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ESWC 2024 Call for Contributions
by Web and Publicity ESWC 11 Sep '23

11 Sep '23

(Apologies for cross-posting) ESWC is a key academic conference for research results and new developments in the area of the Semantic Web and Knowledge Graphs. ESWC 2024 marks the 21st edition, which will take place from May 26 – 30, 2024, in Heraklion, Greece. ESWC 2024 features three main tracks: • the Research Track for novel research contributions • (https://2024.eswc-conferences.org/call-for-papers-research-track) • the In-use Track for contributions that reuse and apply state-of-the art semantic technology in practical settings • (https://2024.eswc-conferences.org/call-for-papers-in-use-track) • the Resources Track for data and software supporting the community • (https://2024.eswc-conferences.org/call-for-papers-resources-track/) The call for workshops and tutorials will be published soon. And lastly, at a later point also calls for papers to the doctoral consortium as well as posters and demos will be announced. Important dates: • Abstract submission (research, resource, in-use): 30-11-2023 • Full paper submission (research, resource, in-use): 07-12-2023 • Rebuttal period: 22-01-2024 until 26-01-2024 • Full paper notifications: 22-02-2024 • Full paper camera-ready: 28-03-2024 • Workshop/tutorial days: 26/27-05-2024 • Main conference days: 26-05-2024 until 30-05-2024 All deadlines are 23:59 anywhere on earth (UTC-12). ESWC welcomes original research and application submissions dealing with all aspects of representing and using Semantic Web technologies and Knowledge Graphs. We encourage theoretical, methodological, empirical, and applications papers. Submitted papers should describe original work, present significant results, and provide rigorous, principled, and repeatable evaluation. Submission guidelines are available on ESWC 2024 website. General Chair: Albert Meroño Peñuela See the full Organizing committee here: https://2024.eswc-conferences.org/organising-committee/ -- Kind regards, Tabea and Stefano Web and Publicity team of ESWC 2024 https://2024.eswc-conferences.org/

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[online event] Open to all: Open Space Day "From Uncertainty to Action: Advancing Research with Digital Data", 28 Sept., 2023
by christian.wachter＠uni-bielefeld.de 11 Sep '23

11 Sep '23

Join us on Zoom! Our Open Space Day as part of the Digital Academy 2023: “From Uncertainty to Action: Advancing Research with Digital Data” - 28 September, 2023. The Digital Academy once again invites you to a vital exchange on data-based research and digital methods. This year, we will focus on an issue that affects the Digital Humanities on all levels: uncertainty. In this context, uncertainty is not understood as something deficient that inevitably makes data-based research within the digital humanities blurry. Instead, uncertainty underscores contingent opportunities to productively explore and develop strategies of dealing with digital research data. Three experts will report on their research projects and share their views on the topic of uncertainty in data-driven research. In an interview format, they will elaborate on topics spanning from modeling digital corpora and scholarly/scientific concepts, questions of accessing digital data in born-digital archives, to strategies of capturing uncertainty in scholarly editions. After each interview, there will be an open discussion with the Zoom audience. Program of the Open Space Day: 28 September, 2023; all times in CEST 10.00 -10.15 am: Welcome 10.15 -11.45 am: Talking to an expert & discussion I: Michael Piotrowski (Department of Language and Information Sciences, Université de Lausanne) 11.45 am - 12.45 pm: Lunch break 12.45-2.15 pm: Talking to an expert & discussion II: Jane Winters (School of Advanced Study, University of London) 2.15-2:30 pm: Coffee break 2.30-4.00 pm: Talking to an expert & discussion III: Susan Schreibman (Faculty of Arts and Social Sciences, Maastricht University) The Zoom link is available on our website: <https://www.uni-bielefeld.de/fakultaeten/geschichtswissenschaft/abteilung/a…> https://www.uni-bielefeld.de/fakultaeten/geschichtswissenschaft/abteilung/a… We look forward to the exchange! Best regards from the organizing committee, Silke Schwandt, Christopher Kuhlmann, Anna Maria Neubert, Sophie Spliethoff, Christian Wachter (all Bielefeld University) _______________________________ Dr. Christian Wachter Wissenschaftlicher Mitarbeiter Digital History Universität Bielefeld Universitätsstraße 25 33615 Bielefeld Büro: X A3-252 E-Mail: <mailto:christian.wachter@uni‐bielefeld.de> christian.wachter(a)xn--unibielefeld-i09f.de Telefon: <https://ekvv.uni-bielefeld.de/pers_publ/publ/Dialer_auswahl.jsp?phone=%2b49…> +49 521 106-12953 Twitter: <https://twitter.com/ChrWachter> @ChrWachter ORCID: <https://orcid.org/0000-0003-2937-0868> 0000-0003-2937-0868 Mastodon: <https://fedihum.org/@ChristianWachter> @[email protected] <http://digital-history.uni-bielefeld.de/> digital-history.uni-bielefeld.de

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CfP: Digital History Switzerland 2024
by Moritz Twente 08 Sep '23

08 Sep '23

Dear members of Eadh-topics, I am happy to share a Call for Contributions for the conference ‹Digital History Switzerland 2024› that will take place in Basel, September 12–13, 2024. We invite scholars, researchers and professionals of all levels of experience from Switzerland and beyond to submit papers on the DHCH24 conference theme: ‹Historical Research, Digital Literacy and Algorithmic Criticism›. We are particularly interested in papers that address ongoing research projects, innovative research methods, the use of software in historical research, data analysis, and digital tools. The Call for Contributions<https://bit.ly/dhch24_cfc> is open until December 1, 2023. Please visit our website for latest news and updates and to submit your abstract: https://bit.ly/dhch24 We are looking forward to your contributions! ——————— Call for Contributions Over the past few decades, history has gradually evolved into a discipline that is inconceivable without digital tools. Research rarely begins with manual browsing in archives, but rather on the Internet. Extending the legacy of quantitative history pioneered by the Annales School, quantitative methods such as distant reading complement established methods such as close reading and discourse analysis, and are becoming increasingly important as digital collections grow. AI systems like ChatGPT create new opportunities and challenges regarding text production and source analysis. Digital literacy and algorithmic criticism are one way of responding to this shift. Both students and researchers need to be trained and sensitized to the new demands and possibilities of digital research practice. Digital tools and methods are being integrated into history education to provide students with a solid foundation for their future research activities. Research collaborations need to be rethought under the conditions of digitization, etc. Within this general context, a lot of questions need urgently to be discussed. What are the basic elements of data literacy which every historian should know about? What is algorithmic criticism and how can it be practiced in our every-day research routines? How do we manage the data we produce during the research process? Which criteria (if any) should we use to choose a software for a specific task? Where to find help when faced with a methodological or a computer problem – or a combination of both? How to set up interdisciplinary collaborations? How do we handle technologies that some of their inventors construct as ‹black boxes›? How can we deal with the rapidly increasing demand for very different resources (e.g. technical knowledge, computing power, money)? etc. The conference provides a platform for scholars, researchers and professionals of all ages and levels of experience to discuss these challenges, exchange experiences, share best practices, and discuss forward-looking approaches to historical research in the digital age. It aims to promote digital literacy, raise awareness of the use of algorithms and AI systems, develop strategies for dealing with digital sources, encourage shared formats and methodologies, and facilitate the exchange of knowledge and best practices for collaborative historical research. The conference will also showcase projects and research in the field of digital history. It is planned that a selection of the papers presented at the conference will be published in a peer-reviewed open access publication. This is the first in a series of conferences that should take place every two years at a different Swiss university. Call for Papers Papers should provide insightful analysis, provoke thoughtful discussion, and contribute to the understanding and advancement of digital literacy and algorithmic criticism in historical research. This is an excellent opportunity to share your work with a diverse audience, receive valuable feedback, contribute to the evolving discourse in the field of digital history, and build community. Call for Posters In addition to paper presentations, we also invite submissions for poster presentations. Posters provide a unique platform for presenting ongoing research projects, research methods, software, data, and tools in a visually appealing format. Poster presentations are an excellent way to showcase your work, stimulate discussion, and interact with conference attendees in a more informal setting. We encourage innovative, visually appealing posters that effectively communicate your research and its relevance to the conference theme. Submission Guidelines Submission guidelines are provided on our website to ensure that your submission is properly formatted and submitted: bit.ly/dhch24_guidelines<https://bit.ly/dhch24_guidelines> Best regards, Moritz Twente Universität Basel Departement Geschichte digital-history-2024(a)unibas.ch

