaking post-doc in Digital Humanities. Please find the job posting attached to this email. Best regards, Simone

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What metadata do literary studies need?
by jose.calvo 17 Aug '23

17 Aug '23

The NFDI consortium Text+, the DFG priority program Computational Literary Studies, and the EU project CLS-Infra have jointly created a survey on criteria for the creation of literary text corpora or collections. It only takes about 10 minutes to answer! https://survey.academiccloud.de/index.php/916873?lang=en The aim of this survey is to ask all researchers who create (digital) literary corpora or collections what information they need and consider for compilation. Currently, catalogs from libraries, archives, and digital platforms do not yet meet researchers' criteria because of different priorities regarding metadata. We want to change this and therefore ask the researchers themselves, for example, whether they are only looking for novels by 19th century French women authors for their corpus or rather what other information besides genre, gender and time period might be important. Of course, this does not mean that these metadata can be added right after the survey, but prioritization helps us to improve research infrastructures and the supply of digital corpora plus metadata. Take the first step with us and participate in the survey: https://survey.academiccloud.de/index.php/916873?lang=en Dr. José Calvo Tello Georg-August-Universität Göttingen Niedersächsische Staats- und Universitätsbibliothek Göttingen D-37073 Göttingen Digital Humanities Abteilung: Forschung und Entwicklung Papendiek 14 (Historisches Gebäude, Raum 2.407) Fachreferent für Romanistik, Kunstgeschichte und Digital Humanities Platz der Göttinger Sieben 1 (Zentralbibliothek, Raum 0.47) calvotello(a)sub.uni-goettingen.de http://www.sub.uni-goettingen.de [1] Links: ------ [1] http://www.sub.uni-goettingen.de/

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Registration Open - Narratives From the Long Tail: Transforming Access to Audiovisual Archives Event Series, 25 - 29 September
by Yang Yuchen 02 Aug '23

