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CfP: Cultural Data Analytics Conference 2023 (December 13-16), deadline July 24
by Fabio Ciotti 22 May '23

22 May '23

CfP: Cultural Data Analytics Conference 2023 (December 13-16), deadline July 24 https://cudan.tlu.ee/conference/ We invite submissions for the Cultural Data Analytics Conference 2023 / CUDAN 2023, organized by the ERA Chair project for Cultural Data Analytics at Tallinn University, generously funded by the European Commission. Inspired by initial large gatherings of the cultural analytics community, including UCLA/IPAM 2016, and multidisciplinary conferences such as NetSci, IC2S2, or CSS, we aim to bring together researchers, practitioners, and stakeholders using methods of cultural data analytics to understand cultures and cultural production. This particularly includes multidisciplinary combinations of quantification, qualitative inquiry, computational analysis, and visualization to make sense of large cultural datasets, including visual, audiovisual, linguistic, and other genres of socio-cultural materials. The conference is scheduled to happen in Tallinn, Estonia from December 13 to 16, 2023, including a number of leading invited practitioners, peer-reviewed talks, and poster contributions from the community. Conference programme The CUDAN 2023 main conference programme (December 14-16, 2023) will include six keynotes covering the spectrum of relevant disciplines, a lightning talk session in the plenary, parallel sessions, and a poster section. The latter will run throughout the whole conference in the coffee and lunch area that is collocated with the plenum. The conference will close with a best poster and best paper award ceremony. The pre-conference day (December 13, 2023) will feature introductory workshops by CUDAN senior fellows, covering aspects of cultural data analysis and visualization using Python, R, Tableau, and the Collection Space Navigator. Before and after the main conference, we will offer sightseeing tours, including the medieval Tallinn old town and Christmas market (among many reasons to visit Estonia). We are further planning a meet the publisher’s session and other opportunities for relevant stakeholders, including exhibition booths. If you or your institution/company is interested in participation, please contact us via email to cudan(a)tlu.ee, ideally before September 14, 2023. Keynotes – Petter Holme, Aalto University, Helsinki, Finland – Béatrice Joyeux-Prunel, Université de Genève, Switzerland – Mauro Martino, Visual Artificial Intelligence Lab, IBM Research, Boston, USA – Anu Masso, TalTech, Tallinn, Estonia Conference Scope and Call Cultures and cultural production are multifaceted phenomena, which, like other complex systems, cannot be fully understood from the perspective of a single specific discipline. This is why the core mission of cultural data analytics is to join forces and make headway across disciplines and domains of expertise. Feeding into this mission, we welcome both multidisciplinary submissions, and contributions from specific disciplines, which aim to benefit from discussion in a multidisciplinary forum. We encourage discussion towards a deeper understanding of cultures and cultural production including aspects, methods, and intersections of the following fields: – cultural analytics, culturomics, and socio-cultural data science; – digital humanities and computational humanities; – cultural evolution, including experimental and observational approaches; – cultural complexity science, network science, computational social science, and social physics; – computational linguistics, quantitative aesthetics, critical computer vision, and machine learning; – art history, cultural history, cultural semiotics, film studies, musicology, and urbanism; – artistic research, algorithmic curation, and AI art (including aspects of cultural data analysis); – creative industries research, media economics, and policy studies; – data journalism, data science, and information visualization. Contributions ideally address at least one of the following subject domains (in line with state-of-the-art conceptual reference models for cultural data): – material aspects, including artworks, architecture, texts, images, sound, film, digital media, databases, and other forms of tangible cultural heritage; – conceptual aspects, including cultural practices, rituals, theories, policies, data models, narratives, imagined communities, and other forms of intangible cultural heritage; – social aspects, including human behaviour, human mobility, social networks, and social media; – temporal aspects, from slow historical processes to turbulence in today’s economy of attention; – spatial aspects of historical topography, cultural geography, and urban dynamics; – event aspects, which combine the above aspects in cultural co-production, event series, tourism, etc.; – network aspects of socio-cultural interaction, including the inherent ecology of complex networks as documented in the structure and dynamics of large cultural knowledge graphs or blockchains associated with the crypto-art-market, for example. We invite authors to submit a single-page abstract pdf including a (mandatory) descriptive figure and caption by the 24th of July 2023 via our OpenReview submission system. We accept contributed talks, lightning talks, and posters (please indicate your preference). We strive for an in-person event to maximize community interaction, yet we will provide a limited number of remote presentation slots. Review is single-blind. SUBMIT HERE: https://openreview.net/group?id=CUDAN.tlu.ee/2023/Conference

