March 2026 - Eadh-topics - lists.digitalhumanities.org

Survey on XAI and Cultural Heritage
by Orsola Borrini 25 Mar '26

25 Mar '26

Dear all, Apologies for cross-posting. I would like to invite you to participate in a survey on how professionals in the Cultural Heritage (CH) sectors perceive and evaluate eXplainable Artificial Intelligence (XAI) outputs. The survey is part of my PhD research on XAI for Cultural Heritage at the University of Amsterdam, with the supervision of Prof. Tobias Blanke and Prof. Julia Noordegraaf and supported by the HAICu project. The survey * Focuses on your familiarity with AI and your interpretation of XAI outputs, including a few practical examples * Language: English * Estimated time: 10-15 minutes * Closing date: 5th of April, 2026 Who can take part? Heritage professionals involved in AI integration processes; academic researchers involved in multidisciplinary AI research; professional audiences interacting with AI on GLAM platforms. 🔗 Access the survey here<https://uva.fra1.qualtrics.com/jfe/form/SV_5u9shxmJ7seeMvA> ! You can also copy and paste the URL below into your internet browser: https://uva.fra1.qualtrics.com/jfe/form/SV_5u9shxmJ7seeMvA Your participation will provide valuable information that will help establish how XAI tools can actually serve the needs of the CH community in the future. Please forward to anyone you may think would be interested in the project. Thank you in advance for your time and support. If you have any questions, comments or concerns, please don't hesitate to contact me at o.m.borrini(a)uva.nl . Best regards, Orsola M. Borrini ------------------------------------ Orsola Maria Borrini (she/her) PhD Candidate, HAICu<https://haicu.science/> University of Amsterdam | Faculty of Humanities Institute for Logic, Language and Computation

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RESILIAGE Master on Inclusive Heritage for DRR. Digital and participatory methods for resilient communities
by Rosa Tamborrino 25 Mar '26

25 Mar '26

Dear, As Horizon Europe project RESILIAGE we have launched a one-year (May 2026-May 2027) Master program on "Inclusive Heritage for DRR. Digital and participatory methods for resilient communities.” Hybrid modality. The title is provided by Politecnico di Torino. Information are available at this LINK<https://resiliage.eu/joinus/resiliage-master-school-inclusive-heritage-for-…> [upRESILIAGE - Master School header_updated.png] I ask your kind help in spreading the Call. Deadline April 30th. Kind Regards ROSA TAMBORRINO Prof Rosa Tamborrino PhD Full Professor Politecnico di Torino Interuniversity Department of Regional and Urban Studies and Planning Viale Mattioli 39 - TURIN, ITALY rosa.tamborrino(a)polito.it Coordinator of the Vera Comoli Study Center for History, Heritage and Inclusive Innovation Member of the Board of the European Association for Urban History Coordinator of the RESILIAGE Horizon Europe Research Project [Immagineallegata-1.png]

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NordiCHI 2026 - Final Call for Submissions
by Susanne Hägglund 25 Mar '26

25 Mar '26

Final Call for Submissions for NordiCHI 2026 in Vaasa, Finland, October 3-7, 2026 **Apologies for cross-postings** Deadlines are approaching for the following tracks: Research papers, Critiques, Panel Proposals, Arts-based Approaches, and Industry Experience. April 16, 2026: Research Paper abstract and metadata submission April 23, 2026: Research Papers: Full paper, Critiques, Panels, Arts-Based Approaches, Industry Experience Calls for Workshop proposals, Tutorials, Demos, Late-Breaking Work, and Doctoral Consortium contributions are also available. Please see the conference website: https://nordichi2026.org/ Proceedings of the conference will be published in the ACM Digital Library within its International Conference Proceedings Series (ICPS). The biannual NordiCHI is one of the key venues for Human-Computer Interaction (HCI) research in the world, bringing together a global community of researchers, practitioners, students, and industry experts - including you! In 2026, NordiCHI will take place in Vaasa, Finland on October 3-7. The conference is jointly organized by Åbo Akademi University and University of Vaasa. Professor Yvonne Rogers, Professor Mattia Thibault, and Senior Designer and Deputy Professor Pontus Wärnestål will deliver the keynote addresses at the conference. The conference theme is Pulse – exploring the energy that drives us, representing the dynamic highs and calm lows of life, keeping us thriving. Vaasa is known for both its vibrant energy industry as the Nordic energy cluster and the tranquility of its surrounding nature and UNESCO World Heritage site. Our ambition is that the conference energizes through inspiring encounters and opportunities to truly feel the pulse of the HCI field. ======================= Submission deadlines (all AoE): * April 16, 2026: Research Papers: Abstract and metadata * April 23, 2026: Research Papers: Full paper, Critiques, Panels, Arts-Based Approaches, Industry Experience * May 7, 2026: Workshops, Tutorials * May 18, 2026: Late-Breaking Work, Demos, Doctoral Consortium ======================= Join us in Vaasa for an inspiring NordiCHI 2026! Warm regards, Susanne Hägglund and Laura Havinen General Chairs NordiCHI 2026 https://nordichi2026.org/

