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FIRST CFP International Conference "Authorship in Hispanic Literatures" (via streaming and in person, 28-29 September, University of Valladolid, Spain)
by Congreso: La autoría en las literaturas hisp ánicas 16 Mar '23

16 Mar '23

Dear colleagues, We are please to invite your contributions to the International Conference 'Authorship in Hispanic Literatures', which will take place on 28-29 September 2023 at the Faculty of Philosophy and Letters of the University of Valladolid (Spain). Papers and panels will be accepted in Spanish or in English, both in person or via streaming. For more details: https://eventos.uva.es/94134/detail/authorship-in-hispanic-literatures.html Contact: congreso.autoria(a)uva.es All best wishes, Patricia Marín Cepeda (Prof. Titular de Literatura Española) Departamento de Literatura Española y Teoría de la Literatura y Literatura Comparada Universidad de Valladolid and Cristina Ruiz Urbón (Investigadora Posdoctoral Margarita Salas) Universidad de Salamanca - Universidad de Valladolid [https://eventos.uva.es/_files/_event/_94134/_header_img/_129893.png]<https://eventos.uva.es/94134/detail/authorship-in-hispanic-literatures.html> Authorship in Hispanic Literatures<https://eventos.uva.es/94134/detail/authorship-in-hispanic-literatures.html> FIRST CALL FOR PAPERS International Conference "Authorship in Hispanic Literatures", At The University of Valladolid, Faculty of Philosophy and Letters, On September 28 and 29, 2023 (in person and online) Based on the Heideggerian idea that what characterizes a work as such is that it was created, the international conference on "Authorship attribution in Hispanic Literature" aims to be a space for interdisciplinary reflection on the concept of the author and the various issues inherent to authorship in Spanish literature. From a global perspective and in a chronological framework that covers Hispanic literature from the Middle Ages up to the twenty first century, there will be room for discussion on the various issues of authorship attribution and plagiarism, the new methods of identifying authorship in the Digital Humanities, the concept of copyright in its different theoretical facets, and other aspects of legal nature related to intellectual property and the publication of works eventos.uva.es 

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Call for EADH Secretary
by Fabio Ciotti 10 Mar '23

10 Mar '23

EADH is looking for a member to fulfill the role of secretary of the organization. The secretary is one of the officers of EADH and a voting member of the executive committee. Among the secretary’s duties is to schedule the executive meetings, take minutes of the same, and produce action lists and a report for the Annual General Meeting of the association. The secretary supports the Chair and the President by organizing polls, counting votes, and recording decisions made during online discussions. We are seeking an individual whose interests align with the aims of EADH and who would like to get more directly involved in the support of existing European collaborations as well as in the development of new research strategies. The multilingual and multicultural environment requires cultural sensitivity as well as a willingness to learn from others. Together with the other EADH officers, the secretary represents our association in the international settings of the Alliance for Digital Humanities Organizations and beyond. This presents an opportunity to explore the wider world of Digital Humanities and get to know colleagues from different backgrounds and with diverse lived experiences. If you are interested in taking on this important role, please write to secretary(a)eadh.org to let us know. -- Professor Fabio Ciotti Dept. "Studi letterari, filosofici e di storia dell’arte" University of Roma "Tor Vergata" Chair, European Association for Digital Humanities (EADH) Editor-in-Chief, "Umanistica Digitale" https://umanisticadigitale.unibo.it/ @Fabio_Ciotti @[email protected] f.ciotti(a)pec.it

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Auto-Re: [CFP] ACM Hypertext 2023 - Deadline 31 Mar 2023
by e-mail＠jan-oliver-ruediger.de 27 Feb '23

