[Humanist] 31.88 how not to communicate?

Humanist Discussion Group willard.mccarty at mccarty.org.uk
Wed Jun 7 07:48:30 CEST 2017


                  Humanist Discussion Group, Vol. 31, No. 88.
            Department of Digital Humanities, King's College London
                       www.digitalhumanities.org/humanist
                Submit to: humanist at lists.digitalhumanities.org



        Date: Wed, 7 Jun 2017 06:31:46 +0100
        From: Willard McCarty <willard.mccarty at mccarty.org.uk>
        Subject: what safelinks does


Forgive the lengthy tediousness of the following, but I do think that a 
point needs to be made about the 'safelinks' mechanism and similar 
attempts to protect us from digital dangers at the cost of 
intelligibility. Since you have already received Humanist 31.87, 
detailing the contents of Digital Scholarship in the Humanities for June, 
I'll not repeat it here, only copy below what this message looked like 
when it arrived at this editor's virtual desk -- more than a metaphor 
for censorship, exactly in this minor instance what mindful editorship 
must amount to.

Of course one may argue that the safelinks links are intended for 
display by a browser, which will conceal the mess and show only 
the standard indication that a link is to be followed. But in this I think 
the density of linking interferes with reading, rendering the text into 
a horde of nervous invitations to go elsewhere. The problem exists 
with footnoting (which some authors have struggled to avoid) and 
especially with inline referencing, particularly as used in the sciences. 
Might this be a triumph of exhibition over communication, automated 
in the following? 

Yours,
WM
-----

         [Digital Scholarship in the Humanities] 
[European Association for Digital Humanities] 
[Alliance of Digital Humanities Organizations]

New issue alert

[Digital Scholarship in the Humanities]
Volume 32 Issue 2

June 2017

[...]

Original Articles

On the path to a methodology for the critique of digital 
literature<https://emea01.safelinks.protection.outlook.com/?url=http%3A%2F%2Fclick.skem1.com%2Fclick%2Fgu4i5-aykdnx-67xnuyj0%2F&data=01%7C01%7Cwillard.mccarty%40kcl.ac.uk%7C63ea520bc7bf43613add08d4ad0f3d1b%7C8370cf1416f34c16b83c724071654356%7C0&sdata=Q9wbsQRQLO9%2F2r8IS92EivdWftnGaUA2o%2Bp0ti2bJVw%3D&reserved=0>

Saulo Cunha de Serpa 
Brandão<https://emea01.safelinks.protection.outlook.com/?url=http%3A%2F%2Fclick.skem1.com%2Fclick%2Fgu4i5-aykdny-67xnuyj1%2F&data=01%7C01%7Cwillard.mccarty%40kcl.ac.uk%7C63ea520bc7bf43613add08d4ad0f3d1b%7C8370cf1416f34c16b83c724071654356%7C0&sdata=RcXP4t8Np2VoNyxxoclpG%2BgMqGfsJbm%2BGDDbeXmnh8I%3D&reserved=0>; 
Wander Nunes 
Frota<https://emea01.safelinks.protection.outlook.com/?url=http%3A%2F%2Fclick.skem1.com%2Fclick%2Fgu4i5-aykdnz-67xnuyj2%2F&data=01%7C01%7Cwillard.mccarty%40kcl.ac.uk%7C63ea520bc7bf43613add08d4ad0f3d1b%7C8370cf1416f34c16b83c724071654356%7C0&sdata=0klgg4IFOShL0BNIjpOWnRwqnrvBJTTYEpa%2FOKlPjDE%3D&reserved=0>

Using models of lexical style to quantify free indirect discourse in 
modernist 
fiction<https://emea01.safelinks.protection.outlook.com/?url=http%3A%2F%2Fclick.skem1.com%2Fclick%2Fgu4i5-aykdo0-67xnuyj9%2F&data=01%7C01%7Cwillard.mccarty%40kcl.ac.uk%7C63ea520bc7bf43613add08d4ad0f3d1b%7C8370cf1416f34c16b83c724071654356%7C0&sdata=%2BTQiLGfMpByfcjK0dCVXtccBy8kFe4lI1auoWNilzKc%3D&reserved=0>