02 Aug '23

[Apologies for cross-posting] Dear All, We are delighted to extend an invitation to you on behalf of the consortium of the Swiss National Science Foundation Sinergia Project, "Narratives From the Long Tail: Transforming Access to Audiovisual Archives"<https://www.futurecinema.live/>. Please Join us at EPFL, Switzerland, for a week-long series of thoughtfully curated events 25th - 29th of September that focus on exploring the exciting intersection of machine learning, visual analytics, digital museology, and archival science. With a 2-day PhD workshop, a half-day seminar, and a 2-day international symposium, this gathering brings together researchers and practitioners to address the current challenges in providing public access to the significant audiovisual archives of the 20th and 21st centuries: ----------------- PhD workshop Beyond Search: Opening Up Audiovisual Content for Humanities Studies <https://www.epfl.ch/labs/emplus/workshop-beyond-search-opening-up-audiovisu…>25-26 September 2023 (2 ECTS provided by EPFL, travel subsidy available) In recent years, audiovisual content, with its growing accessibility, rich hidden meanings, and complexity in modality, became a new frontier for research in humanities and computational domains. The quest for properly and meaningfully opening up the variety of information (such as historical, social, affective, and aesthetic) available in the ever-increasing audiovisual materials requires a collective effort from both sides to co-create not only new methods but also new research questions. This 2-day workshop, covering both the theoretical and practical aspects of processing and utilising audiovisual data, provides an entry point and a test field for researchers working on digital humanities, audiovisual content understanding, and HCI to formulate and validate new ideas. Lecturers: Prof. Marina Hassapopoulou, New York University Ingrid Mason, National Film and Sound Archive of Australia Prof. Matthias Grotkopp, Freie Universität Berlin Prof. Mark Williams & Dr John P. Bell, Dartmouth College Dr Luca Rossetto, University of Zurich To access the full programme, including bios and abstract, or to apply, click here:https://www.epfl.ch/labs/emplus/workshop-beyond-search-opening-up-audiovisual-content-for-humanities-studies-25-26-september-2023/ ----------------- Mini Seminar Constellations of Images: 'The Grande Conversion' in Cultural Archives <https://www.epfl.ch/labs/emplus/constellations-of-images-the-grande-convers…>27 September 2023 The digital era has witnessed a significant transformation in the accessibility and availability of cultural content in various formats, encompassing a wide range of art forms such as visual arts, cinema, literature, music, photography, and architecture. This shift from analogue to digital, referred to as the "grande conversion" by Milad Doueihi, continues to have a profound impact on our engagement with these creative expressions. Spinning off the new book Les Devenirs numériques des patrimoines (The Digital Futures of Heritage)<http://www.editions-msh.fr/livre/?GCOI=27351100825610>, this event carefully curated a series of talks drawing on a variety of disciplinary perspectives and examples, showcasing the progress and advantages of working with the ever-changing technologies. Speakers: Prof. Jeffrey Shaw, Hong Kong Baptist University Prof. Clarisse Bardiot, Rennes 2 University Prof. Daniel Foliard, Université Paris Cité Prof. Martine Beugnet, Université Paris Cité Lily Hibberd, Interdisciplinary Artist Prof. Sarah Kenderdine, EPFL Dr Susan Hazan, Digital Heritage, Israel To access the full programme, including bios and abstract, or to register, click here:https://www.epfl.ch/labs/emplus/constellations-of-images-the-grande-conversion-in-large-audiovisual-archives/ ----------------- Symposium New Paradigms for Accessing and Curating Audiovisual Collections <https://www.epfl.ch/labs/emplus/events/new-paradigms-audiovisual-2023/>28-29 September 2023 In the context of the transformation, accessibility and curation of datafied content require rethinking to unlock meaningfully the complexity and large volume of audiovisual collections. For instance, standard web interfaces often ignore the potential of exploration and features like visual, auditory, and haptic, which are not easily accessible with traditional metadata. Scoping out an upgrade for accessing audiovisual archives can be facilitated via