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Jobs at the Dept of Digital Humanities, King's College London
by Andrea Ballatore 31 Aug '23

31 Aug '23

Might be of interest * https://www.kcl.ac.uk/jobs/073449-lecturer-in-digital-media-and-culture-edu… * https://www.kcl.ac.uk/jobs/073450-lecturer-in-social-and-cultural-ai-aep * https://www.kcl.ac.uk/jobs/073465-lecturer-in-lecturer-in-digital-media-edu… * https://www.kcl.ac.uk/jobs/073467-lecturer-in-cultural-computation-educatio… * https://www.kcl.ac.uk/jobs/073468-lecturer-in-digital-economy-and-innovatio… -- Lecturer in Social and Cultural Informatics | HPL Lead Department of Digital Humanities King’s College London ✉️ andrea.ballatore(a)kcl.ac.uk<mailto:[email protected]> 🔗 aballatore.space<http://aballatore.space/> 📅 Office Hours<https://calendly.com/andrea-ballatore-kcl/office-hours> 🐦 Twitter<https://twitter.com/a_ballatore> 👾 Computational Humanities RG<https://www.kcl.ac.uk/research/computational-humanities-research-group> 🗺️ RGS-IBG GIScience RG<https://geoinfo.science/> Pronouns: he/him Latest publications: ✅ Open access in GIScience and geographic data science link<https://aballatore.space/open-access-giscience> | 🏛️ A geography of UK museums link<https://rgs-ibg.onlinelibrary.wiley.com/doi/full/10.1111/tran.12578>

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PostDoc position at Aachen University
by Simone Rebora 25 Aug '23

25 Aug '23

Dear all, Prof. Dr. Ralf Schneider (RWTH Aachen) is looking for a German- and English-speaking post-doc in Digital Humanities. Please find the job posting attached to this email. Best regards, Simone

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What metadata do literary studies need?
by jose.calvo 17 Aug '23

17 Aug '23

The NFDI consortium Text+, the DFG priority program Computational Literary Studies, and the EU project CLS-Infra have jointly created a survey on criteria for the creation of literary text corpora or collections. It only takes about 10 minutes to answer! https://survey.academiccloud.de/index.php/916873?lang=en The aim of this survey is to ask all researchers who create (digital) literary corpora or collections what information they need and consider for compilation. Currently, catalogs from libraries, archives, and digital platforms do not yet meet researchers' criteria because of different priorities regarding metadata. We want to change this and therefore ask the researchers themselves, for example, whether they are only looking for novels by 19th century French women authors for their corpus or rather what other information besides genre, gender and time period might be important. Of course, this does not mean that these metadata can be added right after the survey, but prioritization helps us to improve research infrastructures and the supply of digital corpora plus metadata. Take the first step with us and participate in the survey: https://survey.academiccloud.de/index.php/916873?lang=en Dr. José Calvo Tello Georg-August-Universität Göttingen Niedersächsische Staats- und Universitätsbibliothek Göttingen D-37073 Göttingen Digital Humanities Abteilung: Forschung und Entwicklung Papendiek 14 (Historisches Gebäude, Raum 2.407) Fachreferent für Romanistik, Kunstgeschichte und Digital Humanities Platz der Göttinger Sieben 1 (Zentralbibliothek, Raum 0.47) calvotello(a)sub.uni-goettingen.de http://www.sub.uni-goettingen.de [1] Links: ------ [1] http://www.sub.uni-goettingen.de/

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Registration Open - Narratives From the Long Tail: Transforming Access to Audiovisual Archives Event Series, 25 - 29 September
by Yang Yuchen 02 Aug '23

02 Aug '23

[Apologies for cross-posting] Dear All, We are delighted to extend an invitation to you on behalf of the consortium of the Swiss National Science Foundation Sinergia Project, "Narratives From the Long Tail: Transforming Access to Audiovisual Archives"<https://www.futurecinema.live/>. Please Join us at EPFL, Switzerland, for a week-long series of thoughtfully curated events 25th - 29th of September that focus on exploring the exciting intersection of machine learning, visual analytics, digital museology, and archival science. With a 2-day PhD workshop, a half-day seminar, and a 2-day international symposium, this gathering brings together researchers and practitioners to address the current challenges in providing public access to the significant audiovisual archives of the 20th and 21st centuries: ----------------- PhD workshop Beyond Search: Opening Up Audiovisual Content for Humanities Studies <https://www.epfl.ch/labs/emplus/workshop-beyond-search-opening-up-audiovisu…>25-26 September 2023 (2 ECTS provided by EPFL, travel subsidy available) In recent years, audiovisual content, with its growing accessibility, rich hidden meanings, and complexity in modality, became a new frontier for research in humanities and computational domains. The quest for properly and meaningfully opening up the variety of information (such as historical, social, affective, and aesthetic) available in the ever-increasing audiovisual materials requires a collective effort from both sides to co-create not only new methods but also new research questions. This 2-day workshop, covering both the theoretical and practical aspects of processing and utilising audiovisual data, provides an entry point and a test field for researchers working on digital humanities, audiovisual content understanding, and HCI to formulate and validate new ideas. Lecturers: Prof. Marina Hassapopoulou, New York University Ingrid Mason, National Film and Sound Archive of Australia Prof. Matthias Grotkopp, Freie Universität Berlin Prof. Mark Williams & Dr John P. Bell, Dartmouth College Dr Luca Rossetto, University of Zurich To access the full programme, including bios and abstract, or to apply, click here:https://www.epfl.ch/labs/emplus/workshop-beyond-search-opening-up-audiovisual-content-for-humanities-studies-25-26-september-2023/ ----------------- Mini Seminar Constellations of Images: 'The Grande Conversion' in Cultural Archives <https://www.epfl.ch/labs/emplus/constellations-of-images-the-grande-convers…>27 September 2023 The digital era has witnessed a significant transformation in the accessibility and availability of cultural content in various formats, encompassing a wide range of art forms such as visual arts, cinema, literature, music, photography, and architecture. This shift from analogue to digital, referred to as the "grande conversion" by Milad Doueihi, continues to have a profound impact on our engagement with these creative expressions. Spinning off the new book Les Devenirs numériques des patrimoines (The Digital Futures of Heritage)<http://www.editions-msh.fr/livre/?GCOI=27351100825610>, this event carefully curated a series of talks drawing on a variety of disciplinary perspectives and examples, showcasing the progress and advantages of working with the ever-changing technologies. Speakers: Prof. Jeffrey Shaw, Hong Kong Baptist University Prof. Clarisse Bardiot, Rennes 2 University Prof. Daniel Foliard, Université Paris Cité Prof. Martine Beugnet, Université Paris Cité Lily Hibberd, Interdisciplinary Artist Prof. Sarah Kenderdine, EPFL Dr Susan Hazan, Digital Heritage, Israel To access the full programme, including bios and abstract, or to register, click here:https://www.epfl.ch/labs/emplus/constellations-of-images-the-grande-conversion-in-large-audiovisual-archives/ ----------------- Symposium New Paradigms for Accessing and Curating Audiovisual Collections <https://www.epfl.ch/labs/emplus/events/new-paradigms-audiovisual-2023/>28-29 September 2023 In the context of the transformation, accessibility and curation of datafied content require rethinking to unlock meaningfully the complexity and large volume of audiovisual collections. For instance, standard web interfaces often ignore the potential of exploration and features like visual, auditory, and haptic, which are not easily accessible with traditional metadata. Scoping out an upgrade for accessing audiovisual archives can be facilitated via innovative curatorial access and informatics models that can activate new modes of engagement, interaction, and meaning-making. While pushing the boundaries for accessibility, the new interfaces, experiences, and curatorial models also raise technological and conceptual questions about every corner of the archival practice, especially on the preservation end, in the age of data. Addressing these challenges, this symposium is stimulated by a growing need for access models for audiovisual collections beyond traditional strategies and the need to reconceptualize curatorial and presentational frameworks and models. It aims to explore the intersection of cutting-edge computational methods and audiovisual archiving through three themed sessions, each designed to cover a specific and unique angle: * A Blurry Boundary: From Archive to Data * A New Way of Seeing: Analytics and Curation * In Progress and Practice: An Institutional Zoom-in Bring together more than 20 world-leading scholars in various fields (such as media and cultural studies, digital humanities, archival science, informatics and human-computer interaction), archivists and curators from heritage institutions, as well as domain experts and artists, this symposium will serve as a holistic venue to explore and critically reflect on the affordances and limitations of cutting-edge computational methods and tools for preserving, accessing and utilizing audiovisual materials and to push forward a digital and data-driven mindset for the future of audiovisual collections. To access the full programme, including bios and abstract, or to register, click here:https://www.epfl.ch/labs/emplus/events/new-paradigms-audiovisual-2023/ ----------------- Visit the Pioneering Laboratory for Experimental Museology <https://www.epfl.ch/labs/emplus/>During all three events Each event invites participants to embark on a captivating journey through the cutting-edge Laboratory for Experimental Museology (eM+), where immersive visualisation, cultural data, and state-of-the-art technologies converge. Join our guided tour to explore unique visualisation systems, powerful sonic architectures, and groundbreaking techniques like motion capture and photogrammetry. Witness the transformation of tangible and intangible heritage into stunning ultra-high-resolution experiences. This exclusive opportunity unveils 20 years of research from pioneering laboratories in Sydney and Hong Kong, offering a glimpse into the future of post-cinematic multisensory engagement. As a part of the Sinergia Project: Narratives from the long tail, this guided tour will also showcase the latest interactive and embodied exploration interfaces developed for our content partners, such as the Eye Filmmuseum and the Radio Télévision Suisse. ----------------- Special Film Screening Film, the Living Record of Our Memory <https://filmthelivingrecordofourmemory.com/index.php>28 September 2023, during the symposium Why are we still able to watch moving images captured over 125 years ago? As we move ever further into the digital age, our audiovisual heritage seems to be taken increasingly for granted. However, much of our filmed history and cinema has already been lost forever. On the night of the 28th, we arranged a special screening of the latest documentary Film, the Living Record of Our Memory<https://filmthelivingrecordofourmemory.com/index.php>, where film archivists, curators, technicians and filmmakers from around the world explain what film preservation is and why it is needed. This documentary puts the focus on our protagonists are custodians of film whose work behind the scenes safeguards the survival of motion pictures. It is a task they undertake based on their closely held belief in the artistic and cultural value of the moving image, in tune with a shared mantra that a film might one day transform someone's life. This documentary is a homage to them all and sheds some light on their critical undertaking. ----------------- If you cannot make it in person, we will also provide streaming services for those participating online. Please use the respective link to register your online participation, and details will be sent shortly before the event. Should you have any questions or require further information regarding this symposium, please feel free to reach out to our coordinator Yuchen Yang at yuchen.yang(a)epfl.ch<mailto:[email protected]> Best, Narratives From the Long Tail Team.

