[Humanist] 28.902 events: CL for literature; musicology; textual editions; libraries
Humanist Discussion Group
willard.mccarty at mccarty.org.uk
Tue Apr 21 09:26:02 CEST 2015
Humanist Discussion Group, Vol. 28, No. 902.
Department of Digital Humanities, King's College London
Submit to: humanist at lists.digitalhumanities.org
 From: Gabriel Egan <mail at gabrielegan.com> (59)
Subject: Update on ESTS conference
 From: Richard Lewis <richard.lewis at gold.ac.uk> (143)
Subject: CfP: Extended deadline: 2nd Intl. Digital Libraries for
Musicology workshop (DLfM 2015), Knoxville, TN, June 2015
 From: Anna Kazantseva <anna at anna-kazantseva.com> (10)
Subject: Call for Participation: 4th Workshop on Computational
Linguistics for Literature
 From: "Melton, Sarah Van Horn" <smelton at emory.edu> (26)
Subject: 2015 Digital Library Federation
Date: Mon, 20 Apr 2015 10:47:30 +0100
From: Gabriel Egan <mail at gabrielegan.com>
Subject: Update on ESTS conference
The Bibliographical Society has kindly agreed to fund
four "Bibliographical Society Studentships" for
the conference "Users of Scholarly Editions: Editorial
Anticipations of Reading, Studying and Consulting", the
12th annual meeting of the European Society for Textual
Scholarship (ESTS), to be held in Leicester, England,
on 19-21 November 2015.
The Call for Papers for the conference is copied below.
The best four proposals for papers by post-graduate
applicants will each receive a 60 GBP bursary to defray
their costs in attending the conference to give their
papers. Applicants should mention in their proposals that
they are post-graduate students.
"Users of Scholarly Editions: Editorial Anticipations of
Reading, Studying and Consulting"
The 12th Annual Conference of the European Society for
Textual Scholarship (ESTS) will be held at the Centre
for Textual Studies, De Montfort University, Leicester
England 19-21 November 2015
The ESTS returns to Leicester where it was founded in 2001
to stage a major collective investigation into the state
and future of scholarly editing. Our focus is the needs
of users of scholarly editions and proposals for 20 minute
papers are invited on topics such as:
* Are users' needs changing?
* How does edition design shape use?
* Stability in print and digital
* Where are we in the study of mise en page?
* Facsimiles and scholarly editions
* Collaborative and social editing
* Editorial specialization in the digital age
* APIs and mashups versus anticipation
* The logic of annotation
* Is zero the best price point for editions?
* Readers versus users
* Can we assume a general reader'?
* Indexing and annotation versus search
* Editors, publishers and Open Access
* Is technology changing editing?
* Digital editions or digital archives?
* Are editions ever obsolete?
* Scholarly editions versus popular editions
* Any other topic related to the use or users of scholarly editions
Plenary Speaker (subject to confirmation) include:
Hans Walter Gabler (Munich University)
David Greetham (City University of New York)
Tim William Machan (Notre Dame University)
Gary Taylor (Florida State University)
Elaine Treharne (Stanford University)
Andrew Prescott (Glasgow University)
Hands-on workshops will be given on setting movable type,
letterpress printing, and getting started with XML.
Proposals (max 300 words) for 20-minute papers should be emailed to
Prof Gabriel Egan <gegan at dmu.ac.uk> by 15 May 2015
See http://cts.dmu.ac.uk/ESTS for information and registration
Date: Mon, 20 Apr 2015 13:59:03 +0100
From: Richard Lewis <richard.lewis at gold.ac.uk>
Subject: CfP: Extended deadline: 2nd Intl. Digital Libraries for Musicology workshop (DLfM 2015), Knoxville, TN, June 2015
3rd Call for Papers
2nd International Digital Libraries for Musicology workshop (DLfM 2015)
25th June 2015 (full day), Knoxville, TN, USA
co-hosted with the ACM/IEEE Joint Conference on Digital Libraries 2015
Workshop website http://www.transforming-musicology.org/dlfm2015/
Deadline for final papers extended to Sunday 26th April; however draft
papers (at least title, authors, and abstract) must be submitted to
EasyChair by Wednesday 22nd April.