innovative curatorial access and informatics models that can activate new modes of engagement, interaction, and meaning-making. While pushing the boundaries for accessibility, the new interfaces, experiences, and curatorial models also raise technological and conceptual questions about every corner of the archival practice, especially on the preservation end, in the age of data. Addressing these challenges, this symposium is stimulated by a growing need for access models for audiovisual collections beyond traditional strategies and the need to reconceptualize curatorial and presentational frameworks and models. It aims to explore the intersection of cutting-edge computational methods and audiovisual archiving through three themed sessions, each designed to cover a specific and unique angle: * A Blurry Boundary: From Archive to Data * A New Way of Seeing: Analytics and Curation * In Progress and Practice: An Institutional Zoom-in Bring together more than 20 world-leading scholars in various fields (such as media and cultural studies, digital humanities, archival science, informatics and human-computer interaction), archivists and curators from heritage institutions, as well as domain experts and artists, this symposium will serve as a holistic venue to explore and critically reflect on the affordances and limitations of cutting-edge computational methods and tools for preserving, accessing and utilizing audiovisual materials and to push forward a digital and data-driven mindset for the future of audiovisual collections. To access the full programme, including bios and abstract, or to register, click here:https://www.epfl.ch/labs/emplus/events/new-paradigms-audiovisual-2023/ ----------------- Visit the Pioneering Laboratory for Experimental Museology <https://www.epfl.ch/labs/emplus/>During all three events Each event invites participants to embark on a captivating journey through the cutting-edge Laboratory for Experimental Museology (eM+), where immersive visualisation, cultural data, and state-of-the-art technologies converge. Join our guided tour to explore unique visualisation systems, powerful sonic architectures, and groundbreaking techniques like motion capture and photogrammetry. Witness the transformation of tangible and intangible heritage into stunning ultra-high-resolution experiences. This exclusive opportunity unveils 20 years of research from pioneering laboratories in Sydney and Hong Kong, offering a glimpse into the future of post-cinematic multisensory engagement. As a part of the Sinergia Project: Narratives from the long tail, this guided tour will also showcase the latest interactive and embodied exploration interfaces developed for our content partners, such as the Eye Filmmuseum and the Radio Télévision Suisse. ----------------- Special Film Screening Film, the Living Record of Our Memory <https://filmthelivingrecordofourmemory.com/index.php>28 September 2023, during the symposium Why are we still able to watch moving images captured over 125 years ago? As we move ever further into the digital age, our audiovisual heritage seems to be taken increasingly for granted. However, much of our filmed history and cinema has already been lost forever. On the night of the 28th, we arranged a special screening of the latest documentary Film, the Living Record of Our Memory<https://filmthelivingrecordofourmemory.com/index.php>, where film archivists, curators, technicians and filmmakers from around the world explain what film preservation is and why it is needed. This documentary puts the focus on our protagonists are custodians of film whose work behind the scenes safeguards the survival of motion pictures. It is a task they undertake based on their closely held belief in the artistic and cultural value of the moving image, in tune with a shared mantra that a film might one day transform someone's life. This documentary is a homage to them all and sheds some light on their critical undertaking. ----------------- If you cannot make it in person, we will also provide streaming services for those participating online. Please use the respective link to register your online participation, and details will be sent shortly before the event. Should you have any questions or require further information regarding this symposium, please feel free to reach out to our coordinator Yuchen Yang at yuchen.yang(a)epfl.ch<mailto:[email protected]> Best, Narratives From the Long Tail Team.

