[Humanist] 29.451 pubs: modernism & digital humanities cfp

Humanist Discussion Group willard.mccarty at mccarty.org.uk
Wed Nov 4 07:43:22 CET 2015


                 Humanist Discussion Group, Vol. 29, No. 451.
            Department of Digital Humanities, King's College London
                       www.digitalhumanities.org/humanist
                Submit to: humanist at lists.digitalhumanities.org



        Date: Tue, 3 Nov 2015 09:30:28 -0600
        From: Shawna Ross <shawnaross1 at gmail.com>
        Subject: CFP: Cluster on Modernist Digital Humanities for Modernism/modernity


From Practice to Theory: A Forum on the Future of Modernism and Digital
Humanities

We are seeking argumentative position papers for “From Practice to Theory:
A Forum on the Future of Digital Humanities and Modernist Studies,” a
prospective peer-reviewed cluster for the Modernism/modernity Print-Plus
Platform.

From digital archives (The Modernist Journals Project, Modernist Magazines
Project, Modernist Versions Project, the Modernism Lab) to digital
production platforms (Modernist Commons); from experimental reading
practices (Infinite Ulysses, The Hypertext Waste Land) to recovery projects
(Orlando, The Modernist Archives Publishing Project), scholarship in
modernism has been at the forefront of digital humanities practice. As the
twentieth anniversary of the Modernist Journals Project approaches, such
scholarship is ceasing to be a novelty, and it appears that a distinctive
digital humanities particularly of and for modernism could emerge. Given
that this is a moment of transition in modes of scholarly research, what
could this modernist digital humanities look like?

This cluster will theorize emergent or possible relationships between
modernism and the digital humanities and seeks to consider recent digital
projects and/or scholarship in order to distil original theses about “the
modernist digital humanities.” Why does it seem so productive to use
digital humanities methods to explore modernism? Are the digital humanities
reinventing or rebooting a kind of modernism? What new models of modernism
could emerge out of our engagement with digital tools?

Papers might address:

·       Definitions of digital humanities tailored for modernism

·       Definitions of modernism as seen through the lens of digital
humanities

·       New genres or types of modernist digital humanities scholarship

·       The modernist roots of contemporary digital cultures

·       The limits of digital humanities for understanding modernism

·       Barriers or threats to digital scholarship, especially those
specific to modernist studies

·       The political affordances—or blindnesses—of digital humanities in
addressing questions of gender, sexuality, race, empire, class, religion,
etc

·       The economic or vocational contexts of digital scholarship,
including literal costs and the question of professionalization in a
difficult job market

·       The relationship between modernist digital scholarship and pedagogy

Preference will be given to polemical essays that reflect upon the position
of digital humanities within modernist scholarship. Readings or examples
from modernist art and literature should primarily be used in the service
of this larger thesis, not as ends in and of themselves.

Please submit abstracts of 400 words Shawna Ross (shawnaross at tamu.edu) by
December 15, 2015. The Print Plus Platform is an online environment, and we
welcome and encourage electronic supplements to your writing (data, images,
film, code, demo). Full essays of 3,000 words are due by March 1, 2016.

-- 
Shawna Ross
Assistant Professor, Texas A&M University
Digital Tools and Project Editor, *Digital Literary Studies*





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