Julian 
Brooke<https://emea01.safelinks.protection.outlook.com/?url=http%3A%2F%2Fclick.skem1.com%2Fclick%2Fgu4i5-aykdo1-67xnuyj0%2F&data=01%7C01%7Cwillard.mccarty%40kcl.ac.uk%7C63ea520bc7bf43613add08d4ad0f3d1b%7C8370cf1416f34c16b83c724071654356%7C0&sdata=Ci8qm%2FYCG6NXA%2FbmmKLISYqQrQS7iIMi%2FU11XWDdHIw%3D&reserved=0>; 
Adam 
Hammond<https://emea01.safelinks.protection.outlook.com/?url=http%3A%2F%2Fclick.skem1.com%2Fclick%2Fgu4i5-aykdo2-67xnuyj1%2F&data=01%7C01%7Cwillard.mccarty%40kcl.ac.uk%7C63ea520bc7bf43613add08d4ad0f3d1b%7C8370cf1416f34c16b83c724071654356%7C0&sdata=Mdj%2FaYvV1CESnz3njjti%2Fe8Lfe%2FH9aOfgy1V0THdd9Q%3D&reserved=0>; 
Graeme 
Hirst<https://emea01.safelinks.protection.outlook.com/?url=http%3A%2F%2Fclick.skem1.com%2Fclick%2Fgu4i5-aykdo3-67xnuyj2%2F&data=01%7C01%7Cwillard.mccarty%40kcl.ac.uk%7C63ea520bc7bf43613add08d4ad0f3d1b%7C8370cf1416f34c16b83c724071654356%7C0&sdata=2eGFdgHy1DGQ1hZjSlzcEPojW5c4rhAHVDNuVSo4hAE%3D&reserved=0>

EMAG: An extended multimodal attribute grammar for behavioural 
features<https://emea01.safelinks.protection.outlook.com/?url=http%3A%2F%2Fclick.skem1.com%2Fclick%2Fgu4i5-aykdo4-67xnuyj3%2F&data=01%7C01%7Cwillard.mccarty%40kcl.ac.uk%7C63ea520bc7bf43613add08d4ad0f3d1b%7C8370cf1416f34c16b83c724071654356%7C0&sdata=DVYqnuTInWeCVQ%2BxkpSFRTLE7ZdQ%2Fd%2BagMxlgh8%2F9Xw%3D&reserved=0>

Alessia 
D’Andrea<https://emea01.safelinks.protection.outlook.com/?url=http%3A%2F%2Fclick.skem1.com%2Fclick%2Fgu4i5-aykdo5-67xnuyj4%2F&data=01%7C01%7Cwillard.mccarty%40kcl.ac.uk%7C63ea520bc7bf43613add08d4ad0f3d1b%7C8370cf1416f34c16b83c724071654356%7C0&sdata=dgNkanHbbWqfJ5y6Eweh0FuJ%2B0at65VsOLB5V5RlPNY%3D&reserved=0>; 
Arianna 
D’Ulizia<https://emea01.safelinks.protection.outlook.com/?url=http%3A%2F%2Fclick.skem1.com%2Fclick%2Fgu4i5-aykdo6-67xnuyj5%2F&data=01%7C01%7Cwillard.mccarty%40kcl.ac.uk%7C63ea520bc7bf43613add08d4ad0f3d1b%7C8370cf1416f34c16b83c724071654356%7C0&sdata=hGvkDqFehBFbGwlH0sQxDLMN8MAd8QuexEgrlwlZrPw%3D&reserved=0>; 
Fernando 
Ferri<https://emea01.safelinks.protection.outlook.com/?url=http%3A%2F%2Fclick.skem1.com%2Fclick%2Fgu4i5-aykdo7-67xnuyj6%2F&data=01%7C01%7Cwillard.mccarty%40kcl.ac.uk%7C63ea520bc7bf43613add08d4ad0f3d1b%7C8370cf1416f34c16b83c724071654356%7C0&sdata=oq1YWfpurn7KB0fSPb3DUCQjwCqwiDIWUsTN1hF38AQ%3D&reserved=0>; 
Patrizia 
Grifoni<https://emea01.safelinks.protection.outlook.com/?url=http%3A%2F%2Fclick.skem1.com%2Fclick%2Fgu4i5-aykdo8-67xnuyj7%2F&data=01%7C01%7Cwillard.mccarty%40kcl.ac.uk%7C63ea520bc7bf43613add08d4ad0f3d1b%7C8370cf1416f34c16b83c724071654356%7C0&sdata=B4qxA%2BX6ruqthT9gKC7p6cifuP5Om0kzzSAfeapccM4%3D&reserved=0>