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CfP on Digital Hermeneutics in Frankfurt/Main, Germany
by Möbus, Dennis 07 Jul '23

07 Jul '23

Dear Members of the EADH-Mailingslist, we are pleased to announce our second international conference on Digital Hermeneutics, organized by the research cluster digital_culture at the FernUniversität in Hagen: Digital Hermeneutics II: Sources, Analysis, Interpretation, Annotation, and Curation The conference will take place at our side-campus in Frankfurt/Main on November 23/24. Please find the call below and attached a layout-version. Best regards, Dennis Möbus Call for Papers Digital Hermeneutics II: Sources, Analysis, Interpretation, Annotation, and Curation Annual Conference of the Research Cluster digital_culture at the FernUniversität in Hagen 23./24. November 2023, Frankfurt am Main Digitization has reached almost all areas of science and scholarship. And even in the cultural sciences and humanities, computers, databases and digital tools are increasingly important. Last year's annual conference "Digital Hermeneutics: Machines, Procedures, Meaning<https://www.fernuni-hagen.de/digitale-hermeneutik/>" of the research cluster digital_culture<https://www.fernuni-hagen.de/forschung/schwerpunkte/digitale-kultur/index.s…> dealt with the theoretical and conceptual challenges inherent in hermeneutic methods, tools, and applications. The results of the conference supported understanding and meaning, when algorithms, programs, machines, and other technical procedures contribute to it[1]. Following up on these initial theoretical and conceptual results, we now want to address more technical aspects of methods, technologies, tools, and applications supporting Digital Hermeneutics under the title "Digital Hermeneutics II: Sources, Analysis, Interpretation, Annotation, Curation" and take a look at digitally supported hermeneutic research processes and anticipate the future of digitized working practices in the cultural sciences and humanities. Without such digital support systems, it will no longer be possible to index, find, annotate, and curate the ever-growing number of digitally available resources for research data. Digital systems are also already in use for analyzing, indexing, enriching, and annotating multimedia data. But what about systems that support the analysis, annotation, and interpretation of digital research data - thus: representation of hermeneutic methods - and their results as well as supporting machine learning, reasoning, and finally automating the documentation of annotation, interpretation, and understanding? TOPICS OF INTEREST In an exchange between humanities scholars and computer scientists, we want to explore the possibilities and limits of the vision of digitally supported hermeneutics. The following questions should be understood as suggestions for contributions: · Digitization processes bear the risk of information loss or structural shifts and biases. How can these risks be dealt with? · The transformation of sources to data involves coding and enables the enrichment with information. How does one deal with the loss of the original source characteristics? Do standardizations promote a focus on unifying features of different sources or can nuances and deviations also be mapped? · Do the questions and epistemological interests of humanities, cultural studies, and social sciences change the availability, quality, and quantity of sources in the form of data? · How can algorithms and tools support, possibly even expand, research questions and epistemological interests in the humanities, cultural studies, and social sciences? · Can computer science also benefit from the discussion of methods in the humanities, social sciences, and cultural studies? The support of hermeneutic research processes by computer science can cover MultiMedia Indexing and Retrieval, Natural Language Processing (e.g. Named Entity Recognition), Knowledge Representation, Argumentation Mining, Machine Learning, Reliability, Explainability and Reproducibility. For the workshop, we are looking for contributions from both realms - computer science and humanities, also preferably in interdisciplinary tandem. Reports on current developments of digital support systems, experiences in dealing with such systems, as well as the problematization of technical and methodological challenges for the humanities and computer science are desired. Workshop Details The workshop will be held over two days covering the following panels: 23.11.2023 (12:00 - 21:00): Panel 1: "From Source to Data" Panel 2: "From Data to Scientific Questions for Digital Hermeneutics" Panel 3: "From Data to Scientific Methods for Digital Hermeneutics" Keynotes 24.11.2023 (9:00 - 13:30): Panel 4: "Sustainable Data Management for Digital Hermeneutics" Panel 5: "Costs and Benefits of Digital Hermeneutics" Scientific and Organizational Committee: Valentina Bachi, Photoconsortium Swati Chandna, SRH Univ. of Heidelberg Felix Engel, TIB - German National Library Antonella Fresa, Promoter S.r.l. Ingo Frommholz, Univ. of Wolverhampton Matthias Hemmje, FernUniversität in Hagen Helmut Hofbauer, FernUniversität in Hagen Paul Mc Kevitt, Univ. of Ulster, Belfast Almut Leh, FernUniversität in Hagen Bianca Mix, FernUniversität in Hagen Dennis Möbus, FernUniversität in Hagen Christian Nawroth, FernUniversität in Hagen Tom van Nuenen, Univ. of Cal. Berkeley Uta Störl, FernUniversität in Hagen Jan-Niklas Voigt-Antons, Univ. of Hamm-Lippstadt Binh Vu, SRH Univ. Heidelberg Joris van Zundert, Huygens Institute Amsterdam Language The workshop language is English. Abstracts can be submitted in English or German. Post-proceedings and Publication We are pleased to announce that we have been officially accepted by Springer: The papers will be published in Lecture Notes in Computer Science (LNCS). A German translation in the series Digitale Kultur<https://hagen-up.de/digitale-kultur/>, published by Hagen University Press, is being considered. Authors should consult Springer's Instructions for Authors of Proceedings and use either the LaTeX or the Word templates provided on the author's page for the preparation of their papers. Springer encourages authors to include their ORCIDs in their papers. For accepted papers, in addition, the corresponding author of each paper, acting on behalf of all of the authors of that paper, must complete and sign a License-to-Publish form. The corresponding author signing the copyright form should match the corresponding author marked on the paper. Once the files have been sent to Springer, changes relating to the authorship of the papers cannot be made. Submission and Deadlines September 15th 2023: Abstract (Position Paper, max. 500 words, please submit to dennis.moebus(a)fernuni-hagen.de<mailto:[email protected]>) September 30th 2023: Notification to authors (Accept/Revise/Reject) October 30th 2023: Camera Ready Abstract 23./24. November 2023: Workshop December 15th 2023: Full Paper Submission January 15th 2024: Full Paper Review Feedback February 15th 2024: CRV Full Paper --- Dr. Dennis Möbus Oral-History.Digital Researcher Forschungsschwerpunkt digitale_kultur Coordination of the research group digital humanities - Forschen im digitalen Raum FernUniversität in Hagen dennis.moebus(a)fernuni-hagen.de<mailto:[email protected]> https://www.fernuni-hagen.de/forschung/schwerpunkte/digitale-kultur/fg-digi… ________________________________ [1] https://hagen-up.de/publikationen/von-menschen-und-maschinen-mensch-maschin…

