- Eadh-topics - lists.digitalhumanities.org

Constellate Discussion Panel: ChatGPT and Copyright Infringement
by Amy Kirchhoff 01 Aug '24

01 Aug '24

Hi all ~ As part of the Text Analysis Pedagogy (TAP) Institute from Constellate, we are running a free webinar panel discussion with two legal experts about ChatGPT and copyright on Monday, August 5, at 11:30 am Eastern: ChatGPT and Copyright Infringement The New York Times initiated legal proceedings against OpenAI on December 27, 2023, accusing the company of deliberate copyright violation through ChatGPT, its generative AI product. The Times pursued more than just monetary compensation; it requested a federal court to mandate the destruction of ChatGPT and any other AI models trained on the same data. In this panel, we will discuss the implications of copyright infringement by ChatGPT and how it affects the public. We will also discuss the difficulties in defining data rights in the context of generative AI. You'll gain understanding of the training data that large language models may lawfully use and the technological guardrails that may be necessary to avoid legal liability. Panel: * João Marinotti, Associate Professor of Law at the Indiana University Maurer School of Law and an Affiliated Fellow at the Yale Law School Information Society Project * Heather Jenson, Deputy General Counsel for ITHAKA All are welcome to attend! You may register through the TAP Institute webinar registration form<https://docs.google.com/forms/d/e/1FAIpQLScMlr5e7GaXuqufaYRaNt_L5ejIxwrZOf0…>. I hope to see you there. ~ Amy -- Amy J. Kirchhoff (she/her) Senior Manager, Constellate | ITHAKA Twitter: @AmyPlusFour<https://twitter.com/AmyPlusFour> Constellate empowers educators and students with text analysis and data literacy skills. Unlock the potential of your research!

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Call for Contributions: Audios for category "5 Questions - 1 Answer" in "From Global to Local? Digital Methods in the Humanities in German-speaking Countries: A Triptych" (Deadline 30/09/2024)
by Ulrike.Wuttke＠gmx.net 01 Aug '24

01 Aug '24

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I am on holidays.
by Gerik Scheuermann 25 Jul '24

25 Jul '24

Dear Madam/Sir, I am currently on holidays till August 12th, 2024. I will not read my email before this date. In urgent cases, please contact my secretary Karin Wenzel at wenzel(a)informatik.uni-leipzig.de <mailto:[email protected]> . Regards Gerik Scheuermann -- Prof. Dr. Gerik Scheuermann Image and Signal Processing Group Department of Computer Science Leipzig University D-04081 Leipzig Phone: +49 341 97 32250 Fax: +49 341 97 32252 email: scheuermann(a)informatik.uni-leipzig.de <mailto:[email protected]>

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a postdoc in text and data mining (newspapers) at Uni Tartu
by Peeter Tinits 25 Jul '24

25 Jul '24

Dear EADH community, I have a postdoc ad that may be relevant for you or where you may know of interested circles. ---- Post doc job(s) available for text and data mining and social history / sustainability transitions. Thank you for sharing the offer in potentially interested circles. The project “The Crisis and Transformation of Industrial Modernity, 1900-2055”, is a five-year project at the University of Tartu. It is based on the Deep Transitions framework which theorizes industrialization as a long-term co-evolution of various socio-technical systems. Website: https://www.deeptransitions.ut.ee/. Job description: https://www.deeptransitions.ut.ee/jobs/ Job call PDF: http://tiny.cc/dt_postdoc_call_2024<http://tiny.cc/dt_postdoc_call_2024> 1,5 FTE available for jobs. Some flexibility in workload and work location based on the exact focus. Contact laur.kanger(a)ut.ee<mailto:[email protected]> for more details. Thank you for sharing! :) Peeter

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Intermediality and Computational Humanities Hackathon, 14-15 Nov in Vienna
by Michela Vignoli 17 Jul '24

17 Jul '24

* sorry for cross-posting * Dear colleagues, The Digital Humanities Team at the University of Vienna and the Ottoman Nature in Travelogues (ONiT) project are pleased to announce a hackathon dedicated to exploring current challenges and solutions related to the analysis of texts, images, and multimodal sources. The hackathon is targeting scholars with backgrounds in Arts and Humanities as well as Computer Science with an interest in Computational Humanities methods. The aim of the hackathon is to bring together tool providers and art and history researchers to collaboratively focus on the analysis of digitised texts, images, or an inter-medial approach. The hackathon will be a two-day event starting on Thursday, November 14 at 9:00 CET and ending on Friday, November 15 at 15:00 CET. On the first day of the event, participants will be invited to propose topics and challenges related to the theme of the hackathon that they wish to work on. Working groups will then be formed from the participants to investigate these challenges. The working groups will be flexible, and participants will be welcome to work on multiple topics throughout the course of the event. With this in mind, participants are invited to suggest for potential topics and lines of enquiry in the registration form below. The hackathon will include two keynote lectures by Thomas Smits/Melvin Wevers and Matteo Valleriani. A social dinner for the participants and small bursaries sponsored by the University of Vienna, the Austrian Academy of Sciences, and the ONiT project will be available as necessary for the covering of travel costs. More information can be found here: https://dh.univie.ac.at/hackathon/ Registration Link If you have any questions, feel free to send us an email at hackathon.geschichte(a)univie.ac.at. Best,Michela & the orga team

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CFP: Transmedia History Conference in Lausanne (deadline: July 15)
by Martin Grandjean 05 Jul '24