A quantitative close analysis of a theatre video 
recording<https://emea01.safelinks.protection.outlook.com/?url=http%3A%2F%2Fclick.skem1.com%2Fclick%2Fgu4i5-aykdo9-67xnuyj8%2F&data=01%7C01%7Cwillard.mccarty%40kcl.ac.uk%7C63ea520bc7bf43613add08d4ad0f3d1b%7C8370cf1416f34c16b83c724071654356%7C0&sdata=7VwK%2FwFnzy8wrWuCNWur1YltygFFDEIVGr4qjfUiAcA%3D&reserved=0>

Miguel Escobar 
Varela<https://emea01.safelinks.protection.outlook.com/?url=http%3A%2F%2Fclick.skem1.com%2Fclick%2Fgu4i5-aykdoa-67xnuyj8%2F&data=01%7C01%7Cwillard.mccarty%40kcl.ac.uk%7C63ea520bc7bf43613add08d4ad0f3d1b%7C8370cf1416f34c16b83c724071654356%7C0&sdata=B45MzWGtFh9m7nh7Mz%2F8nMJaYclPn0etN3qFqHGxHBg%3D&reserved=0>; 
Gea Oswah Fatah 
Parikesit<https://emea01.safelinks.protection.outlook.com/?url=http%3A%2F%2Fclick.skem1.com%2Fclick%2Fgu4i5-aykdob-67xnuyj9%2F&data=01%7C01%7Cwillard.mccarty%40kcl.ac.uk%7C63ea520bc7bf43613add08d4ad0f3d1b%7C8370cf1416f34c16b83c724071654356%7C0&sdata=yG6uPBrxkd%2FQdjaZ%2BN5sPktIggPTqZ45IiNVxnP%2F2r4%3D&reserved=0>

ProppLearner : Deeply annotating a corpus of Russian folktales to enable 
the machine learning of a Russian formalist 
theory[border=]<https://emea01.safelinks.protection.outlook.com/?url=http%3A%2F%2Fclick.skem1.com%2Fclick%2Fgu4i5-aykdoc-67xnuyj0%2F&data=01%7C01%7Cwillard.mccarty%40kcl.ac.uk%7C63ea520bc7bf43613add08d4ad0f3d1b%7C8370cf1416f34c16b83c724071654356%7C0&sdata=oXG2rkbhqfAPsyGNuwpVFjpkA71b%2Biu47d5Detjjydw%3D&reserved=0>

Mark A. 
Finlayson<https://emea01.safelinks.protection.outlook.com/?url=http%3A%2F%2Fclick.skem1.com%2Fclick%2Fgu4i5-aykdod-67xnuyj1%2F&data=01%7C01%7Cwillard.mccarty%40kcl.ac.uk%7C63ea520bc7bf43613add08d4ad0f3d1b%7C8370cf1416f34c16b83c724071654356%7C0&sdata=m%2Bs1So%2F4%2Fnvleu%2FAeq9bwsUXKobhzi0ZSc4InGuJ7aw%3D&reserved=0>