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CfP on Digital Hermeneutics in Frankfurt/Main, Germany
by Möbus, Dennis 07 Jul '23

07 Jul '23

Dear Members of the EADH-Mailingslist, we are pleased to announce our second international conference on Digital Hermeneutics, organized by the research cluster digital_culture at the FernUniversität in Hagen: Digital Hermeneutics II: Sources, Analysis, Interpretation, Annotation, and Curation The conference will take place at our side-campus in Frankfurt/Main on November 23/24. Please find the call below and attached a layout-version. Best regards, Dennis Möbus Call for Papers Digital Hermeneutics II: Sources, Analysis, Interpretation, Annotation, and Curation Annual Conference of the Research Cluster digital_culture at the FernUniversität in Hagen 23./24. November 2023, Frankfurt am Main Digitization has reached almost all areas of science and scholarship. And even in the cultural sciences and humanities, computers, databases and digital tools are increasingly important. Last year's annual conference "Digital Hermeneutics: Machines, Procedures, Meaning<https://www.fernuni-hagen.de/digitale-hermeneutik/>" of the research cluster digital_culture<https://www.fernuni-hagen.de/forschung/schwerpunkte/digitale-kultur/index.s…> dealt with the theoretical and conceptual challenges inherent in hermeneutic methods, tools, and applications. The results of the conference supported understanding and meaning, when algorithms, programs, machines, and other technical procedures contribute to it[1]. Following up on these initial theoretical and conceptual results, we now want to address more technical aspects of methods, technologies, tools, and applications supporting Digital Hermeneutics under the title "Digital Hermeneutics II: Sources, Analysis, Interpretation, Annotation, Curation" and take a look at digitally supported hermeneutic research processes and anticipate the future of digitized working practices in the cultural sciences and humanities. Without such digital support systems, it will no longer be possible to index, find, annotate, and curate the ever-growing number of digitally available resources for research data. Digital systems are also already in use for analyzing, indexing, enriching, and annotating multimedia data. But what about systems that support the analysis, annotation, and interpretation of digital research data - thus: representation of hermeneutic methods - and their results as well as supporting machine learning, reasoning, and finally automating the documentation of annotation, interpretation, and understanding? TOPICS OF INTEREST In an exchange between humanities scholars and computer scientists, we want to explore the possibilities and limits of the vision of digitally supported hermeneutics. The following questions should be understood as suggestions for contributions: · Digitization processes bear the risk of information loss or structural shifts and biases. How can these risks be dealt with? · The transformation of sources to data involves coding and enables the enrichment with information. How does one deal with the loss of the original source characteristics? Do standardizations promote a focus on unifying features of different sources or can nuances and deviations also be mapped? · Do the questions and epistemological interests of humanities, cultural studies, and social sciences change the availability, quality, and quantity of sources in the form of data? · How can algorithms and tools support, possibly even expand, research questions and epistemological interests in the humanities, cultural studies, and social sciences? · Can computer science also benefit from the discussion of methods in the humanities, social sciences, and cultural studies? The support of hermeneutic research processes by computer science can cover MultiMedia Indexing and Retrieval, Natural Language Processing (e.g. Named Entity Recognition), Knowledge Representation, Argumentation Mining, Machine Learning, Reliability, Explainability and Reproducibility. For the workshop, we are looking for contributions from both realms - computer science and humanities, also preferably in interdisciplinary tandem. Reports on current developments of digital support systems, experiences in dealing with such systems, as well as the problematization of technical and methodological challenges for the humanities and computer science are desired. Workshop Details The workshop will be held over two days covering the following panels: 23.11.2023 (12:00 - 21:00): Panel 1: "From Source to Data" Panel 2: "From Data to Scientific Questions for Digital Hermeneutics" Panel 3: "From Data to Scientific Methods for Digital Hermeneutics" Keynotes 24.11.2023 (9:00 - 13:30): Panel 4: "Sustainable Data Management for Digital Hermeneutics" Panel 5: "Costs and Benefits of Digital Hermeneutics" Scientific and Organizational Committee: Valentina Bachi, Photoconsortium Swati Chandna, SRH Univ. of Heidelberg Felix Engel, TIB - German National Library Antonella Fresa, Promoter S.r.l. Ingo Frommholz, Univ. of Wolverhampton Matthias Hemmje, FernUniversität in Hagen Helmut Hofbauer, FernUniversität in Hagen Paul Mc Kevitt, Univ. of Ulster, Belfast Almut Leh, FernUniversität in Hagen Bianca Mix, FernUniversität in Hagen Dennis Möbus, FernUniversität in Hagen Christian Nawroth, FernUniversität in Hagen Tom van Nuenen, Univ. of Cal. Berkeley Uta Störl, FernUniversität in Hagen Jan-Niklas Voigt-Antons, Univ. of Hamm-Lippstadt Binh Vu, SRH Univ. Heidelberg Joris van Zundert, Huygens Institute Amsterdam Language The workshop language is English. Abstracts can be submitted in English or German. Post-proceedings and Publication We are pleased to announce that we have been officially accepted by Springer: The papers will be published in Lecture Notes in Computer Science (LNCS). A German translation in the series Digitale Kultur<https://hagen-up.de/digitale-kultur/>, published by Hagen University Press, is being considered. Authors should consult Springer's Instructions for Authors of Proceedings and use either the LaTeX or the Word templates provided on the author's page for the preparation of their papers. Springer encourages authors to include their ORCIDs in their papers. For accepted papers, in addition, the corresponding author of each paper, acting on behalf of all of the authors of that paper, must complete and sign a License-to-Publish form. The corresponding author signing the copyright form should match the corresponding author marked on the paper. Once the files have been sent to Springer, changes relating to the authorship of the papers cannot be made. Submission and Deadlines September 15th 2023: Abstract (Position Paper, max. 500 words, please submit to dennis.moebus(a)fernuni-hagen.de<mailto:[email protected]>) September 30th 2023: Notification to authors (Accept/Revise/Reject) October 30th 2023: Camera Ready Abstract 23./24. November 2023: Workshop December 15th 2023: Full Paper Submission January 15th 2024: Full Paper Review Feedback February 15th 2024: CRV Full Paper --- Dr. Dennis Möbus Oral-History.Digital Researcher Forschungsschwerpunkt digitale_kultur Coordination of the research group digital humanities - Forschen im digitalen Raum FernUniversität in Hagen dennis.moebus(a)fernuni-hagen.de<mailto:[email protected]> https://www.fernuni-hagen.de/forschung/schwerpunkte/digitale-kultur/fg-digi… ________________________________ [1] https://hagen-up.de/publikationen/von-menschen-und-maschinen-mensch-maschin…