05 Jul '24

Dear colleagues, This is a reminder of the call for papers for the international conference organised by the Impresso project (impresso-project.ch) and the History Department of the University of Lausanne (unil.ch/hist), to be held on 27 and 28 January 2025, on the theme 'Transmedia History: Circulations, Reconfigurations and New Methodologies'. If you work with different types of media sources, this call is for you! For more information and full CFP, visit the conference website: https://impresso.github.io/transmedia/ As the aim of this scientific event is to contribute to the clarification and development of the transmedia approach from a historical and long-term perspective and, more broadly, to promote a decompartmentalised history of the media, we encourage contributions from junior and senior researchers who wish to share their empirical and methodological approaches in this field. Proposals (350 words max.) must be submitted by 15 July 2024 on the following platform: https://easychair.org/conferences/?conf=transmedia2025 Thanking you in advance for your interest, and with best regards, Martin Grandjean _______________________ Call for papers TRANSMEDIA HISTORY: CIRCULATIONS, RECONFIGURATIONS AND NEW METHODOLOGIES International conference University of Lausanne 27-28 January 2025 Hosted by the Impresso project and the History Department of the University of Lausanne Conference website: https://impresso.github.io/transmedia/ MOTIVATION How can “transmedia” history be put into practice from both theoretical and empirical perspectives? The international conference “Transmedia History”—organised by the Impresso project (https://impresso-project.ch/) and the University of Lausanne’s History Department (https://www.unil.ch/hist/home.html)—will gather scholars from various backgrounds around this question to exchange views on new prospects opened by digitisation and digital tools to carry out transmedia research. Media history is composed of a myriad of parallel histories, which makes comparisons difficult (Fickers 2018, 121). Research in the field has indeed long focused on single types of media (newspapers, television, radio, …) or single institutions within their national contexts. In the mid-2000s however, the transnational turn—which spread across all historical disciplines—allowed for new trends in research objectives to emerge (Bourdon 2008; Vallotton and Nicoli 2021). Research scopes overcame previous temporal and spatial frameworks and thereby became less driven by institutional perspectives than by contents and their circulation. Moreover, this new focus on transnational perspectives enlarged its scope to encompass a wider range of topics within media studies, such as technologies and communication. The development of the history of communication, cultural industries, techniques, and international relations all contributed to a form of décloisonnement or decompartmentalisation, that paved the way for a more comprehensive history of media systems (Mattelart 2002). These new approaches were made possible most notably by mass digitisation of media sources and the improvement of their online accessibility to researchers. International research networks gathered around such transnational ambitions. The first engaged with the history of the book (Society for the History of Authorship, Reading and Publishing - SHARP, https://sharpweb.org/) and the history of television (European Television History Network - ETHN, (Post)Socialist Television History Network), while, later on, other groups broached the radio (Transnational Radio Encounters - TRE, http://www.transnationalradio.org/) and the press (Transnational Network for the Study of the Press in Foreign Languages - Transfopress, https://www.chcsc.uvsq.fr/transfopress-transnational-network-for-the-study-… ). The transnational turn was a major breakthrough that resulted in important publications (see for example Mollier and Lyon 2012 for the book; Fickers and Johnson 2012 for the television; Badenoch, Fickers and Henrich-Franke 2013 for radio and a global history of French-speaking press which is currently in the making). It remains, however, that research in media history continues to face borders it has not managed to cross yet: beyond geographical borders, those between media institutions and between different types of media remain mostly uncrossed (Cronqvist and Hilgert 2017, 134). This challenge gave the impulse for the establishment of the Entangled Media Histories (EMHIS, https://emhis.blogg.lu.se/) network in 2013. In a milestone article published in 2017, Marie Cronqvist and Christoph Hilgert—both members of EMHIS—defined the concept of entangled histories “as a means of better understanding the dynamic interconnectedness of media across semiotic, technological, institutional and political boundaries in history” (Cronqvist et Hilgert 2017, 130). Rather than accumulating histories of different media, they advocated for a focus on the elements that bridge them. This idea has a certain genealogy (Müller 2000) and theoretical debates have also broached the matter. This perspective was indeed articulated in different ways depending on the historical subdiscipline (global history, history of communications, history of techniques, history of cultural industries that incorporate sociological methods, etc.) and the national and linguistic areas. Despite this, a lack of empirical studies persists, primarily due to the enduring division of knowledge and the practical challenges associated with navigating separate, multilingual archives. These factors discourage research that moves beyond compartmentalised, sector-specific approaches. With the exception of a handful of significant works (see most notably Daniel, de Lima Grecco, Tamagne and Zierenberg 2023), monomedia perspectives still dominate the field of media history and too little research is being carried out on exchanges and cooperation between media. This international conference aims to extend those efforts and reflections by inviting papers that prioritise a “transmedia” approach. We seek to present research that explores media history through the simultaneous analysis of different media, thereby emphasising the significance of the media ecosystems in which they co-evolve. A variety of terms have been used in fields like art history, narratology, journalism and communication to explore the interconnectedness of media (cross-media, intermedia, transmedia, etc.). With regards to history, it has occurred to us that “transmedia”—first used in narratology (Jenkins 2006)—was most suited to capture our ambition. We believe that it encompasses the study of various forms of circulation that occur between media (institutional, economic, technological, aesthetic, or content level). In this sense, we argue that “transmedia” refers with greater accuracy to our objective of transcending monomedia units. “Media” is understood in a broad sense here. It includes traditional media (books, posters, press, cinema, radio and television), but also recent ones such as video games, the Internet (e.g. streaming services, podcasts, online news) and social media. The targeted timeframe is extensive, spanning up to the present day. The conference ultimately seeks to present papers that contribute to a decompartmentalised and interconnected history of media. These papers will not only place media history within a broader social, political, and cultural context but also foster a dialogue among them. In this regard, we invite papers that fall within three main research axes: 1. Transmedia circulations, adaptations and reciprocal influences Media history, which was also strongly influenced by the cultural turn of the 1970s and 1980s, has gradually expanded the range of media objects studied and the actors involved (Ruppen Coutaz and Vallotton 2019). The concepts of cultural transfer (Spain and Werner 1988) and acculturation (Dulphy, Frank, Matard-Bonucci and Ory 2010) have proved useful in understanding the international circulation of media productions, which is now increasingly being studied (Mattelart 2014). Such approaches highlight the importance of mediators (Cooper-Richet, Mollier and Silem 2005; Sapiro 2012) and the creation of new transnational circulation spaces. The aim of this initial strand of research is to identify and analyse various factors that facilitate the circulation of content and formats across media and/or that foster interactions between media: * specific actors or media professions such as news and advertising agencies, foreign correspondents, exiles and diaspora representatives active in various media, translators, arrangers, cross-border media; * technological innovations like the telegraph, printing technologies, digital platforms or alternate reality games; * spaces of circulation and exchanges that transcend traditional political and/or linguistic boundaries, such as fictional serial productions, co-productions, joint-broadcasts, technical cooperation associations in the telecommunications field, foreign-language press; * socio-economic factors like concentration and financial globalisation, liberalisation and deregulation, convergence and new consumption habits. It will also involve considering the rhythms and temporality of information, the modes of circulation (e.g. scissors-and-paste journalism), adaptations and reconfigurations (e.g. comics to radio), as well as the transmission of practices and the mobility of people. Finally, it will be important to investigate resistance to these phenomena, in the sense of factors that hinder or trouble transmedia circulation (seasonal and geopolitical conditions, legal matters, censorship, etc.). 2. Intersections, reconfigurations and new media genealogies Traditionally, media history has viewed the advent of new distribution channels as significant ruptures per se marking the beginning of life cycles, each eventually bound to a certain downfall. Against this backdrop, new perspectives rooted in the new media history (Marvin 1990; Gitelman 2006) and media archaeology (Parikka 2012) provided counterpoints. Some have emphasised the relevance of synchronic approaches to study global transformations in the media system, as instanced by the “invention” of the telephone and, more broadly, by the evolution of images transmission. Others have put forth diachronic perspectives. In this vein, the notion of “live” transmission—which had been used to draw a line between television and cinema—provided an entry point for the exploration of media history through the lens of interdependence and competition. Likewise, analyses of “media imaginaries” (imaginaires médiatiques) acknowledged new periodisations that considered, for example, the presence of prophetic literary representations in communication or the recycling of media devices bound to disappear. The goal set by this second strand of research is to provide a refined understanding of how media define themselves in relation to each other. Additionally, it seeks to shine light upon their strategies and motives, in order to appreciate better the complex ties that they maintain (Lits 2005; Letourneux 2017). How was the advent of new media perceived, announced and narrated by existing media? How do media publicise, promote and criticise other media’s content? We aim to identify productions and documentary resources that reflect such intertwined relations, such as anticipation tales, criticism in the press, advertising productions, etc. From a broader viewpoint, these considerations also address the evolution of mentalities towards new media, their gradual integration within the media ecosystem, as well as the reconfigurations of the latter. 3. New approaches, resources and methods In what ways can the mass digitisation of archival collections and the advancement of computational analysis tools foster transmedia research? Computational research methods allow processing large volumes of data and in recent times also increasingly across languages and modalities (e.g. image, text, sound) (Arnold et al. 2021; Smits and Wevers 2023). Techniques such as text reuse detection (Salmi et al. 2020; Düring et al. 2023; Rosson et al. 2023) or the representation of textual elements in multilingual dense vector spaces (embeddings) (Reimers and Gurevych 2019) have been shown to serve large-scale comparisons and content exploration. But how exactly can computational approaches contribute to the advancement of a transmedia media history? The third axis of this conference aims to identify (new and/or digital approaches that facilitate and bolster comparisons. Besides, it seeks to discuss methods which enable analyses of the circulation of contents and formats at scale, in order to enhance our understanding of information fluxes (Lundell, Hannu et alii 2023). Until recently, most projects that embraced data-driven approaches focused on a single media, mostly the press (see for instance Viral Texts Project (https://viraltexts.org/) Oceanic Exchanges (https://oceanicexchanges.org/) Computational History and the Transformation of Public Discourse in Finland (COMHIS)(https://www.kansalliskirjasto.fi/en/projects/comhis-computational-history-and-transformation-public-discourse-finland-1640-1910 ) or Information Highways of the 19th Century (https://www.oru.se/english/research/research-projects/rp/?rdb=p2403) Research now starts to explore how to set up the processing—and how to conduct the analysis—of transmedia data; projects in the likes of TwiXL: An infrastructure for cross-media research on public debates (https://twi-xl.humanities.uva.nl/) Clariah Media Suite (https://mediasuite.clariah.nl/) and Impresso - Media Monitoring of the Past II (https://impresso-project.ch/) all welcomed this goal. We therefore look to understand the effects that the use of digital tools and methodologies has on the research practices of media historians (changes in scale, shifts between close and distant reading). More broadly, we want to question how the facilitated exploration of media sources affects the way we carry out historical research, especially in the field of media history (changing relation to sources, cross-fertilisation of research fields, emergence of new objects of study, new ways of presenting results, etc.). In doing so, we seek to assess the added value of digital tools for media history (Weber, Comte and Vallotton 2023). By embracing a transmedia approach, papers gathered for this conference will: * showcase shared, entangled histories, as well as differences and lesser-known relations and connections between media; * discuss the application of novel methods and tools to conduct historical research and ground a theoretical and empirical reflection on complex interactions between media; * enhance the global understanding of media ecosystem dynamics. This conference seeks to contribute to the clarification and development of a transmedia approach in the historical sciences. It aims to address transmedia from a historical, long-term perspective and, more broadly, to promote a decompartmentalised, entangled history of media. We therefore encourage presentations from junior and senior researchers who wish to share their empirical and methodological approaches in this field. PRACTICAL INFORMATIONS The conference will be held at the University of Lausanne. Remote participation (via Zoom) will be possible only if absolutely necessary and on explicit request. Working languages at the conference will be English and French. All speakers are kindly requested to prepare slides in the other language to accompany their talk. We strive to publish selected papers in the form of a special issue in a media history journal. If speakers' home institutions cannot cover travel and accommodation costs, partial or full support may be available depending on the number of requests. Please submit an explicit request for this funding. Priority will be given to junior researchers. SUBMISSION PROCEDURE AND IMPORTANTE DATES July 15, 2024: Proposals must be submitted via Easychair: https://easychair.org/conferences/?conf=transmedia2025 Proposals (max. 350 words) should include a title, a clear outline of the research question, a bibliography (max. 5 references); please add a short bio-bibliographical note (max. 150 words) and a note as to whether or not you intend to travel to Lausanne. In EasyChair, please use the “Title and abstract” section to upload your plain text proposal: the abstract, its references and the bio–bibliographical note can be inserted in the same field. No need to produce a PDF document. Early September, 2024: Notification of acceptance after a selection process conducted with the help of the Scientific Committee members. December 13, 2024: Those interested in taking part in the publication project submit a paper of circa 6,000 words to be forwarded to the organisers and panel discussants. January 27-28, 2025: International conference at the University of Lausanne. April 1, 2025: Submission of final versions of papers selected for publication. ORGANISATION COMMITTEE Raphaëlle Ruppen Coutaz, Section d’histoire, Université de Lausanne François Vallotton, Section d’histoire, Université de Lausanne Marten Düring, C²DH, Université du Luxembourg Martin Grandjean, Section d’histoire, Université de Lausanne Arthur Michelet, Section d’histoire, Université de Lausanne