27 Feb '23

Liebe*r Absender*in, haben Sie vielen Dank für Ihre E-Mail. Derzeit bin ich im Urlaub und ab dem 06.02.2023 wieder für Sie erreichbar. Aus Vertraulichkeitsgründen wird Ihre Mail nicht weitergeleitet. Viele Grüße Jan Oliver Rüdiger -- --- -- Dr. Jan Oliver Rüdiger (Zimmer: 4.11) Leibniz-Institut für Deutsche Sprache www.ids-mannheim.de R 5, 6-13 D - 68161 Mannheim Tel.: +49 621 / 1581 – 411 Fax: +49 621 / 1581 – 200 Mobil: +49 162 / 78 05 676 E-Mail / ZOOM: ruediger(a)ids-mannheim.de PGP-Fingerprint: 21EB 406C 05D6 699A C4E7 074D 63EB C1E3 7562 DC41

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[CFP] ACM Hypertext 2023 - Deadline 31 Mar 2023
by Francesca.Benatti [she/her] 27 Feb '23

27 Feb '23

************************************************************************ ACM Hypertext 2023 4-8 September 2023, Bibliotheca Hertziana, Rome, Italy https://ht.acm.org/ht2023/ Deadline: 31 March 2023 23.59 AOE ************************************************************************ Important Dates • Regular papers and Workshops - Submission: 31 March 2023 AoE - Notification: 15 May 2023 AoE • Late breaking, blue sky, demos, traversals, and doctoral consortium - Submission: 26 May 2023 AoE - Notification: 26 June 2023 AoE • Camera ready version of accepted papers - 14 July 2023: 23 July 2023 AoE • Conference 4-8 September 2023 Note: The submission times are 11:59 pm AoE time (Anywhere on Earth) The ACM Hypertext conference is a premium venue for high quality peer-reviewed research on hypertext theory, systems, applications, publishing, artwork and related practices. It is concerned with all aspects of modern hypertext research including social and intelligent media, narrative systems and applications, authoring, reading and publishing hypertext, workflows and infrastructures as well as reflections and approaches. All accepted contributions will be published by ACM and will be available in the Proceedings via the ACM Digital Library. Selected contributions will be invited to submit an expanded version after the conference to a special issue of the New Review of Hypermedia and Multimedia. Submissions are welcome in the following tracks: Interactive Media: Art and Design Track chair Dr Sam Brooker (Richmond American University London, UK) This track is dedicated to papers that explore creative expression through digital technology. Submissions may showcase new approaches to – or applications of – interactive media technology for creative expression, or evaluate existing work from a new perspective. Hybrid presentations that mix theory and practice are welcome, though work should be rooted in hypertext as method or approach. Topics include but not limited to: • Demonstrations: Live exhibition or exploration of a new or existing creative work. • Critical analysis: Reflection on or discussion of pre-existing works or theoretical approaches. • Traversals: Demonstrations performed on historically appropriate platforms, with participation and commentary by the authors of the works. • Interdisciplinary creative work: Evaluation or demonstration of creative work that crosses disciplinary boundaries Authoring, Reading, Publishing Track chair Dr Leah Henrickson (University of Leeds, UK) This track is dedicated to exploring how hypertext has transformed authoring, reading, and publishing by disrupting, subverting, or complementing book and media culture and practice. Submissions may focus on specific case studies or theories of new emerging practices, rhetorical analyses, or methodological reflections that take inspiration from fields such as book history, digital humanities and/or media studies. Topics include, but not limited to: • Authorship: Contextualising the production of hypertexts. • Book history: Historically-informed frameworks, theories, and concepts for understanding hypertextual production, dissemination, and reception. • Digital scholarly editions and adaptations: Hypertextual representations and reconceptualisations of extant texts. • Digital storytelling and electronic literature: How hypertexts are used to communicate ideas and facilitate alternative textual experiences. • Reading practices and reader response: How hypertexts are read (or not read) and interpreted. • Rhetorics and poetics: How hypertexts are framed in popular and scholarly discourse, as well as theoretical considerations on forms of expression supported by hypertextual formats. • Text, paratext, and multimodality: Manifestations and effects of digital forms of intra- and intertextual connectivity., Workflows and Infrastructures Track chair Dr Davide Picca (Université de Lausanne, CH) This track is dedicated to hypertext systems and their professional applications to the GLAM field in order to facilitate access to cultural knowledge. The main purpose is to