December 2023 - Eadh-topics - lists.digitalhumanities.org

Reimagining Annotation for Multimodal Cultural Heritage Conference - 7 - 9 February 2024 - Rennes (France)
by clarisse bardiot 15 Jan '24

15 Jan '24

Hello Please find below the program for the international conference Reimagining Annotation for Multimodal Cultural Heritage, which I am co-organising with Jacob Hart. The conference will take place from 7 to 9 February at the University of Rennes (France). The majority of participants will be in person. For logistical reasons, please register online before January 19 (limited number of places available in person): https://reimagining-amch.sciencesconf.org/ . It will also be possible to follow the conference on zoom. The conference will be preceded by two workshops at the MSHB on SCENE (the new version of MemoRekall based on IIIF) and on the Distant Viewing Toolkit developed by Lauren Tilton and Taylor Arnold. The event will also mark the launch of the ERC STAGE project. With kind regards Clarisse Bardiot ///// Clarisse Bardiot Professeur des universités en études théâtrales Département des Arts du spectacle Université Rennes 2 Site web http://www.clarissebardiot.info/ <http://www.clarissebardiot.info/> Dernière publication Arts de la scène et humanités numériques. Des traces aux données <https://www.istegroup.com/fr/produit/arts-de-la-scene-et-humanites-numeriqu…> / Performing Arts and Digital Humanities. From Traces to Data. <https://www.istegroup.com/fr/produit/arts-de-la-scene-et-humanites-numeriqu…> 2021. Wiley / Iste. Wednesday 7th February 2024 12:30 Welcome 13:00 - 14:30 Workshop: SCENE Clarisse Bardiot, Jacob Hart, Université Rennes 2 (France) 15:00 - 16:30 Workshop: Distant Viewing Toolkit Lauren Tilton, Taylor Arnold, University of Richmond (USA) 17:00 - 18:30 Opening Keynote: Software for Dancers, Scott deLahunta, Coventry University (UK) Cocktail Thursday 8th February 2024 09:00 Welcome 09:30 - 11:00 Audiovisual Documents Analytics Advene, a Look Back on 20 Years of Video Annotation Instrumentation, Olivier Aubert, Nantes Université (France) Deep Screens and Evocative Surfaces: New Research from The Media Ecology Project and the DEV Lab at Dartmouth, Mark J. Williams, Dartmouth College (USA) Machine Intelligence for Motion Exegesis (MIME): Applying Pose Estimation and Related Technologies to Analyze Archival Performance Recordings, Michael Rau and Peter Broadwell, Stanford University (USA) 11:30 - 13:00 The Temporal Dimensions of Distant Viewing Crossing Borders Archives. The Circulation of Stock Shots in Audiovisual Media, Matteo Treleani, Université Côte d'Azur (France) The Structures of Visual Exchanges, Nicola Carboni, Université de Genève (Switzerland) Using Multidimensional Vector Embeddings to Study Temporal Dimensions of Historical Newsreel Data, Mila Oiva, Tallinn University (Estonia) 14:00 - 15:30 Short Papers AVAnnotate: Creating Scholarly Editions and Exhibits with IIIF and AV Archives, Tanya Clément, the University of Texas at Austin (USA) Bipartite Frame Networks in the Analysis of Film: a Case Study Utilizing Commercial Computer Vision APIS, Nabeel