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CHR 2024 submission deadline extended to 11 July
by marijn Koolen 05 Jul '24

05 Jul '24

---------------------- Conference: Computational Humanities Research 2024 Dates: 4-6 December 2024 Location: Center for Humanities Computing, Aarhus University Website: https://2024.computational-humanities-research.org Call for Papers: https://2024.computational-humanities-research.org/cfp/ Submission deadline: July 11, 2024 (was July 8, 2024) ---------------------- Update 2024-07-05: submission deadline extended to 11 July, 2024, AoE! In the arts and humanities, the use of computational, statistical, and mathematical approaches has considerably increased in recent years. This research is characterized by the use of formal methods and the construction of explicit, computational models. This includes quantitative, statistical approaches, but also more generally computational methods for processing and analyzing data, as well as theoretical reflections on these approaches. Despite the undeniable growth of this research area, many scholars still struggle to find suitable research-oriented venues to present and publish computational work that does not lose sight of traditional modes of inquiry in the arts and humanities. This is the scholarly niche that the CHR conference aims to fill. More precisely, the conference aims at 1. Building a community of scholars working on humanities research questions relying on a wide range of computational and quantitative approaches to humanities data in all its forms. We consider this community to be complementary to the digital humanities landscape. 2. Promoting good practices through sharing “research stories”. Such good practices may include, for instance, the publication of code and data in order to support transparency and replication of studies; pre-registering research design to present theoretical justification, hypotheses, and proposed statistical analysis; or a redesign of the reviewing process for interdisciplinary studies that rely on computational approaches to answer questions relevant to the humanities. ### Topics of interest We invite original research papers from a wide range of topics, including -- but not limited to -- the following: - Applications of statistical methods and machine learning to process, enrich and analyse humanities data, including new media and cultural heritage data; - Hypothesis-driven humanities research, simulations and generative models; - Development of new quantitative and empirical methods for humanities research; - Modeling bias, uncertainty, and conflicting interpretation in the humanities; - Evaluation methods, evaluation data sets and development of standards; - Formal, statistical or quantitative evaluation of categorization / periodization; - Theoretical frameworks and epistemology for quantitative methods and computational humanities approaches; - Translation and transfer of methods from other disciplines, approaches to bridge humanistic and statistical interpretations; - Visualisation, dissemination (incl. Open science) and teaching in computational humanities. - Potential and challenges of AI applications to humanities research. ### Venue The 2024 edition of the Computational Humanities Research conference will be hosted by the Center for Humanities Computing, Aarhus University ( https://chc.au.dk/) The conference will be a hybrid event with an option to attend in person in Aarhus, virtually, or a combination of the two. More details will follow soon. ### Important dates - Submission deadline: July 8, 2024 (extended to July 11, 2024), Anywhere on Earth (23:59:59 UTC-12) - Notification to authors: September 16, 2024 - Final papers ready: October, 2024 - Conference: December 4 - December 6, 2024 - Pre-Conference workshops: December 3, 2024 ### Submission types **Long Papers**: up to **5000** words (ca. 10 pages, references, abstract and tables/illustrations excluded). Long papers report on completed, original and unpublished results. Brevity of argument is preferred. We welcome the use of appendices or other supplementary information. **Short Papers**: up to **3000** words (ca. 6 pages, references, abstract and tables/illustrations excluded). Short papers report on focused contributions, and may present work in progress. Short papers are presented either as short oral presentations or posters. We welcome the use of appendices or other supplementary information. **Lightning Talks**: Submit an abstract of up to 750 words (excluding references, tables and illustrations) to give a 5 minute presentation during a lightning talks session. This format can be well suited for reporting work in progress, introducing ideas, preliminary results, or focused question-answer research. **Workshops**: up to **1500** words. Workshops should be organised to be more interactive than the main conference. The workshops will take place before the conference, on 3 December. Workshop proposals should describe: - the aims and set up of the workshop, - the academic background for the work, - proposed length (e.g. half day or full day), - an outline of the day, including the types of activities, - the expected key outcomes, - a short bio of each organiser or presenter, including their name, affiliation, email address - a plan for promoting the workshop to draw participants. ### Submission Details We welcome submissions from scholars of diverse backgrounds and particularly from under-represented groups. Submissions should be written in English and submitted anonymously. For more details, see the full Call for Papers: https://2024.computational-humanities-research.org/cfp/ ### Questions? Contact the organizers: info(a)computational-humanities-research.org CHR community on discourse: https://discourse.computational-humanities-research.org

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CfP: Pulse: the Journal of Science and Culture
by katya krylova 04 Jul '24

04 Jul '24

Dear colleagues, Please check out the new CfP for *Pulse: The Journal of Science and Culture*. The theme of the new issue is 'The Science and Art of Digital Technology: From the Turing Machine to ChatGPT <https://www.pulse-journal.org/open-call> ' Pulse is an online, open-access, peer-reviewed journal affiliated with Central European University. It is especially targeted at early career scholars pursuing innovative and inspiring research. The submission deadline is September 15. The contact for presubmission inquiries is: pulse.scistudies(a)gmail.com Thank you Katya Krylova PhD researcher, School of Humanities and Creative Arts, University of Canterbury t: (+64) 2902098793 | e: ekaterina.krylova(a)gmail.com Forthcoming: Conference paper: ‘Neo-Ascetic Technologies of the Self in the Anthropocene’ at the International Conference ‘Environmental Ethics and Vulnerability in Western and/or Buddhist Philosophy’, Verona, October 24-26 <https://iseethics.wordpress.com/2023/09/18/call-for-abstracts-international…>, 2024 Journal article: ‘Cute Aesthetics of Fear: A Critique of Korean Neoliberalism in *The School Nurse Files*’ in *Asian Cinema <https://www.intellectbooks.com/asian-cinema> * Recent: Edited journal issue: Tenth-anniversary volume of Pulse: The Journal of Science and Culture <https://www.pulse-journal.org/>, co-edited with Siobhan Leddy, 2024 Conference paper: ‘Portraying Emergency through Human-Whale Conversations: Extractive Capitalism and Extinction in Apple TV+ Extrapolations’ at the NECS 2024 <https://necs.org/conference/2024/izmir> conference, Izmir, June 27-29 Journal article: ‘Pets of Precarity: On Excessive Cutification of Companion Animals’ in *Society & Animals <https://brill.com/view/journals/soan/aop/article-10.1163-15685306-bja10208/…>* Conference paper: ‘The Narrative Construction of Cuteness as a Premise of Affection for Non-charismatic Species’ at *Cute Ecologies <https://awwstruckseminar.wordpress.com/>* critical-creative symposium, June 7, 2024 Conference paper: ‘What Does the Magpie See Looking at Your Bruises? *The Axeman’s Carnival* as a Literary Artefact of Advocative Mutualism' at CfHAS <https://sites.edgehill.ac.uk/cfhas/events/> PGRs’ *Narrating the Non-human* hybrid symposium, Edge Hill University, May 30-31, 2024 Book: The Market of Convenient Animals, *New Literary Observer <https://www.nlobooks.ru/books/kultura_povsednevnosti/25208/>*, 2023