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Blog article dedicates to Dino Buzzetti
by Fabio Ciotti 22 May '23

22 May '23

Dear EADH community, AIUCD has published in its official Blog a page dedicated to Dino Buzzetti, containing personal memories from various Italian colleagues. Ricordando Dino Buzzetti, co-fondatore e presidente onorario dell’AIUCD – Informatica Umanistica e Cultura Digitale: il blog dell' AIUCD. (hypotheses.org) <https://infouma.hypotheses.org/1475> Many in the days following Dino's passing asked me where they could leave their remembrance. This page is open for contributions from anyone who had the good fortune to meet Dino during his long years of scholarly activity and would like to contribute their memories. The texts can be sent to Andrea Boglioli, who maintains the Blog: andrea.bolioli(a)gmail.com. Yours sincerely, Fabio -- Professor Fabio Ciotti Dept. "Studi letterari, filosofici e di storia dell’arte" University of Roma "Tor Vergata" Chair, European Association for Digital Humanities (EADH) Editor-in-Chief, "Umanistica Digitale" https://umanisticadigitale.unibo.it/ @Fabio_Ciotti @[email protected] f.ciotti(a)pec.it

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[meetings][CfP] HHAI2023 26-30 June Call for Registration & Travel funds
by Meer, M.T. van der (Michiel) 22 May '23

22 May '23

Dear Receiver, Sorry for potential cross postings. We invite you to register for HHAI 2023: The Second International Conference on Hybrid Human-Artificial Intelligence. HHAI 2023 is happening in Munich, Germany on June 26-30 and we’re excited to share the conference program with you: HHAI is a multidisciplinary conference involving involves researchers from various fields like AI, HCI, sociology, psychology and more. HHAI focuses on AI systems that assist humans and vice versa, emphasising the need for adaptive, collaborative, responsible, interactive and human-centred intelligent systems that leverage human strengths and compensate for human weaknesses while considering social, ethical and legal considerations. We are only 5 weeks away from the conference! This year, we have a rich program featuring over 3 keynotes, 34 accepted papers, 17 posters, 4 demos, 8 doctoral colloquium students, 6 workshops, 3 tutorials, 1 hackathon, 2 industrial events, and 2 social events. When? Mon - Fri 26-30 June 2023 (in-person only event) Where? Munich, Germany Fees? Registration is now OPEN (Register by 2 June 2023 to receive the early bird discounts) https://hhai-conference.org/2023/registration/ Need financial assistance? [Application deadline: 26 May 2023] Check the travel grants from https://hhai-conference.org/2023/travel-funds/ Want to help us and get complimentary registration? [Application deadline: 31 May 2023] Check the student volunteers' call https://hhai-conference.org/2023/student-volunteering/ Program? https://hhai-conference.org/2023/program/ Need help in planning? Check local advice from https://hhai-conference.org/2023/conference-venue/ Feel free to pass the invitations to interested individuals. We look forward to hosting you in person in Munich! Warm regards, Paul Lukowicz, DFKI GmbH Sven Mayer, LMU Munich – HHAI 2023 General Chairs –

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UK-Ireland Digital Humanities Association conference - 29-30 June 2023
by Arianna Ciula 22 May '23