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[job] 2-year postdoc on cultural analytics/DH @Birkbeck/King’s College London
by Andrea Ballatore 07 Jul '23

07 Jul '23

[Please share with your networks] 📢 Come to work with us on museum analytics! 💡📊🏛️ URL: https://cis7.bbk.ac.uk/vacancy/postdoctoral-research-assistant-531235.html This is a full time, fixed term appointment until 30 September 2024 at Birkbeck, University of London. Please note, the successful candidate will be employed at Birkbeck for Year 1 and KCL for Year 2. Are you a recent PhD graduate or a Post Doctoral in computer science or data science, looking to work on an exciting trans-disciplinary project in the museums sector? We are seeking to appoint a Postdoctoral Research Fellow to work on the AHRC-funded project “Museum Closure in the UK 2000-2025”. You will be based at the Computer Science department at Birkbeck during the first year, and at the Digital Humanities department at King’s College London during the second year. The Museum Closure project will use trans-disciplinary methods to analyse closure and collections dispersal within the UK museums sector. Its aim is to examine the geographic distribution of closure, to better understand types of closure, and to document the flows of objects and knowledge from museums in the aftermath of closure. A Knowledge Base will be designed to model and store the collected data, and visualisations and statistical analyses of the data will be developed. Using these tools, the project team will aim to critically reassess notions of permanence and loss within the museum sector. The project builds on the earlier “Mapping Museums” and “Museums in the Pandemic” projects at Birkbeck (see http://blogs.bbk.ac.uk/mapping-museums/) It is led by Fiona Candlin, Professor of Museology at Birkbeck (Principal Investigator), Dr Andrea Ballatore (Digital Humanities, King’s College London) and Professors Alexandra Poulovassilis and Peter Wood (Computer Science, Birkbeck). As well as the Postdoctoral Research Fellow in Data/Computer Science, the project will also employ a postdoctoral research fellow in museology. You will design and implement the Knowledge Base (including software for uploading and extracting data), the statistical analyses, and the visualisations required for detailed data analysis. You will be required to collaborate with the other project members and report to the project group at regular team meetings (which may be held virtually or in person). You will be responsible for preparing refereed publications and presentations at conferences and project meetings. You may be required to travel within the UK and abroad several times a year. Essential skills include hands-on experience of programming, database design and implementation, and data analytics. The technologies used in the project include Python, R, and Neo4j. Experience in information visualisation is also highly desirable. (see URL for more info) -- Lecturer in Social and Cultural Informatics | HPL Lead Department of Digital Humanities King’s College London ✉️ andrea.ballatore(a)kcl.ac.uk<mailto:[email protected]> 🔗 aballatore.space<http://aballatore.space/> 📅 Office Hours<https://calendly.com/andrea-ballatore-kcl/office-hours> 🐦 Twitter<https://twitter.com/a_ballatore> 👾 Computational Humanities RG<https://www.kcl.ac.uk/research/computational-humanities-research-group> 🗺️ RGS-IBG GIScience RG<https://geoinfo.science/> Pronouns: he/him Latest publications: ✅ Open access in GIScience and geographic data science link<https://aballatore.space/open-access-giscience> | 🏛️ A geography of UK museums link<https://rgs-ibg.onlinelibrary.wiley.com/doi/full/10.1111/tran.12578>

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EADH Executive Board election 2023: statements by candidates
by Fabio Ciotti 27 Jun '23

27 Jun '23

Dear EADH mebers, the statements of the candidates in the 2023 election of the Executive Board have been published on the EADH website https://eadh.org/about/people/statements-candidates Fabio Ciotti -- Professor Fabio Ciotti Dept. "Studi letterari, filosofici e di storia dell’arte" University of Roma "Tor Vergata" Chair, European Association for Digital Humanities (EADH) Editor-in-Chief, "Umanistica Digitale" https://umanisticadigitale.unibo.it/ @Fabio_Ciotti @[email protected] f.ciotti(a)pec.it