Many Digital Libraries have long offered facilities to provide
multimedia content, including music. However there is now an ever more
urgent need to specifically support the distinct multiple forms of
music, the links between them, and the surrounding scholarly context,
as required by the transformed and extended methods being applied to
musicology and the wider Digital Humanities.
The Digital Libraries for Musicology (DLfM) workshop presents a venue
specifically for those working on, and with, Digital Library systems
and content in the domain of music and musicology. This includes Music
Digital Library systems, their application and use in musicology,
technologies for enhanced access and organisation of musics in Digital
Libraries, bibliographic and metadata for music, intersections with
music Linked Data, and the challenges of working with the multiple
representations of music across large-scale digital collections such
as the Internet Archive and HathiTrust.
Final paper submission deadline: 26th April 2015 (23:59 UTC-11)
Draft paper submission deadline: 22nd April 2015 (23:59 UTC-11)
Notification of acceptance: 22nd May 2015
Registration deadline for one author per paper: To be confirmed
Camera ready submission deadline: 1st June 2015 (14:00 UTC)
DLfM will focus on the implications of music on Digital Libraries and
Digital Libraries research when pushing the boundaries of contemporary
musicology, including the application of techniques as reported in
more technologically oriented fora such as ISMIR and ICMC.
This will be the second edition of DLfM following a very successful
and well received workshop at Digital Libraries 2014, giving an
opportunity for the community to present and discuss developments in
the last year that tackle the agenda that emerged in London. In
particular we encourage participants to consider the theme of the main
conference - "Large, Dynamic and Ubiquitous" - and how this properties
are reflected in Music Digital Libraries and their application to
The workshop objectives are:
- to act as a forum for reporting, presenting, and evaluating this
work and disseminating new approaches to advance the discipline;
- to create a venue for critically and constructively evaluating and
verifying the operation of Music Digital Libraries and the
applications and findings that flow from them;
- to consider the suitability of existing Music Digital Libraries,
particularly in light of the transformative methods and
applications emerging from musicology and "Large, Dynamic, and
Ubiquitous" collections of both audio and music related data;
- to set the agenda for work in the field to address these new
challenges and opportunities.
Topics of interest for the workshop include but are not limited to:
- Music Digital Libraries.
- Digital Libraries in consideration of "Large, Dynamic and
Ubiquitous" collections of audio and music related data.
- Techniques for locating and accessing music in Very Large Digital
Libraries (e.g. HathiTrust, Internet Archive).
- Music data representations, including manuscripts/scores and audio
- Interfaces and access mechanisms for Music Digital Libraries.
- Digital Libraries in support of musicology and other scholarly
study; novel requirements and methodologies therein.
- Digital Libraries for combination of resources in support of
musicology (e.g. combining audio, scores, bibliographic,
geographic, ethnomusicology, performance, etc.)
- User information needs and behaviour for Music Digital Libraries.
Identification/location of music (in all forms) in generic Digital
- Mechanisms for combining multi-form music content within and
between Digital Libraries and other digital resources.
- Information literacies for Music Digital Libraries.
- Metadata and metadata schemas for music.
- Application of Linked Data and Semantic Web techniques to Music
Digital Libraries, and for their access and organisation.
- Optical Music Recognition.
- Ontologies and categorisation of musics and music artefacts.
We invite full papers (up to 8 pages) or short and position papers (up
to 4 pages). Papers will be peer reviewed by 2-3 members of the
Please produce your paper using the ACM template and submit it in
draft to DLfM on EasyChair by 22nd April 2015 and the final version
before 26th April 2015 (see IMPORTANT DATES above).
Accepted papers will be included in our proceedings, which will be
published in the ACM Digital Libraries as part of the ICPS series.
The proceedings of last year's workshop, DLfM 2014, can be found in
the ACM Digital Library at:
All submitted papers must:
- be written in English;
- contain author names, affiliations, and email addresses;
- be formatted according to the ACM SIG Proceedings template with a
Type 1 font no smaller than 9pt;
- be in PDF (make sure that the PDF can be viewed on any platform),
and formatted for A4 size.
It is the authors' responsibility to ensure that their submissions
adhere strictly to the required format. Submissions that do not comply
with the above guidelines may be rejected without review.