illustrate through the different contributions to the track, how STEM disciplines can help and support the preservation and dissemination of tangible and intangible cultural resources. This track welcomes contributions that present real-world applications of hypertext systems, with a focus on the benefits, challenges, and gaps that emerge from daily practice in fields of study such as (but not limited to) Digital Museology, Intangible Cultural Heritage applications and NLP approaches to cultural resources. Topics include, but not limited to: • Semantic knowledge: How formal ontologies and formal modelling can contribute to organise cultural knowledge • GLAM applications: Pipelines and digital curations for restoration and preservation of cultural artefacts • Digital Museology: Innovations, trends as well as practical challenges encountered in the fields of museology • Intangible Cultural Heritage applications: How Big Data workflows and digital transformation methods can be applied to cultural objects • NLP approaches to cultural resources: Computational semantics and pragmatics, machine translation and multilingual NLP for cultural objects Social and Intelligent Media Track chair Dr Grégoire Burel (Knowledge Media Institute, UK) The social and intelligent media track is dedicated to the understanding and modelling of sociotechnical systems and their role in shaping communication and information access, both virtually and offline. Submissions should consider any online systems that include socially and AI-mediated information such as social networks, recommender systems, online publication tools and discussion platforms. As the focus of this year conference is “Humanity within”, authors are encouraged to submit interdisciplinary articles centred around the impact of social media and AI on how hyperlinked content is accessed and consumed and its impact on Humanity. This track welcomes submissions that further the understanding of the technical inworkings of digital communities and their societal impact, as well as novel methods and algorithms that shape online communication, content creation and socially-mediated information access. Topics include, but not limited to: • Privacy and Anonymity in Social Media – The way social media protect and/or blur the lines between the real and virtual world. • Inclusiveness of Social Media – The role of social media in including minorities, disabilities and minoritised communities. • Diversity and Representativeness of Social Media – The way social media favour (or not) content diversity and its representativeness as well as the involvement of individuals (e.g., echo chambers, content moderation). • Immersive Social Media (e.g., metaverse) – The development and impact of new interaction paradigms on real-world interactions and online communication. • Network Effects in Social Media – The impact of social and hyperlink ties on content access and distribution e.g., information access, ranking, misinformation and bot networks). • Social Media Algorithms – The structure, development, design, and analysis of social media platforms and algorithms. Reflections and Approaches Track chair Dr Mariusz Pisarski (University of Information Technology and Management in Rzeszow, PL) This track considers how hypertext has transformed society and its tools: new perspectives, future directions, and ongoing transformations that challenge our assumptions about hypertext. This track welcomes submissions focused on (but not limited to) critical reflection on the evolution of hypertext systems, paradigms for new hypertext applications, as well as theories for understanding and navigating the complexity of digital communities enabled by hypertext design and systems. Topics include, but not limited to: • Histories of hypertext: hypertext systems in critical discourse, technology discourse and in the arts community. • Histories of social media: how the pioneering formulas of early systems – such as BBS, MUD and email discussion groups – evolved to modern social media. • Designs, paradigms and theories: evolution of hypertext in scholarly and artistic practice • Self-reflectivity of systems: historical impact of one hypertext system upon another; remediations, migrations and borrowings of features in contemporary writing/reading platforms • Visual histories and meta-histories of social media and hypertext: hypertext and social media communities and ideas in visual and big-data analysis. Submissions https://easychair.org/conferences/?conf=ht23 Submission deadline: 31 March 2023 Best regards, Francesca Benatti Dr Francesca Benatti she/her/hers Research Fellow in Digital Humanities Department of English and Creative Writing, The Open University francesca.benatti(a)open.ac.uk<mailto:[email protected]> https://fass.open.ac.uk/people/fb2982