22 May '23

The UK-Ireland Digital Humanities Association <https://eur03.safelinks.protection.outlook.com/?url=https%3A%2F%2Fdigitalhu…> invites members of the digital humanities community - including those working in GLAM organisations, the creative industries, and the technology sector - to come together for a *two-day conference on 29-30 June 2023* to mark the official launch of the Association. The conference will provide an opportunity for researchers, practitioners and students from both countries to deepen existing relationships and create new pathways for collaboration. In addition to sharing research, there will be opportunities to reflect on the current opportunities and challenges facing the field. Attendees will also have the opportunity to engage with the newly-launched Community Interest Groups <https://eur03.safelinks.protection.outlook.com/?url=https%3A%2F%2Fdigitalhu…> and hear a keynote delivered by Agiatis Benardou, one of the directors of DARIAH. The themes of the first annual event will reflect the Core Values of the Association: - Inclusivity - Community - Collaboration - Sustainability - Openness and transparency - Advocacy and action To find our more information about the programme and register for the event, please visit the Association’s website <https://eur03.safelinks.protection.outlook.com/?url=https%3A%2F%2Fdigitalhu…> . *Registration* The event will be held in-person at Senate House, University of London in London, with portions of the event available to view online. The fee for attending the event in-person will be £30. Students and independent scholars can attend at a discounted rate of £20. For those unable to attend in person, free online-only tickets are available. *Bursaries* The UK-Ireland Digital Humanities Association plans to award ten (10) bursaries of £200 to support in-person attendance at the Annual Event. The bursaries are to make the event more accessible to those who would otherwise be unable to attend, with specific attention to supporting postgraduate students, early career researchers, and those who are precariously employed. Applicants do not need to have a paper accepted to apply. The deadline to apply for bursaries has been extended to *5:00 PM BST on Thursday, 25 May 2023*. Applicants will be notified of the results by Wednesday, 31 May 2023. Learn more and submit your application <https://eur03.safelinks.protection.outlook.com/?url=https%3A%2F%2Fdigitalhu…> . *Accommodation* Discounted housing is available for the conference via the University of London's accommodation office. Single rooms with a shared bathroom are available for £68.50 per person per night, which includes breakfast. Rooms must be booked for a minimum of 2 nights. If you would like to book a room, please email the Accommodation office at staycentral(a)london.ac.uk and quote “UK-IE Digital Humanities Association” in your email. If you have any questions about the event, please email uk-ie.digitalhumanities(a)sas.ac.uk. <uk-ie.digitalhumanities(a)sas.ac.uk> *Michael Donnay (he/him)Digital Projects Officer **|** Digital Humanities Research Hub* *School of Advanced Study **|** University of London* Senate House, Malet Street, London WC1E 7HU michael.donnay(a)sas.ac.uk www.sas.ac.uk/digital-humanities <https://eur03.safelinks.protection.outlook.com/?url=http%3A%2F%2Fwww.sas.ac…>

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Keynote speakers of the DH2023 conference!
by Scholger, Walter (walter.scholger＠uni-graz.at) 16 May '23

16 May '23

Dear colleagues, we are excited to present the fabulous keynote speakers for the ADHO Digital Humanities 2023 conference in Graz (https://dh2023.adho.org/) Our Opening Keynote speaker on July 11 will be Sarah Kenderdine on "Two-Fold Revolutions: Computational Museology in the Age of Experience". (https://dh2023.adho.org/?page_id=709) Our Closing Keynote on July 14 will be Claire Fernandez on "Contesting power in the digital age: the role of civil society in Europe". (https://dh2023.adho.org/?page_id=719) Also, registration for workshops at the DH2023 is now open through Conftool at: https://www.conftool.pro/dh2023/ If you are already registered, you can edit your registration details to include workshops (which are free). Hoping to see many of you in Graz in July, Walter Walter Scholger Institutsmanager | Department Manager Zentrum für Informationsmodellierung | Centre for Information Modeling Universität Graz | University of Graz [cid:[email protected]]<https://uni-graz.at/>[cid:[email protected]]

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Call for Papers - Humanities Going Digital
by Daniel Alves 12 May '23