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[job] 2-year postdoc on cultural analytics/DH @Birkbeck/King’s College London
by Andrea Ballatore 07 Jul '23

07 Jul '23

[Please share with your networks] 📢 Come to work with us on museum analytics! 💡📊🏛️ URL: https://cis7.bbk.ac.uk/vacancy/postdoctoral-research-assistant-531235.html This is a full time, fixed term appointment until 30 September 2024 at Birkbeck, University of London. Please note, the successful candidate will be employed at Birkbeck for Year 1 and KCL for Year 2. Are you a recent PhD graduate or a Post Doctoral in computer science or data science, looking to work on an exciting trans-disciplinary project in the museums sector? We are seeking to appoint a Postdoctoral Research Fellow to work on the AHRC-funded project “Museum Closure in the UK 2000-2025”. You will be based at the Computer Science department at Birkbeck during the first year, and at the Digital Humanities department at King’s College London during the second year. The Museum Closure project will use trans-disciplinary methods to analyse closure and collections dispersal within the UK museums sector. Its aim is to examine the geographic distribution of closure, to better understand types of closure, and to document the flows of objects and knowledge from museums in the aftermath of closure. A Knowledge Base will be designed to model and store the collected data, and visualisations and statistical analyses of the data will be developed. Using these tools, the project team will aim to critically reassess notions of permanence and loss within the museum sector. The project builds on the earlier “Mapping Museums” and “Museums in the Pandemic” projects at Birkbeck (see http://blogs.bbk.ac.uk/mapping-museums/) It is led by Fiona Candlin, Professor of Museology at Birkbeck (Principal Investigator), Dr Andrea Ballatore (Digital Humanities, King’s College London) and Professors Alexandra Poulovassilis and Peter Wood (Computer Science, Birkbeck). As well as the Postdoctoral Research Fellow in Data/Computer Science, the project will also employ a postdoctoral research fellow in museology. You will design and implement the Knowledge Base (including software for uploading and extracting data), the statistical analyses, and the visualisations required for detailed data analysis. You will be required to collaborate with the other project members and report to the project group at regular team meetings (which may be held virtually or in person). You will be responsible for preparing refereed publications and presentations at conferences and project meetings. You may be required to travel within the UK and abroad several times a year. Essential skills include hands-on experience of programming, database design and implementation, and data analytics. The technologies used in the project include Python, R, and Neo4j. Experience in information visualisation is also highly desirable. (see URL for more info) -- Lecturer in Social and Cultural Informatics | HPL Lead Department of Digital Humanities King’s College London ✉️ andrea.ballatore(a)kcl.ac.uk<mailto:[email protected]> 🔗 aballatore.space<http://aballatore.space/> 📅 Office Hours<https://calendly.com/andrea-ballatore-kcl/office-hours> 🐦 Twitter<https://twitter.com/a_ballatore> 👾 Computational Humanities RG<https://www.kcl.ac.uk/research/computational-humanities-research-group> 🗺️ RGS-IBG GIScience RG<https://geoinfo.science/> Pronouns: he/him Latest publications: ✅ Open access in GIScience and geographic data science link<https://aballatore.space/open-access-giscience> | 🏛️ A geography of UK museums link<https://rgs-ibg.onlinelibrary.wiley.com/doi/full/10.1111/tran.12578>

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EADH Executive Board election 2023: statements by candidates
by Fabio Ciotti 27 Jun '23

27 Jun '23

Dear EADH mebers, the statements of the candidates in the 2023 election of the Executive Board have been published on the EADH website https://eadh.org/about/people/statements-candidates Fabio Ciotti -- Professor Fabio Ciotti Dept. "Studi letterari, filosofici e di storia dell’arte" University of Roma "Tor Vergata" Chair, European Association for Digital Humanities (EADH) Editor-in-Chief, "Umanistica Digitale" https://umanisticadigitale.unibo.it/ @Fabio_Ciotti @[email protected] f.ciotti(a)pec.it

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Deadline extended Re: CFP: Web/Comics 2023 at ACM Hypertext 2023 Conference, Rome
by Ernesto Priego 27 Jun '23

27 Jun '23

Dear all, Hoping you are all well, and with the usual apologies for crossposting. The deadline to submit to Web/Comics 2023, the first in a new workshop series for the ACM Hypertext conference <https://ht.acm.org/ht2023/>, has been extended to 4 July. The workshop itself will take place in Rome, Italy, during the conference. Accepted participants will be invited to submit revised papers, incorporating feedback and insights following the workshop, in a special collection of The Comics Grid: Journal of Comics Scholarship <https://www.comicsgrid.com/>.Important dates - *Papers submission: July 4, 2023 (AoE)* - Notification of acceptance: July 24, 2023 - Camera-ready paper due: August 6, 2023 - *Workshop: September 4, 2023 (half day, exact date tbc)* Call for papers: https://ht.acm.org/ht2023/webcomics/ <https://ht.acm.org/ht2023/webcomics/> ACM Hypertext Conference 2023: https://ht.acm.org/ht2023/ All the best, Ernesto @ernestopriego https://ernestopriego.com/ The Comics Grid: Journal of Comics Scholarship http://www.comicsgrid.com/ Parables of Care: https://blogs.city.ac.uk/parablesofcare/ Symbola Comics: https://figshare.com/collections/Symbola_Comics/4090025 Subscribe to the Comics Grid Newsletter: http://eepurl.com/iOYAj The information contained in this email is confidential and may be legally privileged. It is intended for the addressee(s) only. If you are not the intended recipient, please delete this e-mail. The contents of this e-mail must not be forwarded, disclosed or copied without the sender's consent. The statements and opinions expressed in this message are those of the author and do not necessarily reflect those of any related organisations, projects, colleagues or employers.