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The small-world of ‘Le Petit Prince’: Revisiting the word frequency 
distribution<https://emea01.safelinks.protection.outlook.com/?url=http%3A%2F%2Fclick.skem1.com%2Fclick%2Fgu4i5-aykdoe-67xnuyj2%2F&data=01%7C01%7Cwillard.mccarty%40kcl.ac.uk%7C63ea520bc7bf43613add08d4ad0f3d1b%7C8370cf1416f34c16b83c724071654356%7C0&sdata=OT17qWC2UzSPvjmudd%2FJFotNegVwMpgay%2FhBMxtK2hA%3D&reserved=0>

Daniel 
Gamermann<https://emea01.safelinks.protection.outlook.com/?url=http%3A%2F%2Fclick.skem1.com%2Fclick%2Fgu4i5-aykdof-67xnuyj3%2F&data=01%7C01%7Cwillard.mccarty%40kcl.ac.uk%7C63ea520bc7bf43613add08d4ad0f3d1b%7C8370cf1416f34c16b83c724071654356%7C0&sdata=dkDUnRoiTyZOTwMp4jCozz8x2gVjaB%2BehnF8O4M4vZo%3D&reserved=0>; 
Carmen 
Moret-Tatay<https://emea01.safelinks.protection.outlook.com/?url=http%3A%2F%2Fclick.skem1.com%2Fclick%2Fgu4i5-aykdog-67xnuyj4%2F&data=01%7C01%7Cwillard.mccarty%40kcl.ac.uk%7C63ea520bc7bf43613add08d4ad0f3d1b%7C8370cf1416f34c16b83c724071654356%7C0&sdata=Hk7jTChaLYq%2BKfcSoE%2Fc0k6zJ7nIXmFhR61rFyCX6b8%3D&reserved=0>; 
Esperanza 
Navarro-Pardo<https://emea01.safelinks.protection.outlook.com/?url=http%3A%2F%2Fclick.skem1.com%2Fclick%2Fgu4i5-aykdoh-67xnuyj5%2F&data=01%7C01%7Cwillard.mccarty%40kcl.ac.uk%7C63ea520bc7bf43613add08d4ad0f3d1b%7C8370cf1416f34c16b83c724071654356%7C0&sdata=5NT6gMQQj0myNvQ13A8n7rQMDuIpxaXlGA35U8cExrA%3D&reserved=0>; 
Pedro Fernandez de Córdoba 
Castellá<https://emea01.safelinks.protection.outlook.com/?url=http%3A%2F%2Fclick.skem1.com%2Fclick%2Fgu4i5-aykdoi-67xnuyj6%2F&data=01%7C01%7Cwillard.mccarty%40kcl.ac.uk%7C63ea520bc7bf43613add08d4ad0f3d1b%7C8370cf1416f34c16b83c724071654356%7C0&sdata=HYdvFuPfkNjD87xBJgqwXHRE5HQQxvF0OExLDR79UbM%3D&reserved=0>

Operationalizing the colloquial style: Repetition in 19th-century 
American 
fiction<https://emea01.safelinks.protection.outlook.com/?url=http%3A%2F%2Fclick.skem1.com%2Fclick%2Fgu4i5-aykdoj-67xnuyj7%2F&data=01%7C01%7Cwillard.mccarty%40kcl.ac.uk%7C63ea520bc7bf43613add08d4ad0f3d1b%7C8370cf1416f34c16b83c724071654356%7C0&sdata=Kxv%2BKV3y9%2Byp92Em7MzEHY%2Fu0Hu2GqN3%2FbO%2BvZxURvs%3D&reserved=0>

