Dear fellow DH-ers, we (DH Potsdam) invite youto our fourth 'Code & Culture' online lecture on June 25 (registration form here https://www.uni-potsdam.de/de/digital-humanities/aktivitaeten/code-and-cultu... ). This time it is dedicated to computational research of dialogues in film adaptations of literature, and also oftheir translations to other languages. The speakers are Agata Hołobut and Jan Rybicki, both from the Institute ofEnglish Studies at the Jagiellonian University. Title: With Pride, not Prejudice: on Dialogue in FilmAdaptations of Literature Abstract: The study of film adaptations of literature has gonethrough a variety of approaches from the early evaluative reviews of the 1950s through comparative analyses of the1970s to a more intertextual view of the phenomenon starting with the 1990s. Our research looks both into quantitativeand qualitative discussion of film dialogue and its translations and into the part that words play in film portrayalsof various historical eras. This is especially important in films that adapt (or translate) literature as much of theviewers’ expectations is based on their perception of the literary original; at the same time, modern perception of thenovels’ and films’ historical settings also come into play. Quantitative approaches allow a whole seriesof comparisons between the dialogues of novels and their film “translations” (and into translations of that dialogueinto other languages), from simple percentages of direct usage of dialogue (and narrative) to stylometric analyses ofword frequencies and other linguistic items. But quantitative analysis can also look at visual elements such ascharacter screen time or camera angle; this can then be compared between various adaptations of the same text andbetween the adaptations and the literary text in search for similarities and differences of perspective. We illustrate our research with examples from a variety of adaptations of literature, with particular focus on variousPride and Prejudice films (1940, 2005) and TV miniseries (1980, 1995). Based on selected scenes taken from the fourproductions we show how recycled, reworked and re-vamped fictionalised dialogue interacts with other elements of thefilm’s structure to create different interpretations of apparently identical literary characters. Speakers:Agata Hołobut, Jan Rybicki, Institute of English Studies, Jagiellonian University 🗓️ The talk will take placeonline on June 25 at 18:30 CEST. Please register here to get the Zoom link: https://www.uni-potsdam.de/de/digital-humanities/aktivitaeten/code-and-cultu... This lecture is part of the 'Code & Culture' series https://www.uni-potsdam.de/de/digital-humanities/aktivitaeten/code-and-cultu... of open talks at the Digital Humanities Network Potsdam. Best, Daniil Skorinkin, DH Network Potsdam