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Call for Proposals: Encoding Cultures – joint MEC and TEI Conference 2023
by Martin Holmes 21 Feb '23

21 Feb '23

[With apologies for cross-posting. Please distribute widely] We are pleased to announce a call for papers, posters, panels, and workshops for “Encoding Cultures,” a joint conference of the annual Music Encoding Conference and Text Encoding Initiative Members’ Meeting. The conference will be held 5–8 September 2023 (Tue-Fri) at Paderborn University, Germany, with pre-conference workshops 4–5 September 2023 (Mon-Tue). This event brings together, for the first time, the Music Encoding Initiative (MEI) and Text Encoding Initiative (TEI) communities, both of which are involved in the digitization and encoding of cultural heritage artifacts. While musical and textual artifacts have fundamental differences, there are many overlapping approaches in regard to data modeling, encoding theory, and digital publication. MEI and TEI also share technical tools and services, as both XML vocabularies are formally expressed using TEI's customization and documentation language. The conference topic is Encoding Cultures, understood both as the encoding of multiple cultures and cultural outputs as well as the variety of encoding cultures that exist within and across our communities. Encoding Cultures will be the 23rd annual meeting of the TEI community and the 11th annual Music Encoding Conference, a cross-disciplinary venue for the MEI community and all who are interested in the digital representation of music. The deadline for submissions is April 16, 2023. Please find more information and the text of the full Call for Proposals at https://teimec2023.uni-paderborn.de/cfp.html. We look forward to seeing you in Paderborn! Martin Holmes, for Raff Viglianti on behalf of the Program Committee -- ------------------------------------------ Martin Holmes UVic Humanities Computing and Media Centre I acknowledge and respect the lək̓ʷəŋən peoples on whose traditional territory the university stands and the Songhees, Esquimalt and WSÁNEĆ peoples whose historical relationships with the land continue to this day.

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Summer School in Pisa "Digital Tools for Humanists"
by maurizio lana 16 Feb '23

16 Feb '23

[on behalf of Vittore Casarosa E-mail: casarosa(a)isti.cnr.it] The complete program of the Summer School "Digital Tools for Humanists" is now online. The School is designed to provide participants with an introduction to digital tools and techniques for research in the humanities. Through a combination of lectures, tutorials, and hands-on activities, you will learn to use a range of applications and platforms to access, analyze, and create digital content. The Summer School is designed to accommodate researchers from a diversity of backgrounds, so whether you are already proficient in the use of digital tools or are just getting started, you will find something to benefit from. All attendees will have access to expert instructors and support. The School is supported by CLARIN-IT, the Italian node of CLARIN, the ERIC Common Language Resources and Technology Infrastructure, and is under the auspices of AIUCD, the Italian Association for Digital Humanities and Culture and of AIPH, the Italian Association of Public History. The Digital Tools for Humanists Summer School 2023 will be held at the University of Pisa (Italy) from June 13 to June 22. We encourage all interested researchers, students, educators, and professionals to consider participating either in-person or online via Microsoft Teams. This edition is organized again over two weeks and there is the possibility of enrolling just for the first week or enrolling for the whole duration. For more information about the summer school, please visit our website at: https://digitaltools.labcd.unipi.it/program-2023/ "Digital Tools for Humanists – Working on media" will be held from June 13 to June 16. The cost of the one-week School is 250 Euros, and it gives 3 ECTS credits. "Digital Tools for Humanists – Working on History" will be held from June 13 to June 22. The cost of the two-week School is 500 Euros, and it gives 6 ECTS credits. Registration deadline: April 30th, 2023. We look forward to welcoming you to Pisa this summer! ------------------------------------------------- Vittore Casarosa E-mail: casarosa(a)isti.cnr.it ISTI - CNR Phone : +39-050-621 3115 Via Moruzzi 1 Fax : +39-050-621 3464 56124 Pisa Mobile: +39-348-397 2168 ITALY Skype : vittore1201 ------------------------------------------------------------------------