12 May '23

*IJHAC Call for Papers - Humanities Going Digital: Teaching, Training and Research Experiences* *Journal: IJHAC: A Journal of Digital HumanitiesGuest Editors: Rute Costa and Raquel Amaro (NOVA University Lisbon)* *Motivation:* Educational systems are being transformed by digital technologies and demands for new knowledge and skills by university graduates. The special issue on “Humanities Going Digital: Teaching, Training & Research Experiences” emerges from the Erasmus+ project *Humanities Going Digital* project (2020-1-CZ01-KA226-HE-094363), focusing on the Erasmus+ axes: i) ICT – emergent technologies – digital competencies; ii) New innovative curricula/educational methods/development of training courses, and iii) Open and distance learning. The project focused on the development of teaching methodologies, curricula and materials aiming at contributing to new ways of teaching (off and online) and new educational methods. This encompasses the inclusion of research activities of teachers and students in the field of Digital Humanities, while fostering the dialogue between the students in a professional and academic environment and promoting the direct reflection of the results of their work in the courses. The special issue on “Humanities Going Digital: Teaching, Training & Research Experiences” is intended to explore the connection between research, teaching and training and the reporting of experiences contributing to Digital Humanities. The special issue invites contributors – teachers, students, researchers, and curators – to present their experiences and work on using and perfecting emergent technologies and digital competencies; innovative curricula and courses; innovative training and teaching methods; open/distance/hybrid learning; as well as opportunities, challenges and solutions in Digital Humanities. Papers should reflect work on the topics listed below, although it is not limited to these, and we welcome any topics related to teaching, training & research experiences within Digital Humanities: Analysis of macroscopic trends in cultural/social change Cultural analytics Cultural patrimony preservation and representation Digital archives and their use Knowledge design and application Knowledge organisation Online curatorship and publishing Access, and its sustainability, to methods/tools/resources in educational environments Textual mining, analysis, and visualization Wikimedia projects *Submission process and dates:* The papers for the special issue will be selected through a double-blind peer review process. Papers should be in the region of 4,000–6,000 words inclusive of endnotes (note that as we publish in print as well as online, images should be included in the article's word count: a full-page figure is equal to 400 words; a half-page figure is 200 words). Submissions should be in English (authors are responsible for translation). Please view the full submission and style guidelines here. <https://www.euppublishing.com/page/ijhac/style> Submissions should be sent to the Managing Editor at the following email address Joana Vieira Paulino Email: ijhac(a)fcsh.unl.pt with the indication of: ‘Submission to special issue on *Humanities Going Digital*’ Deadline for submissions: *30 June 2023* Publication of the Special Issue: *March 2024* *Scientific committee* Adriana Cardoso | ESELx Amália Mendes | University of Lisbon Ana Salgado | Academia das Ciências de Lisboa/NOVA University Lisbon António Moreira Teixeira | Universidade Aberta Claudio Rodríguez | Palacký University Diana Santos | Oslo University/Linguateca Federica Vezzani | University of Padova Filomena Gonçalves | University of Évora Geoffrey Williams | University of Bretagne Sud Giorgio Maria Di Nunzio | University of Padova Idalete Dias | University of Minho Isabel Roboredo Seara | Universidade Aberta/NOVA University Lisbon Israel Chávez | Palacký University Laurent Romary | National Institute for Research in Digital Science and Technology Michael Piotrowski | University of Lausanne Paulo Silva Pereira | University of Coimbra Sara Carvalho | University of Aveiro/NOVA University Lisbon Torun Reite | Dalarna University -- *Daniel Alves* Subdirector Adjunto da NOVA FCSH Editor IJHAC: A Journal of Digital Humanities ( https://www.euppublishing.com/loi/ijhac) Editor The Programming Historian PT (https://programminghistorian.org/pt/) Coordinator of the IHC Digital Humanities Lab (dhlab.fcsh.unl.pt) Departamento de História e Instituto de História Contemporânea Faculdade de Ciências Sociais e Humanas – NOVA FCSH Av. de Berna, 26 <https://maps.google.com/?q=Av.+de+Berna,+26&entry=gmail&source=g> C, 1069-061 Lisboa | Portugal Tel: + 351 217 908 300 <+351%2021%20790%208300> | Ext.: 1556 E-mail: dra(a)fcsh.unl.pt Web: www.fcsh.unl.pt <https://www.avast.com/sig-email?utm_medium=email&utm_source=link&utm_campai…> Sem vírus.www.avast.com <https://www.avast.com/sig-email?utm_medium=email&utm_source=link&utm_campai…> <#DAB4FAD8-2DD7-40BB-A1B8-4E2AA1F9FDF2>

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CfP VI Humanidades Digitales Hispánicas Congress
by Fabio Ciotti 12 May '23