Marissa 
Gemma<https://emea01.safelinks.protection.outlook.com/?url=http%3A%2F%2Fclick.skem1.com%2Fclick%2Fgu4i5-aykdok-67xnuyj8%2F&data=01%7C01%7Cwillard.mccarty%40kcl.ac.uk%7C63ea520bc7bf43613add08d4ad0f3d1b%7C8370cf1416f34c16b83c724071654356%7C0&sdata=H9Z6sNwy0cyIZKRCbWP3d9bsWB0BCRZV9QgQL2YJMmQ%3D&reserved=0>; 
Frédéric 
Glorieux<https://emea01.safelinks.protection.outlook.com/?url=http%3A%2F%2Fclick.skem1.com%2Fclick%2Fgu4i5-aykdol-67xnuyj9%2F&data=01%7C01%7Cwillard.mccarty%40kcl.ac.uk%7C63ea520bc7bf43613add08d4ad0f3d1b%7C8370cf1416f34c16b83c724071654356%7C0&sdata=ZJAN4IdIcQXXt5bUlB77%2FVZ%2FMD5jlcZNtAo4nXtlup8%3D&reserved=0> 
; Jean-Gabriel 
Ganascia<https://emea01.safelinks.protection.outlook.com/?url=http%3A%2F%2Fclick.skem1.com%2Fclick%2Fgu4i5-aykdom-67xnuyj0%2F&data=01%7C01%7Cwillard.mccarty%40kcl.ac.uk%7C63ea520bc7bf43613add08d4ad0f3d1b%7C8370cf1416f34c16b83c724071654356%7C0&sdata=G7QddXCWLvi8ZC31a%2FwRui0tEPIAFC7yK3BlOAk5U44%3D&reserved=0>

Using social network analysis to reveal unseen relationships in medieval 
Scotland<https://emea01.safelinks.protection.outlook.com/?url=http%3A%2F%2Fclick.skem1.com%2Fclick%2Fgu4i5-aykdon-67xnuyj1%2F&data=01%7C01%7Cwillard.mccarty%40kcl.ac.uk%7C63ea520bc7bf43613add08d4ad0f3d1b%7C8370cf1416f34c16b83c724071654356%7C0&sdata=1oUbWPmLs7ZsHdl4LVZJkShZW%2FmR644o%2FEgsR1TcSmc%3D&reserved=0>

Cornell 
Jackson<https://emea01.safelinks.protection.outlook.com/?url=http%3A%2F%2Fclick.skem1.com%2Fclick%2Fgu4i5-aykdoo-67xnuyj2%2F&data=01%7C01%7Cwillard.mccarty%40kcl.ac.uk%7C63ea520bc7bf43613add08d4ad0f3d1b%7C8370cf1416f34c16b83c724071654356%7C0&sdata=ukjFFsXFQlOOAcE4rbWPAGWa1y2Tea%2B%2BAVNAxU1KH5g%3D&reserved=0>

Visualizing computational, transversal narratives from the World Trade 
Towers<https://emea01.safelinks.protection.outlook.com/?url=http%3A%2F%2Fclick.skem1.com%2Fclick%2Fgu4i5-aykdop-67xnuyj3%2F&data=01%7C01%7Cwillard.mccarty%40kcl.ac.uk%7C63ea520bc7bf43613add08d4ad0f3d1b%7C8370cf1416f34c16b83c724071654356%7C0&sdata=E3yhp16HVCJOerq9A1v2emVJvNmgYdDmpT8I%2FLM3MOU%3D&reserved=0>