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Anyone to share scans of Italian or English handwritten text for my DH class? We transcribe!
by Silvie Cinkova 16 Feb '23

16 Feb '23

Dear colleagues, w ould any of you be able to give me or point me to scans of handwritten English or Italian texts? I happen to teach a [ https://ufal.mff.cuni.cz/courses/npfl134 | 4EU+ class ] , where they are going to mess around with Transkribus. T his year the group mysteriously consists purely of Italians from the University of Milan. As I understood, they are economists and social scientists rather than historians, so the texts should preferably not be extremely old and illegible. It does not have to be much, 50-100 pages in total would be great. Since that teaching project was originally set up with Frenchmen, we have plenty of French data, apart from Czech, German, and Russian, but I can't expect the Italians to know these languages well enough. Any hints welcome. We will gladly give the transcriptions back to help a project! Silvie -- Mgr. Silvie Cinková, Ph.D. Institute of Formal and Applied Linguistics Faculty of Mathematics and Physics Charles University Malostranské nám. 25 118 00 Praha 1 Czechia Phone: +420 723 464 449; +420 22191 4224 E-mail: cinkova(a)ufal.mff.cuni.cz Zoom Room: https://cuni-cz.zoom.us/j/9293605462?pwd=cnl5MkdURHBMK0R1R0Y3aHExUGJ2dz09 Meeting ID: 929 360 5462 Passcode: CzADH

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[meetings] [CFP] Call for Contributions at HHAI2023 (Main Track, Posters & Demos, Doctoral Consortium)
by Meer, M.T. van der (Michiel) 08 Feb '23

08 Feb '23

Calls for Contributions at HHAI2023 June 26-30, 2023, Munich, Germany In this call: * Call for Main Track Papers (Updated deadlines) * Call for Posters and Demos * Call for Doctoral Consortium Papers The full text of each call is available on our website: https://www.hhai-conference.org In this message, we shortened each call to their essentials. All deadlines are at the end of the day specified, anywhere on Earth (UTC-12). Hybrid Human-Artificial Intelligence (HHAI 2023) is the second international conference focusing on the study of Artificial Intelligent systems that cooperate synergistically, proactively and purposefully with humans, amplifying instead of replacing human intelligence. HHAI aims for AI systems that work together with humans, emphasising the need for adaptive, collaborative, responsible, interactive and human-centered intelligent systems that leverage human strengths and compensate for human weaknesses, while taking into account social, ethical and legal considerations. This field of study is driven by current developments in AI, but also requires fundamentally new approaches and solutions. In addition, we want to encourage collaborations across research domains such as AI, HCI, cognitive and social sciences, philosophy & ethics, complex systems, and others. In this second international conference, we invite scholars from these fields to submit their best original, new as well as in progress, visionary and existing work on Hybrid Human-Artificial Intelligence. Topics We invite research on different challenges in Hybrid Human-Artificial Intelligence. The following list of topics is illustrative, not exhaustive: * Human-AI interaction and collaboration * Adaptive human-AI co-learning and co-creation * Learning, reasoning and planning with humans and machines in the loop * User modelling and personalisation * Integration of learning and reasoning * Transparent, explainable and accountable AI * Fair, ethical, responsible and trustworthy AI * Societal awareness of AI * Multimodal machine perception of real world settings * Social signal processing * Representations learning for Communicative or Collaborative AI * Symbolic and narrative-based representations for human-centric AI * Role of Design and Compositionality of AI systems in Interpretable / Collaborative AI We welcome contributions about all types of technology, from robots and conversational agents to multi-agent systems and machine learning models. Keep an eye out on our website for more information: https://www.hhai-conference.org/ Work should be submitted via Easychair: https://easychair.org/conferences/?conf=hhai2023 For questions, you can reach us at: organisers(a)hhai-conference.org --- Call for Papers Main Track We welcome submissions of 4-12 pages addressing relevant topics to HHAI. For more information see: https://www.hhai-conference.org/cfp/ Important dates * Abstract submission: February 17th February 10th, 2023 * Paper submission: February 24th February 17th, 2023 * Reviews released: March 17th, 2023 * Final notification: April 17th, 2023 * Camera-ready: May 02nd, 2023 * Main conference: June 26th-30th, 2023 --- Call for Posters and Demos We welcome submissions of 2 page abstracts addressing relevant topics to HHAI. For more information see: https://www.hhai-conference.org/cfpd/ Important Deadlines * Submission due: Monday April 10th, 2023 * Notifications: Friday May 5th, 2023 * Camera-ready due (extended abstract): Monday May 15th, 2023 * Final video and poster submission: Tuesday May 23th, 2023 * HHAI2023 Posters & Demos: June 29th, 2023 --- Call for Doctoral Consortium Papers We welcome submissions of 8-12 page descriptions of PhD research proposals. For more information see: https://www.hhai-conference.org/cfpdc/ Important Dates * Submission Deadline: March 15th, 2023 * Reviews Released: April 15th, 2023 * Camera-ready Papers Due: May 15th, 2023 * Doctoral Consortium: June 27th, 2023 Kind regards, On behalf of the HHAI 2023 Organizing Committee, Michiel van der Meer Leiden University Web & Publicity Chair HHAI 2023