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Anne Frank scholarly edition now available in English
by Peter Boot 04 Jul '24

04 Jul '24

Dear colleagues, Some of you might be interested to hear that our TEI-based digital scholarly edition of Anne Frank's manuscripts is now also available in English. It includes her Diary, The Back House (the novel into which she set out to rewrite the diary), her collection of Tales, the unfinished novel Cady's Life and her Book of Beautiful Sentences (inspiring fragments that she copied from her reading). The edition provides extensive historical and textual commentary, context information and background essays. It can be accessed at https://annefrankmanuscripts.org/. Unfortunately, the copyright restrictions are the same as those for the Dutch edition we announced a few years ago. The edition is not accessible from most English-speaking countries, from the Netherlands, France and Spain and from quite a number of other countries. That's also the reason why we cannot publish the XML files. If you live in one of the countries where the edition cannot be accessed, you might still be interested in our article in the DH Benelux Journal, explaining the thinking behind the edition: https://journal.dhbenelux.org/wp-content/uploads/2023/09/DH_Benelux_Journal…. We like to hear your comments! Best wishes, Peter

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ADHO DH2023 Conference (Graz): Video recordings available on Youtube!
by Scholger, Walter (walter.scholger＠uni-graz.at) 27 Jun '24

27 Jun '24

Dear colleagues, as an "appetiser" in preparation for the upcoming ADHO Digital Humanities Conference DH2024 in Washington - https://dh2024.adho.org/ - we would like to invite you to revisit last year's DH2023 in Graz. All video recordings of presentations are now available on the Youtube channel of our department (DH_Graz): https://www.youtube.com/@dh_graz137/playlists You are also welcome to revisit our Zenodo Community https://zenodo.org/communities/dh2023graz/ and the conference website https://dh2023.adho.org/. Best regards, Walter Scholger Walter Scholger Institutsmanager | Department Manager Zentrum für Informationsmodellierung | Centre for Information Modeling Universität Graz | University of Graz Elisabethstraße 59/III, A-8010 Graz Tel.: +43/(0)316/380 - 2292 E-Mail: walter.scholger(a)uni-graz.at<mailto:[email protected]> Web: https://zim.uni-graz.at<https://zim.uni-graz.at/>

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CLS INFRA Fully-funded TNA Fellowships - final call open now
by Hoover, Sarah 27 Jun '24

27 Jun '24

Please circulate widely. These fellowships are intended for researchers from academic and non-academic areas. Apologies for cross posting [A green and white sign with blue text Description automatically generated] Transnational Access Fellowship Programme (TNA) is now opening its final call for applications, evaluated on rolling deadlines. The CLS INFRA Fellowship Programme provides access to a wide range of data, tools and knowledge. Scholars from literary studies or with an interest in Computational Literary Studies methods are invited to apply for a fellowship grant in one of our infrastructure providers. Successful applicants will not only obtain free-of-charge physical access to the infrastructure, but in the context of the overall project they will become part of the larger CLS community. By responding to one of our calls, applicants may have the opportunity to: * Interact with experts; * Receive advice on ongoing projects; * Learn how to use the ecosystem of data, tools and standards; * Assemble new literary corpora; * Profit from hands-on training and support. * Fellowships grants will cover housing and subsistence costs as well as travel to and from the host institution. The CLS INFRA Fellowships are funded by the European Union under the rules of transnational access. CLS INFRA fellowship grants will typically cover travel and subsistence costs. Successful applicants are expected to join the chosen infrastructure for a period of 4 to 12 weeks. However, shorter residencies will be also taken into consideration. The last call will be structured on a rollling basis with the following deadlines: * first deadline for evaluation: July 29, 2024 (notification early-mid August) * second deadline for evaluation: September 9, 2024 (notification mid-end September) * third deadline for evaluation: October 21, 2024 (notification early November) * fourth deadline for evaluation: November 25, 2024 (notification early-mid December). Please note that the places still available are scarce and the call might close earlier than foreseen. Furthermore, we cannot accept applications for fellowships finished later than February 28, 2025. Please take this into consideration prior to your submission. The institutions participating for the first evaluation deadline are the following: * University of Galway * Trier University * Charles University N.B. Only applications from scholars based in an EU member state or in a Horizon 2020 associated country are eligible for this final call as the limit of fellowships that can be offered to scholars based in non-EU or associated countries has been reached. DARIAH ERIC<https://www.dariah.eu/> is leading the Transnational Access Fellowship Programme (TNA) and is responsible for the management and oversight of the TNA selection process. More on the CLS INFRA project: clsinfra.io<https://clsinfra.io/opportunities/tnafellowships/> [A picture containing text, sign Description automatically generated] This project has received funding from the European Union’s Horizon 2020 research and innovation programme under grant agreement No 101004984 Visit clsinfrattna.sciencescall.org<https://clsinfratna.sciencescall.org/> to apply. For examples of other TNA Fellowships, visit the TNA Archive: clsinfra.io/opportunities/tnafellowships/tna-archive<https://clsinfra.io/opportunities/tnafellowships/tna-archive/> Contact: Marco Raciti Email: marco.raciti(a)dariah.eu<mailto:[email protected]> All the best, Sarah Dr Sarah Hoover Taighdeoir Iardhochtúireachta | Postdoctoral Researcher Computational Literary Studies Infrastructure: CLS INFRA<clsinfra.io> M: +32 0483 90 04 88 | sarah.hoover(a)universityofgalway.ie<mailto:[email protected]> SELECTED PUBLICATIONS: * Forthcoming: Monograph, Reflective affective dramaturgies of participatory theatre: larping audiences into performance. Palgrave MacMillan, Dec 2024. * Chapter editor and contributor: ‘Performance Studies and Role-Playing Games’. Role-Playing Game Studies: Transmedia Foundations, edited by José Pablo Zagal and Sebastian Deterding, Routledge, 2018, pp. 213–26. In process of revision and republication 2023. * ‘Think Outside my Box: Imagery and Narratives of Women’s Bodies in Repeal the 8th Campaigns’, co-authorship with Miriam Haughton and Ciara L. Murphy. Feminist Encounters. March 2022 [University of Galway] [UniversityofGalway.ie] Uimhir Carthanachta Cláraithe/Registered Charity Number 20002107 [EU Flag] CLS INFRA has received funding from the European Union’s Horizon 2020 Research and Innovation Programme

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PhD post Cologne University
by Frank Hentschel 21 Jun '24

21 Jun '24

Dear all The Institute of Musicology at the University of Cologne has a vacancy for a doctoral researcher in a project on 13th century music (3 years). Attached you will find the corresponding job advertisement. I look forward to receiving your applications! Best regards Frank Hentschel

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Second CfP: Computational Humanities Research Conference, 4-6 December in Aarhus, Denmark
by marijn Koolen 18 Jun '24