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First Call for Papers: 13th International Conference on Multimodality, 2027 in Helsinki, Finland
by 13th International Conference on Multimodality 24 Mar '26

24 Mar '26

Dear all, we are happy to announce that the 13th International Conference on Multimodality (13ICOM) will be organised at the University of Helsinki, Finland, in June 2027. The phenomenon of multimodality – or how communication and interaction build on coordinated combinations of multiple forms of expression – is now actively researched within diverse fields of study. Given the multifaceted nature and complexity of the phenomenon, pursuing a constructive dialogue between different approaches to multimodality is essential for moving towards a shared understanding. This is the main theme of the 13th International Conference on Multimodality (13ICOM), which celebrates the 25th anniversary of organising the first conference in the series in Salzburg, Austria in 2002. For 13ICOM, we want to specifically emphasise the role of early-career researchers working on diverse aspects of multimodality by organising a doctoral consortium on June 1, 2027 ahead of the main conference on June 2–4, 2027. The doctoral consortium features 5-minute pitch talks from participants and master classes in theories and methods from experts, with plenty of opportunities for networking with fellow early-career researchers. The main conference will feature four plenary sessions and multiple parallel sessions with 20-minute presentations. The confirmed plenarists for 13ICOM include (in alphabetical order) Pentti Haddington (University of Oulu, Finland), Maria Grazia Sindoni (University of Messina, Italy), Beate Schirrmacher (Linnaeus University, Sweden) and Amanda Wasielewski (Uppsala University, Sweden). For the full call for papers, please see the conference website: https://www.helsinki.fi/en/conferences/13th-international-conference-multim… Best, the 13ICOM organising team

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Code & Culture talk (17.11): Analyzing Nature-Culture Entanglements at Scale (Burghardt)
by Digital Humanities Potsdam 23 Mar '26

23 Mar '26

Dear colleagues, The Digital Humanities Network at the University of Potsdam cordially invites you to the next lecture in the 'Code & Culture' talk series. This semester, we will have a special focus on digital environmental humanities, preparing the ground for our "Environments in and as Networks" Hackathon (Potsdam, 15-17.04.2026; more details and registration: https://www.uni-potsdam.de/en/digital-humanities/events/environmental-digit…) Our first guest is *Manuel Burghardt* (University of Leipzig), with a talk titled "*Analyzing Nature-Culture Entanglements at Scale: The Case for Computational Environmental Humanities*/"/*//*(full abstract here <https://www.uni-potsdam.de/en/digital-humanities/activities/code-culture-le…>). The lecture will take place on* Monday 17 November** 2025*, 17:00 (CET), online via Zoom. Please register here to get the Zoom link: https://www.uni-potsdam.de/en/digital-humanities/activities/code-culture-le…. Best wishes, DH Network Potsdam +++ *Netzwerk für Digitale Geisteswissenschaften der Universität Potsdam* /Potenzialbereich an der Philosophischen Fakultät/ Web: https://www.uni-potsdam.de/de/digital-humanities Mail: digital-humanities(a)uni-potsdam.de Sprecher:innen: Prof. Dr. Birgit Schneider, Prof. Dr. Peer Trilcke Wissenschaftlicher Koordinator: Dr. Luca Giovannini Board des Netzwerks: Dr. Anna Busch, Prof. Dr. Annette Gerstenberg, Prof. Dr. Katharina Wesselmann, Prof. Dr. Miriam Rürup, Prof. Dr. Anja Schwarz, Prof. Dr. Ilja A. Seržant +++

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DH2026 SIG-DLS Mini-Conference – CfP
by Simone Rebora 23 Mar '26

