Dear colleagues, Here is a seminar announcement that may be of interest to some of you. Best regards, Clarisse Bardiot George Bruseker - Takins.solutions Ontologies for Art History: Modelling Creative Processes and Evolving Meanings. 3 novembre, 16h, salle T 233 (hybride) This lecture explores how formal ontologies and semantic data modelling can help art historians represent and connect complex cultural information in ways that go beyond the structuration and mindset imposed by traditional databases. We will examine how such approaches can support expressive and representative research datasets that have much more capacity to capture the complexity and nuance of the historical record while also standing as sus- tainable resources that can be reused across projects and disciplines. I will first reflect on the strengths and limitations of existing standards such as the CIDOC Conceptual Reference Model, now widely used in cultu- ral heritage documentation. I will then introduce two recent ontological frameworks: the Creative Process Representation Ontology (CPRo), which en- ables the modelling of creative activity as it unfolds across processes, forms into documents, is reinterpreted and performed; and the Art and Architectural Argumentation Ontology (AAAo), which provides a way to repre- sent social facts, conventions, and the evolving meaning and valuation of works over time. Throughout, I will illustrate these ideas with examples from art history, showing how they can illuminate not only objects and texts but also the dynamics of events, collaborations, and reception. No prior knowledge of ontologies or data modelling is assumed; the emphasis will be on making these ideas accessible and relevant to historical research on the arts.  George Bruseker is a researcher and practitioner in semantic data modelling and cultural heritage informatics. He is Vice Chair of the CIDOC CRM Special Interest Group and co-founder of Takin.solutions Ltd., where he leads projects on ontological modelling and semantic platforms for heritage data. He is also a Research Affiliate at the Swiss Art Research Infrastructure (SARI). Trained as a philosopher and historian (PhD, University of Athens), Bruseker has contributed extensively to international standards such as CIDOC CRM, Linked.Art, and the Arches platform. His work develops frameworks for representing creative processes, social valuation, and provenance in art history, making complex heritage information more interoperable and reusable across disciplines and time. Seminar L’art des données, les données de l’art – Season 3 As part of the European research project STAGE – From Stage to Data: The Digital Turn of Contemporary Performing Arts Historiography, directed by Clarisse Bardiot, this research seminar offers an in-depth introduction to the issues, concepts, methods, and tools involved in the digital study of texts, images, and cultural data. It aims to address the challenges and opportunities related to the use of digital data in art research – particularly in the developing fields of digital art history and culture analytics – and to show how the digital humanities open new research perspectives in the humanities. The seminar takes place on Mondays from 4 to 6 p.m.: – in person at the Villejean campus of the University of Rennes 2 – or online via Zoom. Registration is required via the following form so that the link can be sent to you. If you have already registered for this event, please do not fill in the form below again. https://docs.google.com/forms/d/e/1FAIpQLScFoa97RsWVtuB0e6Xh9ETNC26lGi1zKPEJ... Sessions will be recorded and made available on the From Stage to Data website: https://stage-to-data.huma-num.fr <https://stage-to-data.huma-num.fr/> <https://stage-to-data.huma-num.fr/> ///// Clarisse Bardiot Professeur des universités en études théâtrales Département des Arts du spectacle Université Rennes 2 Site web http://www.clarissebardiot.info/  <http://www.clarissebardiot.info/> Projet ERC From Stage to Data : https://stage-to-data.huma-num.fr/en/ Dernier livre : Arts de la scène et humanités numériques. Des traces aux données <https://www.istegroup.com/fr/produit/arts-de-la-scene-et-humanites-numeriques> / Performing Arts and Digital Humanities. From Traces to Data. <https://www.istegroup.com/fr/produit/arts-de-la-scene-et-humanites-numeriques> 2021. Wiley / Iste.