18 Jun '24

-------------------- Conference: Computational Humanities Research 2024 Submission deadline: July 8, 2024 Dates: 4-6 December, 2024 Location: Aarhus, Denmark Website: https://2024.computational-humanities-research.org -------------------- In the arts and humanities, the use of computational, statistical, and mathematical approaches has considerably increased in recent years. This research is characterized by the use of formal methods and the construction of explicit, computational models. This includes quantitative, statistical approaches, but also more generally computational methods for processing and analyzing data, as well as theoretical reflections on these approaches. Despite the undeniable growth of this research area, many scholars still struggle to find suitable research-oriented venues to present and publish computational work that does not lose sight of traditional modes of inquiry in the arts and humanities. This is the scholarly niche that the CHR conference aims to fill. More precisely, the conference aims at 1. Building a community of scholars working on humanities research questions relying on a wide range of computational and quantitative approaches to humanities data in all its forms. We consider this community to be complementary to the digital humanities landscape. We actively seek, welcome, and encourage people with diverse backgrounds, experiences, and identities to join. This includes, but is not limited to, scholars from underrepresented groups, different academic paths, and those who are contributing novel perspectives to the computational humanities landscape. 2. Promoting good practices through sharing “research stories”. Such good practices may include, for instance, the publication of code and data in order to support transparency and replication of studies; pre-registering research design to present theoretical justification, hypotheses, and proposed statistical analysis; or a redesign of the reviewing process for interdisciplinary studies that rely on computational approaches to answer questions relevant to the humanities. ### Topics of interest We invite original research papers from a wide range of topics, including -- but not limited to -- the following: - Applications of statistical methods and machine learning to process, enrich and analyse humanities data, including new media and cultural heritage data; - Hypothesis-driven humanities research, simulations and generative models; - Development of new quantitative and empirical methods for humanities research; - Modeling bias, uncertainty, and conflicting interpretation in the humanities; - Evaluation methods, evaluation data sets and development of standards; - Formal, statistical or quantitative evaluation of categorization / periodization; - Theoretical frameworks and epistemology for quantitative methods and computational humanities approaches; - Translation and transfer of methods from other disciplines, approaches to bridge humanistic and statistical interpretations; - Visualisation, dissemination (incl. Open science) and teaching in computational humanities. - Potential and challenges of AI applications to humanities research. To gain further insight into paper topics, please also refer to the proceedings of previous years: http://ceur-ws.org/Vol-2723/, http://ceur-ws.org/Vol-2989/, https://ceur-ws.org/Vol-3290/, https://ceur-ws.org/Vol-3558/. ### Venue The 2024 edition of the Computational Humanities Research conference will be hosted by the DIGHUMLAB (https://dighumlab.org/) and the Center for Humanities Computing, Aarhus University (https://chc.au.dk/) The conference will be a hybrid event with an option to attend in person in Aarhus, virtually, or a combination of the two. More details will follow soon. ### Important dates - Submission deadline: July 8, 2024 - Notification to authors: September, 2024 - Final papers ready: October, 2024 - Conference: December 4 - December 6, 2024 ### Submission types **Long Papers**: up to **5000** words (ca. 10 pages, references, abstract and tables/illustrations excluded). Long papers report on completed, original and unpublished results. Brevity of argument is preferred. We welcome the use of appendices or other supplementary information. **Short Papers**: up to **3000** words (ca. 6 pages, references, abstract and tables/illustrations excluded). Short papers report on focused contributions, and may present work in progress. Short papers are presented either as short oral presentations or posters. **Lightning Talks**: Submit an abstract of up to 750 words (excluding references, tables and illustrations) to give a 5 minute presentation during a lightning talks session. This format can be well suited for reporting work in progress, introducing ideas, preliminary results, or focused question-answer research. **Workshops**: up to **1500** words. Workshops should be organised to be more interactive than the main conference. The workshops will take place before the conference, on 3 December. Workshop proposals should describe: - the aims and set up of the workshop, - the academic background for the work, - proposed length (e.g. half day or full day), - an outline of the day, including the types of activities, - the expected key outcomes, - a short bio of each organiser or presenter, including their name, affiliation, email address - a plan for promoting the workshop to draw participants. - specific requirements, including but not limited to special equipment (e.g. audio/video), software, physical space arrangements, - any technical knowledge, skills, or experience participants should have prior to attending the workshop. ### Submission instructions and review process We welcome submissions from scholars of diverse backgrounds and particularly from under-represented groups. For submission details, see https://2024.computational-humanities-research.org/cfp/. Accepted full and short papers will be published as part of a CEUR-WS proceedings. ### Questions? Contact the organisers if you have any questions, specific requirements or concerns: info(a)computational-humanities-research.org or drop us a line on the discourse forum (https://discourse.computational-humanities-research.org)

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Call for Challenge: The first Data Challenge of HERMES Data Competence Center
by Golnaz Sarkar Farshi 18 Jun '24

18 Jun '24

Dear fellow DH-ists, HERMES Data Competence Center is conducting its first Data Challenge! We challenge multidisciplinary teams of humanities scholars and data scientists to critically analyze newspaper data from the German Newspaper Portal and solve the problems that arise when working with real-life, text-based data. The goal of this Data Challenge is to develop best practices for the critical handling of tabular and text-based data sets to answer a research question in the humanities and to find innovative solutions that support GLAM institutions in digitizing and publishing their archival materials. Who can participate? Humanities scholars who work on historical mass media, including newspapers, data scientists with an interest and expertise in NLP, and anyone interested in archival text files and NLP are invited to take part in this challenge. Important dates: Kick-off (via Zoom): July 4th, 2024 - 4 p.m. (c.t.) Registration: July 8th, 2024 Submission of challenge results: November 17th, 2024 The comprehensive call for challenge, a detailed description of the data set and the explanation of the challenge process can be found on our website. You can follow the latest updates about the challenge on our Slack channel. If you have any questions about the topic and process of the challenge, please feel free to send an email to hermes.challenges(a)uni-marburg.de. Important links: Comprehensive call for challenge: https://hermes-hub.de/formate/challenges/challenges-ausschreibungen/challen… Our Slack channel: https://hermes-data.slack.com *Golnaz Sarkar Farshi* (Pronomen: sie/ihr) Wissenschaftliche Mitarbeiterin im Projekt HERMES - Humanities Education in Research, Data, and Methods MCDCI - Philipps-Universität Marburg Hans-Meerwein-Straße 6 35032 Marburg H|04 Institutsgebäude <https://www.uni-marburg.de/de/universitaet/service/lageplaene/hans-meerwein…> E-Mail: golnaz.sarkarfarshi(a)uni-marburg.de

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Call for Challenge: The first Data Challenge of HERMES Data Competence Center
by Golnaz Sarkar Farshi 14 Jun '24

14 Jun '24

HERMES Data Competence Center is conducting its first Data Challenge! We challenge multidisciplinary teams of humanities scholars and data scientists to critically analyze newspaper data from the German Newspaper Portal and solve the problems that arise when working with real-life, text-based data. The goal of this Data Challenge is to develop best practices for the critical handling of tabular and text-based data sets to answer a research question in the humanities and to find innovative solutions that support GLAM institutions in digitizing and publishing their archival materials. Who can participate? Humanities scholars who work on historical mass media, including newspapers, data scientists with an interest and expertise in NLP, and anyone interested in archival text files and NLP are invited to take part in this challenge. Important dates: Kick-off (via Zoom): July 4th, 2024 - 4 p.m. (c.t.) Registration: July 8th, 2024 Submission of challenge results: November 17th, 2024 The comprehensive call for challenge, a detailed description of the data set and the explanation of the challenge process can be found on our website. You can follow the latest updates about the challenge on our Slack channel. If you have any questions about the topic and process of the challenge, please feel free to send an email to hermes.challenges(a)uni-marburg.de <mailto:[email protected]> . Important links: Comprehensive call for challenge: https://hermes-hub.de/formate/challenges/challenges-ausschreibungen/challeng e24_1.html Our Slack channel: https://hermes-data.slack.com Golnaz Sarkar Farshi (Pronomen: sie/ihr) Wissenschaftliche Mitarbeiterin im Projekt HERMES - Humanities Education in Research, Data, and Methods MCDCI - Philipps-Universität Marburg Hans-Meerwein-Straße 6 35032 Marburg <https://www.uni-marburg.de/de/universitaet/service/lageplaene/hans-meerwein -strasse> H|04 Institutsgebäude E-Mail: <mailto:[email protected]> golnaz.sarkarfarshi(a)uni-marburg.de

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Immersive Technologies and Cultural Heritage CFP
by Curtis Fletcher 13 Jun '24