23 Mar '26

Dear all, (with the usual apologies for cross-posting...) I'm glad to announce the CfP for the upcoming SIG-DLS event at DH2026 (planned on 28 July in Daejeon, South Korea). This year it will be structured as a poster slam, with short presentations and poster exposition. Deadline for submissions is 30 April. You can read the Call text here below and at the following link: https://dls.hypotheses.org/2289 All the best, Simone ===== DH2026 SIG Mini-Conference – Digital and/or Comparative Literary Studies Today In the context of the 2026 edition of the Digital Humanities Conference (DH2026) Conference in Daejeon, South Korea, the Special Interest Group Digital Literary Studies within ADHO (SIG-DLS) and the Digital Comparative Literature (DCL) research committee of ICLA jointly invite submissions for a mini-conference titled "Digital and/or Comparative Literary Studies Today". *Background and Goals* Digital or Computational Literary Studies and Comparative Literature continue to evolve through the integration of computational methods, multilingual archives, and innovative analytical frameworks. This workshop seeks to explore the intersection of digital and comparative approaches, highlighting both established and emerging methods — from born-digital narratives, distant reading and cultural analytics to machine learning, generative Large Language Models, and beyond. We particularly welcome contributions that address the challenges and opportunities of multilingual, cross-cultural, and interdisciplinary research, as well as critical reflections on the role of technology or such mediated narratives in literary scholarship. We encourage submissions for work that will be presented both as a (hybrid) lightning talk format as well as in an open-space, interactive poster session. *Topics of Interest* Topics of interest include but are by no means limited to the following areas: - Digital Methods in Comparative Literature: Applications of computational techniques (e.g., distant reading, network analysis, topic modeling, sentiment analysis) to compare texts across languages, cultures, or historical periods. - Multilingual and Multicultural Approaches: Case studies on digitized or born-digital literary archives, challenges of multilingual corpora, and cross-cultural literary analysis. - Generative AI and Literary Studies: Critical or applied uses of large language models (LLMs) and other AI tools, including their ethical, methodological, and theoretical implications. - Digital and Computational Linguistics for Analysis of Literary Texts: Applying linguistic theory and computational methods to study aspects of literary discourse. - Tools and Infrastructures: Software, workflows, or platforms that support digital and/or comparative literary research. - Theoretical and Methodological Innovations: New frameworks for combining digital and comparative approaches, including reflections on the limits and potentials of computational methods. - Born-Digital and Post-Digital Literature: Studies of electronic literature, hypertext, or other digital-born forms, as well as their analysis through digital tools. - Responsible Research Practices: Discussions on reproducibility, transparency, and ethical considerations in digital and/or comparative literary studies. *Submission Guidelines* Please submit a 300 to 500-word abstract (excluding references) describing your project, research idea, or theoretical contribution, by sending your abstract as one PDF file to Christof Schöch at schoech(a)uni-trier.de by the due date mentioned below. *Mini-conference Format* The half-day workshop will have two parts: first, a lightning talks session, then a poster session. All contributors are invited to participate actively in both sessions, that is: first present their work in a quick talk, then be ready to discuss their work supported by a poster. The main goal of the mini-conference is to foster exchange between researchers, developers, and practitioners, and provide a networking opportunity ahead of the start of the main conference programme. All submissions will be peer-reviewed by the organizing committee. We expect to be able to offer free on-site printing of posters to most if not all participants (within our budgetary limits). *Key Dates* Submission Deadline: April 30, 2026 Notification of Acceptance: May 21, 2026 Mini-conference Date: July 28, 2026, in the afternoon (KST). *Organizers / Programme Committee* Samya Brata Roy (ICLA DCL) Youngmin Kim (ICLA DCL) Federico Pianzola (ICLA DCL) Christof Schöch (ICLA DCL / SIG DLS) Shanmugapriya T (SIG DLS) Joanna Byszuk-Podsadniuk (SIG DLS) Katherine Elkins (SIG DLS) Berenike Herrmann (SIG DLS) Nuette Heyns (SIG-DLS) Suzanne Mpouli (SIG DLS) Simone Rebora (ICLA DCL / SIG DLS) Pablo Ruiz Fabo (SIG DLS) *Contact* For inquiries, please contact Simone Rebora at simone.rebora(a)univr.it.