Siddiqui, Susquehanna University (USA) Visualizing Rhythms Through Digital Annotations : Challenges and Issues in the Performing Arts, Théo Heugebaert, Université Rennes 2 (France) The Linked Editing Academic Framework (LEAF) in the Multimodal Annotation Ecosystem, Diane Jakacki, Bucknell University (USA), Susan Brown, University of Guelph (Canada), Michael Ilovan, University of Alberta (Canada) and Luciano Frizzera, Concordia University (Canada) 16:00 - 17:30 IIIF, from Images to Multimodal Corpora Annotations Overview of the IIIF Initiative for Interoperability of Digital Objects on the Web (Image, Audio/Video, 3D), Régis Robineau, Biblissima +, Campus Condorcet (France) From Source Annotation to Scientific Publishing: the PENSE and PerVisum Projects, Jean-Christophe Carius, Juliette Hueber, Chloé Pochon and Bulle Tuil Leonetti, INHA (France) IIIF, a Standard for Multimodal Corpora? The Building of SCENE, Clarisse Bardiot and Jacob Hart, Université Rennes 2 (France) 18:00 - 19:00 Keynote: A Multimodal Turn?: Navigating AI Developments in Digital Humanities. Melvin Wevers, University of Amsterdam (Netherlands) Friday 9th February 2024 09:00 Welcome 09:30 - 11:00 Annotations for Contextualization and Narratives 3D Annotations as Multimodal Storytelling, Øyvind Elde, Kai Michael Niebes, Nadjim Noori, Vyshantha Simha and Elisabeth Reuhl, University of Cologne (Germany) Coding the Encoder: Situating Subjective and Contextual Aspects in High-Level Image Annotations, Delfina Sol Martinez Pandiana, Università di Bologna (Italy) VR & AR Prototypes for Multi-sensory and Haptic Forms of Documentation and Archiving of Digital Art (LeFo Project), Marie-Claude Poulin, University of Applied Arts Vienna (Austria) 11:30 - 13:00 Performing Arts Documentation and Analysis Multimodal Video Annotations as Metadata for Performing Arts Documentation, Carla Fernandes, NOVA University Lisbon (Portugal) Do We Truly Need Another Annotation Tool? Motion Bank’s Software Development as Integral Part of a Digital Approach to Dance Documentation and Research, David Ritterhaus, Hochschule Mainz: University of Applied Sciences. (Germany) Curating Born-Digital Archives at the National Library of France: the Amos Gitai collection’s Case Study, Rime Touil, Bibliothèque nationale de France (France) 14:00 - 15:30 Designing Tools and Workflows by and for Researchers Two Historians' Relationship with Sources in the Digital Age, Luca Federico Cerra and Sean Takats, Université du Luxembourg (Luxembourg) AI Toolkits for the Social Sciences and Humanities: A Closer Look at ModOAP, BaOIA, EyCon, and PictorIA, Julien Schuh, Université Paris Nanterre (France) The Linked Infrastructure for Networked Cultural Scholarship (LINCS): Bridging the Research/Heritage Collection Gap, Susan Brown and Kim Martin, University of Guelph (Canada) 16:00 - 17:30 Perspectives (round table) Chair: Michael Sinatra, Université de Montréal (Canada) Nicolas Larousse, Huma-Num (France) Philippe Effantin, Ouest-Valorisation (France) Arthur Lezer, Le Lab, INA (France) Clarisse Bardiot, Université Rennes 2 (France) Susan Brown, University of Guelph (Canada)