13 Jun '24

The USC Mellon Humanities in a Digital World Program<https://dornsife.usc.edu/digitalhumanities/> and the Ahmanson Lab<https://polymathic.usc.edu/ahmanson-lab> of the Sidney Harman Academy for Polymathic Study in the USC Libraries invite applications for the second annual Immersive Technologies and Cultural Heritage (ITCH) Symposium. The symposium will take place on Friday, September 20, and Saturday, September 21, at the University of Southern California in Los Angeles. We seek innovative projects rooted in the humanities or humanistic social sciences that rely on immersive technologies (including but not limited to augmented reality, mixed reality, virtual reality, photogrammetry or 3D modeling) to enable close engagement with cultural heritage materials, or open new possibilities for research, teaching, and learning. We particularly seek projects that realize the benefits of working at the intersection of digital technologies and the liberal arts. Participants will: * Pre-circulate materials related to their current project (such as a draft article, website, VR/AR experience, 3D model, or other format) two weeks prior to the symposium. * Give a 10-15-minute presentation summarizing their project’s context, goals, and implications for humanities scholarship at the symposium. * Lead a hands-on project demonstration and engage in conversation with users. * Offer comments on another participant’s pre-circulated project. * Participate in a concluding roundtable discussion of the promise and perils of immersive technologies for humanities research, teaching, and learning. Workshop discussions will foreground interdisciplinary elements and user experience in project development. The Humanities in a Digital World Program at USC will provide round-trip domestic economy airfare, 3 nights lodging at a hotel near USC in downtown Los Angeles, and up to $200 in reimbursement for ground travel to and from the airport. To apply, send a single PDF document containing your name, title, affiliation; project or presentation title; 300-word abstract; and any relevant URLs to digitalhumanities(a)usc.edu<mailto:[email protected]> by July 1, 2024.

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Talk: 'With Pride, not Prejudice: on Dialogue in Film Adaptations of Literature' (Agata Hołobut, Jan Rybicki)
by Daniil Skorinkin 13 Jun '24

13 Jun '24

Dear fellow DH-ers, we (DH Potsdam) invite youto our fourth 'Code & Culture' online lecture on June 25 (registration form here <https://www.uni-potsdam.de/de/digital-humanities/aktivitaeten/code-and-cult…> ). This time it is dedicated to computational research of dialogues in film adaptations of literature, and also oftheir translations to other languages. The speakers are Agata Hołobut and Jan Rybicki, both from the Institute ofEnglish Studies at the Jagiellonian University. Title: With Pride, not Prejudice: on Dialogue in FilmAdaptations of Literature Abstract: The study of film adaptations of literature has gonethrough a variety of approaches from the early evaluative reviews of the 1950s through comparative analyses of the1970s to a more intertextual view of the phenomenon starting with the 1990s. Our research looks both into quantitativeand qualitative discussion of film dialogue and its translations and into the part that words play in film portrayalsof various historical eras. This is especially important in films that adapt (or translate) literature as much of theviewers’ expectations is based on their perception of the literary original; at the same time, modern perception of thenovels’ and films’ historical settings also come into play. Quantitative approaches allow a whole seriesof comparisons between the dialogues of novels and their film “translations” (and into translations of that dialogueinto other languages), from simple percentages of direct usage of dialogue (and narrative) to stylometric analyses ofword frequencies and other linguistic items. But quantitative analysis can also look at visual elements such ascharacter screen time or camera angle; this can then be compared between various adaptations of the same text andbetween the adaptations and the literary text in search for similarities and differences of perspective. We illustrate our research with examples from a variety of adaptations of literature, with particular focus on variousPride and Prejudice films (1940, 2005) and TV miniseries (1980, 1995). Based on selected scenes taken from the fourproductions we show how recycled, reworked and re-vamped fictionalised dialogue interacts with other elements of thefilm’s structure to create different interpretations of apparently identical literary characters. Speakers:Agata Hołobut, Jan Rybicki, Institute of English Studies, Jagiellonian University 🗓️ The talk will take placeonline on June 25 at 18:30 CEST. Please register here to get the Zoom link: https://www.uni-potsdam.de/de/digital-humanities/aktivitaeten/code-and-cult… This lecture is part of the 'Code & Culture' series <https://www.uni-potsdam.de/de/digital-humanities/aktivitaeten/code-and-cult…> of open talks at the Digital Humanities Network Potsdam. Best, Daniil Skorinkin, DH Network Potsdam

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A Research position in Digital History for the ERC project ‘HOLYLAB
by Joëlle Weis 10 Jun '24

10 Jun '24

Dear colleagues, the ERC project HOLYLAB is looking for a person to take care of their project database: https://jobs.fbk.eu/Annunci/Offerte_di_lavoro_A_Research_position_in_Digita… Best wishes Joelle (Weis) ---- FK is a private research institution based in Trento (Italy), operating in different scientific fields and disciplines. As such, it keeps the Autonomous Province of Trento within the mainstream of international research. FBK comprises 12 research centres with activities and production available at http://www.fbk.eu/research-centers. *The Italian-German Historical Institute (ISIG)* <https://isig.fbk.eu/en/> is a research center that promotes historical studies in the field of early modern and contemporary history. Research activities are highly interdisciplinary, transnational. ISIG’s researchers develop projects in collaboration with other institutions and conduct individual studies in political, religious, social, cultural, environmental, and economic history. The study activities promoted by ISIG maintain a constant dialogue with the most recent international historiographic trends. In line with the aims of all the FBK Research Centres, ISIG pays particular attention to innovative scientific research practices with extensive bestowal of results to the community. More information about ISIG: *https://isig.fbk.eu/en/* <https://isig.fbk.eu/en/> *Job Description* This 1-year position is an integral part of the ERC-funded research project *HOLYLAB* <https://holylab-erc.uniroma3.it/> (*Grant agreement no. 101001857* <https://cordis.europa.eu/project/id/101001857>) based at ISIG and Roma Tre University and coordinated by Prof. Felicita Tramontana. The central task of the candidate is to develop and populate an open-access online database for the project starting from the collected dataset in spreadsheet format. As part of the research unit based at the ISIG, the candidate will be responsible for the planned database of the ERC project HOLYLAB. The project studies the Franciscan Custody of the Holy Land, a thirteenth-century organisation funded to maintain the Holy Sepulchre and the friars’ presence in the Holy Land thanks to a complex system of alms gathering that involved worldwide branches called Commissariats. HOLYLAB investigates the Custody’s economic organisation through its account books for the period 1600 and 1800. One of the project’s main objectives is to offer free access to the data on money, costs, mobility, and consumption extracted from the accounting documents of Franciscan Commissariats. The candidate will work with the spreadsheet dataset collected by the research unit based at Roma Tre and from these develop the database through a DBMS and the Wordpress platform hosted on the Roma Tre servers. The candidate therefore will also use web publishing tools and coordinate with the IT Office of Roma Tre University. If possible, the candidate will produce visualisations from the database to be published on its website. The candidates will also be expected to actively contribute to the academic life of the Centre and participate to the events organised within the ERC project by: 1. participating regularly in HOLYLAB meetings, events, and training; 2. contributing actively to the activities of the Centre; *The ideal candidate should have:* - MA Degree in one of the following fields: History, Arts and Humanities, Social Sciences, Digital Humanities, Digital engineering; - Research experience in projects in the following fields: History, Digital humanities, Digital history, Arts and Humanities, Digital Exhibitions; - Professional and thorough knowledge of Excel spreadsheets for the management of the project’s database. Specifically, such requirements involve: - writing and running VBA macros, also complex ones (for instance, in order to modify the database structure and to manage simultaneously several value fields); - write Office Scripts for the above purposes; - analyse data through integrated calculation tools; - use pivot tables. - Knowledge of web publishing tools for managing the webpages where the project’s research and database will be published. Specifically, such requirements involve: - using one of the main CMS for the creation of digital exhibitions and archives (for instance, Omeka, CollectiveAccess, Islandora); - using Wordpress. - Knowledge of at least one Open Access DBMS (preferably MariaDB): - Teamwork approach, good communication and relational skills; - Good knowledge of written and spoken English; - Self-motivation and result orientation. *As preferable requirements*: - Knowledge of PHP and Python. - Familiarity with Azure Functions. *Employment* *T**ype of contract*: Fixed Term Contract *Working hours*: part time 80% *Gross annual salary*: about € 36.250 plus objectives achievement bonus.Compensation to be adjusted proportionally to the hours worked. *Start date*: indicatively September 2024 *Duration*: 12 months *Workplace*: Trento *Benefits*: flexi-time, company subsidised cafeteria or meal vouchers, internal car park, welcome office support for visa formalities, accommodation, supplementary pension and health funds, training courses, public transport, sports facilities, language course fees. Further details at *https://www.fbk.eu/en/work-with-us/* <https://www.fbk.eu/en/work-with-us/> *Application:* Interested candidates must submit their application by completing the online form (*https://jobs.fbk.eu/* <https://jobs.fbk.eu/>). Please make sure that your application contains the following attachments (in pdf format): - Detailed CV (with detailed description of responsibilities, tasks, and results for each previous position); - Two referees (with e-mails and phone numbers) *Application Deadline: 08/07/2024* *Please read our **Recruitment Regulations* <https://hr.fbk.eu/sites/hr.fbk.eu/files/eng-regolamento_selezione_personale…>* before completing your application.* *For further information, please contact the Human Resources Services at * *j**obs(a)fbk.eu <obs(a)fbk.eu>**. *