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Deadline extension: Digital Academy 2023 - From Uncertainty to Action: Advancing Research with Digital Data [online event]
by Neubert, Anna Maria 27 Jun '23

27 Jun '23

Digital Academy 2023 - From Uncertainty to Action: Advancing Research with Digital Data (Digital History, Bielefeld University) Dear colleagues, dear Digital Humanities enthusiasts, the Digital Academy once again invites you to a vital exchange on data-based research and digital methods. This year, we will particularly focus on an issue that affects the Digital Humanities on all levels: uncertainty. With her concept of “capta,” Johanna Drucker pointed out that when researchers collect and model data, they use criteria that are not objectively given. Thus, there always is a certain perspective that is forced onto our data sets, which highly influences the possibilities of analysing data. In order to be able to exploit data sets to their full potential, it is crucial for researchers to reflect on this perspectivity. Uncertainty plays a role on various levels: How can we interpret unclear data within texts, for example ambiguous designations of people or places? In which formats are data sets available, and how does this affect working with different analysing tools? The Digital Academy 2023 will touch upon these questions and many more. In this context, uncertainty is not supposed to be framed as something deficient that inevitably blurs data-based research within the Digital Humanities. The aim instead is to explore and develop strategies that help dealing with digital research data. We will discuss these strategies from 25th to 28th September 2023 within an online format. 1. Open Space Day: Experts will report on their research projects and subsequently discuss aspects of their work with the audience. This part of the program is open to all who are interested. 2. Three-day workshop: The participants will get the opportunity to present and discuss their strategies for dealing with uncertainty within their own research projects. This workshop particularly aims at advanced Masters students, PhD students, and postdocs. Participation is free of charge for both parts of the program. Call for Participation (Three-Day Workshop) 1 Your Contributions Your contributions (20 mins. presentation, 10 mins. discussion) may deal with all kinds of possible interpretations of uncertainty with regards to digital data. We would like you to present strategies you have been using in order to deal with uncertainty in your own projects. Besides the questions already mentioned above, other possible questions could be: * How do we create relations within databases, in order to answer particular research questions? * Which types of visualisations are particularly suitable for different research projects? * How can we combine qualitative research and hermeneutic methods? * Which theories seem to be useful in these contexts? 2 Submissions & Blog Articles Please submit the following documents to <mailto:digital-academy at uni-bielefeld.de> digital-academy at uni-bielefeld.de: 1. Abstract of your contribution (500-750 words excl. bibliography; English or German). 2. A short CV. Based on your abstract and the discussion following your contribution during the workshop, we would like to invite you to write a blog post that will be published on the blog of Digital History@UniBielfeld. This way, we can make our results available to a broader public. 3 Deadline The extended deadline for submitting contributions is 10 July 2023 (23:59, MESZ). We will inform about possibilities of participation by July, 28. Further details about the programme will be published in the course of the summer. We welcome submissions in German or English. The programme of the Digital Academy 2023 is bilingual (the Open Space day will be in English only). If you have any further questions, please do not hesitate to contact us via the following email address: digital-academy(a)uni-bielefeld.de<mailto:[email protected]>. Digital Academy 2023 website: https://www.uni-bielefeld.de/fakultaeten/geschichtswissenschaft/abteilung/a…. We look forward to a collaborative exchange! Best regards from the organizing committee, Silke Schwandt, Christopher Kuhlmann, Anna Maria Neubert, Sophie Spliethoff, Christian Wachter (all Bielefeld University)

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JOB: Web Developer - Digital Mozart Edition
by cividini＠mozarteum.at 23 Jun '23

23 Jun '23

JOB announcement / Digital Mozart Edition International Mozarteum Foundation The International Mozarteum Foundation has been devoted to the study and preservation of the œuvre of Wolfgang Amadé Mozart and his family for more than 150 years. As part of the Digital Mozart Edition (DME), which is being developed in collaboration with the Packard Humanities Institute (Los Altos, CA), we are working on interactive online editions that make music and text sources of various kinds accessible to a wide audience. A special project within the DME is the Digital Interactive Mozart Edition (DIME: https://dme.mozarteum.at/en/music/edition/) – the world’s first fully digital, XML-based music edition of a major composer in music history. For this project, we are looking for a: Full Stack Web Developer (m/f/d) 30-35 hours per week, permanent Responsibilities: In this multifaceted position, you will demonstrate a strong interest in digital humanities projects (ideally musicology or edition science) from a computational process perspective and be responsible for the following tasks: * Web development (server- and browser-side) as well as technical support of various online projects of the DME, primarily the Digital Interactive Mozart Edition (https://dme.mozarteum.at/movi/) as well as all other web publications in the DME context (Leopold Mozart Violin Tutor, Mozart Audio-visual Collection, Letters and Documents, Libretti projects) * Software development of tools for the ongoing digital projects Technical Qualifications: PHP (experience with frameworks such as Symfony or micro-frameworks such as Slim). JavaScript Python CSS, HTML5 XML technologies (experience with MEI/TEI desired), XSLT, XPath, XQuery SQL (MariaDB) elasticsearch LATEX (desired)We offer you: * an interesting and diversified field of activity in one of Austria’s leading cultural enterprises * a workplace in the heart of the city of Salzburg * flexible working hours with the possibility of working from home * a gross annual salary starting at € 42,000.00 (based on full-time/40h) with the possibility of overpayment depending on qualifications and experience We look forward to receiving your application documents by e-mail no later than July 31, 2023: Mag. Christina Lackner: bewerbung(a)mozarteum.at For detailed information about the position, please contact Mag. Franz Kelnreiter, kelnreiter(a)mozarteum.at, +43 662 88940 69. ----------------------------------------------------Dr. Iacopo Cividini Digitale Mozart-Edition Internationale Stiftung Mozarteum Schwarzstr. 26 5020 Salzburg, Austria T +43 (0) 662 889 40 966 E mailto:[email protected] [ http://www.mozarteum.at/ -> www.mozarteum.at ] [ http://www.mozarteum.at/content/newsletter -> Newsletter Stiftung Mozarteum ] [ http://www.facebook.com/StiftungMozarteum -> Facebook Stiftung Mozarteum ] ZVR: 438729131, UID: ATU33977907

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CFP: Baltic Summer School of Digital Humanities in Riga (25–28.07.2023)
by Sanita Reinsone 20 Jun '23

20 Jun '23

Dear All, Please help us spread the word to anyone who might be interested! The Baltic Summer School of Digital Humanities (BSSDH2023 <http://www.digitalhumanities.lv/bssdh/2023>) with a special focus on discourse analysis and digital literary studies is open for registration! *When*: 25 July - 28 July 2023 *Where*: Riga, National Library of Latvia and Online *Duration*: 4 days *Credits*: 3 ECTS *Fee*: 30 EUR* *REGISTRATION FEE* *30 EUR includes: Full access to all lectures and workshops, onsite or online. Food and drinks during lunch and coffee breaks for onsite students. *Access is free of charge for assistants of workshops and other volunteers*. Contact dh(a)lnb.lv to apply for volunteering! The main target audience – students and humanities researchers with little or no previous programming skills. Topics covered: + Data visualization with Tableau and Gephi; + Web scraping for humanities research with Scrapy and Beautiful Soup; + Introduction to Programming with Python for humanities researchers; + some beautiful keynote lectures on hot DH topics. The full program of the summer school and other information: http://www.digitalhumanities.lv/bssdh/2023/ Registration (deadline is July 10th, but if all spots are filled, we will close it earlier): http://www.digitalhumanities.lv/bssdh/2023/registration All best wishes, Sanita ┉ Sanita Reinsone 🇺🇦 #ScienceForUkraine <http://scienceforukraine.eu/> coordinator vadošā pētniece ┊ senior researcher, PhD LU Literatūras, folkloras un mākslas institūts Institute of Literature, Folklore and Art (University of Latvia) sanitareinsone.lv <http://www.sanitareinsone.lv/> ┊ lulfmi.lv ┊ digitalhumanities.lv

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3D Imaging and Modelling for Classics and Cultural Heritage
by Michael Donnay 20 Jun '23

20 Jun '23

Dear colleagues, The Institute of Classical Studies in London still has some available places for their annual summer school, 3D Imaging and Modelling for Classics and Cultural Heritage. Registration is available here: https://www.sas.ac.uk/events/3d-imaging-and-modelling-classics-and-cultural… Tutors: Alicia Walsh (Recollection Heritage/University of Amsterdam) & Gabriel Bodard (University of London) Cost: £675 standard / £375 unwaged and unfunded (if a student, please confirm that you have asked your institution for support before claiming this rate) Whether you are interested in visualising ancient monuments or in making and printing 3D models of historical artefacts-or even if you are just passionate about cultural heritage and want to learn more about the latest digital approaches-this intensive training course offers practical experience, with instruction from professionals and experts in the field. This in-person course will introduce you to issues, methods and technologies in the 3D imaging and modelling of ancient artefacts and buildings. Through a mix of discussion and practical training, you will learn about imaging of heritage objects. You will have the opportunity to put into practice the method of photogrammetry, the production of a 3D model from multiple still photographs of an object. You will also gain experience with an easy-to-use 3D design tool, for creating reconstructions of lost historical buildings or monuments. Both sets of technologies will be presented within a theoretical and methodological framework, thinking about 3D modelling alongside best practice, preservation, ethical and legal issues. Drawing on the expertise of the Institute of Classical Studies, our research partners, and nearby cultural institutions, this course is suitable for students, archaeologists, teachers and anyone else with an interest. We would love to hear if you had a project in mind that you would like to work towards, but all sessions will be accessible to complete beginners. Best wishes, Michael Michael Donnay (he/him) Manager | Digital Humanities Research Hub School of Advanced Study | University of London Senate House, Malet Street, London WC1E 7HU michael.donnay(a)sas.ac.uk<mailto:[email protected]> www.sas.ac.uk/digital-humanities<http://www.sas.ac.uk/digital-humanities> The University of London is an exempt charity and a statutory corporation in England and Wales (Company No. RC000661) HMRC Charities Reference X422. VAT Registration GB 222 7971 03.