12 May '23

[ESPAÑOL] *#CfP VI Congreso Humanidades Digitales Hispánicas* Los días 18-20 de octubre de 2023 tendrá lugar en Logroño (La Rioja, España) el *VI Congreso de la Sociedad Internacional Humanidades Digitales Hispánicas*, organizado desde la Universidad Internacional de La Rioja (UNIR) y la Asociación de Humanidades Digitales Hispánicas-HDH ( https://humanidadesdigitaleshispanicas.es/) El congreso lleva por título *Encuentros y transformaciones: las Humanidades Digitales como propuesta transdisciplinar*, por lo que se buscará hacer hincapié en todas aquellas investigaciones, proyectos, iniciativas y resultados que supongan lugares de encuentro entre disciplinas, que traspasen sus límites, generen conocimiento nuevo y resulten transformadores. El #CfP estará abierto hasta el próximo *30 de mayo* a través de EasyChair ( aquí <https://easychair.org/cfp/HDH2023>). Tipos de contribuciones (en español): - Comunicaciones largas (15+5) - Comunicaciones cortas (5+5) - Paneles de hasta 4 personas (1 hora) - Pósteres Las actas del congreso se publicarán con ISBN. Además, algunas de las contribuciones podrán ser seleccionadas para formar parte de una *publicación en una revista especializada* o como *capítulo de libro*. Toda la información en hdh2023.org [ENGLISH] *#CfP VI Humanidades Digitales Hispánicas Congress* The *VI Congress of the Humanidades Digitales Hispánicas International Society* will be held from October 18-20, 2023 in Logroño (La Rioja, Spain), organized by the International University of La Rioja (UNIR) and the Asociación de Humanidades Digitales Hispánicas-HDH ( https://humanidadesdigitaleshispanicas.es/) The congress is entitled *Encounters and Transformations: Digital Humanities as a Transdisciplinary Proposal*, with the aim of emphasizing all those research, projects, initiatives and results that involve meeting places between disciplines, which transcend their limits, generate new knowledge and are transformative. The #CfP will be open until *May 30th* through EasyChair (here <https://easychair.org/cfp/HDH2023>). Types of contributions (in Spanish): - Long papers (15+5) - Short papers (5+5) - Panels of up to 4 people (1 hour) - Posters The congress proceedings will be published with an ISBN. In addition, some of the contributions may be selected to be part of a *publication in a specialized journal* or as a *book chapter*. All information at hdh2023.org [image: HDH2023] ---------- Forwarded message ---------- From: eadh-members-request(a)lists.digitalhumanities.org To: Cc: Bcc: Date: Fri, 12 May 2023 11:04:10 +0200 Subject: confirm 438b4a2096bc570eb235463f0f49310f5547ec69 If you reply to this message, keeping the Subject: header intact, Mailman will discard the held message. Do this if the message is spam. If you reply to this message and include an Approved: header with the list password in it, the message will be approved for posting to the list. The Approved: header can also appear in the first line of the body of the reply. -- Professor Fabio Ciotti Dept. "Studi letterari, filosofici e di storia dell’arte" University of Roma "Tor Vergata" Chair, European Association for Digital Humanities (EADH) Editor-in-Chief, "Umanistica Digitale" https://umanisticadigitale.unibo.it/ @Fabio_Ciotti @[email protected] f.ciotti(a)pec.it

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Fwd: Uncaught bounce notification
by Fabio Ciotti 11 May '23

11 May '23

*Call for Papers. Dossier on Digital Art History* The dossier on “Digital Art History” of Umanistica Digitale collects contributions on the study of methods, approaches, debates and experiments that developed over the last two decades in the field of Digital Art History, particularly along two lines of research that appear dominant today. On the one hand, scholarly studies in Art History embrace a transdisciplinary approach to investigate several aspects that are constituents of the discipline: e.g. to formulate authorship attributions, reconstruct provenance, detect artworks’ genre and style, or investigate historical networks. To this extent, digital tools are employed to conduct and extend consolidated practices of research in Art History, though impacting its scope in many ways. On the other hand, computational methodologies have significantly evolved in the last decades and have opened new frontiers in research and industry. The development of text-to-image software has raised new issues in the field of generative art and intellectual property, as well as the use of blockchain and NFT has reframed the role of cultural institutions toward the art market. Big Data analysis and Distant Viewing have also impacted the modes of art historical research, bringing structural and logical topics into the foreground, rather than as side products of scholarly investigations. Similarly, the predominant role of data visualisation for cultural heritage analysis significantly impacts decision-making processes, while the employment of interactive/immersive installations and the Web as instruments of participation and awareness introduce new practices for engaging with museum audiences, stakeholders and patrons. This dossier welcomes proposals in both aforementioned areas of interest, privileging those pertaining to the field of the Digital Humanities, Computer Science, and Art History, as well as from other sectors that want to engage in the exploration of Digital Art History in a transdisciplinary perspective. Proposals should address one or more of the following topics: - Methodologies or approaches in digital art history - Quantitative analysis of art historical data - Computational studies of authorship, connoisseurship, provenance, genre, style, and other relevant enquiries - Distant viewing and big data analysis - Methods, experiments, approaches and lessons learnt using generative art, Artificial Intelligence, blockchain, and NFT Important dates: - June 1st: articles submission - July 15th: peer-review - July 30th: rebuttal - September 1st: camera-ready - November: dossier publication as part of Umanistica Digitale Please refer to the journal’s Author Guidelines <https://umanisticadigitale.unibo.it/about/submissions> to format your article. Articles should be submitted via the journal’s online submission system, adding “Dossier Digital Art History” as a keyword. This dossier is edited by Marilena Daquino (University of Bologna), Carolina Fernández-Castrillo, (Charles III University of Madrid), Diego Mantoan (University of Palermo), and Simone Rebora (Johannes Gutenberg University Mainz). Visit our website to read the full announcement <https://umanisticadigitale.unibo.it/announcement/view/555>. ---- Rivista Umanistica Digitale https://umanisticadigitale.unibo.it