Ben 
Miller<https://emea01.safelinks.protection.outlook.com/?url=http%3A%2F%2Fclick.skem1.com%2Fclick%2Fgu4i5-aykdoq-67xnuyj4%2F&data=01%7C01%7Cwillard.mccarty%40kcl.ac.uk%7C63ea520bc7bf43613add08d4ad0f3d1b%7C8370cf1416f34c16b83c724071654356%7C0&sdata=bAehLIj9YyT69vX1g9W1Snjudx90uzZG9wpQQtxewbM%3D&reserved=0>; 
Ayush 
Shrestha<https://emea01.safelinks.protection.outlook.com/?url=http%3A%2F%2Fclick.skem1.com%2Fclick%2Fgu4i5-aykdor-67xnuyj5%2F&data=01%7C01%7Cwillard.mccarty%40kcl.ac.uk%7C63ea520bc7bf43613add08d4ad0f3d1b%7C8370cf1416f34c16b83c724071654356%7C0&sdata=Lry0Wo0ul92AZ9%2B0h47qPO7GOY7g7jrjfR6rJOY4mAs%3D&reserved=0> 
; Jennifer 
Olive<https://emea01.safelinks.protection.outlook.com/?url=http%3A%2F%2Fclick.skem1.com%2Fclick%2Fgu4i5-aykdos-67xnuyj6%2F&data=01%7C01%7Cwillard.mccarty%40kcl.ac.uk%7C63ea520bc7bf43613add08d4ad0f3d1b%7C8370cf1416f34c16b83c724071654356%7C0&sdata=X2sCQ%2FJ4YuafD5lYRA4U%2FCooTSmzoIspnngUvk8wZlE%3D&reserved=0>

The character in the letter: Epistolary attribution in Samuel 
Richardson’s 
Clarissa<https://emea01.safelinks.protection.outlook.com/?url=http%3A%2F%2Fclick.skem1.com%2Fclick%2Fgu4i5-aykdot-67xnuyj7%2F&data=01%7C01%7Cwillard.mccarty%40kcl.ac.uk%7C63ea520bc7bf43613add08d4ad0f3d1b%7C8370cf1416f34c16b83c724071654356%7C0&sdata=Ja5gV2o28N3vdeYq1IDHgsD8EQVMGAW9q5za4vNN3S8%3D&reserved=0>

Lisa 
Pearl<https://emea01.safelinks.protection.outlook.com/?url=http%3A%2F%2Fclick.skem1.com%2Fclick%2Fgu4i5-aykdou-67xnuyj8%2F&data=01%7C01%7Cwillard.mccarty%40kcl.ac.uk%7C63ea520bc7bf43613add08d4ad0f3d1b%7C8370cf1416f34c16b83c724071654356%7C0&sdata=5d346rSu7EP9d%2FwxtMNQ2rLwfs%2BSAlfWyDhHFsY6U%2BI%3D&reserved=0> 
; Kristine 
Lu<https://emea01.safelinks.protection.outlook.com/?url=http%3A%2F%2Fclick.skem1.com%2Fclick%2Fgu4i5-aykdov-67xnuyj9%2F&data=01%7C01%7Cwillard.mccarty%40kcl.ac.uk%7C63ea520bc7bf43613add08d4ad0f3d1b%7C8370cf1416f34c16b83c724071654356%7C0&sdata=wgd0PxG3EQAf8bm5WZEqB5c40RoPIz3XP0CohUmM2nc%3D&reserved=0>; 
Anousheh 
Haghighi<https://emea01.safelinks.protection.outlook.com/?url=http%3A%2F%2Fclick.skem1.com%2Fclick%2Fgu4i5-aykdow-67xnuyj0%2F&data=01%7C01%7Cwillard.mccarty%40kcl.ac.uk%7C63ea520bc7bf43613add08d4ad0f3d1b%7C8370cf1416f34c16b83c724071654356%7C0&sdata=fCOkmXgauOZ30SYWaWDVK9WDHVncCc4suNcMqNItBSs%3D&reserved=0>

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Other worlds, other DHs: Notes towards a DH 
accent<https://emea01.safelinks.protection.outlook.com/?url=http%3A%2F%2Fclick.skem1.com%2Fclick%2Fgu4i5-aykdox-67xnuyj1%2F&data=01%7C01%7Cwillard.mccarty%40kcl.ac.uk%7C63ea520bc7bf43613add08d4ad0f3d1b%7C8370cf1416f34c16b83c724071654356%7C0&sdata=S0%2BUrOnjIwUe4lH3YHtWmFfnSRa4PvwaHvWSUejaV2A%3D&reserved=0>