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VERITRACE postdoc/PhD fellowships deadline 23 June
by CJ Schilt 17 Jun '23

17 Jun '23

One more week to apply for a postdoc or PhD fellowship with VERITRACE - deadline 23 June. The Vrije Universiteit Brussels-based ERC project 'Traces de la Verité: the reappropriation of ancient wisdom in early modern natural philosophy', aka VERITRACE (HORIZON ERC-2022-StG, 101076836, https://veritrace.eu) led by Prof. Dr. Cornelis J. Schilt, has two 3-year (full time) Postdoc opportunities - one in history and/or philosophy, one in digital humanities - and one 4-year (full time) PhD opportunity, starting date 1 October 2023. Full details about the Postdoc and PhD opportunities and how to apply can be found here: - Postdoc in History/Philosophy: https://lnkd.in/e4mvtfXi - Postdoc in Digital Humanities: https://lnkd.in/ezYi55Tg - PhD position: https://lnkd.in/eQyYt6uj

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Open Consultation on Recognising Innovative Outputs in the Humanities
by Joris van Zundert 08 Jun '23

08 Jun '23

Dear colleagues, I apologize if this message or a variant of it reaches you multiple times. The decentralized nature of spreading the following information and request will guarantee some email cluttering, I am afraid. Enough talk, to business… The ALLEA Working Group E-Humanities has launched an open consultation concerning draft recommendations on the recognition, assessment, and evaluation of innovative digital scholarly outputs in the humanities. The objective is to collect broad feedback from active humanities researchers and institutions to tailor the recommendations to the community’s needs. The consultation is open to all researchers and practitioners working in disciplines within the humanities, policymakers, and representatives of all public and private organizations active in the field. Detailed instructions for contributing are available in this recent ALLEA News Feature and the draft recommendations can also be accessed directly here: https://bit.ly/ALLEAehumanities. We are particularly keen to hear from humanities researchers in ALLEA member academies, and we would very much welcome your support in disseminating the call for contributions among your relevant experts. The consultation is open until 26 July 2023. Thank you in advance for any support and feel free to get in touch in case you have any questions. With best wishes, on behalf of the ALLEA E-Humanties Working Group --Joris van Zundert -- Dr. Joris J. van Zundert Researcher & Developer in Humanities Computing Dept. of Computational Literary Studies / DHLab Huygens Institute for the History of the Netherlands Royal Netherlands Academy of Arts and Sciences joris.van.zundert(a)huygens.knaw.nl<mailto:[email protected]> @jorisvanzundert +31624461051 http://jorisvanzundert.net/ https://www.huygens.knaw.nl/en/medewerkers/joris-van-zundert-2/ visiting address Oudezijds Achterburgwal 185 1012 DK Amsterdam The Netherlands postal address P.O. Box 10855 1001 EW Amsterdam The Netherlands -- Jack Sparrow: I thought you were supposed to keep to the code. Mr. Gibbs: We figured they were more actual guidelines.

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Final Call for Papers - Formulaic Language in Historical Research and Data Extraction: An International Conference, 7-9 February 2024, Amsterdam, Netherlands
by marijn Koolen 08 Jun '23

08 Jun '23

Formulaic Language in Historical Research and Data Extraction: An International Conference Final Call For Papers Huygens Institute, Royal Netherlands Academy of Arts and Sciences Amsterdam, 7-9 February 2024 Formulaic language is a phenomenon familiar to scholars working with a great variety of historical sources. In official documents such as charters, acts, laws, ordinances, proceedings, but also in ‘private’ texts such as letters, petitions, egodocuments, and literary texts, we find (sequences of) words that appear over and over again, often in the same position in the text, over a long period of time. Such formulaic elements seem to fulfill many different functions: they may help the reader understand the type or genre of a text, structure the text, indicate its performative character, strengthen the relationship between author and reader, or help memorizing a text, to name but a few. Given the highly formulaic character of many written sources, especially (but not only) of the premodern period, the phenomenon of formulaic language has received surprisingly little attention in historical research. It has been studied in (socio)linguistics and historical pragmatics, but few historians have engaged with this scholarship. Until recently, moreover, the potential of formulaic language for (automated) data extraction of large digitized source corpora has remained virtually unexplored. The twofold aim of this international conference is: 1. to place formulaic language on the agenda as an object of historical study (in the broadest, interdisciplinary sense of this term) 2. to explore the potential of formulaic language for the digitization and data extraction of historical sources of different types and periods. Possible questions that we would like to address in this conference include: • What is formulaic language? In which societal domains and historical sources can it be found? When and why has language been considered formulaic, and by whom? How is formulaic language defined and studied in different academic fields? How does the use of formulaic language vary across (national) linguistic traditions and across space and time? • How has formulaic language historically been understood? Which purposes has it served? How, when and where has formulaic language emerged, transferred or disappeared? How has formulaic language evolved over time, and how can change be explained? How does formulaic language in written texts relate to speech acts and ritual performances? How does it relate to text genres and genre conventions? • What are the social and political connotations and consequences of formulaic language? Who produces it, who engages with it, who knows how to use it, and who is excluded by it? How do (political, religious, legal) authorities, intermediaries, and ordinary language users employ, exploit, and interpret formulaic language? Does formulaic language facilitate or hinder the participation of subaltern groups in society? What is the relationship between formulaic language and the subsequent transitions from oral to written culture to the age of print and the digital age, or with processes of standardization, professionalization, and bureaucratization? • How can formulas be used to extract information from texts? What information do formulaic expressions convey about the subject or meaning of a text? Can they play a role in recognizing and contextualizing named entities? Can they help to link texts with other texts? • How can formulaic language be identified in text corpora and archives, including long serial publications and heterogeneous archives of diverse documents? How can formulaic expressions be categorized and how can relationships between formulas be identified? We welcome proposals for papers (c. 250 words) on these and related topics from scholars working in different fields. Proposals should be sent, together with a short bio- bibliographical statement including indication of institutional affiliation, by 15 June, to Republic_Goetgevonden(a)huygens.knaw.nl. Please give your email the title ‘Formulaic Language conference’. We will prioritize proposals that go beyond singular case studies and address questions that help us understand the phenomenon of formulaic language through comparisons across time, space, language, genre or corpus. This conference is organized in the framework of the project REPUBLIC: Resolutions Published in a Computational Environment. In this infrastructural project, (digital) historians, computer scientists, data experts and developers collaborate with the aim of providing digital access to the resolutions (decisions) of the Dutch States General (1576-1796). Organisers: Rik Hoekstra Marijn Koolen Joris Oddens Huygens Institute for the History and Culture of the Netherlands

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Funded PhD Positions Visual Analytics & Computer Vision in Cultural Heritage f/m/d (30-40h)
by Eva Mayr 06 Jun '23