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Online seminar today: Building an intelligent online library at Arcanum
by Gabriel Bodard 07 Feb '23

07 Feb '23

Material Digital Humanities seminar (London and Cluj-Napoca) 2023 (online) Building an intelligent online library at Arcanum Előd Biszak (Budapest) Arcanum was founded in 1989. In the last 3 decades it has proven itself to be one of the major players in digitizing cultural heritage in Central Europe. Our philosophy is that digitization does not end with having digital reproduction. Analyzing the digital content with modern AI tools plays a huge role when creating a sophisticated easy-to-use search engine. Our workflow includes technologies like automatic newspaper segmentation, OCR-correction, named-entity recognition and face search. It lets the users research our digital library in ways that have not been really possible before. After creating the most prominent digital library in Hungary, we are extending our technologies and content to Romania hoping to create an indispensable tool in the field of Romanian cultural heritage. The Material Digital Humanities seminar is co-hosted by the Digital Humanities Research Hub, University of London, UK, and Star-UBB Institute of Advanced Studies(Opens in new window), University Babeș-Bolyai, Cluj Napoca, Romania. All welcome. This event is free to attend, but booking is required. https://www.sas.ac.uk/events/building-intelligent-online-library-arcanum

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Constellate Text Analysis Webinars ✨
by Amy Kirchhoff 03 Feb '23

03 Feb '23

Hello all ~ I hope the new year is treating everyone well. I like the fresh start aspects of the New Year, but it has been a busy one! I wanted to let folks know that Constellate is running some introductory text-analysis webinars this month. (Constellate is a new text analysis service from ITHAKA that includes clear learning paths, the ability to easily build data sets using content from JSTOR, Portico and partners, and a lab where you can practice using popular and widely available tools and techniques for text and data analysis.) While the ability to use Constellate for teaching and learning is limited to participating institutions, anyone in the world may create and download datasets from Constellate. Our text analysis webinars in February will discuss some useful text analysis concepts (these are similar to the ones we ran last summer during our Open Summer of Text Analysis): * What can you do with Word Counts?<https://constellate.org/events/what-can-you-do-with-word-counts-2>: One session webinar on Wednesday, February 8. * How to Build a Good Dataset<https://constellate.org/events/how-to-build-a-good-dataset>: One session webinar on Wednesday, February 15. I’d love to have you attend, if you are interested. Happy start to the semester! ~ Amy -- Amy J. Kirchhoff (she/her) Constellate<https://constellate.org/> Sr. Manager / ITHAKA Twitter: @AmyPlusFour Take your research further with text and data analysis skills!

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