Roopika 
Risam<https://emea01.safelinks.protection.outlook.com/?url=http%3A%2F%2Fclick.skem1.com%2Fclick%2Fgu4i5-aykdoy-67xnuyj2%2F&data=01%7C01%7Cwillard.mccarty%40kcl.ac.uk%7C63ea520bc7bf43613add08d4ad0f3d1b%7C8370cf1416f34c16b83c724071654356%7C0&sdata=ktJPcHspihbfuXinf%2F0zCQGCJbDDbxeQE%2F8FN2qLpQ8%3D&reserved=0>

The Adventures of Huckleberry Finn and Jim in China: A case of what 
Corpus Pragmatics can do for the translation of 
dialect<https://emea01.safelinks.protection.outlook.com/?url=http%3A%2F%2Fclick.skem1.com%2Fclick%2Fgu4i5-aykdoz-67xnuyj3%2F&data=01%7C01%7Cwillard.mccarty%40kcl.ac.uk%7C63ea520bc7bf43613add08d4ad0f3d1b%7C8370cf1416f34c16b83c724071654356%7C0&sdata=T0dAkOVrLeoPJ%2FDg2wO2CyCQPRqp9FpGLVk5s%2FXPpfA%3D&reserved=0>

José Manuel Rodríguez 
Herrera<https://emea01.safelinks.protection.outlook.com/?url=http%3A%2F%2Fclick.skem1.com%2Fclick%2Fgu4i5-aykdp0-67xnuyj0%2F&data=01%7C01%7Cwillard.mccarty%40kcl.ac.uk%7C63ea520bc7bf43613add08d4ad0f3d1b%7C8370cf1416f34c16b83c724071654356%7C0&sdata=Fyq91t4u1MS0EzP9iiTe1Ch7q805u%2BSmjEy0cLZDH2w%3D&reserved=0>

Mapping the Geography of Karl Marx’s 
Capital<https://emea01.safelinks.protection.outlook.com/?url=http%3A%2F%2Fclick.skem1.com%2Fclick%2Fgu4i5-aykdp1-67xnuyj1%2F&data=01%7C01%7Cwillard.mccarty%40kcl.ac.uk%7C63ea520bc7bf43613add08d4ad0f3d1b%7C8370cf1416f34c16b83c724071654356%7C0&sdata=tg8%2BliZzCVQpU32DFQcCXD5AVpovWmX6MwxgnRvPRYM%3D&reserved=0>

Jacob 
Shell<https://emea01.safelinks.protection.outlook.com/?url=http%3A%2F%2Fclick.skem1.com%2Fclick%2Fgu4i5-aykdp2-67xnuyj2%2F&data=01%7C01%7Cwillard.mccarty%40kcl.ac.uk%7C63ea520bc7bf43613add08d4ad0f3d1b%7C8370cf1416f34c16b83c724071654356%7C0&sdata=Y7yW6UQNTC7TM0zem0FLqZRQnCWELPOATWYCsiknlI0%3D&reserved=0>

Modeling and representing dramatic situations as paradoxical 
structures<https://emea01.safelinks.protection.outlook.com/?url=http%3A%2F%2Fclick.skem1.com%2Fclick%2Fgu4i5-aykdp3-67xnuyj3%2F&data=01%7C01%7Cwillard.mccarty%40kcl.ac.uk%7C63ea520bc7bf43613add08d4ad0f3d1b%7C8370cf1416f34c16b83c724071654356%7C0&sdata=NmYXhxEdQidLFjVcsDX8gfsAxZglh65yf1MptmIEn7M%3D&reserved=0>

Nicolas 
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What remains to be done—Exposing invisible collections in the other 
7,000 languages and why it is a DH 
enterprise<https://emea01.safelinks.protection.outlook.com/?url=http%3A%2F%2Fclick.skem1.com%2Fclick%2Fgu4i5-aykdp5-67xnuyj5%2F&data=01%7C01%7Cwillard.mccarty%40kcl.ac.uk%7C63ea520bc7bf43613add08d4ad0f3d1b%7C8370cf1416f34c16b83c724071654356%7C0&sdata=G3bywim34kpTAgUtEqgsPQedLbraMjqFefXYu2HEMzs%3D&reserved=0>