06 Jun '23

Dear colleagues, I was asked to forward this call for applications within the PhD program Visual Analytics & Computer Vision in Cultural Heritage, which is open until June 12th. Kind regards, Eva Mayr _______________________ In a cooperative doctoral program between TU Wien and St. Poelten University of Applied Sciences, Austria, we offer room for interdisciplinary team cooperation and personal growth at the forefront of visual computing research in the context of cultural heritage applications. We are looking for PhD candidates (Junior Researcher; f/m/d) in the joint doctoral program ?Visual Analytics and Computer Vision Meet Cultural Heritage?. Details: www.visual-heritage.at<http://www.visual-heritage.at> WHAT YOU WILL BE WORKING ON - You are part of an excellent doctoral training programme of TU Wien and FH St. Poelten with the highest standards. - You conduct innovative applied and basic research on interactive analysis, exploration, and presentation of historical visual media collections. - You design, implement, and evaluate methods in visual analytics and/or computer vision in interdisciplinary problem settings of film studies and art history. - You develop methods for the automatic analysis, retrieval, and classification of images and videos, as well as interactive visual interfaces for the analysis, exploration, and (situated) presentation of large visual media databases. - You write scientific publications, give presentations, and conduct scientific outreach activities. - Further details on the research topics: www.visual-heritage.at/research-topics<http://www.visual-heritage.at/research-topics> WHAT WE EXPECT FROM YOU - University degree (Master level) in computer science (or comparable technical degree) or digital humanities. - Expertise in visual computing with a particular focus on at least one of the following areas: computer vision, machine learning, visual analytics, information visualization, immersive analytics (augmented reality / AR). - Excellent programming skills, especially in visualization/user interfaces and/or computer vision/machine learning. - Excellent command of English and willingness to learn/improve your German language skills (for non-natives). - Curiosity, independent working style, and interest in questions from cultural heritage and the digital humanities. - Strong ambition for a PhD, writing papers, and scientific discourse. WHAT WE OFFER - Exciting and challenging interdisciplinary research on visual analytics & computer vision in cultural heritage. - Work in an innovative, open-minded, and internationally oriented environment. - Flexible working hours and the possibility to work from home. - A total gross monthly salary of at least EUR 3,286 (14x/year; basis: 40h/week; according to Austrian Science Fund). - Please indicate your preferred research topics in your application documents (first and second choice): www.visual-heritage.at/research-topics<http://www.visual-heritage.at/research-topics> The variety and diversity of its staff members is the key to innovation, success, and further development. Applications by qualified women are particularly welcome. In the case of equal suitability, we give precedence to applicants with special needs. We explicitly invite persons with a migration background to apply. Second stage interviews are planned for June 23, 2023. Please apply here: https://www.fhstp.ac.at/en/job-openings-career/junior-researcher-vacovicu-3… We are looking forward to receiving your application! Wolfgang Aigner, Silvia Miksch, Franziska Bruckner, Robert Sablatnig, Markus Seidl, Manuela Waldner, Matthias Zeppelzauer FACULTY MEMBERS OF THE PHD PROGRAM

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Auto-Re: CFP] ACM Hypertext 2023 – Late Breaking Papers Deadline 9 June 2023
by e-mail＠jan-oliver-ruediger.de 05 Jun '23

05 Jun '23

Liebe*r Absender*in, haben Sie vielen Dank für Ihre E-Mail. Derzeit bin ich im Urlaub und ab dem 12.06.2023 wieder für Sie erreichbar. Aus Vertraulichkeitsgründen wird Ihre Mail nicht weitergeleitet. Viele Grüße Jan Oliver Rüdiger -- --- -- Dr. Jan Oliver Rüdiger Leibniz-Institut für Deutsche Sprache www.ids-mannheim.de R 5, 6-13 D - 68161 Mannheim Tel.: +49 621 / 1581 – 411 Fax: +49 621 / 1581 – 200 E-Mail / ZOOM: ruediger(a)ids-mannheim.de PGP-Fingerprint: 21EB 406C 05D6 699A C4E7 074D 63EB C1E3 7562 DC41

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CFP] ACM Hypertext 2023 – Late Breaking Papers Deadline 9 June 2023
by Francesca.Benatti [she/her] 05 Jun '23

05 Jun '23

[CFP] ACM Hypertext 2023 – Late Breaking Papers Deadline 9 June 2023 ************************************************************************ ACM Hypertext 2023 4-8 September 2023, Bibliotheca Hertziana, Rome, Italy https://ht.acm.org/ht2023/ Deadline: 9 June 2023 23.59 AOE ************************************************************************ Important Dates • Late breaking, blue sky, demos, traversals, and doctoral consortium - Submission: 9 June 2023 AoE - Notification: 26 June 2023 AoE - Camera ready submission: 23 July 2023 AOE • Conference 4-8 September 2023 Note: The submission times are 11:59 pm AoE time (Anywhere on Earth) The ACM Hypertext conference is a premium venue for high quality peer-reviewed research on hypertext theory, systems, applications, publishing, artwork and related practices. It is concerned with all aspects of modern hypertext research including social and intelligent media, narrative systems and applications, authoring, reading and publishing hypertext, workflows and infrastructures as well as reflections and approaches. All accepted contributions will be published by ACM and will be available in the Proceedings via the ACM Digital Library. Selected contributions will be invited to submit an expanded version after the conference to a special issue of the New Review of Hypermedia and Multimedia. Submissions are welcome in the following tracks: Late-breaking, blue sky, demos, traversals, and doctoral consortium track The Late breaking, blue sky, demos, traversals, and doctoral consortium track welcomes submissions of original and unpublished ideas that are still in the early stages of research (work-in-progress). We encourage researchers and practitioners to use this track as a valuable opportunity to receive useful feedback on early-stage work and foster discussions and collaborations among colleagues. We look forward to receiving: - Innovative research plans and preliminary results; - System prototypes addressing the theory and practice of topics relevant to the hypertext community; - Essays introducing recently started research projects or summarising project results. Demos presenting system prototypes or industry showcases The demonstrations are an essential and exciting complement to the overall conference program. These are a great way to show implementations of novel, engaging, and crucial concepts or systems related to hypertext interest areas and receive some helpful feedback from the community. Note: that all submissions should be intended to convey a scientifically founded result or work in progress and not as advertisements for commercial software packages. Blue Sky papers We also invite submissions with an emphasis on visionary ideas, long-term challenges, and new research opportunities. Here we want to overcome the constraints of the traditional review process by incubating innovative approaches, risky and provocative ideas, and propose challenges and opportunities in the near future. We are particularly excited about ideas that address the conference theme of “The Humanity within.” Submission guidelines Submissions to this track should follow the same formatting guidelines as submissions to the research track but are limited to the short paper format (3-6 pages references excluded). Accepted papers will be published in the conference proceedings and presented at the conference. In addition to these guidelines, the Submission and Ethical Review guidelines listed on the Call for Papers page must be followed. The submissions are managed electronically only through the EasyChair paper submission site and are required on or before the deadline listed below: Submissions https://easychair.org/conferences/?conf=ht23 Submission deadline: 9 June 2023 Best regards, Francesca Benatti Dr Francesca Benatti she/her/hers Research Fellow in Digital Humanities Department of English and Creative Writing, Faculty of Arts and Social Sciences The Open University, Walton Hall, Milton Keynes, United Kingdom

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ESU application deadline extension
by ALEXANDRA COTOC 03 Jun '23