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Third Workshop on Language Technologies for Historical and Ancient Languages (LT4HALA 2024)
by Rachele Sprugnoli 22 Dec '23

22 Dec '23

Dear all, we are glad to inform you that the Third Workshop on Language Technologies for Historical and Ancient Languages (LT4HALA) will be held in Turin (Italy) on May 25 2024, in the context of the LREC COLING 2024 conference. - CFP: https://circse.github.io/LT4HALA/2024/CFP <https://circse.github.io/LT4HALA/2024/CFP> - Deadline: 26 February 2024 - Submission page: https://softconf.com/lrec-coling2024/lt4hala2024/ The workshop will also be the venue of the: - third edition of EvaLatin with two shared tasks: dependency parsing and emotion polarity detection; - third edition of EvaHan with one shared task: Ancient Chinese sentence segmentation and sentence punctuation. For more information: https://circse.github.io/LT4HALA/2024/ <https://circse.github.io/LT4HALA/2024/> Best wishes, Rachele Sprugnoli and Marco Passarotti

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New free to read book - Modelling between Digital and Humanities: Thinking in Practice
by Arianna Ciula 21 Dec '23

21 Dec '23

Dear all, Colleagues in the EADH community contributed extensively to discussions and controversies around the concept and practices of modelling in digital humanities (and related), so I hope some of you will find interesting to read about the belated publication of this co-authored book which is free to download/read: Arianna Ciula, Øyvind Eide, Cristina Marras, and Patrick Sahle *Modelling between Digital and Humanities: Thinking in Practice* Freely available at *https://doi.org/10.11647/OBP.0369 <https://eur03.safelinks.protection.outlook.com/?url=https%3A%2F%2Fdoi.org%2…>* Amongst others, the late EADH member Dino Buzzetti inspired many discussions on modelling so it is a pity not to have him around to deconstruct most of the book content… I hope others can take on the challenge. Best wishes, Arianna Dr Arianna Ciula Director and Senior Analyst | King’s Digital Lab | King's College London | Virginia Woolf Building Room 2.50 | 22 Kingsway | London WC2B 6LE Co-author of *Modelling between Digital and Humanities: Thinking in Practice*, freely available at *https://doi.org/10.11647/OBP.0369 <https://doi.org/10.11647/OBP.0369>* DDI: +44 (0)20 7848 7486 <+442078487486> (Wednesdays) https://www.kdl.kcl.ac.uk | @kingsdigitallab <https://twitter.com/kingsdigitallab> For general enquiries, please contact *kdl-info(a)kcl.ac.uk <kdl-info(a)kcl.ac.uk>* [image: MBDH_23_Signature[24].jpg]

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Job advertisement University of Graz: Project assistant in the field of Machine Learning
by Scholger, Walter (walter.scholger＠uni-graz.at) 19 Dec '23

19 Dec '23

Dear colleagues, I would like to draw your attention to two job advertisements at the Center for Information Modeling (ZIM-ACDH) of the University of Graz in the field of Machine Learning, and ask you to forward them to interested colleagues in your field. For the BMBWF-funded project "Digital Humanities Infrastructure Austria (DH-Infra.at)" we are hiring employees in the field of Machine Learning: Duration: from 01.02.2024 until 30.06.2026 Hours: 20-25 * Project assistant with a doctorate: https://jobs.uni-graz.at/de/jobs/f2b34440-5e99-0d8d-abb7-657c212c18c1 * Project assistant without a doctorate: https://jobs.uni-graz.at/de/jobs/bee485bb-0a74-b020-aa1f-6571ec356ed9 Details on the job profile and application modalities can be found under the specified job advertisement links. Best regards, Walter Scholger Walter Scholger Institutsmanager | Department Manager Zentrum für Informationsmodellierung | Centre for Information Modeling Universität Graz | University of Graz Elisabethstraße 59/III, A-8010 Graz Tel.: +43/(0)316/380 - 2292 E-Mail: walter.scholger(a)uni-graz.at<mailto:walter.scholger@uni-graz.at> Web: https://zim.uni-graz.at<https://zim.uni-graz.at/> [cid:image001.jpg@01DA331F.96FEE1A0]<https://uni-graz.at/>[cid:image003.jpg@01DA328E.182FEDB0]

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[CfP] ESWC 2024 - Ph.D. Symposium
by Web and Publicity ESWC 19 Dec '23

19 Dec '23

(Apologies for cross-posting) Extended Semantic Web Conference (ESWC) is a key academic conference for research results and new developments in the area of the Semantic Web and Knowledge Graphs. ESWC 2024 marks the 21st edition, which will take place from May 26 – 30, 2024, in Heraklion, Greece. ESWC 2024 features a Ph.D. Symposium which will take place May 27th, 2024. Call for Ph.D. Symposium The ESWC 2024 Ph.D. Symposium serves as a vital forum for Ph.D. students involved in Semantic Web and Knowledge Graph research to present their work, connect with peers and established researchers, and gain valuable feedback. The symposium is geared towards supporting students in honing the skills necessary for conducting and promoting their research, providing them with a chance to participate in one of the most important conferences in the Semantic Web domain. The submission categories, Early Stage Ph.D. and Middle/Late Stage Ph.D., don't impact the selection chances but guide reviewers in feedback and presentation format. The symposium offers a mentorship structure, assigning mentors to help students refine their papers and prepare presentations, along with opportunities for networking and discussion during presentations, a Ph.D. mentoring lunch, and other sessions. Overall, the symposium aims to foster collaboration, knowledge exchange, and skill development among Ph.D. students in the Semantic Web research community. Call for submissions for the Ph.D. Symposium: https://2024.eswc-conferences.org/call-for-ph-d-symposium/ Submission Deadline: February 15th, 2024 Notification of Acceptance: March 14th, 2024 Final version: April 25th, 2024 All deadlines are 23:59 anywhere on earth (UTC-12). Ph.D. Symposium Chairs Valentina Presutti, University of Bologna, Italy, valentina.presutti(a)unibo.it Marta Sabou, Vienna University of Economics and Business, Austria, marta.sabou(a)wu.ac.at -- Kind regards, Tabea and Stefano Web and Publicity team of ESWC 2024 https://2024.eswc-conferences.org/