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Job: Digital Humanities Postdoc with VU Brussels-based ERC project VERITRACE
by CJ Schilt 09 May '23

09 May '23

The Vrije Universiteit Brussels-based ERC project 'Traces de la Verité: the reappropriation of ancient wisdom in early modern natural philosophy', aka VERITRACE (HORIZON ERC-2022-StG, 101076836) led by Prof. Dr. Cornelis J. Schilt, has two 3-year (full time) Postdoc opportunities - one in history and/or philosophy, one in digital humanities - and one 4-year (full time) PhD opportunity, starting date 1 October 2023. VERITRACE addresses the influence of ancient wisdom writings on the development of early modern natural philosophy, making use of state-of-the-art digital methods and techniques. Further details about the project can be found on the project's website https://veritrace.eu. Full details about the Postdoc and PhD opportunities and how to apply can be found here: - Postdoc in History/Philosophy: https://lnkd.in/e4mvtfXi - Postdoc in Digital Humanities: https://lnkd.in/ezYi55Tg - PhD position: https://lnkd.in/eQyYt6uj The deadline for each opportunity is 23 June 2023, with (remote) interviews scheduled 10-11-12 July. Additionally, those who are currently entertaining a Marie Sklodowska-Curie Action application that would fit within the (wider) scope of the project or generally within the realm of history and/or philosophy of knowledge are warmly invited to contact Prof. Schilt via cschilt(a)vub.be.

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LAST CFP CLOSES MAY 10th. International Conference 'Authorship in Hispanic Literatures' (via streaming and in person, 28-29 September, University of Valladolid, Spain)
by Congreso: La autoría en las literaturas hispánicas 07 May '23

07 May '23

* Please circulate. Dear Colleagues, this is a reminder that CPF closes May 10th, for the International Conference 'Authorship in Hispanic Literatures', which will take place on 28-29 September 2023 at the Faculty of Philosophy and Letters of the University of Valladolid (Spain). Papers and panels will be accepted in Spanish or in English, both in person or via streaming. For more details: https://eventos.uva.es/94134/detail/authorship-in-hispanic-literatures.html Best wishes, Patricia Marín Cepeda (Associate Professor of Spanish Literature) Universidad de Valladolid Cristina Ruiz Urbón (Posdoctoral Researcher) Universidad de Salamanca - Universidad de Valladolid [https://eventos.uva.es/_files/_event/_94134/_header_img/_129893.png]<https://eventos.uva.es/94134/detail/authorship-in-hispanic-literatures.html> Authorship in Hispanic Literatures<https://eventos.uva.es/94134/detail/authorship-in-hispanic-literatures.html> FIRST CALL FOR PAPERS International Conference "Authorship in Hispanic Literatures", At The University of Valladolid, Faculty of Philosophy and Letters, On September 28 and 29, 2023 (in person and online) Based on the Heideggerian idea that what characterizes a work as such is that it was created, the international conference on "Authorship attribution in Hispanic Literature" aims to be a space for interdisciplinary reflection on the concept of the author and the various issues inherent to authorship in Spanish literature. From a global perspective and in a chronological framework that covers Hispanic literature from the Middle Ages up to the twenty first century, there will be room for discussion on the various issues of authorship attribution and plagiarism, the new methods of identifying authorship in the Digital Humanities, the concept of copyright in its different theoretical facets, and other aspects of legal nature related to intellectual property and the publication of works eventos.uva.es

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