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53 PhD Positions on Big Data - MSCA COFUND - Futuredata4EU Call for Application
by Francesca Tomasi 31 May '24

31 May '24

Dear all, The MSCA COFUND - Futuredata4EU Call for Application is now open<https://site.unibo.it/futuredata4eu/en/phd-program>! The deadline to submit the Application is June 28th, 2024, 2pm CEST Co-funded under the European Marie Skłodowska-Curie Actions COFUND and coordinated by the Università di Bologna in collaboration with the Universities of the Emilia-Romagna Region (Italy), the FutureData4EU project provides 53 positions for doctoral programs in seven thematic areas related to Big Data: * Health; * Culture, Creativity and Inclusive Society; * Civil Security for Society; * Digital, Industry and Space; * Climate, Energy and Mobility; * Food, Bioeconomy, Natural Resources, Agriculture and Environment; * Enabling Technologies. The project will run for five years and will recruit 53 candidates through an international call for applications, of which 21 will be assigned to Università di Bologna, 9 each to Università di Modena e Reggio Emilia, Università di Parma, Università di Ferrara, 3 to the Polo Territoriale di Piacenza of Politecnico di Milano and 2 to the Campus di Piacenza of Università Cattolica del Sacro Cuore Selected candidates will be enrolled in the doctoral courses of each University and will be contracted with a research fellowship (“assegno di ricerca”) of 36 months. Here below the requirements candidates must meet in order to be eligible for application: Mobility. Candidates must not have resided or carried out their main activity (work, studies, etc.) in Italy for more than 12 months in the 3 years immediately before the deadline of this call for applications, i.e., from June 29th, 2021 until June 28th, 2024 Qualifications. Candidates must be in possession of a second-cycle academic qualification (e.g., two-year master’s degree, degree of the previous degree programme system, equivalent Advanced Artistic and Musical Training – AFAM qualification). Doctoral Candidate stage. Candidates must not be already in possession of a doctoral degree. For more info about the Call and the application procedure, please contact cofund(a)unibo.it<mailto:[email protected]> Francesca Tomasi Docente di Digital Humanities Direttrice del Digital Humanities Advanced Research Centre (/DH.ARC) Coordinatrice del Dottorato in Patrimonio Culturale nell’Ecosistema Digitale (Cultural Heritage in the Digital Ecosystem, CHeDE) Dipartimento di Filologia Classica e Italianistica Alma Mater Studiorum - Università di Bologna Via Zamboni 32, 40126 Bologna, Italy francesca.tomasi(a)unibo.it<mailto:[email protected]> https://www.unibo.it/sitoweb/francesca.tomasi

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Elevate your skills with TAP Institute’s FREE text analysis courses
by Amy Kirchhoff 26 May '24

26 May '24

Hello all ~ Future-proof your research: Learn text and data analysis. Join us this summer for Constellate’s Text Analysis Pedagogy (TAP) Institute. It’s completely FREE and online, making it a valuable investment in your future. Our progressive courses allow you to begin as a novice and master advanced concepts by the program's end. You’ll learn everything from beginner programming classes in R and Python to specialized LLM (Large Language Model) classes. Register today<https://constellate.org/tap-institute?source=list> Don't miss this chance to transform your teaching and research. Register today to secure your spot and explore the range of courses we offer. Looking forward to seeing you there! ~ Amy -- Amy J. Kirchhoff (she/her) Senior Manager, Constellate | ITHAKA Twitter: @AmyPlusFour<https://twitter.com/AmyPlusFour> Constellate empowers educators and students with text analysis and data skills. Unlock the potential of your research!

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Talk: Thinking about Culture (not) as Data (Lev Manovich, June 4, online)
by Daniil Skorinkin 20 May '24

20 May '24

Dear fellow DH-ers, Digital Humanities Network Potsdam invites you to another 'Code & Culture' online lecture on June 4. This time, we'll have Prof. Lev Manovich (CUNY), a prominent theorist of digital culture and the author of the term 'Cultural Analytics'. Title: Thinking about Culture (not) as Data Abstract: Why do we often approach cultural data using ideas developed in the 18th and 19th century, before digital computers and big data? Can we think about cultural objects and histories without using categories? What can AI see in cultural artefacts, and what it remains blind to? Lev Manovich will discuss what he sees as some of the biggest challenges in looking at culture with computers, and suggest some ways to address those challenges. 🗓️ The talk will take place online on June 4 at 10:00 AM CEST. Please register here to get the Zoom link: https://www.uni-potsdam.de/de/digital-humanities/aktivitaeten/code-and-cult… Best, Daniil Skorinkin, DH coordinator, Uni Potsdam

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Important Notice: Fraudulent Emails Circulating in My Name
by Fabio Ciotti 14 May '24

14 May '24

Dear Colleagues, It has come to my attention that fraudulent emails are circulating using my name as the sender. These emails solicit help, but they are phishing attempts and should be discarded immediately. To ensure your cybersecurity, please consider the following recommendations: Do not open or click on any links within suspicious emails. Do not provide personal or sensitive information in response to these emails. I assure you that all official communications from me will come through the usual and secure channels. If you receive unusual or suspicious emails that appear to be from me, please do not hesitate to contact me directly to verify their authenticity. Thank you for your attention and cooperation in maintaining the security of our academic community. Best regards, Fabio Ciotti Chair, EADH Executive Committee -- Professor Fabio Ciotti Dept. "Studi letterari, filosofici e di storia dell’arte" University of Roma "Tor Vergata" Chair, European Association for Digital Humanities (EADH) Editor-in-Chief, "Umanistica Digitale" https://umanisticadigitale.unibo.it/ @Fabio_Ciotti @[email protected] f.ciotti(a)pec.it

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Registration: UK-Ireland DH 2024 Annual Event
by Michael Donnay 13 May '24

13 May '24

Dear colleagues, The UK-Ireland Digital Humanities Association invites you to register for its 2024 Annual Event<https://digitalhumanities-uk-ie.org/2024-annual-event/>. The theme for this year's event is Inclusivity Across Sectors / Uileghabhálacht Thar Earnálacha, highlighting one of the Association's Core Values. One of the dreams of information and communication technologies is that of equitable and open access to information, to services, and to opportunities. We know, however, that this dream is not always reflected in reality - especially in the digital humanities, where the expertise, skills and knowledge of a broad range of sectors, disciplines and organisations inform everything we do. It is necessary to constantly challenge our own claims and understanding of inclusivity. This inevitably involves exploring the situated and intersectional inequities of technological systems, and the cultures and societies that build them. The event will examine inclusive approaches to digital humanities research and practice broadly conceptualised, with an emphasis on intersectional approach to examining barriers to inclusion within different national, organisational, and disciplinary contexts. We are pleased to announce that our keynote roundtable will be moderated by Aoibhie McCarthy, artistic director at Sample Studios, who will be in conversation with Valerie Byrne (Cork City Council), Melissa Terras (University of Edinburgh), and Francesca Farmer (Royal Albert Memorial Museum/University of Exeter). The event will be held in-person at University College Cork, with portions of the event available to view online. The fee for attending the event in-person will be £35. Students, early career researchers and professionals, and independent scholars can attend at a discounted rate of £20. For those unable to attend in person, free online-only tickets are available. The deadline to register for in-person attendance is 5:00 PM BST on Monday, 20 May 2024. Registration: https://sas.sym-online.com/registrationforms/sas-booking4267653277/done/ Cheers, Michael Michael Donnay (he/him) Manager | Digital Humanities Research Hub School of Advanced Study | University of London Senate House, Malet Street, London WC1E 7HU michael.donnay(a)sas.ac.uk<mailto:[email protected]> www.sas.ac.uk/digital-humanities<http://www.sas.ac.uk/digital-humanities> The University of London is an exempt charity and a statutory corporation in England and Wales (Company No. RC000661) HMRC Charities Reference X422. VAT Registration GB 222 7971 03.