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[CfP] HHAI 2024 - The third International Conference on Hybrid Human-Artificial Intelligence
by Grootjen, Jesse 15 Dec '23

15 Dec '23

Call for Participation: HHAI2024 – The third International Conference on Hybrid Human-Artificial Intelligence June 10-14, 2024, Malmö, Sweden Call for Papers & Call for Workshop and Tutorial Proposals In this message, we shortened each call to their essentials – the full text of each call is available on the website: https://hhai-conference.org/2024/ Hybrid Human-Artificial Intelligence (HHAI) is an international conference series that focuses on the study of Artificial Intelligence systems that cooperate synergistically, proactively and purposefully with humans, amplifying instead of replacing human intelligence. HHAI aims for AI systems that work together with humans, emphasizing the need for adaptive, collaborative, responsible, interactive and human-centered intelligent systems. HHAI systems leverage human strengths and compensate for human weaknesses, while taking into account social, ethical and legal considerations. The HHAI field is driven by developments in AI, but it also requires fundamentally new approaches and solutions. Thus, we encourage collaborations across research domains such as AI, HCI, cognitive and social sciences, philosophy & ethics, complex systems, and others. In this third international conference, we invite scholars from these fields to submit their best original – new as well as in progress – works, and visionary ideas on Hybrid Human-Artificial Intelligence. Call for Papers (Main track) Important dates - Abstract submission: January 26, 2024 - Paper submission: February 2, 2024 - Acceptance notification: March 29, 2024 - Camera-ready version: April 12, 2024 Topics We invite research on different challenges in Hybrid Human-Artificial Intelligence. The following list of topics is illustrative, not exhaustive: - Human-AI interaction and collaboration - Adaptive human-AI co-learning and co-creation - Learning, reasoning and planning with humans and machines in the loop - User modeling and personalisation - Integration of learning and reasoning - Transparent, explainable, and accountable AI - Fair, ethical, responsible, and trustworthy AI - Societal awareness of AI - Multimodal machine perception of real world settings - Social signal processing - Representations learning for Communicative or Collaborative AI - Symbolic and narrative-based representations for human-centric AI - Role of Design and Compositionality of AI systems in Interpretable / Collaborative AI We welcome contributions about all types of technology, from robots and conversational agents to multi-agent systems and machine learning models. Paper types In this conference, we wish to stimulate the exchange of novel ideas and interdisciplinary perspectives. To do this, we will accept three different types of papers: - Full papers present original, impactful work (12 pages excl. references) - Blue sky papers present visionary ideas to stimulate the research community (8 pages excl. references) - Working papers present work in progress (8 pages excl.references) Accepted full papers and Blue sky papers will be published in the Proceedings of the Third International Conference on Hybrid Human-Machine Intelligence, in the Frontiers of AI series by IOS Press. Working papers can be included in these proceedings, unless the authors request the paper to remain unpublished. Work should be submitted in PDF format via Easychair: https://easychair.org/conferences/?conf=hhai2024 Call for Workshop and Tutorial Proposals We invite proposals for two-day, full-day and half-day workshops at HHAI 2024. We also invite tutorials to run alongside the workshops. The workshops and tutorials will form part of the first edition of the HHAI Summer School. The HHAI 2024 workshops and tutorials provide a platform for discussing a topic related to Hybrid Human-Artificial Intelligence with an audience specifically interested in that topic in an informal setting (compared to the main conference). We invite submissions for events that foster cross-disciplinary interaction, scientific discourse, and creative and critical reflection, rather than just being mini-conferences. We offer organizers flexibility on formats that best suit the goals of their event. We also welcome submissions from research communities that may not be prominently featured in AI events and conferences. Important Dates - Workshop and tutorial proposals: January 31, 2024 - Proposal acceptance notification: February 7, 2024 - Deadline for announcing the Call for Contributions to the workshops: February 14, 2024 - Recommended deadline for submissions to the workshops: April 10, 2024 - Recommended deadline for notifications on the submissions: May 2, 2024 - Workshops and tutorials at HHAI2024: June 10-11, 2024 Proposals should be submitted via Easychair: https://easychair.org/conferences/?conf=hhai2024 Location HHAI 2024 will be an in-person, single-track conference, held in Malmö, Sweden on June 10-14, 2024. More information on the venue as well as travel information can be found on the website: https://hhai-conference.org/2024/ Contact information Conference chairs: Frank Dignum (Umeå University, SE), Fabian Lorig (Malmö University, SE), Jason Tucker (Malmö University, SE), and Adam Dahlgren Lindström (Umeå University, SE). Program chairs: Pradeep Murukannaiah (TU Delft, NL), Andreas Theodorou (Umeå University, SE), Pinar Yolum (Utrecht University, NL). Workshop chairs: Petter Ericson (Umeå University, SE), Nina Khairova (Umeå University, SE), Marina de Vos (University of Bath, UK) For questions, you can reach the program chairs at program(a)hhai-conference.org<mailto:program@hhai-conference.org> and the workshop chairs at workshop(a)hhai-conference.org<mailto:workshop@hhai-conference.org> Kind regards, Julian Rasch & Jesse Grootjen Publicity and Social Media Chairs HHAI 2024 https://www.hhai-conference.org/