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Announcement: Colloquium Early modern (climate) Sources – Data – Databases
by Asmussen, Marvin Jonathan 20 Mar '26

20 Mar '26

Dear digital humanists, We are pleased to announce the program for the "Early Modern Climate Cultures Colloquium" for the summer semester 2026, focusing on data-driven approaches to early modern texts and climate discourses. The interdisciplinary research colloquium “Early Modern Climate Cultures”, which is organised by the Emmy Noether Research Group “Traces of the ‘Little Ice Age’ in Early Modern German Literature (LitLIA)”, is dedicated to the presentation and discussion of current research in the field of Environmental Humanities. A particular focus is placed geographically on Europe and historically on the early modern period. In the upcoming summer semester 2026, we will especially focus on the use of data and databases in researching early modern texts and climate discourses: How can literary and historical scholarship integrate quantitative methods into the study of historical climate cultures? How do you build a database that is suitable for environmental, historical, literary research? What are the potential pitfalls of data-based approaches to early modern sources? The colloquium will take place online. If you are interested in attending, please register at: van.de.loecht(a)uni-muenster.de<mailto:[email protected]> or marvin.asmussen(a)uni-muenster.de<mailto:[email protected]>. The sessions will be held in English. Dates: 23.04.2026, 16:00 (CET): Sylvia Brockstieger, Rebecca Hirt (Heidelberg/Karlsruhe): From Material Text to Digital Data: Creating the Writing Calendar Database 21.05.2026, 16:00 (CET): Siv Gøril Brandtzæg (Trondheim): Songs on Screen: The Making of a Database 02.06.2026, 14:00 (CET): Andrew Pettegree (St. Andrews): The Universal Short Title Catalogue and the Perils of Big Data – joint event with Book Studies Münster 25.06.2026, 16:00 (CET): Rüdiger Glaser (Freiburg): Climate Data Analysis from the Little Ice Age to the Modern Warming 02.07.2026, 16:00 (CET): Jöran Landschoff, Carolin Schwegler, Leyla Rommel (Cologne/Bremen): Close Reading/Distant Reading: Approaching Climate Discourses in Large Text Corpora Best regards, Marvin Asmussen -- Marvin Asmussen (er/ihm, he/him) Wissenschaftlicher Mitarbeiter Emmy-Noether-Nachwuchsgruppe "Die Spuren der 'Kleinen Eiszeit' in der Literatur der frühen Neuzeit (1570–1780) (LitLIA)" Universität Münster Germanistisches Institut Schlossplatz 34 48143 Münster

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Venice Summer School in Digital and Public Humanities 2026, July 6-10
by Emmanuela Carbé 20 Mar '26

20 Mar '26

*Apologies for cross-posting* Dear all, We are pleased to announce the Venice Summer School in Digital and Public Humanities - VeSSDPH 2026 <https://www.unive.it/pag/39288/> which takes place at Ca' Foscari University of Venice from 6 to 10 July 2026. The Venice Summer School in Digital and Public Humanities provides advanced and in-depth training in theories, technologies and methods applied to historical monuments, artefacts and texts. Focussing on cultural, archaeological, historical, literary, and artistic materials from Venetian sites and cultural heritage institutions, participants will engage in debates about digital cultural heritage and public humanities while enhancing their competences and skills in digitising materials and sources and in modelling, analysing and visualising multimedia humanities data. The Summer School takes place at historical sites and cultural venues across the city of Venice and its surroundings. Each day is dedicated to a specific academic field: archaeology, history, art history and textual scholarship. Teaching formats include lectures, hands-on workshops, guided tours and experimental performances. Units are planned and delivered by local experts and invited specialists. All classes will be taught in English. The programme includes “Pimp my Project” sessions for discussing the participants’ individual research projects with domain experts. *Eligibility and admission criteria*The Summer School warmly welcomes PhD students, postdocs and practitioners from the private, public, and non-governmental sectors. Applicants must hold at least a Master’s degree or equivalent at the time of application. Precedence will be given to those candidates whose cover letter will show that their research projects or profession will benefit from the Digital and Public Humanities methods that they will learn during the summer school. A fair balance among genders and among disciplinary backgrounds will be preserved. *Availability of positions*The School will host max. 25 participants. Up to five positions are reserved for applicants from the EUTOPIA DigIn Connected Community, and one position for an applicant from the Scuola di Archivistica, Paleografia e Diplomatica of the Venetian State Archives. *Participation costs*- NO FEES - Biennale entry ticket: €20 (includes three non-consecutive days for both Giardini and Arsenale) - Optional booking of a single room (99 EUR per night) or double room (121 EUR per night) at Camplus University Residences (up to 6 nights) *How to apply*Your application must contain - a curriculum vitae (max. 2 pages) - a cover letter (max. 2 pages) stating your motivations for joining the School and your expectations about it. - Applicants are required to complete the online application form available at the following link: https://forms.gle/rH9tZnkbq4aUWqLt5. The CV and cover letter must be sent in PDF format to vedph(a)unive.it, with the subject line: “VeDPH Summer School Application - Name Surname”. *Important dates *Deadline for applications: 13 April 2026 (11:59 p.m. CEST) Notification of acceptance: 29 April 2026 *Full programme and further information: * *https://www.unive.it/pag/39288/ <https://www.unive.it/pag/39288/>* Contact: vedph(a)unive.it <vedph(a)unive.it> Emmanuela Carbé Associate Professor of Contemporary Italian Literature Venice Centre for Digital and Public Humanities (VeDPH <https://www.unive.it/pag/39287>) Member of the Executive Board, AIUCD <https://www.aiucd.it/> Department of Humanities Ca' Foscari University of Venice Palazzo Malcanton Marcorà Dorsoduro 3484/D, Calle Contarini 30123 Venice, Italy