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Deadline extended Re: CFP: Web/Comics 2023 at ACM Hypertext 2023 Conference, Rome
by Ernesto Priego 27 Jun '23

27 Jun '23

Dear all, Hoping you are all well, and with the usual apologies for crossposting. The deadline to submit to Web/Comics 2023, the first in a new workshop series for the ACM Hypertext conference <https://ht.acm.org/ht2023/>, has been extended to 4 July. The workshop itself will take place in Rome, Italy, during the conference. Accepted participants will be invited to submit revised papers, incorporating feedback and insights following the workshop, in a special collection of The Comics Grid: Journal of Comics Scholarship <https://www.comicsgrid.com/>.Important dates - *Papers submission: July 4, 2023 (AoE)* - Notification of acceptance: July 24, 2023 - Camera-ready paper due: August 6, 2023 - *Workshop: September 4, 2023 (half day, exact date tbc)* Call for papers: https://ht.acm.org/ht2023/webcomics/ <https://ht.acm.org/ht2023/webcomics/> ACM Hypertext Conference 2023: https://ht.acm.org/ht2023/ All the best, Ernesto @ernestopriego https://ernestopriego.com/ The Comics Grid: Journal of Comics Scholarship http://www.comicsgrid.com/ Parables of Care: https://blogs.city.ac.uk/parablesofcare/ Symbola Comics: https://figshare.com/collections/Symbola_Comics/4090025 Subscribe to the Comics Grid Newsletter: http://eepurl.com/iOYAj The information contained in this email is confidential and may be legally privileged. It is intended for the addressee(s) only. If you are not the intended recipient, please delete this e-mail. The contents of this e-mail must not be forwarded, disclosed or copied without the sender's consent. The statements and opinions expressed in this message are those of the author and do not necessarily reflect those of any related organisations, projects, colleagues or employers.

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Deadline extension: Digital Academy 2023 - From Uncertainty to Action: Advancing Research with Digital Data [online event]
by Neubert, Anna Maria 27 Jun '23

27 Jun '23

Digital Academy 2023 - From Uncertainty to Action: Advancing Research with Digital Data (Digital History, Bielefeld University) Dear colleagues, dear Digital Humanities enthusiasts, the Digital Academy once again invites you to a vital exchange on data-based research and digital methods. This year, we will particularly focus on an issue that affects the Digital Humanities on all levels: uncertainty. With her concept of “capta,” Johanna Drucker pointed out that when researchers collect and model data, they use criteria that are not objectively given. Thus, there always is a certain perspective that is forced onto our data sets, which highly influences the possibilities of analysing data. In order to be able to exploit data sets to their full potential, it is crucial for researchers to reflect on this perspectivity. Uncertainty plays a role on various levels: How can we interpret unclear data within texts, for example ambiguous designations of people or places? In which formats are data sets available, and how does this affect working with different analysing tools? The Digital Academy 2023 will touch upon these questions and many more. In this context, uncertainty is not supposed to be framed as something deficient that inevitably blurs data-based research within the Digital Humanities. The aim instead is to explore and develop strategies that help dealing with digital research data. We will discuss these strategies from 25th to 28th September 2023 within an online format. 1. Open Space Day: Experts will report on their research projects and subsequently discuss aspects of their work with the audience. This part of the program is open to all who are interested. 2. Three-day workshop: The participants will get the opportunity to present and discuss their strategies for dealing with uncertainty within their own research projects. This workshop particularly aims at advanced Masters students, PhD students, and postdocs. Participation is free of charge for both parts of the program. Call for Participation (Three-Day Workshop) 1 Your Contributions Your contributions (20 mins. presentation, 10 mins. discussion) may deal with all kinds of possible interpretations of uncertainty with regards to digital data. We would like you to present strategies you have been using in order to deal with uncertainty in your own projects. Besides the questions already mentioned above, other possible questions could be: * How do we create relations within databases, in order to answer particular research questions? * Which types of visualisations are particularly suitable for different research projects? * How can we combine qualitative research and hermeneutic methods? * Which theories seem to be useful in these contexts? 2 Submissions & Blog Articles Please submit the following documents to <mailto:digital-academy at uni-bielefeld.de> digital-academy at uni-bielefeld.de: 1. Abstract of your contribution (500-750 words excl. bibliography; English or German). 2. A short CV. Based on your abstract and the discussion following your contribution during the workshop, we would like to invite you to write a blog post that will be published on the blog of Digital History@UniBielfeld. This way, we can make our results available to a broader public. 3 Deadline The extended deadline for submitting contributions is 10 July 2023 (23:59, MESZ). We will inform about possibilities of participation by July, 28. Further details about the programme will be published in the course of the summer. We welcome submissions in German or English. The programme of the Digital Academy 2023 is bilingual (the Open Space day will be in English only). If you have any further questions, please do not hesitate to contact us via the following email address: digital-academy(a)uni-bielefeld.de<mailto:[email protected]>. Digital Academy 2023 website: https://www.uni-bielefeld.de/fakultaeten/geschichtswissenschaft/abteilung/a…. We look forward to a collaborative exchange! Best regards from the organizing committee, Silke Schwandt, Christopher Kuhlmann, Anna Maria Neubert, Sophie Spliethoff, Christian Wachter (all Bielefeld University)