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[CfP] ESWC 2024 - Industry Track Call for Papers
by Web and Publicity ESWC 15 Dec '23

15 Dec '23

(Apologies for cross-posting) Extended Semantic Web Conference (ESWC) is a key academic conference for research results and new developments in the area of the Semantic Web and Knowledge Graphs. ESWC 2024 marks the 21st edition, which will take place from May 26 – 30, 2024, in Heraklion, Greece. Call for Papers: Industry Track The ESWC 2024 industry track is a forum for exchanging ideas, results, and lessons learned amongst Semantic Web researchers, technologists and product leaders across industry and academia. The goal is to learn from the process of bringing cutting edge Semantic Web research to the state of the art applications and to align current research efforts with existing real world requirements that justify the adoption of novel approaches in the face of otherwise unfeasible challenges. Its primary objectives include identifying application domains of Semantic Web technologies with significant business value, presenting the state of adoption in industry, discussing challenges and potential solutions, and exploring the combination of Semantic Web technologies with other AI disciplines. Successful submissions to the track should highlight real-world deployment experiences, strategic decision-making, and concrete lessons learned, emphasizing the business value and impact of using knowledge graphs and Semantic Web technologies in addressing industrial challenges. The track also welcomes papers reporting "negative" results. Call for papers for the Industry track is available here: https://2024.eswc-conferences.org/call-for-papers-industry-track/ Submission Deadline: March 7th, 2024 Notification of Acceptance: April 4th, 2024 Camera-Ready Paper: April 11th, 2024 All deadlines are 23:59 anywhere on earth (UTC-12). Industry Track Chairs Irene Celino, Cefriel, Italy, irene.celino(a)cefriel.com Artem Revenko, Semantic Web Company, Austria, artem.revenko(a)semantic-web.com -- Kind regards, Tabea and Stefano Web and Publicity team of ESWC 2024 https://2024.eswc-conferences.org/

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Annual Research fellowship at the University of Roma Tor Vergata in Computational Literary Studies
by Fabio Ciotti 14 Dec '23

14 Dec '23

In the context of the research project PRIN 2022 Reading the Italian Novel at a Distance (1830-1930) the selection is open for a Research Fellowship position (one year, possibly renewable) at the University of Rome Tor Vergata. The project aims to conduct distant reading experiments on a corpus of 1000 Italian novels and short story collections, including translations into Italian from other languages, published between 1830 and 1930. Large-scale analyses will be conducted from a synchronic and diachronic perspective using statistical and computational methods. Analyses will focus on the way characters express their thoughts and emotions and on the identification of social changes in the novels under investigation. If you know Italian and Italian literature and feel like studying with me and the rest of the project team how Data Science and Large Language Models like GPT can help us understand literary fiction, please send your application via https://pica.cineca.it/uniroma2/f1-2023-0127/. And hurry, the call for applications expires on 21 December 2023! Fabio Ciotti -- Professor Fabio Ciotti Dept. "Studi letterari, filosofici e di storia dell’arte" University of Roma "Tor Vergata" Chair, European Association for Digital Humanities (EADH) Editor-in-Chief, "Umanistica Digitale" https://umanisticadigitale.unibo.it/ @Fabio_Ciotti @fabiociotti@fedihum.org f.ciotti(a)pec.it