Please note that at least one author from each accepted paper must
attend the workshop to present their work, and in addition must be
registered for the workshop by a date, preceding the camera ready
deadline, which will be confirmed in due course (see IMPORTANT DATES
ACM template: http://www.acm.org/sigs/publications/proceedings-templates
Contact email: dlfm2015 at easychair.org
Kevin Page, University of Oxford
Ben Fields, Goldsmiths University of London
Publicity and proceedings
Richard Lewis, Goldsmiths University of London
Richard Chesser, British Library
Rachel Cowgill, University of Huddersfield
Julia Craig-Mcfeely, University of Oxford
Tim Crawford, Goldsmiths University of London
Dave De Roure, University of Oxford
Jürgen Diet, Bavarian State Library
Matthew Dovey, JISC
J. Stephen Downie, University of Illinois
Ichiro Fujinaga, McGill University
Charlie Inskip, University College London
David Lewis, Goldsmiths, University of London
Laurent Pugin, RISM Switzerland
Carolin Rindfleisch, University of Oxford
Mohamed Sordo, Music Technology Group, Universitat Pompeu Fabra
Raffaele Viglianti, University of Maryland
Computing, Goldsmiths' College
t: +44 (0)20 7078 5203
905C D796 12CD 4C6E CBFB 69DA EFCE DCDF 71D7 D455
Date: Mon, 20 Apr 2015 10:34:56 -0400
From: Anna Kazantseva <anna at anna-kazantseva.com>
Subject: Call for Participation: 4th Workshop on Computational Linguistics for Literature
= = = = = = = =
Call for Participation: Fourth Workshop on Computational Linguistics for Literature, Denver, June 4th
= = = = = = = =
We invite all and sundry to the NAACL 2015 workshop on Computational Linguistics for Literature. Everything you want to know about the workshop appears on its site:
There will be six talks, an eight-poster session and two invited talks. Nick Montfort from MIT will tell us about *Exploratory Programming for Literary Work*. Matthew Jockers from UNL will talk about *The (not so) Simple Shape of Stories*.
We expect to be able to offer the student participants several travel grants of $500 each.
We look forward to seeing you in Denver, CO, USA on June 4th.
Anna, Anna, Corina and Stan
Date: Mon, 20 Apr 2015 14:54:48 +0000
From: "Melton, Sarah Van Horn" <smelton at emory.edu>
Subject: 2015 Digital Library Federation
Digital Library Federation Forum
The DLF Forum is an annual meeting where the digital library community comes together to discover better methods of working through sharing and collaboration. It serves as a resource and catalyst among digital library developers, project managers, and all who are invested in digital library issues. The 2015 DLF Forum<http://www.diglib.org/forums/2015forum/> will be held in Vancouver, BC, October 26-28.
We are currently seeking proposals for the 2015 DLF Forum program. The Program Planning Committee requests proposals within the broad framework of digital collections, infrastructure, resources, and organizational priorities. You do not need to be part of a member organization in order to submit a proposal.
The Forum traditionally has no overarching theme so that we can craft a program that speaks to current issues of interest to our community. We depend on contributors to focus proposals on action-oriented topics targeted towards a practitioner audience, considering the aspects of design, management, implementation, assessment, and collaboration.
Suggested topical areas for 2015 include:
* Linked data implementations
* Collaborative digital projects across GLAM institutions
* Innovative approaches to engaging users and reusing data and collections (e.g., data visualization, mapping, crowdsourcing, citizen science)
* Systems architecture, both hardware and code
* Open data, open access, or open educational resources
This is not a prescriptive list; we encourage you to be creative, collaborative, and collegial.
Proposals are due June 22. For more information and to submit your proposal, please visit http://www.diglib.org/forums/2015forum/cfp/
The call for proposals<http://www.diglib.org/forums/2015forum/affiliated-events/dlflac/cfp/> for the DLF Liberal Arts Colleges Preconference<http://www.diglib.org/forums/2015forum/affiliated-events/dlflac/> is also open until June 22.
Please share widely. Apologies for cross-posting.
2015 DLF Forum<http://www.diglib.org/forums/2015forum/>, Vancouver, October 26-28
Call for Proposals<http://www.diglib.org/forums/2015forum/cfp/> â€“ Due June 22
Registration<http://www.diglib.org/forums/2015forum/registration/> â€“ Early bird until May 31
Graduate Institute of the Liberal Arts
Digital Projects Coordinator
Emory Center for Digital Scholarship
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