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Call for Positions at ADHO
by Dr. Nadezhda Povroznik 12 Mar '26

12 Mar '26

Call for Positions at ADHO Dear All, *** Apologies for the cross-posting *** Exciting Opportunities with ADHO! For details: https://adho.org/positions/ The Alliance of Digital Humanities Organizations (ADHO) is seeking expressions of interest for several positions, offering members an opportunity to contribute to and help shape the future of the field. As the field of Digital Humanities continues to grow and evolve, ADHO is committed to promoting and supporting digital research and teaching across arts and humanities disciplines, drawing together humanists engaged in digital and computer-assisted research, teaching, creation, dissemination, and beyond in all areas reflected by its diverse membership. ADHO supports initiatives for publication, presentation, collaboration, and training; recognizes and supports excellence in these endeavours; and acts as a community-based consultative and advisory force. We are seeking applications for the following positions: 1. Executive Board Chair-Elect 2. Executive Board Deputy Secretary 3. Deputy Treasurer 4. Deputy Conference Officer Please click on the links above for full role descriptions and application details. By joining the ADHO board, you will have the chance to work alongside leading experts in the field and contribute to shaping the policies and practices that define Digital Humanities. We offer a collaborative and inclusive environment where your ideas and contributions are valued. Best wishes, Nadezhda Povroznik, Communications Officer, ADHO

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CfP, conference: Editopia - On the Future of Documentology and Scholarly Editing in the Post-Digital Age, Wuppertal, September External 6. ML/AIUCD ML Patrick Sahle attraverso Aiucd-l
by Emmanuela Carbé 09 Mar '26