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CfP: 'Historical Arguments and the Digital' Conference, June 2024
by Caitlin BURGE 14 Dec '23

14 Dec '23

Dear all, With apologies for any cross-posting, I am emailing to share a last call for papers for the conference “Historical Arguments and the Digital”, the deadline for which is tomorrow, Friday 15th December 2023, available at https://easychair.org/conferences/?conf=had2024. The plain text version can be found below or on our website, https://historicalarguments.wordpress.com<https://historicalarguments.wordpress.com/>. Any questions or requests for further details can be forwarded to myself (caitlin.burge(a)uni.lu<mailto:caitlin.burge@uni.lu>) or Dr. Anita Lucchesi (anita.lucchesi(a)uni.lu<mailto:anita.lucchesi@uni.lu>). We hope to hear from you! All best wishes, —---- CALL FOR PAPERS —---- Historical Arguments and the Digital University of Luxembourg, 25th-27th June 2024 In 2016, Franco Morretti argued that “somehow digital humanities has managed to secure for itself this endless infancy, in which it is always a future promise.”1 In the years since, little has changed. Whilst there has been exponential growth in the number of resources, tools, and methodological discussions in the digital humanities, there remains limited contribution towards traditional historical narratives implementing these, increasing the apparent gap between DH and traditional history. Terminology in the digital humanities – networks, mapping, modelling – has long been used metaphorically to explore historical phenomenon; yet in digitalizing these ideas, we have gradually moved away from the analytical arguments these phrases were originally used for. The more digital methodologies are separated from traditional approaches – focusing on building without analysing and represented only on ‘digital humanities’ panels in historical conferences – the greater the risk is of becoming increasingly insular and closed-off, “an interdisciplinary silo in which we are only speaking to other displaced scholars.”2 As a result, the digital humanities are often still faced with the ‘so-what’ question: what impact can these new methods and approaches make on historical arguments and how can they advance scholarship? This conference seeks to address the ‘so-what’, promoting conversation as to how new research processes and methodologies might build into and contribute to traditional narratives. Though the building of digital resources and tools are in themselves important analytical and interpretative acts – and are slowly beginning to be recognised as such within the wider humanities – they are also vital building blocks for historical arguments that can exist as exemplars of both digital and traditional scholarship. This conference offers a space to consider how this gap might be closed once more, encouraging historical case studies reflecting on the ways in which digital methodologies have offered a means of exploring historical sources and expanding historical narratives and fostering digital history research questions that push beyond merely the descriptive to the interpretative and analytical. We invite abstracts of 300-500 words for 20-minute papers that demonstrate the argumentative practices of Digital History and the broader historical profession. These may employ any form of methodology or tool under the umbrella of ‘digital history’ examining any historical period across the globe, but must present findings and arguments engaging with and contributing to historical narratives. Papers will be arranged chronologically or by historical theme rather than methodological approach, reframing the focus on the historical contribution once more. Submissions from PhDs and ECRs are very welcome, as are ‘works in progress’, so long as they remain indicative of an historical argument, and are not project proposals or overviews. Abstract deadline: 15th December 2023 Submission Portal: https://easychair.org/conferences/?conf=had2024 For questions or further information, please contact Dr. Caitlin Burge (caitlin.burge(a)uni.lu<mailto:caitlin.burge@uni.lu>) or Dr. Anita Lucchesi (anita.lucchesi(a)uni.lu<mailto:anita.lucchesi@uni.lu>) 1. Melissa Dinsman, “The Digital in the Humanities: An Interview with Franco Moretti.” Los Angeles Review of Books, March 2, 2016. https://lareviewofbof’/s.org/article/the-digital-in-the-humanities-an-inter…. 2. Ruth Ahnert, Sebastian E. Ahnert, Catherine Nicole Coleman and Scott B. Weingart, The Network Turn: Changing Perspectives in the Humanities, (Cambridge: Cambridge University Press, 2020), 88. -- Dr Caitlin Burge Postdoctoral Researcher Luxembourg Centre For Contemporary and Digital History UNIVERSITÉ DU LUXEMBOURG CAMPUS BELVAL Maison des Sciences Humaines 11, Porte des Sciences L-4366 Esch-sur-Alzette T +352 46 66 44 4938 caitlin.burge(a)uni.lu<mailto:caitlin.burge@uni.lu> / https://www.c2dh.uni.lu/people/caitlin-burge DHARPA Project / https://dharpa.org/ Burge, Caitlin, ed. ‘The Correspondence of Thomas Cromwell.’ in Early Modern Letters Online [EMLO], ed. Howard Hotson and Miranda Lewis. http://emlo-portal.bodleian.ox.ac.uk/collections/?catalogue=thomas-cromwell ORCiD<https://orcid.org/0000-0002-3981-7814> / Twitter<https://twitter.com/CaitlinBurge95> / Bluesky<https://bsky.app/profile/caitlinburge.bsky.social>