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CfP: European Cultural Memory in its Digitalization - Inventing Cultural Memory in the 21st Century?, Graz 6./7.11.2024
by Georg Vogeler 10 May '24

10 May '24

Dear European Digital Humanists, we extended the deadline for proposal submissions for the international conference *"European Cultural Memory in its Digitalization - Inventing Cultural Memory in the 21st Century?"* to *19.5.2024* The concept of cultural heritage has been in circulation for decades (e.g. UNESCO convention 1972) if not centuries (e.g. discussion on repatriation of artworks at the Congress of Vienna, 1815), in scientific, cultural and policy contexts. The extensive digitization of collections in archives, museums, and libraries, as well as the digital dissemination and mediation of cultural artefacts has also been framed as supporting the process of Europeanization. For instance, the mission of Europeana documents this interest in creating a European cultural identity (Capurro 2023). The very idea of a European heritage is embedded with the vision and policies of the European Union, fostering a shared European identity and memory on the grounds of a common culture and history as well as the rejection of the violent experiences of the 20th century (Radonic 2023). The conference “European Cultural Memory in its Digitalization” focuses on the intersection of cultural heritage, digital transformation and Europeanisation processes, also responding to the recent dynamic trends in Artificial Intelligence. It aims to question and problematize dimensions of cultural heritage from the European past in the context of contemporary social, cultural and technological transformations. It thus takes into account both the transformative (technological) and representational (discursive) potentials of digitalization of cultural heritage. This conference will discuss the European and national cultural and research policy strategies in the context of cultural heritage and its digital transformation in general and through the lens of specific projects engaging in this process. Furthermore, recent collaborations between digital humanities and cultural heritage organizations and researchers will be discussed. By contextualizing heritage in the European digital society agenda, general digital transformation processes, datafication and artificial intelligence developments, we will drive forward current debates in Digital Humanities and Memory Studies. The aim of the conference is to bring together researchers and scholars from various disciplines and reflect on the state of research in the field, opening up fresh discussions and dialogue. We invite you to submit contributions, in particular on the following themes: * National/transnational/European policies, identities and the digital cultural heritage field * (strategies, funding, trends, transformations, etc.); Promises and expectations of digitalization, datafication and artificial intelligence in the context of the cultural heritage of Europe and the Europeanization processes; * Research and reflections about relevant actors, institutions, networks and actants in these processes (GLAMs, universities, NGOs, independent initiatives, commons, etc.); * Different types of digital cultural heritage (including archaeological, architectural, intangible cultural heritage, moveable cultural relics and museums, ancient books and archives, internet and new media digital artistic and creative content) and their material, infrastructural and discursive dimensions. * Transformation of cultural memory in the age of digitalization. We also encourage contributions that explore other related topics, including social, historical, cultural, technological, political, educational, ecological, communicational, organizational, critical, academic and other dimensions at the intersection of European memory studies and digital cultural heritage research. Concept and organization: Georg Vogeler (ZIM <https://informationsmodellierung.uni-graz.at/>), Gerald Lamprecht (CJS <https://juedischestudien.uni-graz.at/>), Dušan Ristić (ZIM <https://informationsmodellierung.uni-graz.at/>), Chiara Zuanni (ZIM <https://informationsmodellierung.uni-graz.at/>) The organizers are seeking funding, and travel and accommodation expenses will be covered according to available resources. Independent scholars as well as early career researchers will be given priority for financial support. Please send an abstract (max. 300 words) and a short CV to: office.cjs(a)uni-graz.at by April 31, 2024 *May 19th, 2024*. See https://dhgraz.github.io/European-Cultural-Memory-in-its-Digitalization/ for more details! -- Prof. Dr. Georg Vogeler Professur für Digital Humanities - Zentrum für Informationsmodellierung Universität Graz A-8010 Graz | Elisabethstraße 59/III Tel. +43 316 380 8033 <http://informationsmodellierung.uni-graz.at> - <http://gams.uni-graz.at> <https://online.uni-graz.at/kfu_online/wbForschungsportal.cbShowPortal?pPers…> Institut für Dokumentologie und Editorik e.V. <http://www.i-d-e.de> International Center for Archival Research ICARus <http://www.icar-us.eu>

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CfP: European Cultural Memory in its Digitalization - Inventing Cultural Memory in the 21st Century?, Graz 6./7.11.2024
by Georg Vogeler 10 May '24

10 May '24

Dear European Digital Humanists, we extended the deadline for proposal submissions for the international conference *"European Cultural Memory in its Digitalization - Inventing Cultural Memory in the 21st Century?"* to *19.5.2024* The concept of cultural heritage has been in circulation for decades (e.g. UNESCO convention 1972) if not centuries (e.g. discussion on repatriation of artworks at the Congress of Vienna, 1815), in scientific, cultural and policy contexts. The extensive digitization of collections in archives, museums, and libraries, as well as the digital dissemination and mediation of cultural artefacts has also been framed as supporting the process of Europeanization. For instance, the mission of Europeana documents this interest in creating a European cultural identity (Capurro 2023). The very idea of a European heritage is embedded with the vision and policies of the European Union, fostering a shared European identity and memory on the grounds of a common culture and history as well as the rejection of the violent experiences of the 20th century (Radonic 2023). The conference “European Cultural Memory in its Digitalization” focuses on the intersection of cultural heritage, digital transformation and Europeanisation processes, also responding to the recent dynamic trends in Artificial Intelligence. It aims to question and problematize dimensions of cultural heritage from the European past in the context of contemporary social, cultural and technological transformations. It thus takes into account both the transformative (technological) and representational (discursive) potentials of digitalization of cultural heritage. This conference will discuss the European and national cultural and research policy strategies in the context of cultural heritage and its digital transformation in general and through the lens of specific projects engaging in this process. Furthermore, recent collaborations between digital humanities and cultural heritage organizations and researchers will be discussed. By contextualizing heritage in the European digital society agenda, general digital transformation processes, datafication and artificial intelligence developments, we will drive forward current debates in Digital Humanities and Memory Studies. The aim of the conference is to bring together researchers and scholars from various disciplines and reflect on the state of research in the field, opening up fresh discussions and dialogue. We invite you to submit contributions, in particular on the following themes: * National/transnational/European policies, identities and the digital cultural heritage field * (strategies, funding, trends, transformations, etc.); Promises and expectations of digitalization, datafication and artificial intelligence in the context of the cultural heritage of Europe and the Europeanization processes; * Research and reflections about relevant actors, institutions, networks and actants in these processes (GLAMs, universities, NGOs, independent initiatives, commons, etc.); * Different types of digital cultural heritage (including archaeological, architectural, intangible cultural heritage, moveable cultural relics and museums, ancient books and archives, internet and new media digital artistic and creative content) and their material, infrastructural and discursive dimensions. * Transformation of cultural memory in the age of digitalization. We also encourage contributions that explore other related topics, including social, historical, cultural, technological, political, educational, ecological, communicational, organizational, critical, academic and other dimensions at the intersection of European memory studies and digital cultural heritage research. Concept and organization: Georg Vogeler (ZIM <https://informationsmodellierung.uni-graz.at/>), Gerald Lamprecht (CJS <https://juedischestudien.uni-graz.at/>), Dušan Ristić (ZIM <https://informationsmodellierung.uni-graz.at/>), Chiara Zuanni (ZIM <https://informationsmodellierung.uni-graz.at/>) The organizers are seeking funding, and travel and accommodation expenses will be covered according to available resources. Independent scholars as well as early career researchers will be given priority for financial support. Please send an abstract (max. 300 words) and a short CV to: office.cjs(a)uni-graz.at by April 31, 2024 *May 19th, 2024*. See https://dhgraz.github.io/European-Cultural-Memory-in-its-Digitalization/ for more details!

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