09 Mar '26

Dear colleagues, I am sharing this Call for Papers circulated on the AIUCD mailing list for the conference “Editopia. On the Future of Documentology and Scholarly Editing in the Post-Digital Age”. Best, Emmanuela Carbé *Call for Papers: Editopia. On the Future of Documentology and Scholarly Editing in the Post-Digital Age* *Conference of the Institute for Documentology and Scholarly Editing (IDE), University of Wuppertal, Germany; 2-4 September 2026. Local organization: Digital Humanities Team (DH@BUW), supported by Interdisciplinary Center for Editing and Document Studies (IZED).What comes after the digital edition?* Digital editions have become an everyday scholarly practice. The critical representation of historical documents is now routinely digital, networked, openly accessible, and simultaneously available in multiple forms of representation. As the analogue–digital debate has largely come to an end, new questions come to the fore. We no longer ask whether digital methods are epistemically justified and viable, but how and to what end they are best used. Alongside persistent or newly emerging technical challenges, other challenges gain prominence in this shift. By way of example: What constitutes “the text” in the post-digital age, where principles of stability and processuality, material transmission and processual data streams, and authority and democratization coexist? How do source criticism and textual criticism and their processes of knowledge generation change under the influence of generative AI when machines act as “first readers” transcribing, interpreting, and annotating documents? Moving beyond its incunabula phase, how will the affordances of digital media shape concepts of publications? Are we moving towards an era of media presentation as a (as we used to say) mash-up or (as it is called now) transclusion of ubiquitously reusable building blocks? What responsibility do editions bear for the authenticity and trustworthiness of the edited material? How can editions be made more open, accessible, and future-proof? Does the edition as a form still persist under these conditions, or does it dissolve? And how might we need to rethink the models and processes that lead to data in the first place? One fundamental observation underlies all these questions: data constitute the content and core of the edition, and data themselves are primarily fluid, processual and networked. On the occasion of its 20th anniversary, the Institute for Documentology and Scholarly Editing (IDE) invites scholars to engage with these questions at the international conference *Editopia*. By post-digital we understand a condition in which digital tools and modes of thinking are no longer conceived primarily in opposition to the analogue, but as the foundation of humanities scholarship and, consequently, as the basis for further-reaching questions. We therefore invite contributions addressing, but not limited to, the following thematic areas: *The Post-Digital Document*. What does materiality mean in the digital realm, from file formats and storage media to infrastructures? Which documentological properties characterize digitized or born-digital sources such as emails, websites, or social media? How do we address versioning, ephemerality, and the processual nature of digital artefacts? What challenges arise from multimodal documents combining text, image, audio, video, and interactive elements? *Identity and Coherence of the Edition*. What constitutes an edition when its components are fluid and networked, or when externally created digital objects are integrated and reused? What roles do authorship, boundaries, closure, and authority play when editions become permanently updatable? What might establish coherence under such conditions, and is coherence still a relevant claim at all? *Scholarly Editing and Artificial Intelligence*. How do machine-based methods transform editorial practice, from automated transcription to annotation and contextualization? Where do they expand possibilities, and where do new dependencies emerge? Which new objectives arise, and which traditional aims may fade from view? How should we deal with machine-generated uncertainty and opacity? What does it mean when AI-generated texts themselves become objects of editing? How can the influence of AI on the emergence and formation of an edition be documented and critically reflected? *Source Criticism, Forensics, and Authentication*. How does source criticism change when documents are created digitally, migrated between media states or data models, and are inherently manipulable? Which methods of provenance research and authentication become necessary? How can trust in digital editions be established, and what responsibilities do editors bear with regard to transparency, traceability, and credibility? *Transmedial Representation and Aesthetics*. How does the edition change between print, screen, and other conceivable digital media? What design possibilities do interactive or immersive formats offer? How does the visual and sensory dimension of digital editions affect not only their use but also the scholarly process of knowledge production? *Labour, Economy, and Institutions*. How can editorial projects be organized between project-based logic and long-term sustainability? Do editions require new business models, and if so, which are compatible with open access and scholarly independence? How do roles and professional profiles change as editions become more collaborative, technical, and data-intensive? How can the entire process of producing an edition be fully documented? Under what conditions is good editorial work possible today? *Community, Accessibility, and Knowledge Transfer.* Who has access to digital editions, and who remains excluded? What do communities such as the TEI community contribute to editorial practice, and where are their limits? How can collaborative modes of work and open infrastructures be designed? How can scholarly editing be taught when digital competencies are assumed, and when documentological foundations as well as other technical skills must be newly conveyed? *Power, Participation, and Responsibility in Editing*. How does community-based knowledge production relate to academic gatekeeping models? How can open workflows democratize editorial decision-making? What may and what should be edited—what ethics of visibility are required? Who edits whom, with what authority—and which new perspectives, for example, gender-sensitive or decolonial approaches, open up alternative paths? What responsibilities do editors bear toward marginalized voices and sensitive content? How is the role of the editor changing? *Theoretical Foundations*. What is a “text” in the post-digital age? How can the concept of the document be redefined between stability and fluidity? What epistemic function does the edition fulfil—what do we produce, what do we represent? How can post-structuralist, neo-materialist, or other theoretical approaches renew scholarly editing? Which concepts of authorship, work, transmission, and document remain viable? These thematic areas are intended as points of orientation. We also welcome proposals that introduce additional perspectives. We invite submissions for *20-minute papers*. Abstracts should comprise 2,000–4,000 characters (including spaces and references) and clearly outline the research question, methodological approach, and expected results. Please also include a short biographical note. The *submission deadline is 22. March 2026*. Notifications of acceptance will be sent by the end of April 2026. Selected contributions are planned for publication in the *SIDE book series*. The conference languages are English and German. Participation is limited to *60 participants*. No conference fee will be charged. Please send abstracts and inquiries to editopia2026(a)i-d-e.de. Conference page: https://editopia2026.i-d-e.de

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