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Umanistica Digitale 16 (2023) published
by Fabio Ciotti 14 Dec '23

14 Dec '23

Dear colleagues it is with great pleasure that I announce the publication of issue 16 of *Umanistica Digitale* (https://umanisticadigitale.unibo.it/). Table of contents Articles - Masked texts: new tools for the security and linguistic analysis of legal corpora <https://umanisticadigitale.unibo.it/article/view/15608>. Laura Clemenzi, Francesca Fusco, Daniele Fusi, Giulia Lombardi - Enhancing readability and comprehension of medical reports: a comparison between two online text simplification tools <https://umanisticadigitale.unibo.it/article/view/15987>. Ottavia Carlino - History, objects, web. Collections and digital tools for digital public history <https://umanisticadigitale.unibo.it/article/view/16630>. Mara Caron - Reading novels in Einaudi: the case of Natalia Ginzburg. Reading opinions under the scrutiny of Digital Humanities. <https://umanisticadigitale.unibo.it/article/view/16821> Laura Antonietti - Artificial Intelligence in archival and historical scholarship workflow: HTS and ChatGPT <https://umanisticadigitale.unibo.it/article/view/17205>. Salvatore Spina - Modelling The Art Market in The Semantic Web. A Preliminary Analysis <https://umanisticadigitale.unibo.it/article/view/17208>. Manuele Veggi, Francesca Mambelli - Advanced Interface Design for IIIF. A Digital Tool to Explore Image Collections at Different Scales <https://umanisticadigitale.unibo.it/article/view/17230>. Dario Rodighiero, Alberto Romele, José Higuera Rubio, Celeste Pedro, Matteo Azzi, Giorgio Uboldi - A 'distant' reading of *A Muvra*: exploring the autonomist press in the Corsican language through topic modelling <https://umanisticadigitale.unibo.it/article/view/17642>. Deborah Paci, Vincent Sarbach-Pulicani - Judging books from the cover: for a data-base of Renaissance dialogue-forms in Italy <https://umanisticadigitale.unibo.it/article/view/17956>. Elena Bilancia - ChatGPT-4 and Italian Dialects: Assessing Linguistic Competence <https://umanisticadigitale.unibo.it/article/view/18221>. Silvia Lilli Reviews and reports - Review: E. Carbé. 2023. *Digitale d’autore. Macchine, archivi, letterature.* Firenze: Firenze University Press; Siena: USiena Press. <https://umanisticadigitale.unibo.it/article/view/17828> Marco Sartor UD accepts proposals on a continuous basis, but the submission deadline for a proposal to be evaluated for publication in issue 17 (2024) is 31 April 2024. The journal publishes original scientific articles (5-10,000 words), reviews and reports (1-3,500 words) in Italian and English on any topic and field of Digital Humanities. Submissions should be sent to the journal's OJS portal. Details and information on editorial guidelines and standards are available at https://umanisticadigitale.unibo.it/about/submissions. UD is an ANVUR scientific journal in the CUN 10 and 11 areas and Class A Journal in various Sectors ( https://umanisticadigitale.unibo.it/announcement/view/502). UD is indexed in Scopus (https://www.scopus.com/sourceid/21101060465). -- Professor Fabio Ciotti Dept. "Studi letterari, filosofici e di storia dell’arte" University of Roma "Tor Vergata" Chair, European Association for Digital Humanities (EADH) Editor-in-Chief, "Umanistica Digitale" https://umanisticadigitale.unibo.it/ @Fabio_Ciotti @fabiociotti@fedihum.org f.ciotti(a)pec.it

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