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JOB: Web Developer - Digital Mozart Edition
by cividini＠mozarteum.at 23 Jun '23

23 Jun '23

JOB announcement / Digital Mozart Edition International Mozarteum Foundation The International Mozarteum Foundation has been devoted to the study and preservation of the œuvre of Wolfgang Amadé Mozart and his family for more than 150 years. As part of the Digital Mozart Edition (DME), which is being developed in collaboration with the Packard Humanities Institute (Los Altos, CA), we are working on interactive online editions that make music and text sources of various kinds accessible to a wide audience. A special project within the DME is the Digital Interactive Mozart Edition (DIME: https://dme.mozarteum.at/en/music/edition/) – the world’s first fully digital, XML-based music edition of a major composer in music history. For this project, we are looking for a: Full Stack Web Developer (m/f/d) 30-35 hours per week, permanent Responsibilities: In this multifaceted position, you will demonstrate a strong interest in digital humanities projects (ideally musicology or edition science) from a computational process perspective and be responsible for the following tasks: * Web development (server- and browser-side) as well as technical support of various online projects of the DME, primarily the Digital Interactive Mozart Edition (https://dme.mozarteum.at/movi/) as well as all other web publications in the DME context (Leopold Mozart Violin Tutor, Mozart Audio-visual Collection, Letters and Documents, Libretti projects) * Software development of tools for the ongoing digital projects Technical Qualifications: PHP (experience with frameworks such as Symfony or micro-frameworks such as Slim). JavaScript Python CSS, HTML5 XML technologies (experience with MEI/TEI desired), XSLT, XPath, XQuery SQL (MariaDB) elasticsearch LATEX (desired)We offer you: * an interesting and diversified field of activity in one of Austria’s leading cultural enterprises * a workplace in the heart of the city of Salzburg * flexible working hours with the possibility of working from home * a gross annual salary starting at € 42,000.00 (based on full-time/40h) with the possibility of overpayment depending on qualifications and experience We look forward to receiving your application documents by e-mail no later than July 31, 2023: Mag. Christina Lackner: bewerbung(a)mozarteum.at For detailed information about the position, please contact Mag. Franz Kelnreiter, kelnreiter(a)mozarteum.at, +43 662 88940 69. ----------------------------------------------------Dr. Iacopo Cividini Digitale Mozart-Edition Internationale Stiftung Mozarteum Schwarzstr. 26 5020 Salzburg, Austria T +43 (0) 662 889 40 966 E mailto:[email protected] [ http://www.mozarteum.at/ -> www.mozarteum.at ] [ http://www.mozarteum.at/content/newsletter -> Newsletter Stiftung Mozarteum ] [ http://www.facebook.com/StiftungMozarteum -> Facebook Stiftung Mozarteum ] ZVR: 438729131, UID: ATU33977907

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