Nick 
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An application of a profile-based method for authorship verification: 
Investigating the authenticity of Pliny the Younger's letter to Trajan 
concerning the 
Christians<https://emea01.safelinks.protection.outlook.com/?url=http%3A%2F%2Fclick.skem1.com%2Fclick%2Fgu4i5-aykdp7-67xnuyj7%2F&data=01%7C01%7Cwillard.mccarty%40kcl.ac.uk%7C63ea520bc7bf43613add08d4ad0f3d1b%7C8370cf1416f34c16b83c724071654356%7C0&sdata=SAb1jMtHxRVLZRKANOHCqC4UM%2FNNIrPJ%2BHXPy5kzyug%3D&reserved=0>

Enrico 
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Reconciling the dynamics of language with a grammar handbook: The 
ongoing Pedalion grammar 
project<https://emea01.safelinks.protection.outlook.com/?url=http%3A%2F%2Fclick.skem1.com%2Fclick%2Fgu4i5-aykdp9-67xnuyj9%2F&data=01%7C01%7Cwillard.mccarty%40kcl.ac.uk%7C63ea520bc7bf43613add08d4ad0f3d1b%7C8370cf1416f34c16b83c724071654356%7C0&sdata=2fioW8IMxYAAGgxw4dDgpWEqUVK0ZLFqu08jVfkjKNI%3D&reserved=0>

Toon Van 
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Yannick 
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Book Reviews

Pax Technica: How the Internet of things may set us free or lock us up. 
Philip N. 
Howard.<https://emea01.safelinks.protection.outlook.com/?url=http%3A%2F%2Fclick.skem1.com%2Fclick%2Fgu4i5-aykdpc-67xnuyj1%2F&data=01%7C01%7Cwillard.mccarty%40kcl.ac.uk%7C63ea520bc7bf43613add08d4ad0f3d1b%7C8370cf1416f34c16b83c724071654356%7C0&sdata=WCYVGRYm%2Fkv8ZYxoV1kzsZ26WlykfZDi%2BpP5FsRp1Ag%3D&reserved=0>

Joseph 
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Digital Classics outside the echo-chamber: Teaching, Knowledge Exchange 
& Public Engagement, Gabriel Bodard and Matteo Romanello 
(eds).<https://emea01.safelinks.protection.outlook.com/?url=http%3A%2F%2Fclick.skem1.com%2Fclick%2Fgu4i5-aykdpe-67xnuyj3%2F&data=01%7C01%7Cwillard.mccarty%40kcl.ac.uk%7C63ea520bc7bf43613add08d4ad0f3d1b%7C8370cf1416f34c16b83c724071654356%7C0&sdata=mWNLhHHuI2QxtMSerlWp41V2squKBy6ARGU8Q69jBos%3D&reserved=0>

Espen S. 
Ore<https://emea01.safelinks.protection.outlook.com/?url=http%3A%2F%2Fclick.skem1.com%2Fclick%2Fgu4i5-aykdpf-67xnuyj4%2F&data=01%7C01%7Cwillard.mccarty%40kcl.ac.uk%7C63ea520bc7bf43613add08d4ad0f3d1b%7C8370cf1416f34c16b83c724071654356%7C0&sdata=wHx31SWKmzi%2BjcYIIBLqg6agr0nV9GUEmu05n2NI%2BZA%3D&reserved=0>

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-- 
Willard McCarty (www.mccarty.org.uk/), Professor, Department of Digital
Humanities, King's College London; Adjunct Professor, Western Sydney
University and North Carolina State University; Editor,
Interdisciplinary Science Reviews (www.tandfonline.com/loi/yisr20)




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