03 Jun '23

To give more participants the chance to register, we have taken the decision to extend our application deadline to 18th June 2023. If you were thinking of joining us at the 𝐄𝐮𝐫𝐨𝐩𝐞𝐚𝐧 𝐒𝐮𝐦𝐦𝐞𝐫 𝐔𝐧𝐢𝐯𝐞𝐫𝐬𝐢𝐭𝐲 𝐢𝐧 𝐃𝐢𝐠𝐢𝐭𝐚𝐥 𝐇𝐮𝐦𝐚𝐧𝐢𝐭𝐢𝐞𝐬 this summer, there's still time to find the right workshop for you and sign up! To apply, head over to our website and fill out the online form: https://digihubb.centre.ubbcluj.ro/application/<https://digihubb.centre.ubbcluj.ro/application/?fbclid=IwAR0CV7JRRlGv4XWchb…> Alexandra Cotoc, PhD Senior Lecturer Department of English Language and Literature Faculty of Letters<https://lett.ubbcluj.ro/>, Babeș-Bolyai University<https://www.ubbcluj.ro/ro/> Str. Horea, 31 400202, Cluj-Napoca, Romania https://linktr.ee/alexandracotoc https://www.dial4u-uni.eu/ [cid:ea2efa47-1a53-4c58-8589-3836f564e0ce] [cid:edd40123-e12d-42a9-8668-6bfabb7c3488] DISCLAIMER Prezentul mesaj și orice documente atașate pot conține informații confidențiale sau sensibile care aparțin Universității Babeș-Bolyai din Cluj-Napoca. Conținutul mesajului nu poate fi dezvăluit sau utilizat de către altcineva decât destinatarul, persoană fizică sau juridică. Dacă ați primit acest mesaj dintr-o eroare, vă rugăm să ne anunțati imediat, ca răspuns la mesajul de față, și să ștergeți apoi din sistemul dvs. mesajul fără a-l copia sau deschide. Prin prezenta vi se notifică faptul că orice dezvaluire, copiere, distribuire sau inițierea/omiterea unor acțiuni pe baza prezentelor informații sunt strict interzise și atrag răspunderea civilă și/sau penală (art. 302 Noul Cod Penal). UBB nu este răspunzătoare pentru modificările care pot fi aduse prezentului mesaj și nici pentru întârzierile care pot surveni în recepționarea acestuia. De asemenea, nu putem garanta integritatea mesajului și nici că acesta este lipsit de viruși, interceptări sau interferențe de orice natură. ================= The contents of this email message and any attachments may contain confidential and/or privileged information belonging to Babeș-Bolyai University of Cluj-Napoca. This information is intended solely for the addressee, natural or legal person, and is legally protected from disclosure and may not be used by anyone other than the intended recipient. If you are not the intended recipient of this message, or if this message has been addressed to you in error, please immediately alert the sender by reply email and then delete this message and any attachments. You are hereby notified that any use, dissemination, copying, or storage of this message or its attachments as well as taking any action in reliance on the contents of this information is strictly prohibited and entails civil and/or criminal liability (under Art. 302 of the New Criminal Code). UBB accepts no liability for any errors or omissions in the contents of this message. Email transmission cannot be guaranteed to be secure or error-free, as information could be intercepted, corrupted, lost, destroyed, arrive late or incomplete, or contain viruses. UBBCLUJ <https://www.ubbcluj.ro/ro/politici/>

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Link available to CLS INFRA Newsletter (May 2023)
by Hoover, Sarah 02 Jun '23

02 Jun '23

Apologies for cross posting. The CLS INFRA Newsletter May 2023 edition is available! For those interested in resources for computational literary studies and digital humanities infrastructure, take a look at this issue: https://mailchi.mp/030fe751b976/cls-infra-newsletter-summer-17330823 This newsletter includes: * Changes to the CLS INFRA team * Recent Deliverables including: * D8.1: Report on Tools for Basic NLP tasks * D3.2: Survey of Methods and interactive Survey Grid * D7.1: On Programmable Corpora and DraCor * Recent and Upcoming Events * “Digging for Gold”: Training School Madrid, 9-11 May 2023 * DH2023 in Graz * CLS INFRA TNA Fellowships and * New! TNA Fellowship archive including reports, interviews, and more All the best, Dr Sarah Hoover Taighdeoir Iardhochtúireachta | Postdoctoral Researcher Institúid de Móra do Thaighde sna Daonnachtaí agus sa Léann Sóisialta Moore Institute for Research in the Humanities and Social Studies M: +32 483 90 04 88<tel:+32%20483%2090%2004%2088> Twitter: @CLSinfra<https://twitter.com/CLSinfra> Mastodon:: @[email protected]<https://fedihum.org/@CLSinfra> Website: clsinfra.io<https://clsinfra.io/> [University of Galway]<https://www.universityofgalway.ie/> [UniversityofGalway.ie]<https://www.universityofgalway.ie/> University of Galway is a registered charity RCN 20002107 [EU Flag] CLS INFRA has received funding from the European Union’s Horizon 2020 Research and Innovation Programme. SELECTED PUBLICATIONS: Forthcoming: Monograph, Reflective affective dramaturgies of participatory theatre: larping audiences into performance. Palgrave MacMillan, Dec 2023. Chapter editor and contributor: ‘Performance Studies and Role-Playing Games’. Role-Playing Game Studies: Transmedia Foundations, edited by José Pablo Zagal and Sebastian Deterding, Routledge, 2018, pp. 213–26. In process of revision and republication 2023. ‘Think Outside my Box: Imagery and Narratives of Women’s Bodies in Repeal the 8th Campaigns’, co-authorship with Miriam Haughton and Ciara L. Murphy. Feminist Encounters. March 2022.

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Digital Humanities postdoc VU Brussels
by CJ Schilt 26 May '23

26 May '23

The ERC-funded project VERITRACE has a job opportunity for a postdoc in digital humanities. Are you well-versed with topic modeling techniques, data analysis, data visualization, and perhaps even sentiment analysis? Would you like to contribute to a groundbreaking project in Renaissance and early modern science? Please get in touch. For all job details, please see here: https://jobs.vub.be/job/Elsene-Postdoctoral-grant-'Digital-humanities&… and perhaps also have a look at the budding project site https://veritrace.eu. Prof. Dr. Cornelis J. Schilt History and Philosophy of Knowledge

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CLS INFRA offering supported 4-12 week fellowships: APPLICATIONS CLOSING 30 MAY
by Hoover, Sarah 26 May '23

26 May '23

Please circulate Apologies for cross posting The CLS INFRA Transnational Access Fellowship Programme (TNA) is about to close its fourth round of calls for fellowship applications. If you intend to submit a fellowship application, do so before 23:59 CEST 30 May. The CLS INFRA Fellowship Programme provides access to a wide range of data, tools and knowledge. Scholars from literary studies or with an interest in Computational Literary Studies methods are invited to apply for a fellowship grant in one of our infrastructure providers. Successful applicants will not only obtain free-of-charge physical access to the infrastructure, but in the context of the overall project they will become part of the larger CLS community. By responding to one of our calls, applicants may have the opportunity to: * Interact with experts; * Receive advice on ongoing projects; * Learn how to use the ecosystem of data, tools and standards; * Assemble new literary corpora; * Profit from hands-on training and support. * Fellowships grants will cover housing and subsistence costs as well as travel to and from the host institution. The CLS INFRA Fellowships are funded by the European Union under the rules of transnational access. Calls for fellowship grants are launched twice a year for a total of six calls. Scholars from the European Union and beyond are eligible to apply. CLS INFRA fellowship grants will typically cover travel and subsistence costs. Successful applicants are expected to join the chosen infrastructure for a period of 4 to 12 weeks. However, shorter residencies will be also taken into consideration. DARIAH ERIC<https://www.dariah.eu/> is leading the Transnational Access Fellowship Programme (TNA) and is responsible for the management and oversight of the TNA selection process. Visit clsinfrattna.sciencescall.org<https://clsinfratna.sciencescall.org/> to apply. Applications will close at 24.00 30 May. Contact: Marco Raciti Email: marco.raciti(a)dariah.eu<mailto:%[email protected]> More on the CLS INFRA project: clsinfra.io<https://clsinfra.io/opportunities/tnafellowships/> [EU Flag] This project has received funding from the European Union’s Horizon 2020 research and innovation programme under grant agreement No 101004984 All the best, Sarah (I read and respond to emails during work hours.) Dr Sarah Hoover Taighdeoir Iardhochtúireachta | Postdoctoral Researcher Institúid de Móra do Thaighde sna Daonnachtaí agus sa Léann Sóisialta Moore Institute for Research in the Humanities and Social Studies M: +32 483 90 04 88<tel:+32%20483%2090%2004%2088> Twitter: @CLSinfra<https://twitter.com/CLSinfra> Mastodon:: @[email protected]<https://fedihum.org/@CLSinfra> Website: clsinfra.io<https://clsinfra.io/> [University of Galway]<https://www.universityofgalway.ie/> [UniversityofGalway.ie]<https://www.universityofgalway.ie/> University of Galway is a registered charity RCN 20002107 [EU Flag] CLS INFRA has received funding from the European Union’s Horizon 2020 Research and Innovation Programme. SELECTED PUBLICATIONS: Forthcoming: Monograph, Reflective affective dramaturgies of participatory theatre: larping audiences into performance. Palgrave MacMillan, Dec 2023. Chapter editor and contributor: ‘Performance Studies and Role-Playing Games’. Role-Playing Game Studies: Transmedia Foundations, edited by José Pablo Zagal and Sebastian Deterding, Routledge, 2018, pp. 213–26. In process of revision and republication 2023. ‘Think Outside my Box: Imagery and Narratives of Women’s Bodies in Repeal the 8th Campaigns’, co-authorship with Miriam Haughton and Ciara L. Murphy. Feminist Encounters. March 2022.

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